Here are 72 books that A Double Life fans have personally recommended if you like
A Double Life.
Shepherd is a community of 11,000+ authors and super readers sharing their favorite books with the world.
Shepherd is reader supported. When you buy books, we may earn an affiliate commission.
I’m a novelist with a PhD in Literature from NYU. My background is Modern British, and I’ve always been drawn to literary stylists. But, over the years, I’ve developed a passion for reading and writing novels that deal with themes of betrayal either within families or between close friends. I’m drawn to domestic suspense in which the characters’ psychological growth isn’t secondary to the plot.
This book by Celeste Ng is one of my favorite novels. It’s a beautifully told literary mystery that examines the lives of the five members of the Lee family. Ng masterfully writes from several points of view while unraveling the narrative that led to the death of the oldest Lee daughter by drowning. Was it suicide, or was she killed?
The story weaves in and out of the past, presenting each character’s aching need to belong and be accepted by those they love. There are no villains, but there are flawed parents who push their children to be reflections of their own desires and are driven to fit into a society that rejects them on the basis of either race or gender.
The acclaimed debut novel by the author of Little Fires Everywhere and Our Missing Hearts
"A taut tale of ever deepening and quickening suspense." -O, the Oprah Magazine
"Explosive . . . Both a propulsive mystery and a profound examination of a mixed-race family." -Entertainment Weekly
"Lydia is dead. But they don't know this yet." So begins this exquisite novel about a Chinese American family living in 1970s small-town Ohio. Lydia is the favorite child of Marilyn and James Lee, and her parents are determined that she will fulfill the dreams they were unable to pursue. But when Lydia's body…
I’m a novelist with a PhD in Literature from NYU. My background is Modern British, and I’ve always been drawn to literary stylists. But, over the years, I’ve developed a passion for reading and writing novels that deal with themes of betrayal either within families or between close friends. I’m drawn to domestic suspense in which the characters’ psychological growth isn’t secondary to the plot.
This book explores the themes of loss, grief, and fidelity to one’s marriage, even once that relationship is unraveling. The prose is precise, and the narrator’s inner life is seemingly transparent. At the same time, it’s a mystery: why did the narrator’s husband disappear while doing research for a book on mourning rituals in southern Greece? And why does she hide the secret of their marital separation—and her new life with a new man—from her mother-in-law, who insists she track down her son, Christopher?
The narrator seeks out her soon-to-be ex at her mother-in-law's command, only to discover a tragic event. The ties to a failing love and a distant family are strengthened and the reader’s expectations upended. I loved how Kitamura took existential issues and boiled them down into a deceptively quiet story.
A young woman has agreed with her faithless husband: it's time for them to separate. For the moment it's a private matter, a secret between the two of them. As she begins her new life, alone, she gets word that her ex-husband has gone missing in a remote region in the rugged southern Peloponnese. Reluctantly she agrees to go and search for him, still keeping their split to herself. In her heart, she's not even sure if she wants to find him. Adrift in the wild and barren landscape, she traces the failure of their relationship, and finds that she…
I’m a novelist with a PhD in Literature from NYU. My background is Modern British, and I’ve always been drawn to literary stylists. But, over the years, I’ve developed a passion for reading and writing novels that deal with themes of betrayal either within families or between close friends. I’m drawn to domestic suspense in which the characters’ psychological growth isn’t secondary to the plot.
I love how Megan Abbott combines beautiful writing with deeply chilling subject matter in all of her novels. In this book, she showcases her talent for exploring female ambition, friendship, and rage—that leads to murder.
As a teenager, Diane Fleming’s twisted relationship with both her parents and her drive to succeed is counterbalanced by her yearning for intimacy with her best friend, Kit Owens, the first-person narrator of the novel.
However, when Diane divulges her terrible secret, the aftereffects ripple in Kit’s life. As young women working together in the same science lab, the past catches up with both of them—in the bloodiest ways—binding them closer together. This is a page-turner that focuses on brilliant, passionate, troubled women.
'Megan Abbott at her very best. Cool, crisp, chilling.' Paula Hawkins, author of The Girl on the Train
You told each other everything. Then she told you too much.
Kit has risen to the top of her profession and is on the brink of achieving everything she wanted. She hasn't let anything stop her.
But now someone else is standing in her way - Diane. Best friends at seventeen, their shared ambition made them inseparable. Until the day Diane told Kit her secret - the worst thing she'd ever done, the worst thing Kit could imagine - and it blew…
I’m a novelist with a PhD in Literature from NYU. My background is Modern British, and I’ve always been drawn to literary stylists. But, over the years, I’ve developed a passion for reading and writing novels that deal with themes of betrayal either within families or between close friends. I’m drawn to domestic suspense in which the characters’ psychological growth isn’t secondary to the plot.
Flynn Berry’s first thriller opens with a stunningly rendered scene in which the protagonist, Nora, discovers the body of her sister, Rachel, who has been murdered.
Throughout the novel, Berry captures Nora’s shock, grief, and sense of mission—to find out who killed her beloved sister—in precise but poetic language. I witnessed the horror visually and felt Nora’s emotions without any extra flourishes or sentimental language.
'It's like Broadchurch written by Elena Ferrante. I've been telling all my friends to read it - the highest compliment' Claire Messud
When Nora takes the train from London to visit her sister in the countryside, she expects to find her waiting at the station, or at home cooking dinner. But when she walks into Rachel's familiar house, what she finds is entirely different: her sister has been the victim of a brutal murder. Stunned and adrift, Nora finds she can't return to her former life. An unsolved assault in the past has shaken her faith in the police, and…
Fantasy of all kinds is my jam, but I particularly like stories that weave monsters or myths into real life. When an author manages to reinvent a familiar monster trope, like Vivian Shaw with Van Helsing, and spin it into a new, stylized story, that’s the best display of cleverness. I’ve read an embarrassing amount of these kinds of books from Terry Pratchett to Frank Herbert. I think the notion of monsters/creatures/gods is our way of examining the different layers of the human psyche and a well-written monster trope story delivers that self-examination with a spoon full of fantastical sugar.
Greta Helsing’s family dropped the ‘Van’ half a century ago. And they don’t hunt vampires so much as heal them. That’s right, Greta is a supernatural doctor. Vivian Shaw has created a world where the good guys are genuinely good, unselfish people. I love me an antihero, but it’s a refreshing change of pace when the good guys really just want to help other people without ulterior motives. Despite the fact that most of the characters aren’t human, it restores my faith in humanity. I also appreciate the historical references and subtle geekery in these books. For example, Greta is a specialist in mummy reconstruction, and the detail Shaw goes into, just tickles me.
The first book in a delightfully witty fantasy series in which Dr. Greta Helsing, doctor to the undead, must defend London from both supernatural ailments and a bloodthirsty cult
Greta Helsing inherited her family's highly specialized and highly peculiar medical practice. In her consulting rooms, Dr. Helsing treats the undead for a host of ills: vocal strain in banshees, arthritis in barrow-wights, and entropy in mummies. Although she barely makes ends meet, this is just the quiet, supernatural-adjacent life Greta's been groomed for since childhood.
Until a sect of murderous monks emerges, killing human and undead Londoners alike. As terror…
I used to get in trouble (nightly) for eating with my book propped against my plate. Yet with all the books I devoured, there was never one about a kid that looked like me with a family like mine. The single anomaly was Blubber, which absolutely thrilled me to see a supporting character named Tracy Wu. And while the YA world has thankfully become more diverse, BIPOC authors and protagonists are still the exception in adult literature. I’m excited to share this list of badass female AAPI authors who write equally strong protagonists because, though we’ve come a long way since Tracy Wu, we still have further to go.
I’m a sucker for any book that dangles codes for me to solve, so that’s what immediately drew me into this novel. In it, the clues are in poetry form, taken from the diary of a murdered patient of the protagonist, Dr. Lydia Weston. But beyond the tantalizing codes, I appreciated that this novel stayed true to the style and attitudes of the late 1800s, something that doesn’t always happen with historical fiction.
Ritu Mukerji is also adept at bringing a sophisticated nuance to her exploration of racism, classism, and sexism. An added bonus is that rather than merely playing one on TV, Mukerji is also an actual physician and clearly knows her medicine without overwhelming a layperson like me.
For fans of Jacqueline Winspear and Charles Todd, Murder by Degrees is a historical mystery set in 19th-century Philadelphia, following a pioneering woman doctor as she investigates the disappearance of a young patient who is presumed dead.
Philadelphia, 1875: It is the start of term at Woman’s Medical College of Pennsylvania. Dr. Lydia Weston, professor and anatomist, is immersed in teaching her students in the lecture hall and hospital. When the body of a patient, Anna Ward, is dredged out of the Schuylkill River, the young chambermaid’s death is deemed a suicide.…
I think our collective fascination with medical training is understandable. What bizarre sorcery molds otherwise sensible college graduates into fully functioning physicians? Is it possible to maintain your humanity in the process? Or any semblance of a normal relationship? While my book remains the only novel about medical school training, many great physician memoirs detail the typically exhausting, frequently bizarre, and ultimately gratifying experience of becoming a doctor. After graduating from Wesleyan University, I obtained my medical degree at New York University School of Medicine and trained in the primary care internal medicine program at Johns Hopkins Bayview Medical Center. I live in Maryland with my wife and two children.
Written as a series of essays focusing on her experiences with individual patients, Dr. Ofri walks us through the entirety of her training. As she grows in confidence, she learns how to heal her patients and herself.
Dr. Ofri had a life between college and medical school (unlike me), so even though she is older than I am, she started at NYU/Bellevue the year after I graduated. I enjoyed reading how patient care had progressed at Bellevue in the years following my great escape.
A “finely gifted writer” shares “fifteen brilliantly written episodes covering the years from studenthood to the end of medical residency” (Oliver Sacks, MD, author of The Man Who Mistook His Wife for a Hat)
Singular Intimacies is the story of becoming a doctor by immersion at Bellevue Hospital, the oldest public hospital in the country—and perhaps the most legendary. It is both the classic inner-city hospital and a unique amalgam of history, insanity, beauty, and intellect. When Danielle Ofri enters these 250-year-old doors as a tentative medical student, she is immediately plunged into the teeming world of urban medicine: mysterious…
I used to think one had to choose a career and work at it, giving up the parts of himself that didn’t fit neatly into that category. I was wrong. As a man in my late thirties, I am an assistant professor of psychiatry at Harvard Medical School, but I’m also a writer. It’s books like the ones I’ve recommended here that convinced me that one does not need to turn off the parts of himself that are creative in order to be a doctor or even a grown-up. In fact, cultivating those same parts can be additive to this whole experience of being an adult.
Dr. Koven and I are on the same broad faculty at Harvard Medical School, though we had never crossed paths until our medical memoirs were released the same year. I got to know her a bit in that time, but even more so in the pages of her wonderful memoir, Letter to a Young Female Physician. This book so clearly elucidates and humanizes the complex path of becoming a physician as a woman and the lessons she learned along the way. Its pages are as charming as they are poignant.
In 2017, Dr Suzanne Koven published an essay describing the challenges faced by women doctors, including her own personal struggle with "imposter syndrome"-a long-held, secret belief that she was not clever enough or good enough to be a "real" doctor. Accessed nearly 300,000 times by readers around the world, Koven's Letter to a Young Female Physician has evolved into a work that reflects on her career in medicine, in which women still encounter sexism, pay inequity and harassment. Koven tells engaging stories about her pregnancy during a gruelling residency in the AIDS era; the illnesses of her son and parents…
I’m a Minnesotan, so I thought I was a cold-weather badass, but it wasn’t until my younger sister winter-overed at South Pole Station in the early 2000s that I realized that Minnesota is a balmy paradise compared with the ice chip at the bottom of the earth. Her adventures at 90 South inspired my interest in Antarctica, the history of how humans interact with extreme and dangerous natural environments, and the social dynamics of a community trying to survive in the most remote location on the planet. That interest grew so intense that I ended up spending four years researching and then writing a novel set on the seventh continent—South Pole Station.
Icebound is not a literary masterpiece nor is it a tale of exploration. It is, however, an essential Antarctic text, not just for the personal account found in its pages, but also because of the controversy still raging among Antarctic veterans
regarding the decision to extract the author from Antarctica during the polar winter. Dr. Jeri Nielsen was the doctor at South Pole Station during the 1998 season. Her account of the challenges of polar medicine (Superglue is an essential medical supply at 90 South) and the stories of warm relationships with support staff at the station are fascinating. But the real story here is the diagnosis she made of her own breast cancer, which became a global news story when she was evacuated from the base during a dangerous winter flight.
Typically, there are no flights to South Pole Station during the polar winter due to exceptionally dangerous conditions…
Jerri Nielsen was a forty-six-year-old doctor working in Ohio when she made the decision to take a year's sabbatical at Amundsen-Scott South Pole Station on Antarctica, the most remote and perilous place on Earth. The "Polies," as they are known, live in almost total darkness for six months of the year, in winter temperatures as low as 100 degrees below zero--with no way in or out before the spring.
During the long winter of 1999, Dr. Nielsen, solely responsible for the mental and physical fitness of a team of researchers, construction workers, and support staff, discovered a lump in her…
I've always been fascinated by stories about married couples, especially when there are secrets in the marriage. My series The Rannoch Fraser Mysteries follows Mélanie and Malcolm Rannoch, whose marriage began when Mélanie, a French agent, married British agent Malcolm to spy on him during the Napoleonic Wars. As the Rannochs investigate mysteries, they grapple with personal and political betrayals and the secrets between them.
The English Wife had me racing to unravel the secrets at the heart of Annabelle and Bay's marriage. And at the same time I was savoring the fascinating characters and brilliant writing.
The twists and turns of the plot had me gasping, but the biggest mystery was understanding the central characters and their relationship.
Annabelle and Bayard Van Duyvil live a charmed life in New York: he's the scion of an old Knickerbocker family, she grew up in a Tudor house in England, they had a fairy-tale romance in London, they have three-year-old twins on whom they dot, and he's recreated her family home on the banks of the Hudson and named it Illyria.
Yes, there are rumours that she's having an affair with the architect, but rumours are rumours and people will gossip. But then Bayard is found dead with a knife in his chest on the night of their Twelfth Night ball,…
