Fans pick 100 books like Give Me Your Hand

This book by Celeste Ng is one of my favorite novels. It’s a beautifully told literary mystery that examines the lives of the five members of the Lee family. Ng masterfully writes from several points of view while unraveling the narrative that led to the death of the oldest Lee daughter by drowning. Was it suicide, or was she killed?

The story weaves in and out of the past, presenting each character’s aching need to belong and be accepted by those they love. There are no villains, but there are flawed parents who push their children to be reflections of their own desires and are driven to fit into a society that rejects them on the basis of either race or gender.   

This is the only fiction on a list otherwise full of nonfiction, but it more than deserves a place on this list. There are so many things to love about this book—its audacious opening line, the lush writing, the twisted relationships—but what I think history lovers might appreciate most is how deeply entwined the characters get with the history of Antiquities.

After all, the main group of characters in this dark academia only come together because they’re all studying Greek and Latin. In fact, the plot hinges on their obsession with Antiquity—but I won’t get too much more into that. I just recommend picking the book up and going along for the ride. 

This book explores the themes of loss, grief, and fidelity to one’s marriage, even once that relationship is unraveling. The prose is precise, and the narrator’s inner life is seemingly transparent. At the same time, it’s a mystery: why did the narrator’s husband disappear while doing research for a book on mourning rituals in southern Greece? And why does she hide the secret of their marital separation—and her new life with a new man—from her mother-in-law, who insists she track down her son, Christopher?

The narrator seeks out her soon-to-be ex at her mother-in-law's command, only to discover a tragic event. The ties to a failing love and a distant family are strengthened and the reader’s expectations upended. I loved how Kitamura took existential issues and boiled them down into a deceptively quiet story.

I had never been to The Cloisters here in Manhattan after many decades of living here, but I read Katy Hays's book, and had to visit it afterward. Hays’ book was a great pre-cursor to the trip to the Museum of Medieval and Early Renaissance Art.

I kept in mind the world of the fictional underdog, Anne Sitwell, who worked her way up to know there were secrets in the vault at the Cloisters. A Tarot Deck, possibly from the d’Este family in Italy, sets the stage for skullduggery while secrets and murders mount, leading to a plot twist at the end for our hapless Anne. It was interesting talking to the docent at the museum after I took a garden tour, and to spot a copy of this book for sale in the gift shop there.

I love a Dark Academia book that knows the world of academia intimately, and this thriller, which focuses on controversial Greek life at the University of Georgia, gets everything right.

Competition between students, peer pressure, department intrigues, and more come alive in this brilliant debut. This comes as no surprise, as Nossett, in addition to being an amazing writer, is herself a professor, and holds a PhD in German literature.

In addition to being a total page-turner, this enthralling novel highlights contemporary issues faced on college campuses, with an emphasis on ethical debates surrounding fraternities and sororities. Nossett’s characterization is excellent, and her determined, whip-smart, and yet imperfect protagonist, Detective Marlitt Kaplan, is one I rooted for, and you will, too.

At heart, I might still be five years old because I love a good puzzle. This book features dual timelines that–piece by piece–build for you a portrait you don’t see coming.

Do you remember how satisfying it feels to snap a puzzle piece into its proper place? That’s how I felt discovering the web these friends were weaving–bit by bit, page by page–and when I got to the “big picture,” the ending, I was stunned, entertained, and ultimately gratified.

Flynn Berry’s first thriller opens with a stunningly rendered scene in which the protagonist, Nora, discovers the body of her sister, Rachel, who has been murdered.

Throughout the novel, Berry captures Nora’s shock, grief, and sense of mission—to find out who killed her beloved sister—in precise but poetic language. I witnessed the horror visually and felt Nora’s emotions without any extra flourishes or sentimental language. 

Flynn Berry’s book is another example of this author’s ability to make me care deeply for her character while also sweeping me into a mysterious plot.

While keeping up a fast pace, the author delves into fascinating themes: how a close family member can betray you, how a sociopath can escape society and reinvent himself, and how one recovers from the trauma of a murderous past.

There has to be a Greek or Roman classic on this list if it’s going to feel like dark academia. Homer’s Iliad is great, but I went off the beaten path. I read this collection of dialogues in college, and my favorite is definitely the Phaedo, which recounts Socrates’ death. It’s short, dynamic, and easy to follow. Some philosophy is tough for non-philosophers to wrap their heads around, but Plato’s dialogue style of writing and Socrates’ clear arguments make it easier.

I’m always struck by the contentment Socrates finds, even though his death is unjust. I’ve never forgotten some of the things he says to his friends at the end.

To be honest, I was a little nervous of the blurb given the emphasis on fast cars and hard drugs, but this book ended up being the sweaty, sultry, sexy, Gothic horror book I didn't know I needed, way more dark academia than drag-racing drug-gang. I particularly appreciated the messy and authentic way in which the main character was allowed to grapple with his identity while processing his grief. I quite liked that no explicit labels were ever applied and that there was a more fluid approach to identity and sexuality in this book. So, if you're into slow-burn southern Gothic horror with lush and vivid prose and don’t mind a gruesome ghost or two, this book is for you!