100 books like A Conspiracy of Paper

I love this book because it reads like a fictional tale about the modern financial markets, and yet it’s all absolutely true!

I am still staggered by some of the stories that Lewis tells about the real-life characters who worked on Wall Street back in the 1980s. And I’m in awe of the colorful way he describes and explains the way the bond markets work—no easy task.

Not only did he bring the go-go days of the 80s to life for me, but he also gave me a solid grounding in the machinations of the financial markets, helping me in both my writing and journalism careers.

I love the way Wolfe brings one of the more arcane areas of the financial markets to life - namely bankruptcy workout - and skewers the greed and ambition of real estate investors in the 1990s.

I’m a huge admirer of Wolfe’s technique of writing a novel using journalistic interviews, and I’m struck by the way he nails the characters and actions when he describes how the bankruptcy process works. And all while keeping the reader absolutely hooked on the narrative.

I go back to Wolfe’s novels again and again, not just to be amused and entertained but to get a real insight into the dark heart and often absurd workings of the financial system.

I love the way that Archer turns the dry ins and outs of the workings of the British stock market into an adventure tale. I can’t quite believe how many explanations of market activities he manages to describe and explain in the simplest, most easy to understand terms. All while keeping the action going.

I learned from Archer what short selling is, how Ponzi schemes work, the meaning of insider trading, and how pump and dump schemes are set up and executed. I also learned how flawed the British financial markets were until their reform. A fascinating, highly entertaining romp through the city of London.

I love it because it describes exactly how Wall Street used to work in the bad old days of the early 1900s, before the Great Crash and the Great Depression, before sweeping reforms turned it into what is today. I learned so much from this story about the characters who dominated the Street and set it up for failure.

I see all sorts of parallels with the growth of cryptocurrencies and the scams that surround that industry. I love the way Sinclair describes the Wild West, the ferociously greedy mentality of the players back then, and how he details the machinations of Ponzi schemers and fraudsters before there were any laws barring such scoundrels from doing whatever they pleased with gullible investors’ money.

If there is one central defining quality of noir crime fiction, it is the main character’s struggle to preserve his moral center in a fundamentally corrupt and evil world. The best P.I. novels are able to render this kind of character in brushstrokes that are both beautiful and subtle.

One of my favorites is Ross Macdonald’s Lew Archer, first introduced in this novel. When Archer is hired to find a missing rich guy in a tony, Southern California beach town, he finds himself knee-deep in violence, greed, and deceit, uncertain of who is guilty, who he can trust, and even who is worth saving. A moving target, indeed.

No one does Florida-Funny like Carl Hiaasen.

A long-time columnist for the Miami Herald, Hiaasen has written theme-based novels about the foibles of Florida living—the politics, the sugar industry, the plastic surgery industry, the lottery. I imagine him banging out these novels with sardonic ire, seething at what has happened to his beloved Florida. But his rants are so funny readers need to stop from choking and hold onto to their hats.

I’ve read all of his books, and Tourist Season is one of my favorites, hooking me on page one with that mysterious limb found on the beach, page one. Then the race is on to find the culprit—and the rest of the poor devil who’s missing a leg. When asked where he gets his ideas, Hiaasen once said, “The police blotter…You can’t make this stuff up.”

As much as I love this book’s hero, former television commercial star Dayna Anderson, her tight circle of got-your-back friends is what made this mystery really shine.

To say the cast has big personalities is like calling Hollywood’s Dolby Theater a quaint venue. I laughed out loud throughout and wished I could ride along with these ladies (there are some guys involved, a love interest in particular) as they doggedly unravel the deftly plotted mystery.

I am grateful to Garrett that there is a sequel to this first in the series, Hollywood Ending.

A Beautiful Blue Death begins the publication order of this marvelous Victorian series, though some later-written prequels bring the list of titles to fifteen.

Lenox is remarkable for his affable nature—no enormous childhood trauma, addictions, or unresolved grief defining him; he’s not oppressed by his society. He stands in contrast to the complicated, dynamic, and politically fraught world he investigates.

Finch’s prose is both plummy and punchy, his voice well crafted for the period, and his plots delightfully rife with Victorian arcana and eccentricities. Comfort reading never had quite this much style, elegance, and verve!

Patricia Wentworth is one of the most atmospheric writers I’ve read.

This is the first in her Miss Silver series, featuring an elderly lady who looks a lot like Miss Marple but pre-dates her. While still within the cozy genre, parts of this book, especially the opening section, where the mysterious man in the gray mask makes his first appearance, can make your spine tingle with that delicious feeling of tension that only a good mystery book brings.

Like Miss Marple, Miss Silver is adept at deducing what the various protagonists might do based on her reading of their psychology, but the characters are much better fleshed out in these books, as is the period in which it is set. And the romance is a definite bonus.

Another writer-hero, Anthony Horowitz writes as himself in this page-turning whodunit. Well-known for his television work on Midsomer Murders, Poirot, and Foyle’s War, Horowitz knows how to craft a mystery. When ex-cop turned private investigator Nathaniel Hawthorne approaches Horowitz about ghostwriting a book about his cases, Horowitz isn’t interested. Annoying and eccentric, Hawthorne isn’t someone Horowitz wants to be around, let alone write about. But when a famous actor’s wealthy mother is murdered six hours after planning her own funeral, Horowitz gets pulled into the investigation anyway. Though very much a Sherlock Holmes and Watson relationship, Hawthorne and Horowitz are more adversarial, making them an entertaining team. You want them to be friends, but then again, you don’t. The word isn’t just murder, but funny, engaging, and endearing, too.