62 books like Tripwire

In Mosely’s first Easy Rawlins novel, Easy is in the thick of it. He’s a war-scarred veteran living in 40s Los Angeles who has to contend with brutal racist cops and white men who wish to harm him for the sole offense of talking to a white woman. He lost his factory job, his mortgage is due, and he finds himself on shifting terrain where it’s nearly impossible to tell allies from enemies.

When the phone rings, it’s never good news. So Easy has to play it smart. Bide his time. Enlist help from his memorably violent associate, Mouse. His foes have more power, more money, and more guns and like to remind him that they’re no one to be trifled with. But then again, neither is Easy.

Parker’s Spenser is a reliable tough guy with a good heart. A former soldier and heavyweight boxer, he tends to make short work of anyone foolish enough to fight him. But in Small Vices, he is shot by the villainous Gray Man and left for dead. After he’s discharged from the hospital, Spenser has to readjust to a gravely weakened body as he struggles to physically and mentally recover from his wounds.

This journey brings a new level of emotional depth to the series and lends added resonance to round two with the Gray Man, during which Spenser describes himself as Lazarus, “back from the grave to tell all.”

This book takes place in Boston during the broiling hot summer of ‘74. The protagonist of Lehane’s sublime novel is Mary Pat Fennessy, a hard-bitten mother from the Southie projects who took a look at this list of tough guys, chuckled, punched the #5 guy in the throat, and took over his spot.

Mary Pat’s teen daughter is missing, the Irish mob may know more about it than they’re letting on, and all the while, the desegregation of the public schools has turned the city into a violent racial hotbox. In Small Mercies, Mary Pat navigates searing issues of loyalty and justice. Race and grief, and as intense pressures converge on both her and the city, she responds the only way she knows how—by coming out swinging. 

Simmons’ battered PI, Joe Kurtz, is released from a ten-year stint in Attica and storms through this novel to borrow a line from the late, great Roger Ebert, “like a violent unmade bed.”

Hardcase is uncompromising, terse, drenched in noir, and not for the squeamish. Kurtz is matched up against several worthy foes, including a couple of the most memorable heavies I’ve ever read about. And the ending, well, it more than justifies the title.

This is how good Mosley is: I couldn’t escape the feeling that I knew his protagonist the whole time I was reading this. I swear I had met the guy somewhere. I walked those same Brooklyn streets, and Mosley’s portrait of them was strong enough and real enough to make me miss the place, even though Brooklyn is overrun with lawyers and stock brokers these days.

And Mosley’s secondary characters are just as real, and if you screw up, you just might meet some of them. One last thing: when Mosley writes about race, he does it in lowercase. That way, the story sneaks under your defenses and hits you much harder than if it was all in caps. Walter Mosley is not just a writer; he’s an artist.

You know what I like about Donald Strachey? His boyfriend. I’m kidding—Strachey’s fine.

He’s a smart, tough detective in the hard-boiled tradition so of course I like him, but do you ever think way more of someone because they had the good taste to pick the partner they did? Timothy Callahan is a Jesuit-educated political aide, former Peace Corps volunteer and one of those characters who gets called a “moral centre” because they are one.

I was half in love with him before he (accurately) dissed Mother Teresa but I adored him after that. I came to the Strachey books for canny, realistic and never twee gay detective fiction but I’ve stayed for Timmy. He’s a soothing, reaffirming, hilarious wonder and you never know—he might smack-talk Gandhi next.

I came upon the novels of Philip Kerr later in life.

They were unique in as much as his main character, Bernie Gunther, was a German before, during, and after the Nazi party came to power. The tightrope Gunther had to tread between being a good German cop and having to deal with Nazi higher-ups without himself ever becoming a Nazi is what makes the series thrum with tension.

I had the great good fortune to meet Philip at the L.A. Times Book Fair to which we were both invited some years ago. Spending time with him was for me to meeting a rock star. I was privileged to make his acquaintance.

The time I subsequently spent reading his new novels gave me the distinct sense of standing beside Gunther wherever Philip chose to send him.

When, several years later, I learned that Kerr had died suddenly I was devastated.… show more.

It would be obscene to read this on a Kindle. This early Dashiell Hammett novel has to be read in paperback, the older a copy you can find, the better.

It has everything a great pulp novel should have; murder, crooked cops, gangs, and a rumpled too-honest-for-his-own-good hero. What I love about this book is how Hammett uses his own experience working for the Pinkerton Detective Agency (who were basically hired thugs) and a real historical event (a labor dispute in Montana that resulted in several deaths) to weave a solid crime novel.

I love the character of Kinsey Millhone because she’s so human and relatable. Her life is messy; she gets herself caught up in situations where she knows she ought to let things drop but just can’t let them go, and she has a kind heart. She also has the endearing quality of being self-deprecating and not taking herself too seriously.

This book is set in the 1980s, and I enjoy seeing Kinsey’s legwork to solve her case without the benefit of mobile phones or the internet. I also love her relationship with her elderly neighbor and how protective she is of him when she feels that new people in the neighborhood are taking advantage of him.

This book introduces one of my favorite sleuths, Albert Campion. But what’s fun is that Allingham never tells the story from Campion’s point of view.

We only see him from the outside, as others do. This adds to the fun and intrigue. And there’s lots of that. In a spooky old English country mansion full of strangers, the host is murdered, and the rest of the crew goes on a twisty, scary roller-coaster ride driven by an assortment of secrets and criminal schemes—which we must slowly figure out.

This one had me on the edge of my chair, wondering what outrageous turn the plot would take next.