Here are 100 books that Peril at End House fans have personally recommended if you like
Peril at End House.
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I love to read mysteries, particularly those with recurring characters. As a lawyer with experience in criminal law and teaching college law courses, I particularly appreciate cerebral detectives and legal maneuvers, and active investigators doing legwork for cerebral types. When I write, my recurring characters come first, followed by the case plots that those characters would find interesting. I always have some ideas of where the case is going and what procedures would be followed from my legal experience. Still, my detectives seem to inspire scenes and activities that show off their particular virtues and personalities as the investigations proceed. This seems to be what happens in the detective stories I am recommending.
I particularly like the way V. I. vigorously pursues every lead, no matter how dangerous the quest. I also appreciate the vignettes of Chicago, where I was born and raised.
Dual mysteries challenge the tough, savvy, energetic private investigator, V.I. Warshawski. In the process of solving these mysteries, V. I. confronts current social issues of extreme importance, to wit, political corruption, sex trafficking, immigration opponents, and her own familial skeletons in the closet.
Acclaimed detective V. I. Warshawski tackles a pair of perplexing cases involving those closest to her in this compelling and timely adventure that centers on some of the most divisive and pressing issues of our time
When V. I Warshawski gets word that her closest friend and mentor Lotty Herschel’s nephew has become a suspect in a murder, the legendary detective will do everything she can to save him. The cops found Felix Herschel’s name and phone number on the unknown victim’s remains, but Felix insists…
I love to read mysteries, particularly those with recurring characters. As a lawyer with experience in criminal law and teaching college law courses, I particularly appreciate cerebral detectives and legal maneuvers, and active investigators doing legwork for cerebral types. When I write, my recurring characters come first, followed by the case plots that those characters would find interesting. I always have some ideas of where the case is going and what procedures would be followed from my legal experience. Still, my detectives seem to inspire scenes and activities that show off their particular virtues and personalities as the investigations proceed. This seems to be what happens in the detective stories I am recommending.
A damsel in distress, the mob, bent cops, well-drawn characters, and an intricate plot make this one of the most exciting Perry Mason novels.
As a lawyer myself who practiced some criminal law with the public defender's office, I appreciate Mason's clever legal maneuvers and his “never say die” pursuit of justice for his clients. Mason shows off his cerebral side as well as his toughness.
Perry Mason orders a double serving of trouble the night he and Della Street dine at an intimate restaurant after a hard day at law. In the middle of their steaks a waitress flees the premises in terror, leaving the puzzled proprietor holding her mink coat.
Why a humble working girl abandons such a pricey wrap is only the first question in a cop-killer case that traps Mason's client with both an impossible story and the murder weapon, makes Perry himself a prime suspect, and blazes a gunpowder trail that leads straight to the heart of the police department itself.
I love to read mysteries, particularly those with recurring characters. As a lawyer with experience in criminal law and teaching college law courses, I particularly appreciate cerebral detectives and legal maneuvers, and active investigators doing legwork for cerebral types. When I write, my recurring characters come first, followed by the case plots that those characters would find interesting. I always have some ideas of where the case is going and what procedures would be followed from my legal experience. Still, my detectives seem to inspire scenes and activities that show off their particular virtues and personalities as the investigations proceed. This seems to be what happens in the detective stories I am recommending.
Like Paretsky’s V. I. and Grafton’s Kinsey Milhone, six-foot, former police officer and intrepid Boston P.I. Carlotta Carlyle is dogged, street smart, and tough while navigating the vagaries of big city corruption and big money influence.
She is bored by her desk job undercover assignment investigating fraud in Boston’s Big Dig construction project. She craves the action that I, as a reader, want to see her undertake. I hope this is also the type of character I have created in my book.
Carlotta Carlyle, the six-foot-tall redhead private investigator, thought that working undercover searching out fraud on Boston's Big Dig would be a challenging assignment. After all, the Big Dig, the creation of a central artery highway through downtown Boston, is a USD 14 billion project, the largest urban construction undertaking in modern history. But playing a mild-mannered secretary working out of a construction trailer is not quite the thrill ride she had in mind, so Carlotta starts moonlighting, taking on a missing person case. The mysterious death of a construction worker stirs up a storm of events and soon enough Carlotta…
An entertaining mystery on a 1894 trans-Atlantic steamship with an varied array of suspects, and a detective who must solve his case in six days to prevent international conflict.
Retired from the British Indian army, Captain Jim is taking his wife Diana to Liverpool from New York, when their pleasant cruise turns deadly. Just hours after meeting him, a foreign diplomat is brutally murdered onboard their ship. Captain Jim must find the killer before they dock in six days, or there could be war! Aboard the beleaguered luxury liner are a thousand suspects, but no witnesses to the locked-cabin crime.
Fortunately, his wife Diana knows her way around first-class accommodations and Gilded Age society. But something has been troubling her, too, something she won’t tell him. Together, using tricks gleaned from their favorite fictional sleuth, Sherlock Holmes, Captain Jim, and Diana must learn why one man’s life came to a murderous end.
In The Spanish Diplomat's Secret, award-winning author Nev March explores the vivid nineteenth-century world of the transatlantic voyage, one passenger’s secret at a time.
Captain Jim Agnihotri and his wife Lady Diana Framji are embarking to England in the summer of 1894. Jim is hopeful the cruise will help Diana open up to him. Something is troubling her, and Jim is concerned.
On their first evening, Jim meets an intriguing Spaniard, a fellow soldier with whom he finds an instant kinship. But within twenty-four hours, Don Juan Nepomuceno is murdered, his body discovered shortly after he asks rather urgently to…
I love to read mysteries, particularly those with recurring characters. As a lawyer with experience in criminal law and teaching college law courses, I particularly appreciate cerebral detectives and legal maneuvers, and active investigators doing legwork for cerebral types. When I write, my recurring characters come first, followed by the case plots that those characters would find interesting. I always have some ideas of where the case is going and what procedures would be followed from my legal experience. Still, my detectives seem to inspire scenes and activities that show off their particular virtues and personalities as the investigations proceed. This seems to be what happens in the detective stories I am recommending.
I love both the Wolfe and Goodwin characters. The obese and brilliant Nero Wolfe reluctantly leaves his New York brownstone to join his leg man, Archie Goodwin, at a Montana dude ranch. They must catch the murderer to exonerate an innocent man. Wolfe, although apparently well out of his element in this rugged environment, succeeds in trapping the culprit.
Wolfe’s bombast and tetchiness are as legendary as his deductive brilliance. Goodwin’s active and intrepid sleuthing, as well as his street, or in this case range, smarts are always exciting.
The mountain couldn’t come to Wolfe, so the great detective came to the mountain—to Lame Horse, Montana, to be exact. Here a city slicker got a country girl pregnant and then took a bullet in the back. Wolfe’s job was to get an innocent man exonerated of the crime and catch a killer in the process. But when he packed his silk pajamas and headed west, he found himself embroiled in a case rife with local cynicism, slipshod police work, and unpleasant political ramifications. In fact, Nero Wolfe was buffaloed until the real killer struck again, underestimating the dandified dude…
My name is Christian Klaver, and I’ve had, in turn, many different jobs as a bookseller, martial arts instructor, and bartender before settling into a career in internet security. Books have always been a passion of mine, with science fiction, fantasy, and mystery as my main focus. I’ve been a lifelong fan of Sherlock Holmes and am a proud member of two different Sherlock Holmes Societies.
Another Detroiter like myself, Estleman, is known for both great westerns and a number of hard-boiled mystery series that are all good, but he did this one early in his career, and the immaculate execution and thorough research showcase this book.
Dracula is moving on London, but Holmes is moving behind the scenes to support Van Helsing’s defense of London, and it makes all the difference!
The discovery off the coast of England of a crewless ship, whose only passenger is a mysterious black dog, leads to a confrontation between Sherlock Holmes and Count Dracula
When I make a snarky remark during a party, chances are one person will catch my eye with the amused look that says, “I saw what you did there.” Everyone else will keep right on talking. But in a book, the reader is right there in the character’s head, which lets your audience catch those subtle humorous comments. In my mystery series, The Accidental Detective, Kate shares witty observations about life with the reader – making Kate funnier than I am. I don’t do as much slapstick and joking (in life or in fiction), but I enjoy writers who pull off those forms of humor well. Humor makes life’s challenges bearable
In this historical mystery set in the 1920s, the hero-narrator is likable and a bit goofy. He reminded me of Bertie Wooster in the Jeeves stories by PG Wodehouse, but Heathcliff is more intelligent. The mystery was complicated and puzzling, with added fun from the 1920s setting. It’s hard to investigate when phone lines are down and roads become impassable in poor weather. I've read the rest of the series, and they’re all pretty strong. Some move the action to Scotland or Egypt for extra 1920s travel excitement. They’re perfect reads when you want a light cozy with historical charm and some chuckles along the way.
It's 1920 and Christmas is coming. Major Lennox finds a body on his doorstep - why on his doorstep? Was it to do with the Countess? Was it about the ruby necklace? Lennox goes to Melrose Court home to his uncle, Lord Melrose, to uncover the mystery. But then the murders begin and it snows and it all becomes very complicated....
Major Heathcliff Lennox, ex-WW1 war pilot, six feet 3 inches, tousled, dark blond hair, age around 30 - named after the hero of Wuthering Heights by his romantically minded mother - much…
History has always interested me, in part because it helps explain how we got where we are. I have a bachelor of music in music history, which is where I first became aware of how small things—the invention of the quill pen—can ripple into huge consequences. Tack onto that an inclination toward political science and law, plus a family full of bench scientists, and it’s easy to see how stories set in the past that focus on whodunit, how, and why fascinate me. Both reading and writing against that tapestry educates me, entertains me, and gives me a glimpse of our capacity to transcend all difficulties for the sake of truth and justice.
A Beautiful Blue Death begins the publication order of this marvelous Victorian series, though some later-written prequels bring the list of titles to fifteen.
Lenox is remarkable for his affable nature—no enormous childhood trauma, addictions, or unresolved grief defining him; he’s not oppressed by his society. He stands in contrast to the complicated, dynamic, and politically fraught world he investigates.
Finch’s prose is both plummy and punchy, his voice well crafted for the period, and his plots delightfully rife with Victorian arcana and eccentricities. Comfort reading never had quite this much style, elegance, and verve!
During my career in law enforcement, I worked in narcotics, violent crimes, criminal intelligence, hostage rescue, SWAT, and internal affairs, to name just a few. I am the recipient of many awards and commendations for heroism. The Sinister is the ninth novel in the best-selling Bruno Johnson Crime series, following The Disposables, The Replacements, The Squandered, The Vanquished, The Innocents, The Reckless, The Heartless, and The Ruthless. I live in the Los Angeles area with my wife, Mary.
This one is an easy choice for this category. It won the Edgar Award and maintains a high score rating not only on Amazon but also on Goodreads. Goodreads readers are a tough crowd.
Great novels and series have one thing in common: interesting and flawed main characters. Dave Robicheaux fits both classifications plus a few more. Burke is a master at prose and setting, which rounds out a perfect recipe for the kind of book that keeps you up all night turning pages. It did for me.
The third highly acclaimed novel in the Dave Robicheaux series, and winner of the Edgar award.
Personal tragedy has left Dave Robicheaux close to the edge. Battling against his old addiction to alcohol and haunted nightly by vivid dreams and visitations, Dave finds his only tranquillity at home with his young ward Alafair. But even this fragile peace is shattered by the arrival of Dixie Lee Pugh who brings with him a brutal trail of murder and violence.
Robicheaux reluctantly agrees to help out his old friend but becomes more involved than he bargained for when he finds himself suspect…
I write and read realistic fiction. I’m not a fan of fantasy, sci-fi, ghost stories, or magical (other than, you know, Tolkien). I don’t want to have to suspend a lot of belief and buy into an alternate reality. And yet, and yet. . . . All these books have a little element of something going on, and they each grabbed me and kept my attention, and I didn’t roll my eyes once. The supernatural is just a little extra kick and, in every case, as believable as it can possibly be.
This book is about a private investigator in London in the early 1900s. It is the first of a long series about Maisie’s cases and the people who are dear to her.
This first book gives us an introduction to Maisie and her working-class background, the people who influenced her, and the way she uses her own version of second sight to understand both clients and criminals. Her description of Maisie mimicking someone’s body movements to figure out their motives actually made me try it out.
I also got a strong sense of London during the difficult years of wars and depression and a bedraggled peace. If you enjoy this one, you’ll have a nice backlog to return to whenever you need more.
A favorite mystery series of Hillary Clinton (as mentioned in What Happened, The New York Times Book Review, and New York Magazine) A New York Times Notable Book of the Year Agatha Award Winner for Best First Novel Macavity Award Winner for Best First Novel Alex Award Winner
Fiercely independent Maisie Dobbs has recently set herself up as a private detective. Such a move may not seem especially startling. But this is 1929, and Maisie is exceptional in many ways.
Having started as a maid to the London aristocracy, studied her way to Cambridge and served as a nurse in…
I created Hard Case Crime 20 years ago to revive the look, feel, and storytelling style of the great paperback crime novels of the 1940s and 50s: slender, high-velocity tales with irresistible premises, crackling dialogue, and powerful emotions, all presented behind gorgeous painted covers in the classic pulp style. Since then, I’ve had the opportunity to publish Stephen King, Joyce Carol Oates, Ray Bradbury, James M. Cain, Erle Stanley Gardner, Mickey Spillane, Brian De Palma, Ed McBain, and many more extraordinary authors.
The first novel about legendary private eye Phillip Marlowe is also the first mystery novel that ever made me cry when I turned the last page.
Marlowe’s poetic narration and bruised outsider’s voice offer a cynical but also strangely hopeful perspective on both the shady underworld types and the corrupt high-society folk who fill the “mean streets” down which Marlowe must walk (in Chandler’s much-quoted phrase).
Why hopeful when death–the big sleep–awaits us all? Because a man of principles like Marlowe can still bring a measure of justice in this unjust world, sometimes just by bearing witness.
Raymond Chandler's first three novels, published here in one volume, established his reputation as an unsurpassed master of hard-boiled detective fiction.
The Big Sleep, Chandler's first novel, introduces Philip Marlowe, a private detective inhabiting the seamy side of Los Angeles in the 1930s, as he takes on a case involving a paralysed California millionaire, two psychotic daughters, blackmail and murder.
In Farewell, My Lovely, Marlowe deals with the gambling circuit, a murder he stumbles upon, and three very beautiful but potentially deadly women.
In The High Window, Marlowe searches the California underworld for a priceless gold coin and finds himself…
