Here are 100 books that Peril at End House fans have personally recommended if you like
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I love to read mysteries, particularly those with recurring characters. As a lawyer with experience in criminal law and teaching college law courses, I particularly appreciate cerebral detectives and legal maneuvers, and active investigators doing legwork for cerebral types. When I write, my recurring characters come first, followed by the case plots that those characters would find interesting. I always have some ideas of where the case is going and what procedures would be followed from my legal experience. Still, my detectives seem to inspire scenes and activities that show off their particular virtues and personalities as the investigations proceed. This seems to be what happens in the detective stories I am recommending.
I particularly like the way V. I. vigorously pursues every lead, no matter how dangerous the quest. I also appreciate the vignettes of Chicago, where I was born and raised.
Dual mysteries challenge the tough, savvy, energetic private investigator, V.I. Warshawski. In the process of solving these mysteries, V. I. confronts current social issues of extreme importance, to wit, political corruption, sex trafficking, immigration opponents, and her own familial skeletons in the closet.
Acclaimed detective V. I. Warshawski tackles a pair of perplexing cases involving those closest to her in this compelling and timely adventure that centers on some of the most divisive and pressing issues of our time
When V. I Warshawski gets word that her closest friend and mentor Lotty Herschel’s nephew has become a suspect in a murder, the legendary detective will do everything she can to save him. The cops found Felix Herschel’s name and phone number on the unknown victim’s remains, but Felix insists…
I love to read mysteries, particularly those with recurring characters. As a lawyer with experience in criminal law and teaching college law courses, I particularly appreciate cerebral detectives and legal maneuvers, and active investigators doing legwork for cerebral types. When I write, my recurring characters come first, followed by the case plots that those characters would find interesting. I always have some ideas of where the case is going and what procedures would be followed from my legal experience. Still, my detectives seem to inspire scenes and activities that show off their particular virtues and personalities as the investigations proceed. This seems to be what happens in the detective stories I am recommending.
A damsel in distress, the mob, bent cops, well-drawn characters, and an intricate plot make this one of the most exciting Perry Mason novels.
As a lawyer myself who practiced some criminal law with the public defender's office, I appreciate Mason's clever legal maneuvers and his “never say die” pursuit of justice for his clients. Mason shows off his cerebral side as well as his toughness.
Perry Mason orders a double serving of trouble the night he and Della Street dine at an intimate restaurant after a hard day at law. In the middle of their steaks a waitress flees the premises in terror, leaving the puzzled proprietor holding her mink coat.
Why a humble working girl abandons such a pricey wrap is only the first question in a cop-killer case that traps Mason's client with both an impossible story and the murder weapon, makes Perry himself a prime suspect, and blazes a gunpowder trail that leads straight to the heart of the police department itself.
I love to read mysteries, particularly those with recurring characters. As a lawyer with experience in criminal law and teaching college law courses, I particularly appreciate cerebral detectives and legal maneuvers, and active investigators doing legwork for cerebral types. When I write, my recurring characters come first, followed by the case plots that those characters would find interesting. I always have some ideas of where the case is going and what procedures would be followed from my legal experience. Still, my detectives seem to inspire scenes and activities that show off their particular virtues and personalities as the investigations proceed. This seems to be what happens in the detective stories I am recommending.
Like Paretsky’s V. I. and Grafton’s Kinsey Milhone, six-foot, former police officer and intrepid Boston P.I. Carlotta Carlyle is dogged, street smart, and tough while navigating the vagaries of big city corruption and big money influence.
She is bored by her desk job undercover assignment investigating fraud in Boston’s Big Dig construction project. She craves the action that I, as a reader, want to see her undertake. I hope this is also the type of character I have created in my book.
Carlotta Carlyle, the six-foot-tall redhead private investigator, thought that working undercover searching out fraud on Boston's Big Dig would be a challenging assignment. After all, the Big Dig, the creation of a central artery highway through downtown Boston, is a USD 14 billion project, the largest urban construction undertaking in modern history. But playing a mild-mannered secretary working out of a construction trailer is not quite the thrill ride she had in mind, so Carlotta starts moonlighting, taking on a missing person case. The mysterious death of a construction worker stirs up a storm of events and soon enough Carlotta…
"I'm Nicky. Your little sister." With these words from a stranger, Hilda's quiet existence in a marshland cottage with her rescue cats is turned upside down. She resolves to find out the truth about her parents' marriage, her father's secret life and her mother's untimely death.
I love to read mysteries, particularly those with recurring characters. As a lawyer with experience in criminal law and teaching college law courses, I particularly appreciate cerebral detectives and legal maneuvers, and active investigators doing legwork for cerebral types. When I write, my recurring characters come first, followed by the case plots that those characters would find interesting. I always have some ideas of where the case is going and what procedures would be followed from my legal experience. Still, my detectives seem to inspire scenes and activities that show off their particular virtues and personalities as the investigations proceed. This seems to be what happens in the detective stories I am recommending.
I love both the Wolfe and Goodwin characters. The obese and brilliant Nero Wolfe reluctantly leaves his New York brownstone to join his leg man, Archie Goodwin, at a Montana dude ranch. They must catch the murderer to exonerate an innocent man. Wolfe, although apparently well out of his element in this rugged environment, succeeds in trapping the culprit.
Wolfe’s bombast and tetchiness are as legendary as his deductive brilliance. Goodwin’s active and intrepid sleuthing, as well as his street, or in this case range, smarts are always exciting.
The mountain couldn’t come to Wolfe, so the great detective came to the mountain—to Lame Horse, Montana, to be exact. Here a city slicker got a country girl pregnant and then took a bullet in the back. Wolfe’s job was to get an innocent man exonerated of the crime and catch a killer in the process. But when he packed his silk pajamas and headed west, he found himself embroiled in a case rife with local cynicism, slipshod police work, and unpleasant political ramifications. In fact, Nero Wolfe was buffaloed until the real killer struck again, underestimating the dandified dude…
I’ve always loved horror stories. At the age of 7 or 8, I’d be reading The Pan Book Of Horror Stories or Aidan Chambers’ Haunted Houses by flashlight with the bed sheets pulled over my head (not because I should have been asleep, but to guard against vampires creeping up on me!) I always found these stories strangely comforting, a world of adventure into which a shy kid like me could retreat. Ghosts and monsters became part of my cultural DNA, constant companions through life. That’s why I write horror today, to make my own tiny contribution to the genre, which has given me so much.
This is an absolutely brilliant pastiche of Victorian literature, starring the era’s two greatest fictional characters.
It weaves Holmes and Watson into the basic plot of Dracula, with Watson grumbling about setting the record straight because that ‘spurious monograph’ by some fella called Stoker missed out on Holmes’s involvement in the case!
The discovery off the coast of England of a crewless ship, whose only passenger is a mysterious black dog, leads to a confrontation between Sherlock Holmes and Count Dracula
I’ve been a dog owner my entire life, from my childhood mutt, Paddy, to our current nine-year-old cockapoo, Daffodil. To me, a home isn’t a home without a dog thumping its tail somewhere inside. When I started writing mysteries, I realized that some of my favorites featured dogs. The animal’s loyalty, joy, and unwavering love were a necessary counter to the darker themes mysteries often explore.
I love Agatha Christie, and I love her fussy, brilliant detective, Hercule Poirot. This novel has all the hallmarks of a classic Christie—grand English home, mysterious death, greedy relatives, dark shenanigans, with the added bonus of Bob the terrier whose penchant for a certain red rubber ball is a key part of the mystery.
Everyone blamed Emily's accident on a rubber ball left on the stairs by her frisky terrier. But the more she thought about her fall, the more convinced she became that one of her relatives was trying to kill her.
On April 17th she wrote her suspicions in a letter to Hercule Poirot. Mysteriously he didn't receive the letter until June 28th... by which time Emily was already dead...
What Happened to Frank? is the first book in the Meg Sheppard Mystery Series. Meg is an amateur sleuth who owns racehorses and lives on a horse farm. Her beloved border collie, Kelly, is usually at Meg's side as she investigates murders and solves other mysteries. The books are action-packed…
I don’t warm to crime novels where the only point is to find whodunnit. Those that resonate with me are the ones that have an extra dimension. It may be taking me into a world I am unfamiliar with, like bell-ringing or a theatre troupe. Or it could be a richly-evoked setting, like Donna Fletcher Crow’s Celtic Christian background. Or a character whose very flaws make them more gripping, such as Rebus or Wallender. I want to come away feeling enriched and not just pleased that I guessed that it was the butler with the candlestick.
I loved both the richly evoked setting of the Lincolnshire Fens and the detailed knowledge of bell-ringing. The latter is not just an add-on. The knowledge of change-ringing is crucial to solving the cipher in a document found in the bell-chamber. It also has a very real bearing on the death of the victim.
I really enjoy books that leave me feeling I’ve been enriched and not merely entertained.
In other books by Sayers I warmed to the character of Harriet Vane and the frisson of the relationship between her and the investigator Lord Peter Wimsey.
When his sexton finds a corpse in the wrong grave, the rector of Fenchurch St Paul asks Lord Peter Wimsey to find out who the dead man was and how he came to be there.
The lore of bell-ringing and a brilliantly-evoked village in the remote fens of East Anglia are the unforgettable background to a story of an old unsolved crime and its violent unravelling twenty years later.
'I admire her novels ... she has great fertility of invention, ingenuity and a wonderful eye for detail' Ruth Rendell
I believe many writers suspect they are Strangers in a Strange Land. How ironic that I, a confirmed atheist, should use a biblical quote to describe the mindset of authors. Some discover where they belong through their writing. My book recommendations have a strong sense of place, whether it be the Old West, wartime Berlin, or modern-day Scotland. I was born into a 300-year-old N. Ireland Protestant Plantation family, yet many people saw us as interlopers: we weren’t quite Irish, and we weren’t quite British, yet we held dual passports. It was not until I left Ireland that I realized my Irish Heritage exerted a stronger pull than my British.
One of the best explanations I’ve read of the rise of Fascism in Hitler’s Germany. I agree that ignoring the lessons of history means we’ll be forced to endure repetition. And Kerr paints such a chilling scenario no one in their right mind would wish the maxim to come true. His prose applies color and form like an artist at the top of their game.
At times I found him reminiscent of Chandler in the way he portrays the Nazis as the worst gangsters in the game. This is the first book of the Bernard Gunther series, and I was so enthralled that I raced through the others in just a few days. His storyline is filled with horror, passion, fear, and pathos—a tour de force of emotions.
Discover the first crime novel in the late Philip Kerr's Bernie Gunther series - Berlin Noir - set in Hitler's Germany during the 1930s . . .
Winter, 1936. A man and his wife shot dead in their bed, their home burned. The woman's father, a millionaire industrialist, wants justice - and the priceless diamonds that disappeared along with his daughter's life. He turns to Bernhard Gunther, a private eye and former cop.
As Bernie follows the trail into the very heart of Nazi Germany, he's forced to confront a horrifying conspiracy. A trail that ends in the hell that…
I’m a former rock writer turned television critic, but in my teens, I became hooked on Raymond Chandler’s hardboiled Philip Marlowe detective sagas. The plotting was intricate, the writing exquisite and poetic. I also loved the no-nonsense pulp fiction of Mickey Spillane and his Mike Hammer character. So I’m always on the lookout for authors who combine realism and pace with great prose–like James Crumley, whose writing was like Chandler crossed with Hunter S. Thompson. Through journalism and band management, I came into contact with real gangsters and have always aspired to reflect their three-dimensional reality rather than glorifying them as television and Hollywood tend to do.
Los Angeles private eye Happy Doll is ticking along nicely, subsidising his detective work by protecting the women at a Thai spa massage parlour from over-amorous clients.
Everything is hunky-dory until he gets into a ferocious fight with a customer who ends up dead. Well-crafted crime noir that manages to be witty and quirky as well as occasionally violent, with pleasing echoes of Marlowe and Lew Archer.
In this deliciously noir novel from the creator of HBO's Bored to Death, idiosyncratic private detective Happy Doll embarks on a quest to help a dying friend in a sun-blinded Los Angeles as "quirky, edgy, charming, funny and serious" as its protagonist (Lee Child).
Happy Doll is a charming, if occasionally inexpert, private detective living just one sheer cliff drop beneath the Hollywood sign with his beloved half-Chihuahua half-Terrier, George. A veteran of both the Navy and LAPD, Doll supplements his meager income as a P.I. by working through the night at a local Thai spa that offers its clients…
Dr. Power is promoted to a chair of forensic psychiatry at Allminster University and selected by the Vice Chancellor for a key task which stokes the jealousy of the Deans, and he is plunged into a precariously dangerous situation when there is a series of deaths and the deputy Vice…
I have just written my twelfth novel and quite possibly my last. I’ve returned to where my heart is. My first five crime novels came about through the generous help of some undercover California wildlife agents. Now, in a sense, I’m back where I started, except that my latest book is also a love story. We make plenty of mistakes in life, some much worse than others. My characters deal with them in their own way. I can understand that, and I like that. And hey, there’s always the possibility of redemption.
I’ve long been a fan of James Lee Burke’s novels. His lyrical and likely heartfelt descriptions of Louisiana’s land, water, and people offset and illuminate the contrasting violence. Burke acknowledges the darkness in humanity and the possibility of redemption.
Into that mix goes Dave Robicheaux, the protagonist, who had his own ups and downs. Robicheaux can read between the lines and keeps a pretty clear eye on the truth. Here’s the opening sentence of this book, Robicheaux narrating in his own way:
“Years ago, in state documents, Vachel Carmouche was always referred to as the electrician, never the executioner.”
'When James Lee Burke writes, the little birdies sing, the sun comes out and old men learn to dance again. That's how good he is. And now he's back . . . Purple Cane Road may be the finest novel Burke has written' INDEPENDENT ON SUNDAY
'At times Burke's writing and atmosphere remind one of William Faulkner; at other moments Raymond Carver. I cannot think of much higher praise that can be accorded a novel' THE TIMES
'No crime writer in America can hold a pen to Burke's mastery of style and powers of evocation and empathy' GUARDIAN 'PURPLE CANE…
