Here are 40 books that Death of a Dude fans have personally recommended if you like
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I love to read mysteries, particularly those with recurring characters. As a lawyer with experience in criminal law and teaching college law courses, I particularly appreciate cerebral detectives and legal maneuvers, and active investigators doing legwork for cerebral types. When I write, my recurring characters come first, followed by the case plots that those characters would find interesting. I always have some ideas of where the case is going and what procedures would be followed from my legal experience. Still, my detectives seem to inspire scenes and activities that show off their particular virtues and personalities as the investigations proceed. This seems to be what happens in the detective stories I am recommending.
I particularly like the way V. I. vigorously pursues every lead, no matter how dangerous the quest. I also appreciate the vignettes of Chicago, where I was born and raised.
Dual mysteries challenge the tough, savvy, energetic private investigator, V.I. Warshawski. In the process of solving these mysteries, V. I. confronts current social issues of extreme importance, to wit, political corruption, sex trafficking, immigration opponents, and her own familial skeletons in the closet.
Acclaimed detective V. I. Warshawski tackles a pair of perplexing cases involving those closest to her in this compelling and timely adventure that centers on some of the most divisive and pressing issues of our time
When V. I Warshawski gets word that her closest friend and mentor Lotty Herschel’s nephew has become a suspect in a murder, the legendary detective will do everything she can to save him. The cops found Felix Herschel’s name and phone number on the unknown victim’s remains, but Felix insists…
I love to read mysteries, particularly those with recurring characters. As a lawyer with experience in criminal law and teaching college law courses, I particularly appreciate cerebral detectives and legal maneuvers, and active investigators doing legwork for cerebral types. When I write, my recurring characters come first, followed by the case plots that those characters would find interesting. I always have some ideas of where the case is going and what procedures would be followed from my legal experience. Still, my detectives seem to inspire scenes and activities that show off their particular virtues and personalities as the investigations proceed. This seems to be what happens in the detective stories I am recommending.
A damsel in distress, the mob, bent cops, well-drawn characters, and an intricate plot make this one of the most exciting Perry Mason novels.
As a lawyer myself who practiced some criminal law with the public defender's office, I appreciate Mason's clever legal maneuvers and his “never say die” pursuit of justice for his clients. Mason shows off his cerebral side as well as his toughness.
Perry Mason orders a double serving of trouble the night he and Della Street dine at an intimate restaurant after a hard day at law. In the middle of their steaks a waitress flees the premises in terror, leaving the puzzled proprietor holding her mink coat.
Why a humble working girl abandons such a pricey wrap is only the first question in a cop-killer case that traps Mason's client with both an impossible story and the murder weapon, makes Perry himself a prime suspect, and blazes a gunpowder trail that leads straight to the heart of the police department itself.
I love to read mysteries, particularly those with recurring characters. As a lawyer with experience in criminal law and teaching college law courses, I particularly appreciate cerebral detectives and legal maneuvers, and active investigators doing legwork for cerebral types. When I write, my recurring characters come first, followed by the case plots that those characters would find interesting. I always have some ideas of where the case is going and what procedures would be followed from my legal experience. Still, my detectives seem to inspire scenes and activities that show off their particular virtues and personalities as the investigations proceed. This seems to be what happens in the detective stories I am recommending.
Like Paretsky’s V. I. and Grafton’s Kinsey Milhone, six-foot, former police officer and intrepid Boston P.I. Carlotta Carlyle is dogged, street smart, and tough while navigating the vagaries of big city corruption and big money influence.
She is bored by her desk job undercover assignment investigating fraud in Boston’s Big Dig construction project. She craves the action that I, as a reader, want to see her undertake. I hope this is also the type of character I have created in my book.
Carlotta Carlyle, the six-foot-tall redhead private investigator, thought that working undercover searching out fraud on Boston's Big Dig would be a challenging assignment. After all, the Big Dig, the creation of a central artery highway through downtown Boston, is a USD 14 billion project, the largest urban construction undertaking in modern history. But playing a mild-mannered secretary working out of a construction trailer is not quite the thrill ride she had in mind, so Carlotta starts moonlighting, taking on a missing person case. The mysterious death of a construction worker stirs up a storm of events and soon enough Carlotta…
I love to read mysteries, particularly those with recurring characters. As a lawyer with experience in criminal law and teaching college law courses, I particularly appreciate cerebral detectives and legal maneuvers, and active investigators doing legwork for cerebral types. When I write, my recurring characters come first, followed by the case plots that those characters would find interesting. I always have some ideas of where the case is going and what procedures would be followed from my legal experience. Still, my detectives seem to inspire scenes and activities that show off their particular virtues and personalities as the investigations proceed. This seems to be what happens in the detective stories I am recommending.
The intricacies of the investigation multiply, but all of the clues are laid before the reader, though often veiled. The suspects are intriguing characters. Poirot, the little Belgian, is arrogant, but his arrogance seems justified by his brilliant investigative insights.
I love this complex character immersed in a complex mystery. This is classic Christie.
Car brakes fail A boulder misses Accidents? Or not?
On holiday in Cornwall, Poirot meets a pretty young woman with an unusual name, 'Nick' Buckley.
Upon discovering a bullet-hole in Nick's sun hat, the great detective decides the girl needs his protection. He also begins to unravel the mystery of a murder that hasn't been committed. Yet.
When I was nine years old, I joined a book club. The members were me and my dad. He’d throw detective books into my room when he was done with them, and I’d read them. We’d never discuss them. But that’s why hard-boiled detective fiction is comfort food for me and how I know it so well. I’ve been binging on it most of my life and learning everything the shamus-philosophers had to teach me. Now I write my own, the Ben Ames series, for the joy of paying it forward.
As a kid, I didn’t want to be a princess. I wanted to be Archie Goodwin.
Archie’s the legman to genius detective Nero Wolfe, and he’s the most self-possessed guy I know. “I’m always at home,” he says, “wherever I am.” I grew up wanting to be that go-to person, given the tough jobs because I’m capable, and trusted because I’m decent and fair. I wanted a boss who said things like “I can dodge folly without backing into fear.”
In my real life, I muddle and compromise and results are tough to parse. In this book, and any Nero Wolfe book, it’s a better world. Things don’t work out perfectly, but they do work out brilliantly and Archie knows his work has been, in Wolfe’s highest praise, “Satisfactory.”
Paul Chapin’s college cronies never quite forgave themselves for instigating the tragic prank that left their friend a twisted cripple. Yet with their hazing days at Harvard far behind them, they had every reason to believe that Paul himself had forgiven them—until a class reunion ends in a fatal fall, and the poems, swearing deadly retribution, begin to arrive. Now this league of frightened men is desperate for Nero Wolfe’s help. But are Wolfe’s brilliance and Archie’s tenacity enough to outwit a killer so cunning he can plot and execute in plain sight?
I’ve been a crime-fiction fanatic since devouring my big sister’s Nancy Drew mysteries as a pre-teen in 1960s Long Island. They proved a gateway drug to Sherlock Holmes, Nero Wolfe, and Phillip Marlowe, and eventually, after 25 years as an L.A. trial lawyer (with a client list that included Richard Pryor), to my own debut novel, Hush Money, in 2012. I’ve just published The Chimera Club, my seventh novel and the fourth installment in my award-winning Jack MacTaggart series of legal mysteries, and I’m delighted to share my views on crime fiction, and humor, with like-minded readers. You can learn more about me, and about Jack, by visiting my website.
Back in 2012, I had the honor of being a luncheon speaker at New York’s annual “Black Orchid Weekend” gathering of fans – and I mean fanatics– of Rex Stout’s iconic Nero Wolfe detective novels. I was among my tribe, having cut my teeth on the Wolfe canon as a nerdy teenager to whom Stout’s books were a revelation: compact tales of crime and punishment starring a corpulent, agoraphobic gourmand and orchid fancier whose formidable (and unabashedly Sherlockian) powers of deduction were wielded from behind a desk in his brownstone on West 35th Street with the aid of a two-fisted Boswell named Archie Goodwin.While the yarns themselves are feasts, it’s Archie’s decidedly arch humor that provides the special sauce. Forced to choose, I’ll recommend Some Buried Caesar, Stout’s sixth Wolfe installment (of 33 novels and 39 novellas), originally published in 1939. It finds Wolfe in unfamiliar territory,…
An automobile breakdown strands Nero Wolfe and Archie in the middle of a private pasture—and a family feud over a prize bull. A restaurateur’s plan to buy the stud and barbecue it as a publicity stunt may be in poor taste, but it isn’t a crime . . . until Hickory Caesar Grindon, the soon-to-be-beefsteak bull, is found pawing the remains of a family scion. Wolfe is sure the idea that Caesar is the murderer is, well, pure bull. Now the great detective is on the horns of a dilemma as a veritable stampede of suspects—including a young lady Archie…
All my life, I’ve been fascinated by interest-driven people and the subcultures they discover or form around themselves. Though my writing ranges from mainstream literary work to music criticism to speculative fiction in many different flavors, I’m best known for what one longtime reader referred to as my “oddly personable brand of horror.” Call them people-and-their-ghosts stories. I’ve written six novels and four collections, which have earned me the Shirley Jackson and International Horror Guild Awards, among other honors. I’ve also taught writing at the graduate, university, and secondary level for more than 25 years.
Really, almost anything in the Nero Wolfe/Archie Goodwin series would fit here. A lazy, blustering, brilliant recluse, Nero Wolfe is perpetually badgered, kicking and grumbling, back toward humanity either by his passions—American cuisine, beer, books, orchids—or by Archie, his leg-man/lacky/surrogate son. I picked this specific novel because it involves a murder amid a gathering of world-class chefs; the cooking banter alone is worth the price of admission (which will be cheap; how and why have these books somehow fallen off our collective cultural radar??). None of Nero’s adventures among his fellow human beings make him want to venture out of the fortress he has made for himself inside his Manhattan brownstone. But they’ll make you want to hole up in his company. The man himself thinks he just wants to be left alone with his interests and comforts. But what he creates and relies on to sustain him feels pretty…
As Nero Wolfe prepares to speak at a gathering of the world’s great chefs, one is found indelicately murdered. When the target for killing shifts to himself, the great detective must close this case quickly or his next meal may be his last.
World-class cuisine, charming company . . . The secret ingredient is poison.
Everyone knows that too many cooks spoil the broth, but you'd hardly expect it to lead to murder. But that's exactly what's on the menu at a five-star gathering of the world's greatest chefs. As guest of honor, Wolfe was lured from his brownstone to…
I created Hard Case Crime 20 years ago to revive the look, feel, and storytelling style of the great paperback crime novels of the 1940s and 50s: slender, high-velocity tales with irresistible premises, crackling dialogue, and powerful emotions, all presented behind gorgeous painted covers in the classic pulp style. Since then, I’ve had the opportunity to publish Stephen King, Joyce Carol Oates, Ray Bradbury, James M. Cain, Erle Stanley Gardner, Mickey Spillane, Brian De Palma, Ed McBain, and many more extraordinary authors.
I discovered Lawrence Block at my local library when I was probably still too young to read his searing, heartbreaking stories about damaged men and women navigating lives rocked by trauma and tragedy.
But his books drew me in, especially this landmark story about an alcoholic ex-cop forced to come to terms with his addiction while working to solve a brutal crime.
The character has been played in movies by Liam Neeson and Jeff Bridges, but it’s on the page and in Block’s beautiful sentences that Matthew Scudder truly comes to life.
Nobody knows better than Matthew Scudder how far down a person can sink in this city. A young prostitute named Kim knew it also—and she wanted out. Maybe Kim didn't deserve the life fate had dealt her. She surely didn't deserve her death. The alcoholic ex-cop turned p.i. was supposed to protect her, but someone slashed her to ribbons on a crumbling New York City waterfront pier. Now finding Kim's killer will be Scudder's penance. But there are lethal secrets hiding in the slain hooker's past that are far dirtier than her trade. And there are many ways of dying…
I spent a career as a television film editor, crafting other writers’ words and directors’ visions to help tell a story. I’ve always loved mysteries and the good ones always have clues that only the savviest of sleuths can figure out. When humor is added it’s even better. That’s what I’ve tried to do with my writing.
This book is one of a series of Mathew Scudder stories by Block. I enjoy his books because his main character is as flawed as we are. Matt is a hard-drinking former cop who goes about helping friends out of their troubles. And his friends are in a lot of trouble. Action and close calls, as well as humor, abound in this well-crafted story.
A superb thriller from the writer of A WALK AMONG THE TOMBSTONES.
Scudder is a witness to a heist in an illegal drinking den, and the owners would like him to find the culprits, while another witness wants him to investigate the murder of his wife.
I’m fascinated by long stories where things aren’t exactly as they seem. Most crime fiction is secrets and lies and their eventual uncovering but most ‘literary’ fiction is too. For what it’s worth, I was a book reviewer for all the posh UK papers for about 15 years, including crime fiction critic for The Observer for twelve (so I’ve read far more crime novels than is healthy for anyone!). I’m a voracious reader and writer and I love making things more complicated for myself (and the reader) by coming up with stuff that I’ve then somehow got to fit together.
This is post-modern crime fiction thematically linked and all with increasingly unreliable characters—because they’re each going insane.
In City of Glass private investigator, Daniel Quinn, goes mad sinking deeper into an investigation about identity. Who is telling his story and can they be relied on? Is it any of these characters who appear: ‘the author,’ ‘Paul Auster the writer,’ ‘Paul Auster the detective’? Whoosh.
I love this stuff but understand it’s an acquired taste!
Paul Auster's signature work, "The New York Trilogy," consists of three interlocking novels: "City of Glass," "Ghosts," and "The Locked Room" - haunting and mysterious tales that move at the breathless pace of a thriller."City of Glass" - As a result of a strange phone call in the middle of the night, Quinn, a writer of detective stories, becomes enmeshed in a case more puzzling than any he might hace written"Ghosts"Blue, a student of Brown, has been hired to spy on Black. From a window of a rented house on Orange street, Blue stalks his subject, who is staring out…
