100 books like 24

I’m a baseball history fanatic who writes on a wide range of topics for work and pleasure, which I’m glad to say often are the same thing. I’ve been a journalist for many years, even covered a few World Series, and I’ve written stories for books published by the Society for American Baseball Research. I’ve also written a lot about music, science, business, and politics, for newspapers and magazines. I’ve been a playwright, fortunate to have seen my work staged in different venues. And I also wrote a book called, The Music and Mythocracy of Col. Bruce Hampton: A Basically True Biography, which I’m really excited to tell you about in the next section!

I’m a narrative nonfiction writer whose subjects range from politics to professional football, from racial conflict to environmental destruction, from inner-city public education to social justice to spinal cord injury. The settings for my books range from the Galapagos Islands to the swamps of rural Florida, to Arctic Alaska. I typically live with and among my subjects for months at a time, portraying their lives in an intimately personal way.

For 20 years, I tried to write politically relevant, “important” novels. I teach. One day I told my students that to succeed as a writer, they needed to write about things they knew and loved. Honesty was the key. That night, I resumed work on a novel set in Prague involving Cold War intrigue, capitalism, communism, and some other "isms" I’ve forgotten. I wrote a paragraph and then stopped. My advice was good. Write about things you know and love. So why not follow it myself? What section of the newspaper did I read first? The sports page. Did I live and die with my favorite sports teams? Yes. I put my hopeless Prague novel aside and started On the Devil’s Court. For better or worse, a sportswriter is who I am.

For 20 years, I tried to write politically relevant, “important” novels. I teach. One day I told my students that to succeed as a writer, they needed to write about things they knew and loved. Honesty was the key. That night, I resumed work on a novel set in Prague involving Cold War intrigue, capitalism, communism, and some other "isms" I’ve forgotten. I wrote a paragraph and then stopped. My advice was good. Write about things you know and love. So why not follow it myself? What section of the newspaper did I read first? The sports page. Did I live and die with my favorite sports teams? Yes. I put my hopeless Prague novel aside and started On the Devil’s Court. For better or worse, a sportswriter is who I am.

I’m a U.S. Air Force Fighter pilot who has dedicated my life to the subject of decision-making. When flying, my job is to make thousands of decisions on each flight, often with limited information and lives on the line. My calling now is to share the lessons that I’ve learned with the world to allow them to make better, quicker decisions, and to have more confidence in their thinking. 

Writing this book brought back memories from my childhood—of watching Perry pitch in the late 1960s and, more deeply, of relations with my parents. My father (a math prof at UC Berkeley) and mother cared little for sports, but by the time I turned seven, an identity uniquely my own emerged from my infatuation with the San Francisco Giants. By age ten, I regularly sneaked off to Candlestick Park, which required two long bus rides and a hike through one of the city’s worst neighborhoods. I knew exactly when I had to leave to retrace my journey to get home in time for dinner. Baseball was, and remains, in my blood.

I am passionate about giving people the benefit of good intentions and my faith calls me to care and serve others. Today, I believe my purpose is to help inspire leaders to trust in the inherent good in people while caring and serving them in intentional ways that leads to high performance. I have been blessed immensely and want to give back to others so their journey can be one of significance. As former CEO of my company, I had no roadmap which made our journey even more difficult. Now, I have experienced the joy, the fulfillment, and the abundance of building a people-first culture.  Together we can make a difference for so many people.

Most drunks struggle to accept that they have a disease called “alcoholism” and feel shame, intertwined with fear, having to admit it. I, on the other hand, embraced it. Being alcoholic meant I wasn’t “crazy” after all like Grandma. At 21, I embraced the disease along with 12 Step recovery, thanking my lucky stars that there was something I could do about my chaotic hippied lifestyle. “Don’t pick up the first fix, pill, or drink and you can’t get drunk.” Could the solution be so simple? It is. From the moment I set down the drink and drugs, I knew I had to share this amazing revelation with others and my writing career began.

Denise Kiernan is a multiple New York Times bestselling author of narrative nonfiction books including The Girls of Atomic City, the Last Castle, and We Gather Together. Throughout her career as a journalist and an author, she has explored underrepresented stories and characters and the impact they have had on history. These stories of the unsung offer fresh perspectives on historical tales we think we already know. At the heart of many of Kiernan’s nonfiction explorations are women from a variety of different backgrounds and time periods. She has devoted her last three books to the history of Thanksgiving and gratitude, writing separate books for all ages.

While I am Professor of Classics and Comparative Literature at the University of South Carolina and the author of ten books, I grew up in the suburbs of Kansas City. My parents were from rural Missouri. I never met a professor, a writer, or an artist growing up. I never seriously considered going to college. But I loved to read. When I went to college and discovered you could major in literature and ancient languages, my life changed. I am now at work on a book entitled Truth and Enjoyment in Cicero: Rhetoric and Philosophy Beyond the Pleasure Principle, which reflects on what Cicero can teach us about living in a post-truth age.