The most recommended books about Iran

I fell in love with historical novels as a kid after I began reading books by French authors Alexandre Dumas, the father and the son. I was the kind of kid who read for days and even nights to finish a story. Books moved me, inspired me, and gave me the strength and wisdom that I have today. I cannot imagine a world without them. 

I was born in New Jersey to an American mother and an Iranian father. I spent the first twenty years of my life living both in Tehran and New York, striving to fit and blend into whatever culture I happened to occupy at a given moment. I whined about this, wishing I was one thing or another. But after the 1979 Islamic Revolution erupted and my family was permanently exiled, I learned the true meaning of being careful about what you wish for. To connect with my lost Persian heritage, I began to write about it, and to write about living in the diaspora. It’s how I make sense of the world.  

I was infuriated to learn how my government was misrepresenting the recent war in Syria. I learned of this deceit from Syrians who had fled their war-torn country and relayed a very different narrative from the one we're all hearing. From 2016-17 Baylor University’s Institute for Oral History sponsored and archived our collection of audio-recorded interviews of Syrian Christians. This book is the end result of their entrusting us with their harrowing testimonies. I'm a Senior Lecturer in History at Baylor University. I routinely teach, among other courses, the history of the United States from a Global Perspective in which I discuss with my students the same lessons I learned while writing Syria Crucified.

Growing up, I didn’t understand the hypersensitivity I felt to my own inner world and the outer. Highly alert to both interoceptive and exteroceptive data, I often felt overstimulated and overwhelmed by the intensity to which I experienced my own feelings, the feelings of others, and sensory inputs. I thought there was something wrong with me because being a feeler is generally seen as a weakness. I now write novels about quiet, sensitive, introspective young people for others who feel like I did, as a way to share the true power within this way of being, which I have discovered to be a gift, not a curse over time.

I've lived in Asia for more than 22 years and have extensively traveled around the region, both for work and pleasure, from the Middle East and central Asia to Japan, and Australia, New Zealand, and every country in between. Asia is the perfect setting for a thriller, as a region that’s deeply rooted in traditions, but where modernity and growth are also breathless. There can be political instability at times, and even corruption, unsurpassed wealth and shocking poverty, bankers, and prostitutes. I worked for many years as an investment banker and my experiences inspired me to write my debut thriller, Hard Underwriting, in Hong Kong, and uncover the dark side of Asia’s financial capital. 

I am working and lecturing on experimental aerodynamics since decades and started flying hang gliders and powered aircraft long ago. And the older I got, the more I became fascinated by daring adventures with historical content, especially related to the history of flight and the early aeronautical pioneers. But the most I was fascinated by Otto Lilienthal, the man who worked systematically towards flight before and finally succeeded flying with nothing else than willow wood, fabric, and steel wires, materials that existed already long before. Inspired by his attitude and courage I started investigating and flying museum made authentic replicas in California to prove their flying qualities a second time.

I'm a social anthropologist who has lived, dreamed, and worked in Syria most of her life. Having spent my childhood in Damascus I always yearned to return. After completing my PhD at the University of California, Los Angeles, in the economy of modern Bedouin Tribes, I won a Fulbright award to teach at the University of Damascus. Since then, Damascus has been at the centre of my academic and social life. I met my husband there, a British helicopter pilot, sent there to learn Arabic. I'm an emeritus professor of anthropology and forced migration at the University of Oxford and my research has been on the forced migrant communities who make up Syria’s cosmopolitan society.

As a writer and journalist in Iran, I knew many activists and journalists who spent time in solitary confinement. I noticed that this part of their prison experience was the hardest one for them to put to words, even those keen on sharing their experiences have a much easier time talking about the interrogation room but remain strangely reticent about the solitary cell. When I set out to write a novel about a bus driver who ends up in jail, I decided to dedicate several chapters of the book to his time in solitary confinement. That research sent me down the rabbit hole of interviewing former prisoners and reading widely about the solitary experience.

I’ve been fascinated with ancient history since childhood, but really fell in love with the Achaemenids in college while taking classes on Greek history and wondering about the other side’s perspective on familiar stories of the Persian Wars. I was fortunate to get the opportunity to study both Greek and Persian history in graduate school at the University of Chicago, a leading center of scholarship on the Achaemenid world since the Persepolis excavations in the 1930s. Since 2006, I’ve taught in the History department at Christopher Newport University, a liberal arts university in Newport News, Virginia. I’m currently working on my next book, a new history of Persia’s Greek campaigns. 

I tell stories that make issues achingly and inescapably personal. After covering the first Palestinian Uprising for two winters as a correspondent and witnessing firsthand the gamut of senseless tragedies behind the headlines, I realized that hard news could never convey an iota of the deeper story I was gleaning. I turned to fiction writing and won my State's Literary Fellowship in Fiction. I learned that I can find light in the most horrific situations and leave readers with hope. Having earned a Masters degree in Intercultural Studies, I write from a global perspective with the conscious aim of fostering intercultural, interracial, and cross-gender understanding and healing.