Here are 100 books that Wilderness Essays fans have personally recommended if you like
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Since my late teens, I have traveled extensively in wilderness areas across the United States and Alaska, as well as in Canada, Switzerland, and Patagonia. Backpacking, technical mountain climbing, and canoeing have led me to appreciate wilderness for its own sake and to become a fierce advocate for its protection. Since moving to Seattle in 1982, I have hiked extensively in the western mountains and experienced a profound sense of peace and wonder in the wild. The listed books have deepened my appreciation of the wild's intrinsic value. I have tried to convey this appreciation to my readers in my three novels set in the American West.
As Roderick Nash is the scholarly historian of the term “wilderness” in the American mind, Gary Snyder is the sagacious philosopher of the term for contemporary America. I admire Snyder’s poetic style as much as his evocation of the meaning of “place”; i.e., how one can develop both a physical and a spiritual awareness of the wild around us and then transfer that awareness to a sense of one’s place in the larger country and then the planet itself.
From chapters such as “The Place, The Region, and the Commons” and “Survival and Sacrament,” I have gleaned what I can only term Snyder’s mystical appreciation of wilderness and its importance for the future of the human race. Snyder is truly the “High Priest” of how to “practice” the wild in one’s own life.
"This is an important book for anyone interested in the ethical interrelationships of things, places, and people, and it is a book that is not just read but taken in." ―Library Journal
Featuring a new introduction by Robert Hass, the nine captivatingly meditative essays in The Practice of the Wild display the deep understanding and wide erudition of Gary Snyder in the ways of Buddhist belief, wildness, wildlife, and the world. These essays, first published in 1990, stand as the mature centerpiece of Snyder’s work and thought, and this profound collection is widely accepted as one of the central texts…
Since my late teens, I have traveled extensively in wilderness areas across the United States and Alaska, as well as in Canada, Switzerland, and Patagonia. Backpacking, technical mountain climbing, and canoeing have led me to appreciate wilderness for its own sake and to become a fierce advocate for its protection. Since moving to Seattle in 1982, I have hiked extensively in the western mountains and experienced a profound sense of peace and wonder in the wild. The listed books have deepened my appreciation of the wild's intrinsic value. I have tried to convey this appreciation to my readers in my three novels set in the American West.
In John McPhee’s classic defense of environmental sanity and wilderness protection, the archdruid is David Brower, in his day among the planet’s most fervent environmentalists and defenders of nature.
Charles Fraser, a resort developer, labeled Brower a “druid”: i.e., “ a religious figure who sacrifices people and worships trees,” and I know of no other book that so starkly contrasts the urge to develop everything—even the Grand Canyon!—with the counter urge to preserve as much as possible of the wild before it is all gone.
I deeply appreciate McPhee’s format: a series of dialogues in which Brower and his three opponents extol their arguments fully and then engage in rigorous debate about their wildly contrasting values.
The narratives in this book are of journeys made in three wildernesses - on a coastal island, in a Western mountain range, and on the Colorado River in the Grand Canyon. The four men portrayed here have different relationships to their environment, and they encounter each other on mountain trails, in forests and rapids, sometimes with reserve, sometimes with friendliness, sometimes fighting hard across a philosophical divide.
Since my late teens, I have traveled extensively in wilderness areas across the United States and Alaska, as well as in Canada, Switzerland, and Patagonia. Backpacking, technical mountain climbing, and canoeing have led me to appreciate wilderness for its own sake and to become a fierce advocate for its protection. Since moving to Seattle in 1982, I have hiked extensively in the western mountains and experienced a profound sense of peace and wonder in the wild. The listed books have deepened my appreciation of the wild's intrinsic value. I have tried to convey this appreciation to my readers in my three novels set in the American West.
Sigurd Olson’s book is the most beautifully written and profound evocation of the utter beauty of the Quetico-Superior wilderness that I have ever read. Olson finds wonder and astonishment everywhere: trees, lakes, rivers, wildlife, and birds; the sound of rain; “laughing loons,” the signature sound of the North Country; falling leaves and bobcat trails.
I have read this entire book twice, and each time, I have learned more about appreciating the beauty of the wild. Each chapter is a unique lesson in seeing, hearing, and—most importantly—learning how to appreciate the wild and immerse oneself within it while leaving it intact.
Since my late teens, I have traveled extensively in wilderness areas across the United States and Alaska, as well as in Canada, Switzerland, and Patagonia. Backpacking, technical mountain climbing, and canoeing have led me to appreciate wilderness for its own sake and to become a fierce advocate for its protection. Since moving to Seattle in 1982, I have hiked extensively in the western mountains and experienced a profound sense of peace and wonder in the wild. The listed books have deepened my appreciation of the wild's intrinsic value. I have tried to convey this appreciation to my readers in my three novels set in the American West.
Roderick Nash’s brilliantly argued and thoroughly researched book was the bedrock of a course I designed on American Environmental Literature while teaching humanities at a community college. As a published scholar, I deeply appreciate the logic of Nash’s arguments and the historical sweep of his narrative.
Nash chronicles the prevailing opinions of early “settlers” as they encountered and then began fulfilling the biblical injunction to “tame” the “new Eden” they had discovered: their reactions to the Native people, whom they readily labeled “savages” (i.e., not European civilized); the amazing and dangerous wildlife, especially in the American West; and the huge battles beginning in the 1960s to preserve what was then still untamed on the North American continent.
Roderick Nash's classic study of America's changing attitudes toward wilderness has received wide acclaim since its initial publication in 1967. The Los Angeles Times has listed it among the one hundred most influential books published in the last quarter century, Outside Magazine has included it in a survey of "books that changed our world", and it has been called the "Book of Genesis for environmentalists". Now a fourth edition of this highly regarded work is available, with a new preface and epilogue in which Nash explores the future of wilderness and reflects on its ethical and biocentric relevance.
I’ve loved plants since I was a child – that’s probably why I grew up to become an environmental historian and nature writer! But I longed for stories about plants and nature that didn’t paint them as passive and ours to dominate. And stories that represented the voices of those on the margins of nature writing. I have written three books of nature writing, as well as a nature-themed picture books, and many more shorter essays on the natural world along the way.
I was enthralled with this book from its very premise: a book about looking closely…really closely. Haskell tracks the growth of a square meter of forest over a year, bringing to life the minutiae of life.
It’s a book that made me want to get down on the ground and get to know the unseen details of every patch of land I encountered.
A biologist reveals the secret world hidden in a single square meter of old-growth forest--a finalist for the Pulitzer Prize and the Pen/E.O. Wilson Literary Science Writing Award
Look out for David Haskell's new book, The Songs of Tree: Stories From Nature's Great Connectors, coming in April of 2017
In this wholly original book, biologist David Haskell uses a one- square-meter patch of old-growth Tennessee forest as a window onto the entire natural world. Visiting it almost daily for one year to trace nature's path through the seasons, he brings the forest and its inhabitants to vivid life.
I have been a lover of all things outdoors since I was a boy. After my father was killed at a young age, my brothers and I took his love for outdoor adventure and made it our own. Fully aware of all that can go wrong, my brothers and I went into our ventures with a keen sense of humor. Camping, fishing, and kayaking all come with their own challenges and requisite hilarious moments. It is these moments of adversity, and personal risk, that are sometimes lightened by a good dose of laughter and levity.
This book minces no words about the difficulties of hiking the Appalachian Trail. Bryson does a brilliant job laying out the reality that despite extensive planning and, in the case of his hiking partner, Steven Katz, differing motives, things can go wrong.
Bryson does an amazing job keeping the story light with side-splitting humor. The blend of humor and adventure play roles as some of the primary inspirations behind my own writing.
From the author of "Notes from a Small Island" and "The Lost Continent" comes this humorous report on his walk along the Appalachian Trail. The Trail covers 14 states and over 2000 miles, and stretches along the east coast of America from Maine in the north to Georgia in the south. It is famous for being the longest continuous footpath in the world. It snakes through some of the wildest and most specactular landscapes in America, as well as through some of its most poverty-stricken and primitive backwoods areas.
I grew up in the foothills of the Adirondack Mountains in upstate New York and spent many weekends hiking, camping, and fishing with my parents. Identifying and understanding the plants and animals around me was always interesting, and this love of nature has stayed with me as an adult. I now live near Lake Michigan and am an avid hiker, birdwatcher, and an Indiana Master Naturalist. I take endless inspiration from the natural world in my illustration work and believe that co-existing with, respecting, and preserving the natural world is central not just to the integrity of our planet, but to our very humanity.
This book is a fascinating look at ornithology through the ages, from mythology and legend to the evolution of our scientific understanding of birds today. It includes beautiful illustrations from medieval monks to early naturalists through the 20th century. Even the most casual birdwatcher will learn something fascinating from this book; I read it slowly, digesting a section at a time, and it’s one I’m sure I’ll return to again and again.
For thousands of years people have been fascinated by birds, and today that fascination is still growing. In 2007 bird-watching is one of the most popular pastimes, not just in Britain, but throughout the world, and the range of interest runs from the specialist to the beginner.
In The Wisdom of Birds, Birkhead takes the reader on a journey that not only tells us about the extraordinary lives of birds - from conception and egg, through territory and song, to migration and fully fledged breeder - but also shows how, over centuries, we have overcome superstition and untested 'truths' to…
In Nature’s Realm is my third book on the theme of exploration of Vancouver Island, my home for the past thirty years, and my first focussed on the history of natural history. In it, I call upon decades of experience in mapping hitherto scarcely known parts of the world, combined with a keen fascination with the fauna and flora of the many places where I have lived and worked. I have marvelled at the work of the exploring naturalists and am fascinated with their personal histories. I find it enthralling how they each added to the sum of human knowledge of the wonders of the natural world, now so sadly threatened.
This fine book was another discovery of mine as I studied the literature on aspects of the history of natural history for my own book in this genre. Although written by two academics, this book is easy to read by a generally educated public. It covers what is to me, the engrossing topic of the early botanical collectors and illustrators, both men and women. The authors recount the lives of eleven subjects from Linnaeus through Banks, Douglas, Spruce, and Hooker, and how they, together, founded the science of botany by roaming the world in search of new species. There are 32 well-chosen illustrations, in colour and monochrome.
The flower hunters were intrepid explorers - remarkable, eccentric men and women who scoured the world in search of extraordinary plants from the middle of the seventeenth to the end of the nineteenth century, and helped establish the new science of botany. For these adventurers, the search for new, undiscovered plant specimens was something worth risking - and often losing - their lives for. From the Douglas-fir and the monkey puzzle tree, to exotic orchids and azaleas, many of the plants that are now so familiar to us were found in distant regions of the globe, often in wild and…
I was first a biologist, working with endangered species. Then I switched and spent fifteen years making nature documentaries with people like Greta Thunberg and David Attenborough. Then a humpback whale breached onto me when I was kayaking, this led to a life-changing adventure culminating in my becoming involved in efforts to use AI to translate the communications of whales! I wrote about this for my first book. My great passion was always reading and in becoming a writer I get to go deeper and more playfully into my favorite parts of filmmaking – following heroic and fascinating people on their adventures, reading hundreds of complicated scientific papers, and finding ways to connect these.
I read this book thinking I'd learn about a speedy little 40g bird that never stops flying and that people used to think flew to the moon in winter.
But the book is a non-fiction love song to all life on earth that spins outward weaving together everything it has taken to make a world that could have swifts in it. It is literally wonder-ful and a masterpiece.
It takes a whole universe to make one small black bird
The bestselling author of Crow Country and writer of The Guardian's Country Diary tells the story of all life on Earth through a single day spent in the company of swifts.
'A jewel of a book' Caroline Lucas MP
Swifts are among the most extraordinary of all birds. Their migrations span continents and their twelve-week stopover, when they pause to breed in European rooftops, is the very definition of summer. They may nest in our homes but much about their lives passes over our heads. No birds are more…
I teach medieval and early modern European history at Dublin City University, with a particular interest in 16th-18th century Italian history. My own research focuses on the religious, legal, and popular culture of northern Italy, particularly Venice and the Veneto region. I became fascinated with Renaissance Italian history as an undergraduate at the College of William and Mary, and then went on to do a masters and a PhD at Northwestern University. I have taught at Northwestern, the College of William and Mary, the University of Warwick/Warwick in Venice, and the State University of New York at Cortland.
This is an excellent and fascinating book on the scientific culture of Renaissance Italy, where intellectuals and the wealthy elite began collecting and cataloging curiosities long before their northern European counterparts. Findlen demonstrates a key way in which Renaissance intellectuals could look back to an idealized ancient past while also creating new knowledge and institutions – namely the museum. This book is beautifully written, full of engaging stories, and shows a side of early modern science often ignored.
In 1500 few Europeans regarded nature as a subject worthy of inquiry. Yet fifty years later the first museums of natural history had appeared in Italy, dedicated to the marvels of nature. Italian patricians, their curiosity fueled by new voyages of exploration and the humanist rediscovery of nature, created vast collections as a means of knowing the world and used this knowledge to their greater glory. Drawing on extensive archives of visitors' books, letters, travel journals, memoirs, and pleas for patronage, Paula Findlen reconstructs the lost social world of Renaissance and Baroque museums. She follows the new study of natural…
