100 books like Wicked Beauty

American snark meets cutting British wit: I loved the texts/emails/calls between Alex, the American president’s son, and Henry, the British prince. The contrast between the two characters was riveting: the brash, ambitious young politico versus the cultured, smooth, royal prince with decades of tradition bred into his bones. Let’s face it: power is seductive, and these two enemies-to-lovers move in the highest-powered circles on Earth.

What gives this love story extra depth is the struggle of these highly visible men to deal with being gay/bisexual both in private and on the public stage. Prince Henry’s pain at having to suppress his true sexuality almost broke my heart. Thank goodness it’s a romance, so they find a way to be happy together in the end! 

This book is fast-paced: within the first chapter, the titular captive prince, Damon, is enslaved, stripped of his royal identity, and gifted to Laurent, the young prince of a decadent foreign court. Damon, yet another straightforward soldier type (they pair so well with the slippery types), is immediately caught up in the byzantine machinations of Laurent and his uncle and is hilariously out of his depth without ever seeming to realize it.

I appreciate Damon, but I adore Laurent. He is so snarky and cool-headed, running absolute rings around Damon and playing the game like a champion despite the very poor hand his uncle has dealt him. It’s a slow-burn romance, and I loved watching their relationship evolve slowly.

Don’t be fooled by the initial MF pairing of this book, A Lady of Rooksgrove Manor is very queer and very spicy.

Kathryn Moon does a fantastic job creating a realistic example of a polyamorous relationship in a genre where most authors tend to just like creating conflict. Each partner to the main character has unique, well-negotiated relationships not only with the main character but also with each other.

These relationships range from sexual to queer, platonic, and scratches the itch that every queer person has to build a commune out in the wilderness with all their closest friends that they may or may not make out with sometimes.

Unlike the other recommendations I’ve given so far, this one is an ongoing series… and a manga.

Now, before you pull back. What if I told you that in addition to the beautiful art, this series had some of the most incredible and complex characters that I’ve seen in queer romance? What if I told you that it touched upon important topics like grief, internalized homophobia, familial expectations, depression, and what it’s like growing up gay in Japan?

Not to mention the sweet, spicy scenes between the two main characters as they grow together in their relationship. It’s one of my all time favorites and even if you aren’t a big manga reader or into anime, it truly is worth it.

Since the first page, I have not been able to stop thinking about Whitten’s gorgeously immersive world.

With a main character named Red and something about a wolf, you may think that this is just another Little Red Riding Hood rewriting…but it is so much more. A magical murderous forest, prophesies, blood pacts, destiny, love—all the things I already knew I loved, but then add even more—haunted trees, a twisting sickness caused by shadow, and two sisters fighting to determine their own fate.

This last aspect lends a specialness to Whitten’s novel and reminds me of my favorite novels growing up. These are not your average princesses. For the Wolf teeters on that edge between NA and adult, and the language alone is worth the read!

My mind was blown when I encountered the work of Philippe Druillet in the mid-1970s. This French cartoonist is considered one of the greatest of them all, creating alien worlds of startling originality and stupefying grandeur. Fifty years later, his work is as startling and original as it appeared back then.

No one has surpassed his ability to depict scenes of such mind-boggling scale and otherworldliness, as if he had a unique glimpse of some higher realm. As a young cartoonist, I was strongly influenced by Druillet, who inspired me with his demonstration of what it was possible to achieve in the comic book form. His work is not drug-oriented but depicts the sort of visions those who take hallucinogens would hope to experience.

The world-building in The Hundred Thousand Kingdoms explores how the powering of societies can come at a human cost—though in this case, the humans have outsourced that cost to the gods. Enslaved by the Arameri aristocratic family that rules over the Hundred Thousand Kingdoms, gods and godlings power the Arameri’s control of the city of Sky, allowing the city to flourish but at the expense of the common people’s or the gods’ agency. Compared to the other books listed here, this tale is more concerned with the structures of class and authority (and less so utility) that help turn the gears of society, but its examinations of these aspects of civics are still insightful and, ultimately, optimistic.

The first book in The Twilight Reign starts off an epic fantasy series of war, loyalty, sacrifice, prophecy, and Gods with their own agendas, to whom their chosen champions are game-pieces to be used in a conflict in which mortals have only a partial understanding. The hero, Isak, is a young man born to be a violent warrior, a tool of prophesy and the Gods, but he never stops struggling to be more than what he was made, and to make himself master of his own fate. This is a satisfyingly rich fantasy world to plunge yourself into.

Not only is Essun a woman, which, unfortunately, is not common when it comes to the history of badass sci-fi protagonists (thankfully this is becoming less true because of writers like N.K. Jemisin), but she’s a middle-aged mother of two living, or I should say, hiding, out in the cut. When her daughter goes missing, Essun hits the road to find her and reveals her, literally, Earth-shaking abilities. If we threw the badasses on this list into a single universe and had them duel, ten-ringer Essun would clean the clocks of every other protagonist. Or more accurately, turn them to ice. I absolutely loved this series, and Essun is the main reason why. 

Dianna and Liam, two immortals, struggle to free themselves from their past and the expectations of their future. But when they join forces, they realise their future might be the same.

This book was amazingly written with the perfect balance of a great story and complex, morally grey characters. I especially love how Dianna does bad things to protect the one she loves and has an excuse for everything.