Fans pick 97 books like Voyage to Muscovy

I fell in love with Russian history as a college sophomore, when I realized the place was like a movie series, all drama and extremes. I completed a doctorate at Stanford in early modern Russia and later published The Domostroi: Rules for Russian Households in the Time of Ivan the Terrible. Because so few people in the West know about the contemporaries of the Tudors and Borgias, I set out to write a set of novels, published under a pseudonym, aimed at a general audience, and set in sixteenth-century Russia. I interview authors for the New Books Network, where I favor well-written books set in unfamiliar times and places.

I fell in love with Russian history as a college sophomore, when I realized the place was like a movie series, all drama and extremes. I completed a doctorate at Stanford in early modern Russia and later published The Domostroi: Rules for Russian Households in the Time of Ivan the Terrible. Because so few people in the West know about the contemporaries of the Tudors and Borgias, I set out to write a set of novels, published under a pseudonym, aimed at a general audience, and set in sixteenth-century Russia. I interview authors for the New Books Network, where I favor well-written books set in unfamiliar times and places.

I fell in love with Russian history as a college sophomore, when I realized the place was like a movie series, all drama and extremes. I completed a doctorate at Stanford in early modern Russia and later published The Domostroi: Rules for Russian Households in the Time of Ivan the Terrible. Because so few people in the West know about the contemporaries of the Tudors and Borgias, I set out to write a set of novels, published under a pseudonym, aimed at a general audience, and set in sixteenth-century Russia. I interview authors for the New Books Network, where I favor well-written books set in unfamiliar times and places.

I fell in love with Russian history as a college sophomore, when I realized the place was like a movie series, all drama and extremes. I completed a doctorate at Stanford in early modern Russia and later published The Domostroi: Rules for Russian Households in the Time of Ivan the Terrible. Because so few people in the West know about the contemporaries of the Tudors and Borgias, I set out to write a set of novels, published under a pseudonym, aimed at a general audience, and set in sixteenth-century Russia. I interview authors for the New Books Network, where I favor well-written books set in unfamiliar times and places.

When I first saw Shakespearean text, I could not get how anyone related to things written so many centuries ago. It took me several years before my soul awakened to these words that now felt fresh, like they could have been whispered to me that very day by a best friend who understood all the pain and all the laughter of my life. Very little is known about the man himself leaving writers a lot of room to create their own version of Shakespeare. I know my Shakespeare is just that: my magical, enigmatic, wise Shakespeare. It’s exciting to see how others give him life in their own stories.

While I taught Shakespeare’s plays all my teaching career, I stayed in my lanes: Hamlet, Othello, The Merchant of Venice, King Lear. As a poetry teacher, I used his sonnets as examples of metaphor and form, but never did I consider myself an expert. However, when the idea for my novel popped into my head, I realized I had some serious reading to do. Not only did I study the facts, I delved into the fiction. While some of these books came out during my writing and others after, I didn’t lose my interest, picking up whatever new Shakespeare book appeared. These are some of my favorites.

The Romanov saga has intrigued me since I was an undergraduate student in history many moons ago. Three hundred years of Romanov rule were filled with exotic beauty, violence, and tragedy. I went on to teach Russian history at university and was able to share some of the stories of the tsars and tsarinas with my students. Having authored books and articles in my academic field, my teaching career has ended. Now it is historical fiction that has captured my imagination and spurred me to pen my own novels set in 19th-century Africa and Afghanistan, as well as Russia during the reign of Ivan the Terrible.

I’m a literary historian who works on the history of women’s reproductive bodies in the early modern era. I am also a debut novelist who has used my many years of researching the seventeenth century to bring to life the story of a seventeenth-century midwife. My own novel is not a bio fiction in the strictest sense of the term (novels with a named protagonist who was a historical figure) but it is based on the published works of two contemporary midwives, Jane Sharp (fl. 1671) and Sarah Stone who worked in the early part of the eighteenth century. I love reading works where other authors have brought to life figures I both research and teach.

I'm a professor of history at the Graduate Center and Queens College at the City University of New York, where I'm also director of the Irish Studies program and the MA program in Biography and Memoir. My specialty, covered in five books that I’ve authored or co-edited, is English and Irish history in the sixteenth and seventeenth centuries; my new book represents the culmination of a decade’s research devoted to Ireland. In addition to teaching British and Irish history, I offer more unusual and wide-ranging classes including the history of the devil, the history of crime and punishment, and the history of the body. My life is divided between New York City and mid-coast Maine.

As a young woman I became fascinated by what contributes to our uniqueness as human beings. I was intrigued by historical influences, the development of personality, and how we frequently travel life’s lanes through a labyrinth of conflicting thoughts and emotions. Feminism, spirituality, psychology; I was absorbed by all three. Eventually I studied psychology. My working life was spent in a variety of roles, mainly supporting adults or young people to manage the challenges thrown at them by circumstance. Regarding my writing, I have always penned something i.e., poetry, songs, holiday journals. I progressed to short stories for adults, which were self-published under a pseudonym. ‘Thistle’ is my first novel.