Here are 100 books that Up in the Clouds, Gentlemen Please fans have personally recommended if you like
Up in the Clouds, Gentlemen Please.
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I’ve always had a passion for cinema, especially gritty British
productions of the 1940s and 50s. The voices of Kathleen Harrison,
Robert Beatty, Kenneth More, Dirk Bogarde, Jack Warner, and Susan Shaw
can be heard nightly radiating from my TV. I’m also a huge fan of radio,
in particular classic BBC shows. As a biographer, I’m known for shining
a light on personalities of yesteryear – those we might recognize by
name and face but know little about. My recent books include
biographies on Erich Honecker (OK, he wasn’t a movie star), Jack Hawkins,
and David Tomlinson (they were).
I’ll never forget finding this biography at a secondhand bookstore just off the Kurfurstendamm in Berlin a few years ago. I took it to a small café near the zoo and read it–cover to cover–that very same day!
There is little doubt Samuel Goldwyn was Hollywood’s last tycoon. In this outstanding book, Berg beautifully tells the rags-to-riches tale of a poor Jewish glovemaker who became the most important producer in American cinema. Many great stars make appearances, including Charlie Chaplin and Mary Pickford. A meticulously researched and compelling tome.
Provides a definitive portrait of Schmuel Gelbfisz, a young Pole who faced staggering obstacles to come to New York, and his rise to fame and power as Samuel Goldwyn--one of the most famous Hollywood studio figures of our time
I’ve always had a passion for cinema, especially gritty British
productions of the 1940s and 50s. The voices of Kathleen Harrison,
Robert Beatty, Kenneth More, Dirk Bogarde, Jack Warner, and Susan Shaw
can be heard nightly radiating from my TV. I’m also a huge fan of radio,
in particular classic BBC shows. As a biographer, I’m known for shining
a light on personalities of yesteryear – those we might recognize by
name and face but know little about. My recent books include
biographies on Erich Honecker (OK, he wasn’t a movie star), Jack Hawkins,
and David Tomlinson (they were).
I adored Fred Astaire so much that during a trip to Los Angeles, I made a special little pilgrimage to the RKO studios on the corner of Melrose Ave and Gower Street to see where he shot those famous 1930s movies, Top Hat, Follow the Fleet, and Flying Down to Rio.
From his debut in vaudeville as a kid to his remarkable career as the star of many of the most popular Hollywood musicals ever captured on celluloid, Fred tells his own compelling story.
One of the foremost entertainers of the twentieth century—singer, actor, choreographer, and, of course, the most dazzling "hoofer" in the history of motion pictures—Fred Astaire was the epitome of charm, grace, and suave sophistication, with a style all his own and a complete disregard for the laws of gravity. Steps in Time is Astaire's story in his own words, a memoir as beguiling, exuberant, and enthralling as the great artist himself, the man ballet legends George Balanchine and Rudolf Nureyev cited as, hands down, the century's greatest dancer.
From his debut in vaudeville at age six through his remarkable career…
I’ve always had a passion for cinema, especially gritty British
productions of the 1940s and 50s. The voices of Kathleen Harrison,
Robert Beatty, Kenneth More, Dirk Bogarde, Jack Warner, and Susan Shaw
can be heard nightly radiating from my TV. I’m also a huge fan of radio,
in particular classic BBC shows. As a biographer, I’m known for shining
a light on personalities of yesteryear – those we might recognize by
name and face but know little about. My recent books include
biographies on Erich Honecker (OK, he wasn’t a movie star), Jack Hawkins,
and David Tomlinson (they were).
Whilst I’ve been researching the life of Kenneth More, the talented Ronald Culver keeps popping up. I first came across him when writing one of my own books, as he played alongside David Tomlinson in a fifties war comedy.
During that period, I managed to watch most of his films–and he was not only a fine character actor, but also a gifted author. This is his own story.
I’ve always had a passion for cinema, especially gritty British
productions of the 1940s and 50s. The voices of Kathleen Harrison,
Robert Beatty, Kenneth More, Dirk Bogarde, Jack Warner, and Susan Shaw
can be heard nightly radiating from my TV. I’m also a huge fan of radio,
in particular classic BBC shows. As a biographer, I’m known for shining
a light on personalities of yesteryear – those we might recognize by
name and face but know little about. My recent books include
biographies on Erich Honecker (OK, he wasn’t a movie star), Jack Hawkins,
and David Tomlinson (they were).
Recently, during a visit to Filmstaden studios near Stockholm (yes, where Ingrid and Ingmar Bergman worked) I was given a copy of this book. It is, without a doubt, the definitive biography of Hitchcock, with a thrilling opening on his life in Britain and formative years.
A fresh and definitive portrait of the Master of Suspense by acclaimed biographer Patrick McGilligan Full of fresh revelations, dark humour and cliff hanging suspense, this new biography of Alfred Hitchcock follows his life from its humble beginnings, as the son of an East End greengrocer, through an extraordinary career in which his films set new standards for cinematic invention, to his death as a Hollywood legend in Beverley Hills. * Gives a uniquely comprehensive and balanced view of Hitchcock's life, uncovering details not just of his work but also his personal life, and with an insight into how they…
I began my professional life as an actress and have skittered around the edges of theatre ever since, in various capacities. While I haven’t been on a stage for nearly forty years and I wouldn’t venture onto one at the point of a gun, I have always found the life of the actor fascinating. I’m old enough to have witnessed huge changes in the theatre over the decades, and it is intriguing to discover how much has changed—absconding managers are pretty well a thing of the past these days, and today’s actors don’t drink as much—yet how much the adaptability and single-minded passion of actors remain the same.
I’ve often wondered how it was that actors went from the ‘rogues and vagabonds’ of Shakespeare’s time through the days of early Victorian theatre, when acting was considered a highly disreputable profession, to apparent respectability at the end of the 19th century with the creation of the first theatrical knight, Sir Henry Irving. This book—again meticulously- and widely-researched—explains in a highly readable form how changing attitudes among politicians, audiences, and playwrights contributed to the rise in the status of actors, so that by the beginnings of the 20th century it was considered perfectly respectable for even a middle-class man—or woman—to enter the profession.
Originally published in 1978. Between 1830 and 1890 the English theatre became recognisably modern. Standards of acting and presentation improved immeasurably, new playwrights emerged, theatres became more comfortable and more intimate and playgoing became a national pastime with all classes. The actor's status rose accordingly. In 1830 he had been little better than a social outcast; by 1880 he had become a member of a skilled, relatively well-paid and respected profession which was attracting new recruits in unprecedented numbers.
This is a social history of Victorian actors which seeks to show how wider social attitudes and developments affected the changing…
I grew up in historic old houses. They were haunted too. (Think things that went bump in the night and were rife with the unexplained.) My imagination didn’t stand a chance and caught on fire. Later, I chose history as a career path with research as the job—which is really just solving mysteries. My fiction writing naturally extended from these beginnings and remains heavily influenced by the past. A bonus to the mix is the Celtic storytelling DNA coursing through my veins. I read and write stories that blend the mysterious with the historic and am especially inspired by all things gothic. I'm the author of The Spinster’s Fortune and Campbell’s Boy.
This book was so much fun. It rolls in so many nuances from historic gothic reads while adding its own special takes in clever ways. It brought back fond memories of so many other writers and books for me as I was reading it. It is clearly influenced by many of the greats. But it also stands on its own two feet with rich and layered language and detail. The twist near the end is crafty and pulls it all together. Paulette Kennedy knows what she is doing!
Some houses hold secrets that are meant to be kept forever...
When Eliza Sullivan inherits an estate from a recently deceased aunt, she leaves behind a grievous and guilt-ridden past in New Orleans for rural England and a fresh start. Eliza arrives at her new home and finds herself falling for the mysterious lord of Havenwood, Malcolm Winfield. Despite the sinister rumors that surround him, Eliza is drawn to his melancholy charm and his crumbling, once-beautiful mansion. With enough love, she thinks, both man and manor could be repaired.
Not long into their marriage, Eliza fears that she should have…
I’ve loved the theater ever since I first stepped on stage in a high school production of You Can’t Take It With You. I had one line and was hooked! And as for Shakespeare–I fell in love with the Bard when I was 13 and saw Franco Zeffirelli’s Romeo and Juliet. My best friend and I spent hours reciting the lines (I still remember whole speeches). So, when I was looking for an artsy subject (I love the arts) for my third novel, I naturally turned to the theater. I have a Master of Arts in Drama from the University of Toronto and when I’m not writing, I run Art In Fiction, a website showcasing 1700+ novels inspired by the arts.
Entertaining Mr. Pepys explores the world of British theater during a time when women were finally allowed on stage as actresses. I loved it because of how the author explored her main character’s fascination with acting, which reminded me very much of how Grace in my own book is captivated by the stage and willing to go to any lengths to become an actress. I have read several of Swift’s novels and credit them with inspiring me to write my own novels based on women in the arts.
Perfect for fans of Philippa Gregory, Alison Weir, Anne O'Brien and Elizabeth Chadwick, Deborah Swift brings a unique period in history to vivid, fascinating life in her acclaimed Pepys trilogy.
'A remarkably beguiling read. It transported me to the glitter and filth of seventeenth century London' Martine Bailey, author of The Almanack
'The fusion of historical facts and fiction is so flawless that it is hard to know where reality ends and fiction begins' Readers' Favorite
London, 1666. Elizabeth 'Bird' Carpenter has a wonderful singing voice, and music is her chief passion. When her father persuades her to marry horse-dealer…
My ultimate read is when the action is fast, but the character's discovery of self is slow. Besides, being engrossed in the challenges of others makes my own pale by comparison. The author needs to get me to empathize with the characters - even if their struggles are nothing like my own - and once they’ve done that, I’ll be in for the long haul! Journeying through life’s mire and finding the rainbow with a character you believe - and believe in - makes for the ultimate in vicarious living. And ‘Heck, YES’ to a satisfying ending!
OMG. I have recommended this book to more people than any other. It’s truly a historical fiction masterpiece. I read slowly but my eyes flew over these titillating pages as if I was a famished glutton and had to devour them quickly lest they disappear. The intrigue! The avarice! The anarchy!
It is an ambitious literary project that splashes over the colorful canvas set in 12th-century England. If, like me, you love the complexities of the human condition, read this book and prepare for the rapture that is virtuoso storytelling.
The "extraordinary . . . monumental masterpiece" (Booklist) that changed the course of Ken Follett's already phenomenal career-and begins where its prequel, The Evening and the Morning, ended.
"Follett risks all and comes out a clear winner," extolled Publishers Weekly on the release of The Pillars of the Earth. A departure for the bestselling thriller writer, the historical epic stunned readers and critics alike with its ambitious scope and gripping humanity. Today, it stands as a testament to Follett's unassailable command of the written word and to his universal appeal.
I’m endlessly fascinated by the stories of young women from the WW2 era, who came of age at the moment the world was torn apart. As an author of wartime historical fiction with strong female characters, it’s vital for me to understand the experience of ordinary women who grew up in such extraordinary times, so I’m always on the hunt for real voices from the era. I’d love to think that in similar circumstances I’d face my challenges with the same humour, resourcefulness, bravery, and humanity as my favourite five female memoirists selected for you here.
I loved this book. It’s an absolute classic coming-of-age story, beginning when Emma is a schoolgirl on the brink of teens, and ending with her as a newly-married novelist. I particularly identified with the author as the bookish youngest of three, growing up in Devon – there were lots of parallels with my own teenage self – and I wonder how I would have coped with emerging into adulthood just as war broke out, as Emma did – highly recommended!
Uprooted from her beloved Great Western Beach, Emma Smith moves with her family from Newquay to the Devonshire village of Crapstone. But the dust has hardly settled when tragedy strikes, and Emma's father, a DSO-decorated hero of the Great War, is so frustrated by the hardship of life as a lowly bank clerk and by his thwarted artistic ambitions that he suffers a catastrophic breakdown - from which disaster Emma's resourceful mother rallies courageously. Then, in 1939, the war again becomes a reality. Emma's sister Pam at once enlists with the WAAF and Jim, her politically minded brother, after initially…
I love a good fight scene! It doesn’t need to be long and gruesome, but it must be visceral and make me nervous for those involved. Don’t get me wrong, I also love a good first-kiss scene but unfortunately, my past has made me more adept at recognizing and writing one over the other. I started training in martial arts at the age of nine and continued for thirty years. I don’t train much these days but I took up bowmaking a few years back and now spend a lot of time carving English longbows and First Nations’ bows. I recently also took up Chinese archery.
Mathew Harffy has a lot going for him in the historical fiction world. His fight scenes are not overly technical and are easy to follow. They have just the right amount of blood and gore to make you believe the characters are really in danger but are not simply gratuitous violence. What I really love about this book is his voice when he writes descriptions of the forest and the people who live in it. I grew up in the woods of a small town in Canada, and I know how the forest can be a peaceful, tranquil setting one moment and then suddenly transform into a place of shadows and dread. Judging by the cover of this book, I think Harffy knows this as well.
'Harffy's Dunston is a fantastic creation - old, creaking and misanthropic. The forest is beautifully evoked. A treat of a book' The Times.
AD 838. Deep in the forests of Wessex, Dunston's solitary existence is shattered when he stumbles on a mutilated corpse.
Accused of the murder, Dunston must clear his name and keep the dead man's daughter alive in the face of savage pursuers desperate to prevent a terrible secret from being revealed.
Rushing headlong through Wessex, Dunston will need to use all the skills of survival garnered from a lifetime in the wilderness. And if he has any…
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