Here are 65 books that Unsolved fans have personally recommended if you like
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I adore crime fiction, especially mysteries. They make sense. In the real world, crime rarely has the resolution of fiction, and almost never has Belgian detectives with very neat moustaches, or old ladies solving a who-dunnit… I grew up reading these books, mentally inhaling everything from Christie to Rankin to McDermid, and now I spend my days writing brutal but quite silly murders solved by a woman who would really rather wear an old grey fleece and jeans than a sparkly dress, and her friends, the fictional TRASH drag family. Murder mysteries are fun – perfect escapism. In a world so messed up as ours is right now, don’t we need to escape into fiction?
I hate this book for all the reasons I love it: because it’s perfect.
It’s a perfect crime novel and a perfect mystery, with perfectly awful characters, set in a perfectly fabulous situation, and as a mystery writer I know I will never ever top Christie’s brilliance – but oh my, any chance I have, I fall into this story.
Romance. Deception. Murder. Shiny things.
Genius.
Forget the movie, pick up the real thing. Poirot at his best.
THE MOST WIDELY READ MYSTERY OF ALL TIME—NOW A MAJOR MOTION PICTURE DIRECTED BY KENNETH BRANAGH AND PRODUCED BY RIDLEY SCOTT!
“The murderer is with us—on the train now . . .”
Just after midnight, the famous Orient Express is stopped in its tracks by a snowdrift. By morning, the millionaire Samuel Edward Ratchett lies dead in his compartment, stabbed a dozen times, his door locked from the inside. Without a shred of doubt, one of his fellow passengers is the murderer.
Isolated by the storm, detective Hercule Poirot must find the killer among a dozen of the dead man’s…
I adore crime fiction, especially mysteries. They make sense. In the real world, crime rarely has the resolution of fiction, and almost never has Belgian detectives with very neat moustaches, or old ladies solving a who-dunnit… I grew up reading these books, mentally inhaling everything from Christie to Rankin to McDermid, and now I spend my days writing brutal but quite silly murders solved by a woman who would really rather wear an old grey fleece and jeans than a sparkly dress, and her friends, the fictional TRASH drag family. Murder mysteries are fun – perfect escapism. In a world so messed up as ours is right now, don’t we need to escape into fiction?
Great characters, high drama over a toilet, and a very murdery murder. Perfect cozy crime.
Canon Daniel Clement stands between two sides of a war over the installation of a new toilet in the church. The writing is gentle and yet brilliant, comfortable and funny, and also has moments of poignant tenderness.
I adore crime fiction, especially mysteries. They make sense. In the real world, crime rarely has the resolution of fiction, and almost never has Belgian detectives with very neat moustaches, or old ladies solving a who-dunnit… I grew up reading these books, mentally inhaling everything from Christie to Rankin to McDermid, and now I spend my days writing brutal but quite silly murders solved by a woman who would really rather wear an old grey fleece and jeans than a sparkly dress, and her friends, the fictional TRASH drag family. Murder mysteries are fun – perfect escapism. In a world so messed up as ours is right now, don’t we need to escape into fiction?
Think Rentaghost, but with a dead, sulky teenager running the show.
I read this for review and I loved this book so much. It’s great fun and sassy as hell, and the deaths – and the dead – are very well written.
A play on the classic country house mystery, Grave Expectations pulls together nods to true crime and to clairvoyance, adding a dash of modern pop culture.
A pacy and hilarious debut crime novel, in which a burnt-out Millennial medium must utilize her ability to see ghosts to figure out which member(s) of a posh English family are guilty of murder.
Almost-authentic medium Claire and her best friend, Sophie, agree to take on a seemingly simple job at a crumbling old manor in the English countryside: performing a seance for the family matriarch's 80th birthday. The pair have been friends since before Sophie went missing when they were seventeen. Everyone else is convinced Sophie simply ran away, but Claire knows the truth. Claire knows Sophie was murdered…
I’ve loved mysteries since I gobbled up Nancy Drew and the Encyclopedia Brown books in grade school. As I grew older, I got hooked on Agatha Christie’s Miss Marple, Sue Grafton’s Kinsey Milhone, and Sara Paretsky’s VI Warshawski. Besides being a diehard fan of female sleuths, I have a B.S. in Journalism, which drummed the importance of “who-what-when-where-and-why” into my brain. I definitely take a reporter’s mindset into my story-telling, particularly when it comes to the “who.” Breathing life into characters is crucial. Maybe that’s why I used bits and pieces of my grandma Helen in order to create my fictional Helen. Plus, it gives me a chance to spend time with her again, if only in my imagination.
When I think of small-town sleuths of a certain age, there’s no better example than crossword-puzzle writer Judith Potts who lives in the village of Marlow. She’s 77-years-old and physically active (she routinely swims nude in the river behind her house).
In my humble opinion, Judith has all the makings of a great amateur detective: she’s nosy, observant, and not afraid to ask questions of perfect strangers (qualities I quite admire!). I enjoyed this tale even more when Judith roped the vicar’s wife and a dog-walker into her investigation of not one murder but two. More nosy Nellies only adds to the fun!
The first in a stunning new series introducing the Marlow Murder Club!
'A hugely enjoyable murder mystery written with wonderful verve, humour and compassion. Utterly delightful' Robert Webb
'I love Robert Thorogood's writing' Peter James
From the creator of the BBC One hit TV series, Death in Paradise
To solve an impossible murder, you need an impossible hero...
Judith Potts is seventy-seven years old and blissfully happy. She lives on her own in a faded mansion just outside Marlow, there's no man in her life to tell her what to do or how much whisky to drink, and to keep…
Queer community means what we make it mean—but in the end, we mostly have each other, with our varied histories and problems and capacity to care for our peers and harm them. Intergenerational community is a model for young people that the problems they’re facing aren’t new. I grew up in LGBT youth groups, in a generational moment just before gay marriage, PrEP, and increased access to healthcare for trans people transformed our sense of what “activism” and “solidarity” meant. As the political pendulum swings in the other direction, I think some of the best stories we can tell are ones where we aren’t individuals or couples in our own narrative bubbles.
I don’t usually love coming-out stories, since the coming-out narrative tends to replace anything else that happens for trans people, but this one shines—in part because Sasha Masha’s emergence precedes her contact with queer community, but only starts to actually makes sense in the context of knowing other gay and trans people.
It’s one of the only trans girl YA novels I know of, and it feels like it’s written for someone who is, like Sasha, half-out and tripping down the final steps. This is a fantastic book about how we may find our most real selves alone, but it might take a one-sided romantic friendship, a community showing of Querelle, or a couple old drag queens showing you their hallway of photos of Queer Icons to feel like you aren’t going crazy.
Alex feels like he is in the wrong body. His skin feels strange against his bones. And then comes Tracy, who thinks he's adorably awkward, who wants to kiss him, who makes him feel like a Real Boy. But it is not quite enough. Something is missing. Is the missing piece a part of Alex himself?
As Alex grapples with his identity, he finds himself trying on dresses and swiping on lipstick in the quiet of his bedroom. He meets Andre, a gay boy who is beautiful and unafraid to be who he is. Slowly, Alex begins to realize: Maybe…
The world is an amazing, diverse place that needs stories that represent everyone. I identify as gender fluid and am part of my city’s LGBTQIA+ community. For kids, there aren’t enough stories that feature non-straight cis protagonists where that identity isn’t the focus. LGBTQIA+ kids exist. They are normal. Let a gay kid go into space. Let a teenage lesbian solve a mystery. Let a trans girl defeat a dragon. Let an ace teen be a witch. Everybody deserves their adventure.
A book we need right now, something to balance out, in a small way, the awful anti-drag legislation being enacted all over the US.
Twelve-year-old Mikey is an aspiring businessman. Thirteen-year-old Julian hires him as a talent agent. Julian’s talent? Performing drag as Coco Caliente. Mikey knows the perfect place for her debut – the school talent show.
The book is wonderful fun, like a drag show, but pulls no punches regarding the bigotry and bullying gay kids so often experience. The ending was well done. I got a little misty. High recommendation!
Twelve-year-old Mikey Pruitt - president, founder, and CEO of Anything, Inc. - has always been an entrepreneur at heart. Inspired by his grandfather Pap Pruitt, who successfully ran all sorts of businesses from a car wash to a roadside peanut stand, Mikey is still looking for his million-dollar idea. Unfortunately, most of his ideas so far have failed. A baby tornado ran off with his general store, and the kids in his neighbourhood never did come back for their second croquet lesson. But Mikey is determined to keep at it.
It isn't until kid drag queen Coco Caliente, Mistress of…
I'm Kieran Frank, author of sexless romances. I write books with asexual characters because they're underrepresented. I write them with positive representation to avoid harmful stereotypes, and I highlight the nuances of a-spec people without sounding too preachy. I don't claim to be an expert in asexuality, but I'm passionate about writing asexual themes because it's what I want to see more of in fiction. Men are often expected to enjoy sex, especially at a younger age. I can personally relate to the harmful pressure, which is another reason I write asexual books. It can help combat toxic views that societies have instilled in many people.
There are times when books with asexual characters need some humor and lightheartedness for a wholesome mix. Not all ace books need to be sad or angsty. Not all ace books even need to be about sexuality itself. Asexual characters simply need to exist in more books with positive representation, and said books can help teach people that sexless romances are just as valid and meaningful.
A How to Be Novel Gustavo Tiberius is not normal. He knows this. Everyone in his small town of Abby, Oregon, knows this. He reads encyclopedias every night before bed. He has a pet ferret called Harry S. Truman. He owns a video rental store that no one goes to. His closest friends are a lady named Lottie with drag queen hair and a trio of elderly Vespa riders known as the We Three Queens. Gus is not normal. And he's fine with that. All he wants is to be left alone. Until Casey, an asexual stoner hipster and the…
Growing up gay in Missouri in the 1970s, it was LGBTQ novels that opened the door to the unraveling and discovery of my best self, my true queer identity. Initially potboilers with side gay characters (I hid my copy of Valley of the Dolls from the nuns in grade school) I soon discovered writers that unlocked worlds I did not know existed representing choices, loves, and adventures I would later make my own. As a writer, it was risk-taking, gorgeous LGBTQ novels that urged me along in my literary journey and helped me find and define my voice.
The fact that this queer masterpiece was written entirely in the solitude of a prison cell is only the first of many awe-inspiring truths about the book and its author. The drag queen Divine, a pimp named Darling Daintyfoot and Our Lady populate the book (published in 1943) offering a glimpse into a voluptuous Parisian fringe world. It was the thrilling—at times disturbing—story that first drew me in as a budding writer, but ultimately it was my realization that a book can be at once highly artful and literary as well as deeply erotic. It opened up a new freedom that I draw on every day as a novelist.
Jean Genet's masterpiece, composed entirely in the solitude of his prison cell. With an introduction by Jean-Paul Sartre.
Jean Genet's first, and arguably greatest, novel was written while he was in prison. As Sartre recounts in his introduction, Genet penned this work on the brown paper which inmates were supposed to use to fold bags as a form of occupational therapy. The masterpiece he managed to produce under those difficult conditions is a lyrical portrait of the criminal underground of Paris and the thieves, murderers and pimps who occupied it. Genet approached this world through his protagonist, Divine, a male…
I’ve always been drawn to the woods. There’s something strange and mysterious about the trees. It’s a place where true magic feels possible. I enjoy stories that recreate this feeling. That keep that sense of mystery. That don’t feel the need to explain every detail or every strange occurrence within their pages. Stories that build deep worlds over time, but maintain a sense of wonder. I love stories that are funny, that aren’t afraid to be weird or dark, and that have a strong heart. They are the type of stories I try to tell in my own work and the ones I most love to get lost in.
I could have put the entire Sandman series on this list and called it a day, so if you are unfamiliar with it, then please consider this an invitation to start with the first volume and go from there. Sandman is one of those special things that feel like a threshold into a much larger world. A strange and mysterious realm of dreams and magic, but whose doorway remains a secret to all but those who’ve cracked its cover.
As I was limiting myself to only one collection in the series, I chose “A Game of You” as it’s very much a fantasy tale. It follows a princess named Barbie who navigates a dreamworld with a talking rat, a monkey in a suit, and a dodo bird while her friends in the “real” world contend with hurricanes, falling moons, and a dismembered talking head. Despite the Narnia-like feel, this is…
Volume five of New York Times best selling author Neil Gaiman's acclaimed creation The Sandman collects one of the series' most beloved storylines. Take an apartment house, add in a drag queen, a lesbian couple, some talking animals, a talking severed head, a confused heroine and the deadly Cuckoo. Stir vigorously with a hurricane and Morpheus himself and you get this fifth instalment of The Sandman series. This story stars Barbie, who first makes an appearance in The Doll's House and now finds herself a princess in a vivid dreamworld. Collects The Sandman #32-37.
Allan D. Hunter came out as genderqueer in 1980, more than 20 years before “genderqueer” was trending. His story is autobiographical: the story of a different kind of male hero, a genderqueer person's tale. It follows the author from his debut as an eighth grader in Los Alamos, New Mexico until his unorthodox coming out at the age of twenty-one on the University of New Mexico campus in Albuquerque.
In this autobiographical sketch, the author describes being assumed by people he meets on Grindr to be either a drag queen or a trans woman.
He is neither; Princess WaWa is femme. It’s different. The passion of his life is Derek Island, his romantic obsession. But caring about someone, or even caring about the outcome, is frightening when your primary way of coping with how life treats you is to refuse to care.
A loud-mouth, black, gay teenager struggles to find himself in rural America. After having realized his inability to attend his top-choice school, Waldell Goode embarks on a journey to reevaluate why the grand departure appealed to him in the first place. He learns that as much as he can control his nonexistent love life, there are other factors that aren’t as easily mutable. He comes to terms with his peculiar relationship with his mother, the inevitable heartbreak in store for him no matter how hard he’s tried avoiding it, and the voice of God, in all her beguiling glory.
