Fans pick 100 books like Unsettled

Berger published this in 1975 at a time when Turkish, Greek, and Portuguese guest workers were arriving in Western Europe, having been recruited by employers to fill vacancies in factories during the years of sustained economic growth. Berger succeeds in humanising these workers, helped by photos taken by his long-term collaborator, the Swiss photographer Jean Mohr. Berger could not anticipate that these young men would later be joined by their families and put down roots. His book speaks of adventure and opportunity, but also of exploitation and humiliation. Numerous memorable vignettes stick in my mind, including his observation about migrant workers from Portugal, governed by the dictatorship of António de Oliveira Salazar:

Before leaving they had their photographs taken. They tore the photograph in half, giving one half to their ‘guide’ and keeping the other themselves. When they reached France, they sent their half of the photograph back to their… show more.

Thinking about camps and incarceration brings me to Voices from the ‘Jungle’: Stories from the Calais Refugee Camp. I choose this book because it offers insights into the lives and aspirations of refugees who congregated in the refugee camp in the coastal town of Calais in northern France. As such, it is an antidote to much contemporary reportage of refugees as a faceless and anonymous mass. Their vivid first-person accounts testify to the violence and persecution from which they escaped, whether in Afghanistan, Eritrea, Sudan, or Syria, and their subsequent adventures and odysseys, including endless waiting for official decisions or for the opportunity to make their way to the UK to join family or friends. The camp and its residents have been much photographed, but most of these images give little idea of the extent to which the “jungle” became a vibrant community; juxtaposing images and words, as in… show more.

Making Refuge focuses on Somali Bantu refugees who were resettled in the town of Lewiston, Maine in the early 2000s. These refugees had been the focus of Besteman’s earlier research in Somalia in the 1980s. About a decade after Somalia plunged into civil war, Somali Bantus were being resettled in the United States, enabling Besteman to physically reconnect with them. One of the strengths of this book is that it provides rich historical context, giving the reader an overview of the different stages of the refugee experience: the events leading to war and displacement, life in refugee camps in Kenya, and resettlement in the United States.

Making Refuge is also one of the few books that gives ethnographic insight into the refugee resettlement process in the United States. Through its focus on the challenges faced by resettled Somali Bantus, who are Black and Muslim, it questions the assumptions underlying the… show more.

My final choice is a scintillating work of scholarship by Lyndsey Stonebridge, Professor of Humanities and Human Rights at the University of Birmingham. Entitled Placeless People: Writing, Rights, and Refugees, it draws upon a range of reportage, political theory, poetry, and other texts to ask challenging questions about the stance that modern states and citizens in Western societies adopt towards refugees who are sometimes described as distant strangers. By engaging with authors who are relatively well known, such as George Orwell, W.H. Auden, Simone Weil, Samuel Beckett, and the political philosopher Hannah Arendt, and with those who may be less familiar, such as the American journalist Dorothy Thompson (1893-1961) and the contemporary Palestinian Lebanese-born poet Yousif M. Qasmiyeh, Stonebridge insists that it is essential to portray refugees as deserving and demanding something other than charity or humanitarian concern no matter how well-intentioned. Instead, the appropriate response is to demand… show more.

I still remember discovering Beryl Gilroy‘s book—it’s one of the very rare memoirs by Black women about living in England in the 1950s and 1960s. There were many single women who migrated to Britain in what was called—much later—the Windrush generation. Most of Gilroy’s memoir is about teaching in London schools, but although she’d done teacher training in Guyana she was rejected by many schools before she got her first teaching job. Her perspective on teaching in an East End London school reverses racial stereotypes. She describes it as an encounter with dirt, disease, backwardness, and ignorance, and all of it pretty uncivilised—just the same conditions that are attributed to her in racist taunts and slurs. She has some low moments but takes much of this in her stride. The memoir bears witness to the appalling racism she experiences but is entertaining and exhilarating.

I chose this memoir because it tells the compelling story of Germans and Austrians who joined the British forces to strike back against Nazi Germany—a story that is missing from most histories. First, they had to undergo many metamorphoses—a main theme of this memoir. Peter Masters—originally a member of a respectable Jewish family in Vienna—escapes to Britain and is a refugee from Nazi oppression, but in 1940 the British government identify him as an enemy alien and intern him. For his fourth metamorphosis he becomes a soldier in the British army, but the British government bans Austrians and Germans from bearing arms. After this ban is lifted there is a final metamorphosis when he joins a British commando unit. He writes, "The antithesis of 'lambs to the slaughter,' we fought and many of us died... Those who died preferred their fate to being gassed and cremated by the Nazi brute."

I chose Mary Morris’s diary because her writing is so engaging. She wrote in June 1940, "We are not allowed to go out with patients, or even speak to them on matters other than their treatment, Pierre is charming. I shall go out with him." In 1944 when she was nursing in Normandy she wrote, "A badly wounded cockney says 'thanks mate' to Hans as he gives him his tea and fixes his pillow. Why are they all so tolerant of each other inside this canvas tent, and killing each other outside?" Through her entries we meet all kinds of people, just like she did. The diary is also part of the history of Irish people in Britain. In the twentieth century the majority of Irish migrants were women, most of them young and single like Mary who was 18 when she arrived to train as a nurse—and was told… show more.

This may seem an odd choice, but many British who migrated to Australia subsequently returned to Britain and some, nicknamed ‘boomerang migrants,’ had lives of to and fro between Australia and Britain. I’ve chosen it because the experiences of migrants who don’t settle but either return or migrate onwards are often missing from histories. In Ten Pound Poms, the voices of people who returned or boomeranged are prominent, talking about intense homesickness, but also about a kind of reverse homesickness since the place they return to doesn’t match the way they imagined it while they were away and has changed during their absence. The book reminds us that people’s attachment to particular places and landscapes and soundscapes can be powerful, and that migration often involves complex feelings of belonging and unbelonging.

I loved the way when reading this book, I learned a lot about the Blitz and the problems faced by Londoners, their struggles, and their strengths.

The main character, Gertie, is relatable, and I was keen to find out how she overcomes the trials and tribulations she faces. It is a warm and touching story about Gertie’s love of people and books (she has a bookshop). I loved her positive attitude even when her husband died.

I found it one of those books I couldn’t put down but didn’t want it to end.

This book was so much fun. It rolls in so many nuances from historic gothic reads while adding its own special takes in clever ways. It brought back fond memories of so many other writers and books for me as I was reading it. It is clearly influenced by many of the greats. But it also stands on its own two feet with rich and layered language and detail. The twist near the end is crafty and pulls it all together. Paulette Kennedy knows what she is doing!