Here are 100 books that Unearthing fans have personally recommended if you like
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I am an early medieval European historian who, in the last decades, branched out into environmental history. Having grown up in semi-rustic conditions, I have always been curious about rural things and past agricultural practices. I watch carefully as plows slice through fields, mind how birds and bees weave together their ecosystems, and pay attention to the phases by which trees put on and take off their leaves. Now a professional historian, my job involves reading a lot of rural and environmental history, so I have developed a good sense of books that mix academic rigor and approachability.
“The face that launched a thousand ships,” as Homer would say. Pollan’s witty and well-written treatment of how plants think and act to modulate their environments inspired 21st-century “critical plant studies” in the Anglophone world, including mine.
The book starts you thinking about the thousands of ways plants elbow into your world and how much they matter to your existence on earth, in economic but also spiritual senses. You end up agape in wonder.
A farmer cultivates genetically modified potatoes so that a customer at McDonald's half a world away can enjoy a long, golden french fry. A gardener plants tulip bulbs in the autumn and in the spring has a riotous patch of colour to admire. Two simple examples of how humans act on nature to get what we want. Or are they? What if those potatoes and tulips have evolved to gratify certain human desires so that humans will help them multiply? What if, in other words, these plants are using us just as we use them? In blending history, memoir and…
I’ve loved plants since I was a child – that’s probably why I grew up to become an environmental historian and nature writer! But I longed for stories about plants and nature that didn’t paint them as passive and ours to dominate. And stories that represented the voices of those on the margins of nature writing. I have written three books of nature writing, as well as a nature-themed picture books, and many more shorter essays on the natural world along the way.
While many folks turn to Braiding Sweetgrass first, I read Gathering Moss first and was completely enthralled: this is a book that makes the work of science personal.
I love how Kimmerer brings the tiny worlds of moss to life – it’s completely enchanting! It changed my understanding of these tiny plants.
Living at the limits of our ordinary perception, mosses are a common but largely unnoticed element of the natural world. Gathering Moss is a beautifully written mix of science and personal reflection that invites readers to explore and learn from the elegantly simple lives of mosses.
In this series of linked personal essays, Robin Kimmerer leads general readers and scientists alike to an understanding of how mosses live and how their lives are intertwined with the lives of countless other beings. Kimmerer explains the biology of mosses clearly and artfully, while at the same time reflecting on what these fascinating…
I’ve loved plants since I was a child – that’s probably why I grew up to become an environmental historian and nature writer! But I longed for stories about plants and nature that didn’t paint them as passive and ours to dominate. And stories that represented the voices of those on the margins of nature writing. I have written three books of nature writing, as well as a nature-themed picture books, and many more shorter essays on the natural world along the way.
I was enthralled with this book from its very premise: a book about looking closely…really closely. Haskell tracks the growth of a square meter of forest over a year, bringing to life the minutiae of life.
It’s a book that made me want to get down on the ground and get to know the unseen details of every patch of land I encountered.
A biologist reveals the secret world hidden in a single square meter of old-growth forest--a finalist for the Pulitzer Prize and the Pen/E.O. Wilson Literary Science Writing Award
Look out for David Haskell's new book, The Songs of Tree: Stories From Nature's Great Connectors, coming in April of 2017
In this wholly original book, biologist David Haskell uses a one- square-meter patch of old-growth Tennessee forest as a window onto the entire natural world. Visiting it almost daily for one year to trace nature's path through the seasons, he brings the forest and its inhabitants to vivid life.
I am an early medieval European historian who, in the last decades, branched out into environmental history. Having grown up in semi-rustic conditions, I have always been curious about rural things and past agricultural practices. I watch carefully as plows slice through fields, mind how birds and bees weave together their ecosystems, and pay attention to the phases by which trees put on and take off their leaves. Now a professional historian, my job involves reading a lot of rural and environmental history, so I have developed a good sense of books that mix academic rigor and approachability.
One-stop shopping on the recent history of unwanted (by people) plants.
Though Mabey does not delve far into the past, his treatment of how colonialism in the past two centuries re-shaped the botanical landscape of the entire planet is comprehensive. He is particularly good on islands, where "invasive" plants arrived and thrived with shocking regularity as European and other ships created denser transcontinental connectivity.
He proves that modernity and its technologies did not fix the ongoing human incapacity to control vegetation, but if anything, left us with a bigger and more hybrid botanical mixture.
“[A] witty and beguiling meditation on weeds and their wily ways….You will never look at a weed, or flourish a garden fork, in the same way again.” —Richard Holmes, author of The Age of Wonder
“In this fascinating, richly detailed book, Richard Mabey gives weeds their full due.” —Carl Zimmer, author of Evolution
Richard Mabey, Great Britain’s Britain’s “greatest living nature writer” (London Times), has written a stirring and passionate defense of nature’s most unloved plants. Weeds is a fascinating, eye-opening, and vastly entertaining appreciation of the natural world’s unappreciated wildflowers that will appeal to fans of David Attenborough, Robert…
As I write this, I massage aching bits of shrapnel still embedded beneath silvered scars. I’ve read many Vietnam War stories—praising the war, glorifying combat, condemning the war. My stories are 1st person limited POV, voice of a twenty-year-old sailor. My title is a spin-off of Joseph Conrad’s Heart of Darkness. By the time I wrote my memoir, I realized that our national goals in Vietnam had been Muddy from the beginning. I too, traveled Jungle Rivers. During my time on the riverboat, I witnessed Rivers of blood—rivers of life, trickle across our deck. And yes, Jungle is a fitting metaphor for our life at that time.
As a child, I lived in abject poverty on a little farm in northern Minnesota. By ten years old I was trapping raccoons and shooting squirrels to help put food on our table. When I was in Vietnam, I felt a deep empathy for the Vietnamese fishermen and farmers who lived in poverty complicated by the vicious war. Years later when I began reading Dang Thuy Tram’s diary, I couldn’t put it down. The loss and waste and love for her comrades struck close to home and made me feel guilty for my participation in the war. In her writing, Dang brings to life so many of her Vietnamese comrades who were killed—making one stop to consider the cost of war. In a way the book reminds me of All Quiet on the Western Front written by a German soldier—the loss and waste.
Last Night I Dreamed of Peace is the moving diary kept by a 27-year-old Vietnamese doctor who was killed by the Americans during the Vietnam War, while trying to defend her patients. Not only is it an important slice of history, from the opposite side of Dispatches and Apocalypse Now, but it shows the diarist - Dang Thuy Tram - as a vibrant human being, full of youthful idealism, a poetic longing for love, trying hard to be worthy of the Communist Party and doing her best to look after her patients under appalling conditions.
I am a cultural historian, film critic, literary critic, editor, and essayist–and a frustrated fiction writer–fascinated by ‘the fantastic’ in art or in life. Answering that fascination, I wrote Savage Girls and Wild Boys: A History of Feral Children (2002), and I’ve written two books for the BFI Film Classics series on two great movies of the fantastic, Rosemary’s Baby (2020) and It’s A Wonderful Life (2023). I also edited three anthologies of Victorian and Edwardian fantasy, The Penguin Book of Ghost Stories: From Elizabeth Gaskell to Ambrose Bierce (2010) and Victorian Fairy Tales (2015), and now an anthology, Origins of Science Fiction (2022) for Oxford World’s Classics.
Though I admire her classic work, The Left Hand of Darkness, it’s The Word For World Is Forest that most lingers in the mind.
Ursula Le Guin worried that the book was too simple and that its portrait of the mad colonialist soldier, Captain Davidson, was too unshaded a vision of militarist evil. Well, perhaps. However, men like Davidson can be found in equally brutal forms in accounts of the European invasion of the Americas or in Roger Casement’s report on the Belgians in the Congo.
But it is the otherworldly Selver who possesses my imagination, that archetypal ‘little green man,’ that strange new god of a person, poised between the innocent world he seeks to protect and the violence he must unleash to ensure its survival.
When the inhabitants of a peaceful world are conquered by the bloodthirsty yumens, their existence is irrevocably altered. Forced into servitude, the Athsheans find themselves at the mercy of their brutal masters.
Desperation causes the Athsheans, led by Selver, to retaliate against their captors, abandoning their strictures against violence. But in defending their lives, they have endangered the very foundations of their society. For every blow against the invaders is a blow to the humanity of the Athsheans. And once the killing starts, there is no turning back.
In 1965, I voluntarily enlisted in the Army as a draft exempt, 26-year-old high school teacher. After completing the infantry officer, airborne, ranger, jumpmaster, special forces, and jungle warfare courses, in 1967 I was assigned to a Special Forces A-team in I Corps, Vietnam. In 1968, I volunteered for SOG, a top-secret recon-commando unit at a small, remote SF jungle camp that was later attacked by 3,000 to 4,000 North Vietnamese Army troops. With a master’s degree in history, I have since studied all aspects of the Vietnam War. Gregory Sanders, also a Vietnam veteran, and I researched, wrote, and in 2019 publisheda unique tactical, operational, and strategic narrative and analysis of that battle titled BAIT: the Battle of Kham Duc.
As a Vietnam combat veteran at the height of the Vietnam War, I was and still am infuriated by the gross misrepresentation of the war by the U.S. media. It conceals the extreme vulnerability of North Vietnam, where the war originated and was always controlled, to a truly strategic air campaign that could have ended the war in less than a year and made their conquest of South Vietnam impossible. This book by the former commander of all U.S. forces in SE Asia explains exactly how.
A former Commander in Chief during the Vietnam war examines official documents, dispatches, and high-level decision-making processes to critcally analyze American military and civilian strategy
Alice K. Boatwright has lived in the US, England, France, and India – and her career as a writer about public health, education, and the arts has taken her around the world. She began writing short stories when she was young and holds an MFA in Writing Fiction from Columbia University. Her award-winning book about the Vietnam War era, Collateral Damage, was inspired by her own experiences during the war years in the US and the time she spent working on a project in Vietnam in 1993 and 1997. She is also the author of a short story chapbook, Sea, Sky, Islands; numerous stories published in journals, such as Calyx, Mississippi Review Online, America West, Penumbra, Stone Canoe, and Amarillo Bay; and the popular Ellie Kent mysteries, based on her experiences as an ex-pat living in an English village.
Ron Kovic’s story powerfully mirrors the history of the 1960s. He was inspired by JFK’s passionate 1961 inaugural speech (“Ask not what your country can do for you, ask what you can do for your country. . . “); devastated by JFK's assassination in 1963; joined the Marines right out of high school to do his part and landed in Vietnam in 1965; suffered paralyzing wounds there in 1968; and became a lifelong anti-war activist by 1975.
It’s on my list because of the way it traces the dramatic arc of those times. The flag-waving kids of the late 50s came of age with bitter feelings of betrayal by the government, which forced them to participate in what many considered an unjust and immoral war.
A former marine paralyzed from the chest down as a result of an injury suffered in Vietnam recalls his youth, battlefield experiences, and the agonies of his slow reentry into American society.
I am a historian of twentieth century Germany and the Holocaust, but I am also a voracious consumer of popular culture. How do I justify spending so much time watching and analyzing horror and science fiction film and television? Well, write a book about it, of course. The first thing I realized is that many other brilliant scholars have thought about why this imagery permeates contemporary culture, even if I asked different questions about why. I hope you are as inspired and enlightened by this book list as I was.
How do nations process a trauma like Auschwitz, the Vietnam War, 9/11, or Hiroshima and Nagasaki? Linnie Blake argues in The Wounds of Nationsthat the horror genre provides a medium through which nations can process recent historical traumas “from a distance.” Examining horror films produced in Germany, the US, Japan, and others countries with a vested interest in burying violent history can tell us a great deal about national identity formation in the wake of war, terrorism, and seismic political changes.
The wounds of nations: Horror cinema, historical trauma and national identity explores the ways in which the unashamedly disturbing conventions of international horror cinema allow audiences to engage with the traumatic legacy of the recent past in a manner that has serious implications for the ways in which we conceive of ourselves both as gendered individuals and as members of a particular nation-state.
Exploring a wide range of stylistically distinctive and generically diverse film texts, its analysis ranges from the body horror of the American 1970s to the avant-garde proclivities of German Reunification horror, from the vengeful supernaturalism of recent…
I served as an infantry platoon leader, reconnaissance platoon leader, and rifle company commander in Vietnam and observed the direct results of snipers. I am the author of 30 non-fiction books on the military (six specifically about the Vietnam War), sports, and health that have sold more than 1.1 million copies in 15 countries and 12 languages.
There are many books, some greatly fictionalized, claiming just who was the most effective USMC sniper in Vietnam. Although extremely brief, this book confirms just who was the top Marine sniper in the Vietnam War. Mawhinney had 103 kills. Unlike other snipers who have embellished their accomplishments, Mawhinney has remained modest and off the grid. He alone sits at the top of the list of "Marine snipers with the most kills."
