Here are 100 books that Unbound fans have personally recommended if you like
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As an investigative journalist, I’ve spent my career interviewing and trying to understand the worst of humanity: murderers, child molesters and rapists. They are all predators, but rape is personal for me. I was a young journalist starting my career when a serial rapist assaulted my neighbor. He entered many things uninvited—homes, bedrooms, and my mind. For twenty years, I was obsessed—learning everything I could about him and sexual assault. I read these books to understand why the justice system and society sometimes fail survivors. Yet these remarkable survivors still manage to heal their trauma–at least, that’s what I found in each of these books.
For me, this book had it all: a behind-the-scenes look at the incredible investigative journalism by NY Times journalists Jodi Cantor and Meghan Twohey, who exposed Harvey Weinstein’s decades of sexual assaults.
And the courageous journey of the survivors who chose to tell their stories—which ultimately ignited the #MeToo movement.
*SOON TO BE A MAJOR MOTION PICTURE STARRING CAREY MULLIGAN AND ZOE KAZAN*
'Explosive' Margaret Atwood
'Seismic' Observer
'Brilliant' Nigella Lawson
'Gripping' Jon Ronson
A FINANCIAL TIMES, NEW STATESMAN, DAILY TELEGRAPH, METRO AND ELLE BOOK OF THE YEAR
On 5 October 2017, the New York Times published an article by Jodi Kantor and Megan Twohey that helped change the world.
Hollywood was talking as never before. Kantor and Twohey outmanoeuvred Harvey Weinstein, his team of defenders and private investigators, convincing some of the most famous women in the world - and some unknown ones - to go on the record.…
I marvel at the resilience, tenacity, and optimism with which survivors and their advocates confront sexual violence. As a scholar of life writing, I find the “me too” movement to offer a fascinating case study of how survivors broke through default narratives of women’s unreliability and “he said/she said” to be heard by a massive global audience. By telling their own stories as “we said,” they tapped into a new collective credibility. Each of my recommended books helps us to understand “me too” as a powerful episode in a long struggle for survivor justice.
In trauma studies, Judith Herman is the GOAT. Truth and Repair follows up Herman’s landmark book Trauma and Recovery and cements her contribution to the study of sexual violence, healing, and justice.
Although The Body Keeps the Score became a surprise pandemic bestseller, it is Truth and Repair that updates trauma theory and clinical practice for the #MeToo era. Herman argues that justice is part of the healing process for individuals and communities.
Her feminist perspective on the real-world factors that enable sexual abuse is clear eyed and her prescription for how to connect healing and justice is ultimately hopeful.
I resonate with these stories; I feel a kinship with authors of books about teen sexual abuse. My heart breaks for another innocent young person, and I am also inspired by the different ways we find healing and peace. I am so grateful for my healing journey that I want to share what helped me with others who are looking for greater peace with their struggles and scars. I am proud to join the ranks of these authors because we all shine a spotlight on the harm done by this too-common abuse of the trust and innocence of teenage girls.
I like this book because it takes on the troubling theme of consent in the case where one person is an adolescent and the other a significantly older adult. I think in all cases of this power dynamic, the confusion a young person feels when she is eager for the love and attention of the older man blurs the meaning of consent for her.I know it did for me.
Yet the truth is a young teenager isn’t capable of consent; she is unaware of the price she’ll pay for what seems like love but is actually abuse. When the perpetrator is a well-liked or respected leader, like a coach or teacher, the confusion is worse because we are all led to believe this is a trustworthy person.
The devastating and powerful memoir from a French publisher who was abused by a famous writer from the age of thirteen
'Dazzling' New York Times
'A gut-punch of a memoir with prose that cuts like a knife' Kate Elizabeth Russell, author of My Dark Vanessa
Thirty years ago, Vanessa Springora was the teenage muse of one of France's most celebrated writers, a footnote in the narrative of an influential man. At the end of 2019, as women around the world began to speak out, Springora, now in her forties and the director of one of France's leading publishing houses, decided…
Tap Dancing on Everest, part coming-of-age memoir, part true-survival adventure story, is about a young medical student, the daughter of a Holocaust survivor raised in N.Y.C., who battles self-doubt to serve as the doctor—and only woman—on a remote Everest climb in Tibet.
I marvel at the resilience, tenacity, and optimism with which survivors and their advocates confront sexual violence. As a scholar of life writing, I find the “me too” movement to offer a fascinating case study of how survivors broke through default narratives of women’s unreliability and “he said/she said” to be heard by a massive global audience. By telling their own stories as “we said,” they tapped into a new collective credibility. Each of my recommended books helps us to understand “me too” as a powerful episode in a long struggle for survivor justice.
Michelle Bowdler’s piercing question pinpoints the hypocrisy of laws that often favor abusers rather than those they harm. This happens so routinely that survivors speak of two assaults: the abuse itself and the revictimization as they seek justice.
Bowdler was the victim of a serial rapist in Boston whose break-ins and assaults terrorized the city. After Bowdler reported the attack, she was assured that the crime would be investigated. Nothing of the sort happened. Is Rape a Crime? pulls back the curtain on how sexual assault victims are treated by law enforcement and concludes with a powerful demand for change.
Longlisted for the 2020 National Book Award for Nonfiction TIME's 100 Must-Read Books of 2020 Publishers Weekly, Best Books of 2020 New York Times New & Noteworthy Audiobooks Lit Hubs Most Anticipated Books of 2020 Starred Review Publishers Weekly Starred Review Shelf Awareness
"Is Rape a Crime? is beautifully written and compellingly told. In 2020, we were all looking for solutions and this book was right on time. It is one we should all be reading." ―Anita Hill
"This standout memoir marks a crucial moment in the discussion of what constitutes a violent crime." ―Publishers Weekly, Best Books of 2020…
I was always fascinated by the Vietnam War since my older sister’s friends went off to fight in it. After getting my PhD and writing about World War I and World War II, I returned to Vietnam by getting involved with veterans groups and taking veterans and students to Vietnam. Since then I have written widely on the topic, teach about the Vietnam War, and have been involved in several major Vietnam War documentaries for outlets including the History Channel and National Geographic Channel. From those early days I have read everything I can get my hands on about the war, about my generation’s war.
This was the first collection of oral histories that I ever read from the Vietnam War. Reading history done this way, with the men speaking for themselves, opened a new world for me. It allowed me to understand that it is only by talking to and with our veterans that the true depth of the combat experience can be delved. Terror, camaraderie, death, honor, humor, compassion, and boredom – the full human story of Vietnam and war is on display in Bloods. And it was this book that taught me to be an oral historian.
On top of that, Bloods also, of course, makes clear the uniqueness of the Black experience in Vietnam – fighting a war for America while the country wrestled with its eternal question of race. This book is good and important for so many reasons.
A NEW YORK TIMES NOTABLE BOOK • The national bestseller that tells the truth about the Vietnam War from the black soldiers’ perspective.
An oral history unlike any other, Bloods features twenty black men who tell the story of how members of their race were sent off to Vietnam in disproportionate numbers, and of the special test of patriotism they faced. Told in voices no reader will soon forget, Bloods is a must-read for anyone who wants to put the Vietnam experience in historical, cultural, and political perspective.
There is much in the world that we cannot change. This is much that can make us feel sad or angry. So, is there nothing we can do about all of this? I believe in the depths of my being that we can all reach out, be kind, and do good deeds. Instead of just complaining about wrong things, we can do something to try to make the world a little better, a little brighter, even if it’s just for one other person. That’s why I wrote my book.
I loved the relationship between the boy and his grandmother, and I thought the message was poignant and wonderful. It’s good to let children know that though some people have more than others do materially, it does not make them better. And it is up to everyone to reach out to those who have less if they can help.
Every Sunday after church, CJ and his grandma ride the bus across town. But today, CJ wonders why they don't own a car like his friend Colby. Why doesn't he have an iPod like the boys on the bus? How come they always have to get off in the dirty part of town? Each question is met with an encouraging answer from grandma, who helps him see the beauty and fun in their routine and in the world around them. This energetic ride through a bustling city highlights the love and understanding between grandparent and grandchild as the world comes…
I grew up thinking that being adopted didn’t matter. I was wrong. This book is my journey uncovering the significance and true history of adoption practices in America. Now, in the wake of the U.S. Supreme Court’s overturning of Roe v. Wade, the renewed debate over women’s reproductive rights places…
I love writing stories for young people in that “in-between” age: age 12, 13, and 14, when kids are figuring out who they are and who they want to become. For many young people, crushes are a huge part of this coming-of-age process—I know they were for me! When I was this age, there weren’t many books that explored crushes and the first romance for LGBTQ+ kids. I’m thrilled to be part of a wave of authors writing these stories now. And I’m so excited for a future where we have a wealth of books about the joy, heartbreak, and humor of all kinds of young love.
I thought this was such a gorgeous book with complex, relatable characters and a really profound portrayal of the sweetness and depth of first love! Thirteen-year-olds Andi and Zora are dealing with grief, the complexities of friendships and family pressure, and the hyper-competitive world of their elite music camp.
This is one I had to really savor—I kept re-reading sentences because the writing was just so lovely and really brought the characters’ feelings to life. There were also several references to songs and performing artists I love, adding an extra layer of connection with the story!
In Grand Rapids, Michigan, Andi is grappling with grief following the death of her mother. Zora is exhausted by trying to please her success-oriented parents. Both feel very much alone. Until a summer music camp brings them together.
The only two Black girls at camp in a sea of white children, Andi and Zora slowly begin to connect and reveal their deepest fears and dreams. While Andi is a natural on trumpet, Zora doesn't know if she wants to be a floutist since she also loves to dance.
As Andi and Zora struggle to figure out who they really are,…
I am a theater historian whose research focuses on African American theater of 1940s-50s. While other periods and movements—the Harlem Renaissance (1920s), the Federal Theatre Project (1930s), the Black Arts Movement (1960s), and contemporary theater—have been well studied and documented, I saw a gap of scholarship around the 1940s-50s; I wondered why those years had been largely overlooked. As I dived deeper, I saw how African American performance culture (ie. theater, film, television, music) of the later-20th Century had its roots in the history of those somewhat overlooked decades. I’m still investigating that story, and these books have helped me do it.
We tend to think about the Black Arts Movement of the 1960s as dominated by militant male voices. This book explores the rich contributions of black women artists to the movement—by amplifying the voices of women artists in their own words. The book is a collection of oral histories, drawing on dozens of interviews with influential Black women artists. Some of them are recognizable, like playwrights/poets Sonia Sanchez and Ntozake Shange. Others are less familiar names whose influence should be appreciated more fully. This is a rich celebration of the impact of women artists during a key period of African American cultural change.
The first oral history to fully explore the contributions of black women intellectuals to the Black Arts Movement, Sistuhs in the Struggle reclaims a vital yet under-researched chapter in African American, women's, and theater history. This groundbreaking study documents how black women theater artists and activists-many of whom worked behind the scenes as directors, designers, producers, stage managers, and artistic directors-disseminated the black aesthetic and emboldened their communities.
Drawing on nearly thirty original interviews with well-known artists such as Ntozake Shange and Sonia Sanchez as well as less-studied figures including distinguished lighting designer Shirley Prendergast, dancer and choreographer Halifu Osumare,…
I am passionate about talent development and college access. I started my journey as a researcher when I learned that high school valedictorians’ adult success depends in large part on their race, social class, and gender. This work led me to life-long questions. How do we recognize talent and give young people opportunities without requiring their total assimilation into the dominant culture? How do we change our schools and colleges to welcome everyone and to benefit from the viewpoints and voices of all of our students? Answering these questions is imperative for our collective well-being in our changing society and world.
Lorene Cary tells her own story of attending an elite boarding school through a talent-search program for low-income students of color. Lorene’s experience shows vividly the costs of being a token in a setting of privilege.
This vivid memoir was dismaying to me as someone who wants students to have opportunities to realize their potential by having access to top-quality schools.
In 1972 Lorene Cary, a bright, ambitious black teenager from Philadelphia, was transplanted into the formerly all-white, all-male environs of the elite St. Paul's School in New Hampshire, where she became a scholarship student in a "boot camp" for future American leaders. Like any good student, she was determined to succeed. But Cary was also determined to succeed without selling out. This wonderfully frank and perceptive memoir describes the perils and ambiguities of that double role, in which failing calculus and winning a student election could both be interpreted as betrayals of one's skin. Black Ice is also a universally…
When Jennifer Shea married Russel Redmond, they made a decision to spend their honeymoon at sea, sailing in Mexico. The voyage tested their new relationship, not just through rocky waters and unexpected weather, but in all the ways that living on a twenty-six-foot sailboat make one reconsider what's truly important.…
My great uncle was an eccentric book collector who lived in an old, rambling house stuffed floor-to-ceiling with thousands and thousands of books. After he died, I inherited a tiny portion of his collection: a set of state guidebooks from the 1930s and 40s. These were the American Guides created by the Federal Writers’ Project, the New Deal program that put jobless writers to work during the Great Depression. I dipped into these weird, rich, fascinating books, and I was hooked immediately. Some years later, I quit my job in publishing to research and write my own account of the FWP’s unlikely rise and lamentable fall, Republic of Detours.
Today, most people know Zora Neale Hurston as a novelist, thanks to her classic Their Eyes Were Watching God. But she was also an accomplished folklorist, anthropologist, playwright, and essayist. And yet, by the late 1930s, she was broke, and she found work with both the Federal Theater Project and Federal Writers’ Project. This book collects Hurston’s writing for the FWP in her home state of Florida, along with an incisive essay by Pamela Bordelon. The sheer variety of material on display here wasn’t unusual for the FWP: you’ll find essayistic meditations on folklife and art, collections of tall tales and children’s songs, and sketches of labor in the turpentine camps and citrus groves—as well as a chilling report on a racist massacre in Ocoee.
When Pamala Bordelon was researching a work on the Florida Federal Writers Project, she discovered writings in the collection that were unmistakably from the hand of Zora Neale Hurston, one of the leading writers of the Harlem Renaissance. Over half of the works included here have not been published or are only available in the Library of America edition of Hurston's works. As Hurston's fans know, all of her novels draw upon her deep interest in folklore, particularly from her home state of Florida. Here we see the roots of that work, from the wonderful folktale of the monstrous alligator…
