100 books like Unbound

She Said takes readers behind the headlines of how Kantor and Twohey teamed up to break the Harvey Weinstein story. And what a story it is.

Despite being credibly accused of sexual abuse multiple times, Weinstein always managed to evade accountability. With the help of enablers at Miramax (and beyond), Weinstein preyed on women who worked for him or sought work from him for decades.

Until Kantor and Twohey persuaded several victims to go on the record at the same times and their New York Times front page article started a reckoning. This is a meticulous record of investigative reporting that contains many surprises even for those who believe they know the #MeToo story well.

In trauma studies, Judith Herman is the GOAT. Truth and Repair follows up Herman’s landmark book Trauma and Recovery and cements her contribution to the study of sexual violence, healing, and justice.

Although The Body Keeps the Score became a surprise pandemic bestseller, it is Truth and Repair that updates trauma theory and clinical practice for the #MeToo era. Herman argues that justice is part of the healing process for individuals and communities.

Her feminist perspective on the real-world factors that enable sexual abuse is clear eyed and her prescription for how to connect healing and justice is ultimately hopeful.

I like this book because it takes on the troubling theme of consent in the case where one person is an adolescent and the other a significantly older adult. I think in all cases of this power dynamic, the confusion a young person feels when she is eager for the love and attention of the older man blurs the meaning of consent for her.I know it did for me.

Yet the truth is a young teenager isn’t capable of consent; she is unaware of the price she’ll pay for what seems like love but is actually abuse. When the perpetrator is a well-liked or respected leader, like a coach or teacher, the confusion is worse because we are all led to believe this is a trustworthy person.

Michelle Bowdler’s piercing question pinpoints the hypocrisy of laws that often favor abusers rather than those they harm. This happens so routinely that survivors speak of two assaults: the abuse itself and the revictimization as they seek justice.

Bowdler was the victim of a serial rapist in Boston whose break-ins and assaults terrorized the city. After Bowdler reported the attack, she was assured that the crime would be investigated. Nothing of the sort happened. Is Rape a Crime? pulls back the curtain on how sexual assault victims are treated by law enforcement and concludes with a powerful demand for change.

Part coming-of-age story, part slice of adult drama and misbehavior, this book impressed itself on my memory with its deceptive sweetness and heart-wrenching likability. It touches on teenaged pregnancy while examining infidelity stemming from a faulty marriage between a likable man and a bitter woman. I loved its honest examination of problematic, complex relationships—husband to wife, and child to adult. It is beautifully drawn, complex, and definitely on my "Books I can Re-Read Endlessly” list.

Childress’s novel is a compilation of short pieces originally published serially in two different Black-owned newspapers. In each story, Mildred, a Black domestic worker in New York City, recounts to her friend, Marge, the humorous, infuriating, and all too familiar experiences of working for various white families across the city. She also describes her refusal to remain silent in the face of white employers’ micro-aggressions, outright venom, and fantasies that she’s their loving mammy. Childress’s stories were a powerful salve to the Black household workers and others who first read them in a newspaper. Most of them daily confronted similar situations and worse, but lacked the safety or resources to resist in the same direct ways. 

A novel in verse with a thrilling magical bent, this book defied all my expectations while somehow exceeding them.

Out of all the books on my list, this one is the most blatantly magical, but the wild happenings are so woven into the contemporary setting that they feel believable. I also love how this book deals with two protagonists who struggle with depression and grief in different ways and find ways to support each other without belittling the intensity of each other’s suffering. Add in a satisfying plot twist, and this book is a soulful, brilliant ride.

This anthology of some of Walker’s most powerful works with a focus on discovering ourselves through studying those who came before us is both incredibly informative and emotional. It explores motherhood not only through the biological role but also in a sense of community mothering and foremothers. There is much to learn about our present by examining lessons laid out for us by generations past.

Because the buying and selling of enslaved people was enormously profitable and entirely legal in the United States before the Civil War, even free Black people lived in fear that they might be kidnapped, sold illegally as slaves, and never heard from by their friends and families again. Though many Americans are familiar with the experience of Solomon Northup, as relayed in his memoir Twelve Years a Slave and the film of the same name, Richard Bell demonstrates how kidnapping was widespread in the nineteenth century and how thin the line could be between freedom and slavery.

Derrick Barnes and Gordon C. James are the award-winning team behind Crown: Ode to a Fresh Cut. Barnes is also the author of The King of Kindergarten and The Queen of Kindergarten. I Am Every Good Thing is a powerful counterpunch to the negative societal messaging Black boys receive throughout their lives. This book celebrates the chi of Black boys; affirms the beauty, spirit, and vulnerability of Black boyhood, and helps create children proud of everything they are: human.