Fans pick 100 books like She Said

When I had my son almost nine years ago, I dreamed of the day I’d be able to share my favorite childhood books with him. Matilda, which I remembered as a riveting, oddball page-turner, did not disappoint. As I read to him, we cheered for tiny Matilda to topple the mythically bad school principal, Miss Trunchbull, and we laughed until we cried when Matilda’s mother scolded her kind-hearted teacher, Miss Honey, for reading too much.

We still quote the line to each other that cracked us up: “Looks is more important than books, Miss Hunky.” I don’t know why it’s so funny, my son said at the time, but it is.

Yes, (almost) everyone has watched the movie. Sure, Meryl Streep was perfect for the role, but the book gives a whole different meaning to “The Boss from Hell.” The plot is more realistic too, in my opinion, and the world of fashion crueller and more difficult compared to the one described in the movie.

Saying that, there are many hilarious moments, too. Fun, fabulous, and, at times, slightly disturbing...

King is the great American mythmaker.

When I first read this book during my miserable high school years, I learned that a writer can take the trauma of adolescence and high school and turn it into mythology. Bullies, Bible-thumpers, and that rare compassionate soul—in this novel, they become cosmic American forces as resonant as Jung’s archetypes.

This novel, by Meg Wolitzer, offers such a twist at the end, I’m not sure how to write about it as an example of a woman writer finding her voice without giving too much away.
The Wife is the story of a Noble Prize-winning author, Joe Castelman, and his wife, Joan, who have kept a terrible secret for all the years of their marriage. Because you know the topic of my selections here, you can surmise that Joan is also a writer, though she hides that fact. Her character tells the story, and we only slowly see the facets of their strange and deceptive marriage. It becomes clear that Joan is a very good writer indeed, and she’s tired of keeping her secret.

This clever tale will make you think about what it means to invent a life both on and off the page. And that there’s no stopping a… show more.

I love this novel for its hilarious, unique take on the rage-against-the-patriarchy trope. Elizabeth Zott, the novel’s lead, is a refreshing portrayal of a woman battling the world of mansplaining while doing it in the most stereotypically “female” way—cooking up a storm! As a chemist, her scientific breakdowns of how ingredients chemically react with one another make for many humourous moments on the page. 

This is a book that will have you hooting with laughter and rooting alongside the protagonist till the very end. It mirrored the frustrations I have often felt as a working woman and left me vindicated for the times I, too, have “behaved badly” in male company.

Based on the Essex witch hunts during the English Civil War in 1644, this is so much more than a historical novel. The writing is poetic and fierce, the emotions riveting and unexpectedly moving. And our heroine, clever Rebecca West faces the danger of simply being a low-born, impoverished woman when ‘The Witchfinder General’ (a real historical figure) launches a patriarchal inquisition to ‘clean up’ society. How will Rebecca learn to protect both herself and her cantankerous mother in a cruel world hungry to claim marginalized women as scapegoats? Betrayal and heartbreak, solidarity, and mercy are all brought to vivid, unforgettable life in this literary gem.  

Unrecognised female labor is also the subject of this captivating non-fiction book by Hochschild, a sociologist drawing upon decades of research with fifty heterosexual couples in the Bay area. Hochschild is well-known for identifying ‘the second shift’ of childcare and domestic chores that working women often perform at home, on top of their professional commitment. This results in a rampant inequality of leisure time, and compounded with unequal pay in the workplace, exacerbates gender injustice in contemporary American society. But Hochschild also provides powerful examples of couples who counter-act this norm, while showing how individual attitudes towards gender and domestic responsibilities are influenced by class, ethnicity, and upbringing. Fascinating and illuminating. 

I loved this atmospheric debut, often described as a collection of interlinked short stories. Set on an isolated group of islands off the coast of Virginia, the stories span more than two centuries of the same family’s history: from the 19th century and far ahead into a post-apocalyptic, post-pandemic future. There are intimations that a supernatural ‘second sight’ runs in the family and the book’s Southern Gothic vibe is nothing short of intriguing. But for all the hints of magic realism, the focus on female characters contending with obstacles of class and gender at different points in history is rooted in an understandable reality. Beautifully written descriptions of the natural environment, poignant characters, and local color all demonstrate Taylor’s imagination to be visionary and impressive. 

In trauma studies, Judith Herman is the GOAT. Truth and Repair follows up Herman’s landmark book Trauma and Recovery and cements her contribution to the study of sexual violence, healing, and justice.

Although The Body Keeps the Score became a surprise pandemic bestseller, it is Truth and Repair that updates trauma theory and clinical practice for the #MeToo era. Herman argues that justice is part of the healing process for individuals and communities.

Her feminist perspective on the real-world factors that enable sexual abuse is clear eyed and her prescription for how to connect healing and justice is ultimately hopeful.

Tarana Burke is the woman behind the “me too” movement and Unbound is her story.

In 2017 when #MeToo shattered the myth that sexual violence is rare, Burke had already been building the movement for over a decade. Unbound traces her growth as a community organizer and the founder of a survivor movement rooted in empathy.

Although one goal of the book is to correct the record of the “me too” origin story, Burke is more interested in a larger notion of justice. She writes movingly of the pervasiveness and damage of sexual violence, including in her own life, and the promise of healing contained in the words “me too.”