53 books like Tree Story

FernGully was one of my favorite movies as a kid, and it made me really think about the natural world and how humans interact with it. Now, aged 35 with kids of my own (who also love FernGully), I consider myself a climate activist for the work I do in helping everyday people to believe they can be a part of the solution to climate change. As an author, podcast host, and community builder, I've connected with other humans with fascinating passions, perspectives, and values. I want to show my audience that we can all view the world differently, but there is one important thing we need to all believe, that we matter.

I’m a published author specializing in nature, travel, and wine writing, and I have been an organic farmer for nearly two decades on an award-winning estate in France. I’ve written four books about the transformation of our organic farm. In my latest, Cultivating Change, I explore how biodiversity helps us address climate change and how important it is to the health of the land. It is also a human story; like the books below, stories are key to bringing these subjects to life. My list is women authors, not because I set out to do that, but because these books are beautiful, intuitive, and deep, like the women who wrote them.

Growing up, my father and I would take two weeks every summer to camp in the High Sierra Mountains of California. In between fishing excursions and rafting trips, I would take time to hike among tall pines or resplendent forests. I was always amazed at what I would discover. In later years, I would often find myself in the company of forests on business ventures or family vacations. Now in my eighth decade, I still embrace the magnificence of tall timbers. I have lived among them, danced beneath their branches, and reposed in their shade. They are an integral part of my life; they are both inspiration and friends.

Growing up, my father and I would take two weeks every summer to camp in the High Sierra Mountains of California. In between fishing excursions and rafting trips, I would take time to hike among tall pines or resplendent forests. I was always amazed at what I would discover. In later years, I would often find myself in the company of forests on business ventures or family vacations. Now in my eighth decade, I still embrace the magnificence of tall timbers. I have lived among them, danced beneath their branches, and reposed in their shade. They are an integral part of my life; they are both inspiration and friends.

 I've been fond of the Homeric poems since my youth. I followed classical studies in the high here in Rome, so I studied Latin and Greek before graduating in nuclear engineering. Then, in addition to my professional activity, I've devoted myself to the study of The Iliad and the Odyssey, with their huge contradictions between geography and their traditional Mediterranean setting. The book I published on this topic was translated and published into eight foreign languages (as The Baltic Origins of Homer's Epic Tales), and has given rise to many scientific discussions. I also published The Mysteries of the Megalithic Civilization, a Bestseller here in Italy.

I learned to love nature early, from the tadpoles in the swamps of ‘my’ New York woods to the scarlet tanagers that came through in the spring and the old tilted oak where I sometimes slept. In college in California, I became acquainted with the myriad ways in which we humans are still degrading the natural environment that is the prime source of our worldly and spiritual subsistence. Ever since, I’ve worked to protect the natural world, first as an activist, then a government official, then as a diplomat, and now as I write fictional intrigues set in the world we all need to conserve. I hope you’ll enjoy this latest effort.

I’ve been fascinated with forests ever since running wild as a kid in the Appalachian woods of Pennsylvania. Now living at the edge of the Pacific in the Coast Range in Oregon, I’ve engaged with a host of forest issues involving watershed health, wilderness protection, fire management, and fish. Among the 30 books I’ve written, three are germane here: Trees and Forests of America, Twilight or the Hemlocks and Beeches, and America’s Great Forest Trails. I’m always learning more by reading everything I find about forests. For my afternoon break and exercise I typically work on my own 8-acre wooded parcel where I maintain trails, eradicate exotic invaders, and restore native trees.  

I’ve been fascinated with forests ever since running wild as a kid in the Appalachian woods of Pennsylvania. Now living at the edge of the Pacific in the Coast Range in Oregon, I’ve engaged with a host of forest issues involving watershed health, wilderness protection, fire management, and fish. Among the 30 books I’ve written, three are germane here: Trees and Forests of America, Twilight or the Hemlocks and Beeches, and America’s Great Forest Trails. I’m always learning more by reading everything I find about forests. For my afternoon break and exercise I typically work on my own 8-acre wooded parcel where I maintain trails, eradicate exotic invaders, and restore native trees.  

Ever since my parents gave me a copy of Dorothy Aldis’ The Secret Place and Other Poems, I have enjoyed a lifelong love of poetry. Now, as a traditionally-published children’s author, I have had numerous books and poems published over the years, including books that began as poems, like Flashlight Night (Astra Young Readers, 2017) and Once Upon Another Time (Beaming Books, 2021). My poems can be found in various anthologies including The National Geographic Book of Nature Poetry (National Geographic Children's Books, 2015).

I've been the resident playwright at First Stage Children’s Theater in Milwaukee for over twenty years. I began my career by adapting classic titles for the stage: Little House Christmas, Treasure Island, Huck Finn, Through the Looking Glass, Tom Sawyer. As I researched previous adaptions of these novels, I discovered how so many of them were quite different from the author’s original intentions. I don’t feel these adaptations are 'bad,' by any means—in fact, I believe you have to break free of a novel to truly adapt it for a different medium—but often the 'adaptation' is the only part of the story that gets passed down to us.