Here are 100 books that To Disguise the Truth fans have personally recommended if you like
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Ever since great-grandma told me she envied me, being born when women could choose any profession, I developed a deep respect for the women throughout history who have held unconventional roles. I am drawn to books featuring powerful women characters who show a zeal for making their mark on the world in roles like surveyors, ranchers, telephone operators, historians, horse trainers, and more, long before their choices became socially acceptable. As a woman software engineer (and now part-time author), I’ve gained an appreciation for all the women who paved the way for the modern woman.
Georgie Gail is one of the most colorful characters I’ve ever read. There is nothing conventional about her personality, profession, or her bird-watching hobby. The author made me feel like Georgie was an old, dear friend very early in the story. I felt her pain over failed relationships and loved her gumption as she tried to provide for herself. The way the author brought a mix of romance and action, while pairing up two opposite main characters with plenty of comedic dialogue, made the story come alive for me. It was one of the most entertaining novels I’ve read in a long time.
In 1904, Texas Ranger Luke Palmer arrives in Brenham, Texas, with one goal-to capture the gang of outlaws led by Frank Comer. Undercover as a telephone repairman, he uses his days on the range to search, not realizing there's another pair of eyes watching him. Georgie Gail, switchboard operator and birder, heads out on a birding expedition, but instead of sighting a painted bunting, her opera glasses capture her telephone man, armed and far away from telephone lines. Palmer is forced to take this alluring troublemaker into his confidence and unwittingly puts her in harm's way. The closer he comes…
Ever since great-grandma told me she envied me, being born when women could choose any profession, I developed a deep respect for the women throughout history who have held unconventional roles. I am drawn to books featuring powerful women characters who show a zeal for making their mark on the world in roles like surveyors, ranchers, telephone operators, historians, horse trainers, and more, long before their choices became socially acceptable. As a woman software engineer (and now part-time author), I’ve gained an appreciation for all the women who paved the way for the modern woman.
In the western territories in 1870, very few authors choose a woman rancher as the heroine. But this author did. She built a strong female rancher full of personality that embodied the complexities of a real woman. I found Cheyenne very relatable. Sometimes she struggled with the balance of being tough and feeling emotion—just like I do in my technology career. I loved experiencing the danger, mayhem, and even the sweet romance right along with Cheyenne. This book has a permanent home in my library, along with the entire series. I loved it that much.
Falcon Hunt awakens without a past, or at least not one he can recall. He's got brothers he can't remember, and he's interested in the prettiest woman in the area, Cheyenne. Only trouble is, a few flashes of memory make Falcon wonder if he's already married. He can't imagine abandoning a wife. But his pa did just that--twice. When Falcon claims his inheritance in the West, Cheyenne is cut out of the ranch she was raised on, leaving her bitter and angry. And then Falcon kisses her, adding confusion and attraction to the mix.
Ever since great-grandma told me she envied me, being born when women could choose any profession, I developed a deep respect for the women throughout history who have held unconventional roles. I am drawn to books featuring powerful women characters who show a zeal for making their mark on the world in roles like surveyors, ranchers, telephone operators, historians, horse trainers, and more, long before their choices became socially acceptable. As a woman software engineer (and now part-time author), I’ve gained an appreciation for all the women who paved the way for the modern woman.
Even though authors frequently write about women doctors during the Gilded Age, Dr. Josephine (Jo) is one of my favorites. She is one of the few who had the full support of her father and was his favorite child, more so than her younger brother. What made this story so memorable for me was the lifelike way the author portrayed Dr. Jo and her struggle to be accepted in a man’s profession. The author paired her up with a traditional cavalryman, which added just the right amount of tension to their attraction. I loved everything about this story, from the rich characters to the action to the faith woven throughout. One of my top five favorites of all time.
Haunted by the horrors of war, ex-cavalry officer Matthew Hanger leads a band of mercenaries known as Hanger's Horsemen who have become legends in 1890s Texas. They defend the innocent and obtain justice for the oppressed. But when a rustler's bullet leaves one of them at death's door, they're the ones in need of saving.
Dr. Josephine Burkett is used to men taking one look at her skirts and discounting her medical skills. What she's not used to is having a man change his mind in a heartbeat and offer to assist her in surgery. Matthew Hanger's dedication to his…
Ever since great-grandma told me she envied me, being born when women could choose any profession, I developed a deep respect for the women throughout history who have held unconventional roles. I am drawn to books featuring powerful women characters who show a zeal for making their mark on the world in roles like surveyors, ranchers, telephone operators, historians, horse trainers, and more, long before their choices became socially acceptable. As a woman software engineer (and now part-time author), I’ve gained an appreciation for all the women who paved the way for the modern woman.
Cymbeline Barnes is one of the most unconventional female characters I’ve had the pleasure of reading. Not only was she a veterinarian in the early 1920s, but she also had the aspiration to become a world-champion ski jumper during the Gilded Age. Talk about gumption! I fell in love with her character immediately and rooted for her as she fought against preconceived notions of her family and peers. Her sweet, slow-to-develop romance also drew me into the story. Like myself, she struggled with the right balance between a career and family, at a time before that became a normal struggle for women. I loved how the balance played out, making this another of my favorite stories.
Cymbeline Barnes declared Viktor Olofsson her arch-enemy when they were children. When he saved her beloved sister, she started to see him as a hero instead. Still, she can't let go of the idea that her destiny is waiting somewhere else in the world.
Viktor Olofsson has cared for Cymbeline his whole life. However, when she continues to rebuff him, he allows himself to entertain the idea of newcomer Emma.
Will Cymbeline come to terms with her life and wake up to the idea of love before it's too late?
I’m the author of the Countess of Harleigh Mystery series. I’ve been fascinated by the Gilded Age/Victorian Era/Belle Epoque since reading my first Edith Wharton novel, The Buccaneers, which followed the lives of four American heiresses of the late 19th century, who crossed the Atlantic to marry British lords. Love and marriage almost never went together in Wharton’s world, but with all the loveless marriages, the social climbing, and the haves and have-nots, I find it makes an excellent setting for a mystery.
This novel embraces all the darkest elements of the Gilded Age—the occult, greed, cruelty, and the notorious asylum for the insane on Blackwell’s Island and I’m here for all of it! The sleuth is Amelia Matthews, a psychic who suffered a head injury that both expanded her psychic ability and landed her in Blackwell Asylum. She is not insane, but neither are many of the other women locked up with her—at least not when they first arrived. It’s chilling to know that this really happened to women who were betrayed by their nearest and dearest. Stacie Murphy made me feel like her characters were real, and I wanted justice for them!
A historical mystery in the vein of The Alienist, in which a young woman in Gilded Age New York must use a special talent to unravel a deadly conspiracy.
Amelia Matthew has done the all-but-impossible, especially for an orphan in Gilded Age New York City. Along with her foster brother Jonas, she has parleyed her modest psychic talent into a safe and comfortable life. But safety and comfort vanish when a head injury leaves Amelia with a dramatically-expanded gift. After she publicly channels an angry spirit, she finds herself imprisoned in the notorious insane asylum on Blackwell's Island. As Jonas…
I write historical fiction based on the lives of my ancestors: Agnes Canon’s War is the story of my twice-great grandparents during the Civil War. An Irish Wife is based on their son. I write about the Gilded Age, which is only now drawing the attention of historical novelists and the wider public: the vast wealth of industrialists contrasted to the poverty of the lower classes, scandalous politics, environmental degradation, fear of and prejudices about immigrants. My ancestors lived through those days; I want to imagine how that tumultuous society affected them, how they managed, what they lost and gained, and to memorialize those stories as a way to honor them.
Before there were Daniel Day Lewis and Michelle Pfeiffer, there was the book that brought them together (in the movie): Edith Wharton’s The Age of Innocence, Wharton’s lush, sepia-toned tale of the New York haut ton of the 1870s. Gilded Age society at its best; it won the 1921 Pulitzer for fiction, making Wharton the first woman to win the prize. Read it first, then stream the movie. I loved its opulent portrayal of the well-heeled society of upper-class New York and its spot-on portrayal of moral hypocrisy. The battles that nineteenth-century women of all classes fought to live their lives with integrity and honesty seem to me to echo today in the ongoing injustices perpetrated against society’s powerless.
Edith Wharton's novel reworks the eternal triangle of two women and a man in a strikingly original manner. When about to marry the beautiful and conventional May Welland, Newland Archer falls in love with her very unconventional cousin, the Countess Olenska. The consequent drama, set in New York during the 1870s, reveals terrifying chasms under the polished surface of upper-class society as the increasingly fraught Archer struggles with conflicting obligations and desires. The first woman to do so, Edith Wharton won the Pulitzer Prize for this dark comedy of manners which was immediately recognized as one of her greatest achievements.
I write historical fiction based on the lives of my ancestors: Agnes Canon’s War is the story of my twice-great grandparents during the Civil War. An Irish Wife is based on their son. I write about the Gilded Age, which is only now drawing the attention of historical novelists and the wider public: the vast wealth of industrialists contrasted to the poverty of the lower classes, scandalous politics, environmental degradation, fear of and prejudices about immigrants. My ancestors lived through those days; I want to imagine how that tumultuous society affected them, how they managed, what they lost and gained, and to memorialize those stories as a way to honor them.
Two volumes, nearly a thousand pages—but don’t let that put you off. This is the background story of the Gilded Age in small-town America, a microcosm of all that was best and worst in the era. Coal mines—a theme running through much Gilded Age tale-telling—and vast riches, sexual misadventures in a time when Victorian straitjackets were loosening, neighborly battles, far-reaching strikes, religious convulsions, political shenanigans. They’re all here. You’ll get lost in them.
"...encompasses thirty-five years in the life of the small Ohio town of Paradise Falls, from the end of the Civil War to the tumultuous opening of the twentieth century."
I’d written modern true crime before—a book that helped solve a 40-year-old cold case—and wanted to try my hand at historical true crime. I live in Manhattan, home to the greatest crime stories of the late nineteenth and early twentieth centuries, so I was able to see the actual locations where the grisliest murders, the biggest bank heists, and the crookedest con games took place. What really drew me in, though, were the many colorful, unforgettable characters, both good and bad, cops and robbers, who walked the bustling streets of Old New York during the fascinating era known as the Gilded Age.
Author Ferrara takes you on a lively, and chilling, tour of the sites in Manhattan where Mafia dons and underlings brutally wiped out their competition—only to find themselves on the receiving end of the same treatment at some other joint up or downtown. Chinatown, Little Italy, the Lower East Side—these were the main haunts of New York’s most colorful and deadly criminals in the late 1800s and early 1900s, and it’s fun to actually visit the locations with this book as a guide.
During the early twentieth century, Sicilian and Southern Italian immigrants poured into New York City. Looking to escape poverty and persecution at home, they soon discovered that certain criminal enterprises followed them to America. Before any codes of honor were established in the New World, violent bosses wreaked havoc on their communities in their quest to rule the underworld. It took several decades for the Mafia to mature into a contemporary organized crime syndicate. Some names and places from both eras are still infamous today, like Frank Costello and the Copacabana, while some have remained hidden in absolute secrecy until…
I’m the author of the Countess of Harleigh Mystery series. I’ve been fascinated by the Gilded Age/Victorian Era/Belle Epoque since reading my first Edith Wharton novel, The Buccaneers, which followed the lives of four American heiresses of the late 19th century, who crossed the Atlantic to marry British lords. Love and marriage almost never went together in Wharton’s world, but with all the loveless marriages, the social climbing, and the haves and have-nots, I find it makes an excellent setting for a mystery.
This series is actually set in Newport, Rhode Island but New York’s elite had to have somewhere to go when the summer heat settled on the city. Reporting on all the Newport society news is Emma Cross, second cousin to Cornelius Vanderbilt. I have to admit that I’m fascinated by the lives of these uber-wealthy characters. Their homes, wardrobes, and entertainments are almost shocking in their opulence. I love that many of the characters are real people. In this book, Alva Vanderbilt loses any hope of winning the Mother-of-the-Year award as she browbeats her daughter Consuelo into marrying heir to the Duke of Marlborough. If money can’t buy happiness, maybe a title will.
At the dawn of the twentieth century, the fortunes of the Vanderbilts still shine brightly in glittering Newport, Rhode Island. But when a potential scandal strikes, the Vanderbilts turn to cousin and society page reporter Emma Cross to solve a murder and a disappearance . . .
Responding to a frantic call on her newfangled telephone from her cousin, Consuelo Vanderbilt, Emma Cross arrives at the Marble House mansion and learns the cause of her distress—Consuelo’s mother, Alva, is forcing her into marriage with the Duke of Marlborough. Her mother has even called in a fortune teller to assure Consuelo…
I’ve been fascinated by New Orleans ever since hearing Bobby Bare’s novelty record “Marie Laveau” when I was a child. I had wanted to visit for ages, and Hurricane Katrina made me despair of ever getting there. Now that I’ve been there, New Orleans owns a piece of my heart. When I set out to write Bayou Fire, I was determined to do it right. I read everything I could get my hands on, fiction and non-fiction, about 1830s New Orleans. I wanted not only the facts but the atmosphere. Furthermore, I made several research trips, not only to Crescent City but to the plantations. I immersed myself in the period and the culture to the greatest degree possible to bring an authentic tale to light.
Fanny Newcomb is the daughter of a New Orleans lawyer. Having shunned a marriage proposal from her late father's partner, she comes to work at the Settlement House. There, she teaches reading, accounting, and other skills to young immigrant women in Crescent City. When her most promising student is murdered, Fanny starts looking into matters herself. Why?
One of the other women at Wisdom House, Olive Giddings, is a physician -- she was first on the scene and knows that Nora was strangled. Soon, though, the papers are claiming that Nora is the victim of the Irish Channel Ripper. And then, the House's German carpenter is arrested for the crime. So, Fanny has a vested interest in finding the real assailant and proving Karl innocent.
What I love about this book is the rich historical detail. We not only get a look at women’s roles but also at New Orleans’…
"...a promising start from a new author" —Historical Novel Review.Winner of 2018 IPPY Gold Ben Franklin in Historical Fiction. Gilded Age New Orleans is overrun with prostitutes, pornographers, and a malicious Jack the Ripper copycat. As threatening letters to newspaper editors proclaim, no woman is safe from his blade. Desperate to know who murdered her favorite student, ambitious typewriting teacher Fanny Newcomb launches into a hunt for the self-proclaimed Irish Channel Ripper. Fanny quickly enlists the help of her well-connected employers—Principal Sylvia Giddings and her sister Dr. Olive—and together the women forge through saloons, cemeteries, slums, and houses of prostitution.…
