Here are 100 books that Paradise Falls fans have personally recommended if you like
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I write historical fiction based on the lives of my ancestors: Agnes Canon’s War is the story of my twice-great grandparents during the Civil War. An Irish Wife is based on their son. I write about the Gilded Age, which is only now drawing the attention of historical novelists and the wider public: the vast wealth of industrialists contrasted to the poverty of the lower classes, scandalous politics, environmental degradation, fear of and prejudices about immigrants. My ancestors lived through those days; I want to imagine how that tumultuous society affected them, how they managed, what they lost and gained, and to memorialize those stories as a way to honor them.
Before there were Daniel Day Lewis and Michelle Pfeiffer, there was the book that brought them together (in the movie): Edith Wharton’s The Age of Innocence, Wharton’s lush, sepia-toned tale of the New York haut ton of the 1870s. Gilded Age society at its best; it won the 1921 Pulitzer for fiction, making Wharton the first woman to win the prize. Read it first, then stream the movie. I loved its opulent portrayal of the well-heeled society of upper-class New York and its spot-on portrayal of moral hypocrisy. The battles that nineteenth-century women of all classes fought to live their lives with integrity and honesty seem to me to echo today in the ongoing injustices perpetrated against society’s powerless.
Edith Wharton's novel reworks the eternal triangle of two women and a man in a strikingly original manner. When about to marry the beautiful and conventional May Welland, Newland Archer falls in love with her very unconventional cousin, the Countess Olenska. The consequent drama, set in New York during the 1870s, reveals terrifying chasms under the polished surface of upper-class society as the increasingly fraught Archer struggles with conflicting obligations and desires. The first woman to do so, Edith Wharton won the Pulitzer Prize for this dark comedy of manners which was immediately recognized as one of her greatest achievements.
Ever since I was a child, I have been fascinated by work and the ways that it organizes the rest of life. Mining is one of those activities that brings together economics, politics, gender, class, kinship, and cosmology in especially tight proximity. I am also fascinated by Latin America, a region where mining has been important for thousands of years. These interests led me to become an anthropologist specializing in mining in Mexico and Colombia. It has been my privilege to work in this area for over twenty-five years now, making lifelong friends, learning about their lives and struggles, and sharing that knowledge with students and readers.
I first read this book while I was conducting anthropological fieldwork in the mines of Guanajuato, Mexico. Even though the conditions in the mines I visited were somewhat better, and even though I was in silver and gold mines and not coal mines, I was amazed by the continuity in mining practices and the kinds of conflicts that emerge, such as the danger caused when miners are paid by the amount produced since they don’t want to take the time needed to support the tunnels with wooden timbering.
I also love that it includes descriptions of women and girls as mineworkers, which very few books about mining do.
Zola's masterpiece of working life, Germinal (1885), exposes the inhuman conditions of miners in northern France in the 1860s. By Zola's death in 1902 it had come to symbolise the call for freedom from oppression so forcefully that the crowd which gathered at his State funeral chanted 'Germinal! Germinal!'. The central figure, Etienne Lantier, is an outsider who enters the community and eventually leads his fellow-miners in a strike protesting against pay-cuts - a strike which becomes a losing battle against starvation, repression, and sabotage. Yet despite all the violence and disillusion which rock the mining community to its foundations,…
I write historical fiction based on the lives of my ancestors: Agnes Canon’s War is the story of my twice-great grandparents during the Civil War. An Irish Wife is based on their son. I write about the Gilded Age, which is only now drawing the attention of historical novelists and the wider public: the vast wealth of industrialists contrasted to the poverty of the lower classes, scandalous politics, environmental degradation, fear of and prejudices about immigrants. My ancestors lived through those days; I want to imagine how that tumultuous society affected them, how they managed, what they lost and gained, and to memorialize those stories as a way to honor them.
And now to nonfiction. For anyone who savors the study of history as a prelude to the present, this is the book to read. The Gilded Age, rife with economic and technologic disruptions and the clash between the ever-richer and the always-poor, driven by industrial juggernauts and riven by raucous, violent politics—to understand the era and see the roots of many of today’s issues, this book is a must.
A penetrating, character-filled history “in the manner of David McCullough” (WSJ), revealing the deep roots of our tormented present-day politics.
Democracy was broken. Or that was what many Americans believed in the decades after the Civil War. Shaken by economic and technological disruption, they sought safety in aggressive, tribal partisanship. The results were the loudest, closest, most violent elections in U.S. history, driven by vibrant campaigns that drew our highest-ever voter turnouts. At the century’s end, reformers finally restrained this wild system, trading away participation for civility in the process. They built a calmer, cleaner democracy, but also a more…
I write historical fiction based on the lives of my ancestors: Agnes Canon’s War is the story of my twice-great grandparents during the Civil War. An Irish Wife is based on their son. I write about the Gilded Age, which is only now drawing the attention of historical novelists and the wider public: the vast wealth of industrialists contrasted to the poverty of the lower classes, scandalous politics, environmental degradation, fear of and prejudices about immigrants. My ancestors lived through those days; I want to imagine how that tumultuous society affected them, how they managed, what they lost and gained, and to memorialize those stories as a way to honor them.
Delicious fact that reads like fiction and tells a story of Gilded Age power politics. Presidential scandals? Nothing new here. The tale of the illegitimate son of the 22nd and 24th president and the boy’s defenseless mother perfectly illustrates the sexual upheavals of the era and the workings of a society steaming along in an effort to keep pace with the changes of the new industrial era.
The child was born on September 14, 1874, at the only hospital in Buffalo, New York, that offered maternity services for unwed mothers. It was a boy, and though he entered the world in a state of illegitimacy, a distinguished name was given to this newborn: Oscar Folsom Cleveland. The son of the future president of the United States-Grover Cleveland. The story of how the man who held the nation's highest office eventually came to take responsibility for his son is a thrilling one that reads like a sordid romance novel-including allegations of rape, physical violence, and prostitution. The stunning…
I’m the author of the Countess of Harleigh Mystery series. I’ve been fascinated by the Gilded Age/Victorian Era/Belle Epoque since reading my first Edith Wharton novel, The Buccaneers, which followed the lives of four American heiresses of the late 19th century, who crossed the Atlantic to marry British lords. Love and marriage almost never went together in Wharton’s world, but with all the loveless marriages, the social climbing, and the haves and have-nots, I find it makes an excellent setting for a mystery.
This series is actually set in Newport, Rhode Island but New York’s elite had to have somewhere to go when the summer heat settled on the city. Reporting on all the Newport society news is Emma Cross, second cousin to Cornelius Vanderbilt. I have to admit that I’m fascinated by the lives of these uber-wealthy characters. Their homes, wardrobes, and entertainments are almost shocking in their opulence. I love that many of the characters are real people. In this book, Alva Vanderbilt loses any hope of winning the Mother-of-the-Year award as she browbeats her daughter Consuelo into marrying heir to the Duke of Marlborough. If money can’t buy happiness, maybe a title will.
At the dawn of the twentieth century, the fortunes of the Vanderbilts still shine brightly in glittering Newport, Rhode Island. But when a potential scandal strikes, the Vanderbilts turn to cousin and society page reporter Emma Cross to solve a murder and a disappearance . . .
Responding to a frantic call on her newfangled telephone from her cousin, Consuelo Vanderbilt, Emma Cross arrives at the Marble House mansion and learns the cause of her distress—Consuelo’s mother, Alva, is forcing her into marriage with the Duke of Marlborough. Her mother has even called in a fortune teller to assure Consuelo…
I’d written modern true crime before—a book that helped solve a 40-year-old cold case—and wanted to try my hand at historical true crime. I live in Manhattan, home to the greatest crime stories of the late nineteenth and early twentieth centuries, so I was able to see the actual locations where the grisliest murders, the biggest bank heists, and the crookedest con games took place. What really drew me in, though, were the many colorful, unforgettable characters, both good and bad, cops and robbers, who walked the bustling streets of Old New York during the fascinating era known as the Gilded Age.
Author Ferrara takes you on a lively, and chilling, tour of the sites in Manhattan where Mafia dons and underlings brutally wiped out their competition—only to find themselves on the receiving end of the same treatment at some other joint up or downtown. Chinatown, Little Italy, the Lower East Side—these were the main haunts of New York’s most colorful and deadly criminals in the late 1800s and early 1900s, and it’s fun to actually visit the locations with this book as a guide.
During the early twentieth century, Sicilian and Southern Italian immigrants poured into New York City. Looking to escape poverty and persecution at home, they soon discovered that certain criminal enterprises followed them to America. Before any codes of honor were established in the New World, violent bosses wreaked havoc on their communities in their quest to rule the underworld. It took several decades for the Mafia to mature into a contemporary organized crime syndicate. Some names and places from both eras are still infamous today, like Frank Costello and the Copacabana, while some have remained hidden in absolute secrecy until…
I’m the author of the Countess of Harleigh Mystery series. I’ve been fascinated by the Gilded Age/Victorian Era/Belle Epoque since reading my first Edith Wharton novel, The Buccaneers, which followed the lives of four American heiresses of the late 19th century, who crossed the Atlantic to marry British lords. Love and marriage almost never went together in Wharton’s world, but with all the loveless marriages, the social climbing, and the haves and have-nots, I find it makes an excellent setting for a mystery.
This novel embraces all the darkest elements of the Gilded Age—the occult, greed, cruelty, and the notorious asylum for the insane on Blackwell’s Island and I’m here for all of it! The sleuth is Amelia Matthews, a psychic who suffered a head injury that both expanded her psychic ability and landed her in Blackwell Asylum. She is not insane, but neither are many of the other women locked up with her—at least not when they first arrived. It’s chilling to know that this really happened to women who were betrayed by their nearest and dearest. Stacie Murphy made me feel like her characters were real, and I wanted justice for them!
A historical mystery in the vein of The Alienist, in which a young woman in Gilded Age New York must use a special talent to unravel a deadly conspiracy.
Amelia Matthew has done the all-but-impossible, especially for an orphan in Gilded Age New York City. Along with her foster brother Jonas, she has parleyed her modest psychic talent into a safe and comfortable life. But safety and comfort vanish when a head injury leaves Amelia with a dramatically-expanded gift. After she publicly channels an angry spirit, she finds herself imprisoned in the notorious insane asylum on Blackwell's Island. As Jonas…
Ever since great-grandma told me she envied me, being born when women could choose any profession, I developed a deep respect for the women throughout history who have held unconventional roles. I am drawn to books featuring powerful women characters who show a zeal for making their mark on the world in roles like surveyors, ranchers, telephone operators, historians, horse trainers, and more, long before their choices became socially acceptable. As a woman software engineer (and now part-time author), I’ve gained an appreciation for all the women who paved the way for the modern woman.
What I loved about this book was the strong female main character, Eunice Holbrook. She held the unusual job of owning an Inquiry Agency (private detective). What drew me to her character was her powerful personality. From her expert marksmanship with a pistol to her analytical reasoning, she embodied everything unconventional. I instantly connected with her and her plight, so much so that I couldn’t put the book down.
The layers of intrigue, combined with the sweet romance of a couple reunited, warmed my heart and made me smile. The author kept me guessing in this murder mystery historical romance. I especially enjoyed the witty banter between Eunice and Arthur.
When a man arrives at the Bleecker Street Inquiry Agency, anxious to hire them to find a missing heiress, Eunice Holbrooke realizes her past has finally caught up with her . . . and that she may no longer be able to hide under the disguise that has kept her safe for so long.
Arthur Livingston's goal in life is to make his mark on the world as a mining industrialist, but after the man who could help him achieve his goal is murdered, Arthur feels compelled to seek justice for the family--but he's left with more questions than answers…
Growing up in Indiana and Illinois meant that Chicago has always been, for me, the city—the place where people went to make a name for themselves and took the world by storm. From my local Carnegie Library, I read voraciously across genres—history, science, literature. They transported me out of my small town—across the universe sometimes. I learned that setting in fiction was for me a major feature of my enjoyment, and Chicago was where I set my own mystery series. These books, when I read them, explored that grand metropolis—and brought Chicago to life on and off the page. I hope you enjoy these books as much as I have.
This book is really a call to action, and even today, it is hard to read this novel and not feel anger on behalf of Jurgis and Ona. Perhaps that is why I like this book so much. It is visceral. I get angry at money-grubbing management who care nothing about their employees.
I swore off meat for a while, disgusted with the factory conditions of the time. I mourn Jurgis and Ona's inability to achieve the American dream. In this book, I am brought into the Chicago immigrant experience at the turn of the 20th Century.
First serialized in a newspaper in 1905, The Jungle is a classic of American literature that led to the creation of food-safety standards.
While investigating the meatpacking industry in Chicago, author and novelist Upton Sinclair discovered the brutal conditions that immigrant families faced. While his original intention was to bring this to the attention of the American public, his book was instead hailed for bringing food safety to the forefront of people's consciousness.
With its inspired plot and vivid descriptions, Upton Sinclair's classic tale of immigrant woe is now available as an elegantly designed clothbound edition with an elastic closure…
I’m a scented candles and bubble bath girl. But my love of love doesn’t intersect with chocolate-covered strawberries and champagne; it’s a circle. I’m not sure if I’m inspired to write romance because of my reality or if my reality is enriched by my writing. In any case, I enjoy a healthy love life, which, to me, is a necessity when writing realistic love or sex scenes. I’ve dated…extensively, and it’s that very experience that makes my love scenes ring true. A little bit of a past goes a long way when devising a romantic scenario or plot. Comma placement can always be learned.
This book is the ultimate “lovers torn apart by class differences” story. For me the premise has always held great appeal. I find nothing better in a romance than the longing, the heartbreak, and the anticipation of a lover’s reunion.
This story had double the pleasure since we experience the original slow burn of Jens Harken and Lorna Barnett falling in love and then their passionate reunion.
Ms. Spencer is a master of historical fiction, her research seamlessly drawn on every page. Her book is ripe with details about Gilded Age wealth, tall ships, and regattas. But it’s ultimately the characters and how well-crafted and complex the various relationships are that kept me spellbound. I shed every tear and felt every pain right along with them.
Lorna Barnett is tired of playing the role of "good girl" that her mother has always lived, and that high society prizes. It isn't until she meets Jens Harken that she realizes she yearns to be cherished for herself. Although Jens is a servant, his strength and intelligence put all the society men she's met to shame.
Jens knows their love is forbidden, but he can't keep away from the spirited, headstrong girl who's stolen his heart. His boat-building skills are his one way to break into society, and when he designs his first boat for Lorna's father, it seems…
