Here are 100 books that The White Album fans have personally recommended if you like
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I have been teaching and writing about post-WWII American film for over thirty years now, with a particular passion for (behind the scenes) Hollywood history. Road Trip to Nowhere follows up on a new sort of movie industry history I introduced in my 2017 book on 1950s Los Angeles, Hard-Boiled Hollywood. Both books focus on actors, writers, producers, and directors who don’t quite make it—aspirants and would-be players kicked to the side of the road, so to speak, and others who for reasons we may or may not understand just walked away from the modern American dream life of stardom and celebrity.
Harris focuses on Oscar night 1968 as four of the five films nominated for Best Picture evinced Hollywood’s reluctant affirmation of the American counterculture. These “pictures at a revolution,” as he terms them—Bonnie and Clyde, The Graduate, Guess Who’s Coming to Dinner, and the Oscar winnerIn the Heat of the Night—signaled a necessary industry re-think, away from bloated old-Hollywood blockbusters (like Dr. Dolittle, the fifth nominee) and towards something more politically savvy and more hip. Harris does well to chronicle the backstage/behind-the-scenes histories of all five of these films.
“Pictures at a Revolution is probably one of the best books I've ever read in my life.” —Quentin Tarantino
The New York Times bestseller that follows the making of five films at a pivotal time in Hollywood history
In the mid-1960s, westerns, war movies, and blockbuster musicals like Mary Poppins swept the box office. The Hollywood studio system was astonishingly lucrative for the few who dominated the business. That is, until the tastes of American moviegoers radically- and unexpectedly-changed. By the Oscar ceremonies of 1968, a cultural revolution had hit Hollywood with the force of a tsunami, and films like…
As a degreed socio-linguist and international educator, my novel writing has been immersed in the human experience that began early on as a teen musician immersed naively in a non-mainstream world of creatives and cons, when the word 'counterculture' was perceived more as a renaissance than the drug-laden world of darker gatherings that it later came to be known as. Boulder Blues is a work of fiction drawn from both fantasy and personal exposure. From there I went on to teach in American alternative education and later at university with a focus on rhetoric and forensic writing. My draw to other cultures and their perspectives moved me to go on to teach internationally.
This American classic by Pulitzer Prize-winning novelist, Larry McMurtry, is read by university students worldwide. It’s set in its own time of indulgent decadence where little value is placed on the lives of individuals met by Danny Deck, the sad-sack protagonist, who denigrates his published work to the point of tearing up a copy of the novel he carries with him before drowning his own sorry self in the river of the Rio Grande. Yet, Danny is as much at fault for the sloppy treatment of the company he keeps as his company is for being disingenuous.
What McMurtry calls normal life, or mundane happiness, through the voice of novelist Deck, is seen as obtainable if one wants to pursue the creative arts. His conclusion is that the two simply don’t mix. As he explores this idea in a higgledy-piggledy fashion, Deck sets about self-destructing, which has nothing to do…
Hailed as one of "the best novels ever set in America's fourth largest city" (Douglas Brinkley, New York Times Book Review), All My Friends Are Going to Be Strangers is a powerful demonstration of Larry McMurtry's "comic genius, his ability to render a sense of landscape, and interior intellection tension" (Jim Harrison, New York Times Book Review). Desperate to break from the "mundane happiness" of Houston, budding writer Danny Deck hops in his car, "El Chevy," bound for the West Coast on a road trip filled with broken hearts and bleak realities of the artistic life. A cast of unforgettable…
As a degreed socio-linguist and international educator, my novel writing has been immersed in the human experience that began early on as a teen musician immersed naively in a non-mainstream world of creatives and cons, when the word 'counterculture' was perceived more as a renaissance than the drug-laden world of darker gatherings that it later came to be known as. Boulder Blues is a work of fiction drawn from both fantasy and personal exposure. From there I went on to teach in American alternative education and later at university with a focus on rhetoric and forensic writing. My draw to other cultures and their perspectives moved me to go on to teach internationally.
Kurt Vonnegut, Jr.’s son, Mark, wrote this semi-fictional exploratory piece in an autobiographical style while exploring the nature of drug-induced madness coupled with undiagnosed schizophrenia while living an alternative lifestyle in a working commune. Through it all, the nature of humanity is questioned in a humorously chaotic way. And yet he pulls it all together to somehow not only make sense of, but also be enlightened by, the madness of this counterculture lifestyle.
Mark Vonnegut later returns to university and obtains a medical degree while exploring the use of orthomolecular medicine as a treatment to combat schizophrenia. While successfully obtaining his medical degree, he eventually disavows orthomolecular therapy as a plausible treatment.
“One of the best books about going crazy . . . required reading for those who want to understand insanity from the inside.”—The New York Times Book Review
Mark Vonnegut set out in search of Eden with his VW bug, his girlfriend, his dog, and his ideals. But genetic predisposition and “a whole lot of **** going down” made Mark Vonnegut crazy in a culture that told him “mental illness is a myth” and “schizophrenia is a sane response to an insane society.” Here he tells his story with the eyes that see from the inside out: a moving remembrance…
Radiant Wound is both an anthem and lament—a poetic exploration of life between cultures, languages, and the landscapes of Côte d'Ivoire. In this debut collection, Cara Waterfall captures the vibrant textures and deep dissonances of life abroad after the Second Ivorian Civil War, navigating the complex experience of being a…
I have been teaching and writing about post-WWII American film for over thirty years now, with a particular passion for (behind the scenes) Hollywood history. Road Trip to Nowhere follows up on a new sort of movie industry history I introduced in my 2017 book on 1950s Los Angeles, Hard-Boiled Hollywood. Both books focus on actors, writers, producers, and directors who don’t quite make it—aspirants and would-be players kicked to the side of the road, so to speak, and others who for reasons we may or may not understand just walked away from the modern American dream life of stardom and celebrity.
Unique among those in Hollywood who dove head first into the American counterculture, Jane Fonda proved too committed to dismiss as a dilettante, too persistent to just fade away, too formidable for the FBI to destroy. Bosworth, a veteran Hollywood biographer (she has written books on Montgomery Clift and Marlon Brando as well) uniquely understands political celebrity; she’s never dismissive, but she’s not so easy on her subject either. Because she knows better: Bosworth’s father was the Hollywood 10 attorney Bart Crum. Bosworth surely understands the risks involved in Left-wing celebrity.
As actress, activist, businesswoman, wife, and mother, Jane Fonda has pushed herself to the limit, attempting to please all, excel in every arena, be everything. We've read her version of her controversial life, yet nothing can prepare us for this genuinely revelatory account of Jane's engrossing, sometimes shocking journey. Supplemented by the psychiatric records of her suicidal, bipolar mother, Fonda's FBI file, and interviews with her intimates, this perceptive portrait strips away hype and the subject's own mythmaking. Patricia Bosworth shows us what a toll Jane's quest to excel (and please her demanding father, Henry) exacted and sheds light on…
I was a Brooklyn kid who grew up on Long Island. I started hitting the bars and clubs in NYC when I was still a teenager. I found my way to CBGB in 1975, moved to Bleecker St in 1976, and in a right place/right time moment I found myself working the Mudd Club door in early 1979. That moment was a life changer. The Mudd Club book tells the story.
The best book written about 1960’s Pop-Culture madness and mayhem. As founding member of The Fugs and a unique literary voice, Ed Sanders tells this tale brilliantly. The warning signs, the goosebumps, and knowing when it’s time to stop are all there in The Family.
I have been teaching and writing about post-WWII American film for over thirty years now, with a particular passion for (behind the scenes) Hollywood history. Road Trip to Nowhere follows up on a new sort of movie industry history I introduced in my 2017 book on 1950s Los Angeles, Hard-Boiled Hollywood. Both books focus on actors, writers, producers, and directors who don’t quite make it—aspirants and would-be players kicked to the side of the road, so to speak, and others who for reasons we may or may not understand just walked away from the modern American dream life of stardom and celebrity.
A collection marking the fifty-year anniversary of the now famous Timemagazine New Hollywood issue, published on December 8, 1967, featuring a gorgeous Robert Rauschenberg-designed, Bonnie and Clyde-inspired cover. The book, aptly subtitled, The New Hollywood Revisited, features essays by a who’s who of counterculture Hollywood’s most influential film reviewers, critics, and historians, including J. Hoberman, Molly Haskell, David Sterritt, and David Thomson.
In When the Movies Mattered Jonathan Kirshner and Jon Lewis gather a remarkable collection of authors to revisit the unique era in American cinema that was New Hollywood. Ten eminent contributors, some of whom wrote about the New Hollywood movement as it unfolded across the 1960s and 1970s, assess the convergence of film-industry developments and momentous social and political changes that created a new type of commercial film that reflected those revolutionary influences in American life.
Even as New Hollywood first took shape, film industry insiders and commentators alike realized its significance. At the time, Pauline Kael compared the New…
I’ve always been drawn to family stories, from King Lear to Anna Karenina. The ties that bind us to family—however strained or frayed those ties might be—contain within their fibers the entire spectrum of human emotion. For a writer, this is fertile territory. I could contemplate endlessly the rivalry that exists between a pair of siblings, or the expectations a child has for their parent. Family dynamics are often kept private, which makes encountering them on the page even more thrilling. To be let in on the life of another, granted permission to bear witness to their secrets and innermost longings, is the rare gift that literature brings us.
Here we see Jonathan Franzen, the master of the family novel, at it again. Like all of Franzen’s books, this one is both hilarious and poignant. Though it tips the scale at nearly 600 pages, I blew through it in a day or two, amazed by Franzen’s plot-making abilities and his keen insights into the human condition.
Bonus points for The Corrections and Freedom, either of which could easily have made this list, too.
Jonathan Franzen’s gift for wedding depth and vividness of character with breadth of social vision has never been more dazzlingly evident than in Crossroads.
It’s December 23, 1971, and heavy weather is forecast for Chicago. Russ Hildebrandt, the associate pastor of a liberal suburban church, is on the brink of breaking free of a marriage he finds joyless—unless his wife, Marion, who has her own secret life, beats him to it. Their eldest child, Clem, is coming home from college on fire with moral absolutism, having taken an action that will shatter his father. Clem’s sister, Becky, long the social…
As a degreed socio-linguist and international educator, my novel writing has been immersed in the human experience that began early on as a teen musician immersed naively in a non-mainstream world of creatives and cons, when the word 'counterculture' was perceived more as a renaissance than the drug-laden world of darker gatherings that it later came to be known as. Boulder Blues is a work of fiction drawn from both fantasy and personal exposure. From there I went on to teach in American alternative education and later at university with a focus on rhetoric and forensic writing. My draw to other cultures and their perspectives moved me to go on to teach internationally.
Popularised as a 1960s counterculture book, its author, Brautigan, playfully breaks all the rules in a modern Dadaistic style of commentary which is a sort of stream of consciousness that verges on playful and purposeful madness. Thoughts of Lewis Carroll’s Through the Looking Glass come to mind when trying to make any sense of this author’s zany work here. In a word: trout? No trout. This is no commentary about fishing. It’s a mishmash of essay-like commentaries on an ‘on the road’ lifestyle which does occasionally mention fishing.
Richard Brautigan's wonderfully zany, hilarious episodic novel set amongst the rural waterways of America.
Here's a journey that begins at the foot of the Benjamin Franklin statue in San Francisco's Washington Square, wanders through the wonders of America's rural waterways and ends, inevitably, with mayonnaise. With pure inventiveness and free-wheeling energy, the counterpoint to all those angry Beatniks, Brautigan tells the story of rural America, and the hunt for a bit of trout fishing. Funny, wild and sweet, Trout Fishing in America is an incomparable guidebook to the delights of exploration - of a country and a mind.
I’m a historian of Modern Europe based in Berlin. For the last twenty years or so, I’ve worked on different forms of protesting and street politics in twentieth-century Europe, always with an eye to how these histories might speak to the present. Having taught at the British University of Warwick, I’m now teaching high school students in Berlin, a career change that raised a simple but fundamental question once again: Why should we bother with history? What can we learn from history today? My passion for histories of protesting provides the answer to this question: These are histories that inspire dreaming, struggling, experimenting—and continuing to do so despite failures.
I hardly imagined the Soviet Union, a place of grey and black, with the only sparks of color being red, to be a place for hippie culture to flourish. Juliane Fürst’s book taught me otherwise. It leads into a world of people like Azazello and Ofelia, who look like “angels, creatures from another world, blots of color on a grey canvas, flowers in a concrete desert.”
The book traces how these hippies, against all odds, found ways to distance themselves from the Soviet System, not through open opposition but through dreaming of and living a different life, communally, spiritually, and often on the road. And Fürst’s book does more than merely portray Soviet hippies in a fundamentally sympathetic way: It also reveals what we can learn about a larger society by studying those at the margins. It is an unusual but highly illuminating perspective on the late Soviet Union.
Flowers through Concrete: Explorations in Soviet Hippieland takes the reader on a journey into the lives and thoughts of Soviet hippies. In the face of disapproval and repression, they created a version of Western counterculture, skillfully adapting to, manipulating, and shaping their late socialist environment. Flowers through Concrete takes its readers into the underground hippieland and beyond, situating the world of hippies firmly in late Soviet reality and offering both an unusual history of the last Soviet decades as well as a case study of transnational youth culture and East-West globalization.
Flowers through Concrete is based on over a hundred…
There is more than one history of the human world and more than one high culture–but all those histories and cultures may contribute to a unified sense of being and human potential. We need to step outside our immediate world, history, culture, and sensibility to learn–as G.K. Chesterton remarked–that humanity can be great and even glorious under conditions and with beliefs and fancies far different from ours. Knowing this, we may also gain new insight into our familiar local world. We may end, in Kipling’s words, by realizing that in the endless opposition of We and They, We ourselves are only a sort of They!
I first encountered Spengler’s theories in work by science fiction writers such as A.E. Van Vogt and James Blish, who were enticed by Spengler’s notion that there was no single history of human civilization. Instead, distinct “Cultures” were born and slowly decayed into mere “Civilizations” by roughly predictable stages. Each Culture began with a fresh way of seeing and conceiving the world and our place in it, expressed in new art, politics, technology, and even mathematics.
The original inspiration was then lost and replaced by merely imitative and rule-governed art and society. Spengler certainly got a lot wrong, but I remain inspired by the notion that there are really different ways of being human and that—even if “the West” is bound, as other writers of the time expected, to decay—new lives, new Cultures will still emerge and flourish.
“Out of the spent and unconsidered earth,” in the poet Kipling’s words,…
The first volume of Oswald Spengler’s The Decline of the West is a classic milestone in the annals of historiography. However, it is not a history book in the traditional sense of recounting events in chronological order. Instead, it tries to explain the mechanisms that make different cultures tick. While classical culture had no concept of the past or future and was only fixated on the present, Western culture is focused on both the past as memory and the future as unconquered territory.
Like organisms that are born, mature and eventually die, cultures are the blossoming youth while civilizations usher…
