100 books like Jane Fonda

I have been teaching and writing about post-WWII American film for over thirty years now, with a particular passion for (behind the scenes) Hollywood history. Road Trip to Nowhere follows up on a new sort of movie industry history I introduced in my 2017 book on 1950s Los Angeles, Hard-Boiled Hollywood. Both books focus on actors, writers, producers, and directors who don’t quite make it—aspirants and would-be players kicked to the side of the road, so to speak, and others who for reasons we may or may not understand just walked away from the modern American dream life of stardom and celebrity. 

As a degreed socio-linguist and international educator, my novel writing has been immersed in the human experience that began early on as a teen musician immersed naively in a non-mainstream world of creatives and cons, when the word 'counterculture' was perceived more as a renaissance than the drug-laden world of darker gatherings that it later came to be known as. Boulder Blues is a work of fiction drawn from both fantasy and personal exposure. From there I went on to teach in American alternative education and later at university with a focus on rhetoric and forensic writing. My draw to other cultures and their perspectives moved me to go on to teach internationally.

I was a Brooklyn kid who grew up on Long Island. I started hitting the bars and clubs in NYC when I was still a teenager. I found my way to CBGB in 1975, moved to Bleecker St in 1976, and in a right place/right time moment I found myself working the Mudd Club door in early 1979. That moment was a life changer. The Mudd Club book tells the story.

I have been teaching and writing about post-WWII American film for over thirty years now, with a particular passion for (behind the scenes) Hollywood history. Road Trip to Nowhere follows up on a new sort of movie industry history I introduced in my 2017 book on 1950s Los Angeles, Hard-Boiled Hollywood. Both books focus on actors, writers, producers, and directors who don’t quite make it—aspirants and would-be players kicked to the side of the road, so to speak, and others who for reasons we may or may not understand just walked away from the modern American dream life of stardom and celebrity. 

As Rebecca Roberts in Apocalypse was an ancestor whose achievements have been largely ignored-maybe because of gender-it seemed to be time to redress the balance. A female author may have done the job better, but none stepped forward at the time and Hollywood screenwriter K.Lewis was keen to write a screenplay, requiring a concept screenplay outline as a guide. It was that which later became the 1st Edition of Apocalypse.

Shawn Levy is the author of 11 books of biography and pop culture history, including The Castle on Sunset: Life, Death, Love, Art, and Scandal at Hollywood's Chateau Marmont, Paul Newman: A Life, Rat Pack Confidential, and Ready, Steady, Go! The Smashing Rise and Giddy Fall of Swinging London. He was the longtime film critic of The Oregonian newspaper and KGW-TV in his beloved home city of Portland. He has written a history of the women pioneers of standup comedy which will be published by Doubleday in 2022 and at work on a podcast about the dark connections of politics and show business.

I’ve always loved movies. In my 20s, I went to film school – perhaps you can still find a couple of the short films I wrote with animator Matthew Hood on Vimeo (Hourglass and Metalstasis) – and I worked a little in the UK film industry reading scripts for Film4, among others. I’ve also interviewed filmmakers, including Nicolas Winding Refn, Christopher Hampton, Life of Brian producer John Goldstone and editor Anne V. Coates. And I’ve always found a romance, despite the seedy aspects, of Tinseltown being developed out in Hollywoodland, a place of orange groves and pepper trees where people from the Midwest went to retire in the sun.   

I’ve been a newspaperman for 40 years, the last 25 at The New York Times, and crime is the meat and potatoes of the business. My mother came from an Irish American clan in the Pennsylvania township where the Molly Maguires were born – my great-uncle died at 13 in the mine where the Mollies made one of their first recorded appearances. So I’ve been fascinated by Irish American true crime ever since the Sean Connery film The Mollies Maguires came out in 1970. I’ve spent most of my adult life researching the subject, and have given lectures on it all over the country.

I am the author of three books, all featuring characters who feel like outsiders; some are queer, many are artists, most are people of color. I was lucky enough to grow up around artists, in a community where creativity was valued. I wrote poems and invented card games, put on plays in our living room, and made up stories to fall asleep at night. I knew I was an artist before I knew the word queer. When I came out, my outsider status doubled; I wanted to know how other queer artists and writers navigated these dual identities—how they not only survived but thrived. Their stories are my story.

Born and raised in Poland during the Cold War, I learned that writers and intellectuals could be jailed, exiled, or even killed for their ideas. I came to James Baldwin over two decades ago in search of literature that told of freedom and humanism beyond national borders and simplistic binaries. As a Black queer man driven away from his homeland, Baldwin linked his personal pain, heartbreak, and torment to his public life, authorship, and activism. His art and life story have both inspired my labors as a bilingual and bicultural literary critic and biographer and provided a template for my own journey as an immigrant, mother of a Black child, teacher, writer, and scholar.