Here are 100 books that The Wall Between fans have personally recommended if you like
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I was an angry girl, railing against the difference between the expectations and restrictions on me and my younger brother. I was also the child of survivors and victims of the Armenian genocide, and I grew up in 1950 when my immigrant family didn’t fit the representations of “Americans” as they were then depicted. And I was white. I wanted to change myself, the world and learn why there was so much injustice in the U.S. I went back to school at UMass, got connected to faculty in the Afro-American Studies Department, and joined the group that was creating the Women’s Studies Program. I am still learning and trying to change the world.
A poet, playwright, essayist, teacher, and activist, Jordan had more than 25 published works, including seven books of essays.
As a feminist and women’s studies teacher and scholar who was focused on bringing race into the center of my activism and analysis, I learned so much from June Jordan. On Call, includes essays that explored intersectionality years before Kimberlé Crenshaw coined the term and theorized the overlapping social constructions of race, class, and gender.
The topics of the 18 essays are wide-ranging, from patriarchy, to Black English, to the enslaved 18th-century poet Phillis Wheatley, and a hilarious short essay on the election of Ronald Reagan written in Black English. I taught “Report from the Bahamas” in almost all of my courses.
Like all of her essays, it is written with a poet’s sensibility. Every word matters.
I was an angry girl, railing against the difference between the expectations and restrictions on me and my younger brother. I was also the child of survivors and victims of the Armenian genocide, and I grew up in 1950 when my immigrant family didn’t fit the representations of “Americans” as they were then depicted. And I was white. I wanted to change myself, the world and learn why there was so much injustice in the U.S. I went back to school at UMass, got connected to faculty in the Afro-American Studies Department, and joined the group that was creating the Women’s Studies Program. I am still learning and trying to change the world.
Anderson’s book is based on prodigious research, but is written for a general audience.
She argues that when Black people make any gains, whites respond by working, mostly successfully, to deny those advances through local, state, and federal legislation and violence.
The book begins by documenting the thorough destruction of the rights Black people gained through the 13th, 14th, and 15th amendments and brings her analysis forward to the present. This book gives you the historical background to understand what is happening now.
After reading it you will no longer be surprised by what the right wing has been doing since the gains of the civil rights movement to undo those rights won through struggle and incredible courage, the rights every American deserves.
National Book Critics Circle Award Winner New York Times Bestseller A New York Times Notable Book of the Year A Washington Post Notable Nonfiction Book of the Year A Boston Globe Best Book of 2016 A Chicago Review of Books Best Nonfiction Book of 2016
From the Civil War to our combustible present, White Rage reframes our continuing conversation about race, chronicling the powerful forces opposed to black progress in America--now in paperback with a new afterword by the author, acclaimed historian Carol Anderson.
As Ferguson, Missouri, erupted in August 2014, and media commentators across the ideological spectrum referred to…
I was an angry girl, railing against the difference between the expectations and restrictions on me and my younger brother. I was also the child of survivors and victims of the Armenian genocide, and I grew up in 1950 when my immigrant family didn’t fit the representations of “Americans” as they were then depicted. And I was white. I wanted to change myself, the world and learn why there was so much injustice in the U.S. I went back to school at UMass, got connected to faculty in the Afro-American Studies Department, and joined the group that was creating the Women’s Studies Program. I am still learning and trying to change the world.
This book is hard to read, but its rewards are great.
I was literally shaking when reading it because it described my life as a child of survivors and victims of the Armenian genocide in a way that I had not experienced before, illuminating new aspects of the genocide story I have been excavating for most of my adult life.
Focusing on mass murder, colonialism, South African Apartheid, and U.S. slavery and white supremacy, Schwab addresses the trauma of the generation experiencing these atrocities as well as the way it is passed through to their progeny.
She also explores the damage done to the perpetrators of violence into her analysis, weaving her own experience as a German growing up in the wake of WW II and the holocaust and as a white person living in the U.S. Schwab also goes beyond exploring trauma to address the necessity of perpetrators’ taking…
From mass murder to genocide, slavery to colonial suppression, acts of atrocity have lives that extend far beyond the horrific moment. They engender trauma that echoes for generations, in the experiences of those on both sides of the act. Gabriele Schwab reads these legacies in a number of narratives, primarily through the writing of postwar Germans and the descendents of Holocaust survivors. She connects their work to earlier histories of slavery and colonialism and to more recent events, such as South African Apartheid, the practice of torture after 9/11, and the "disappearances" that occurred during South American dictatorships. Schwab's texts…
It didn’t begin with Donald Trump. When the Republican Party lost five straight presidential elections during the 1930s and 1940s, three things happened: (1) Republicans came to believe that presidential elections are rigged; (2) Conspiracy theories arose and were believed; and (3) The presidency was elevated to cult-like status.
I was an angry girl, railing against the difference between the expectations and restrictions on me and my younger brother. I was also the child of survivors and victims of the Armenian genocide, and I grew up in 1950 when my immigrant family didn’t fit the representations of “Americans” as they were then depicted. And I was white. I wanted to change myself, the world and learn why there was so much injustice in the U.S. I went back to school at UMass, got connected to faculty in the Afro-American Studies Department, and joined the group that was creating the Women’s Studies Program. I am still learning and trying to change the world.
A mere 172 pages, this book examines the brutality of European colonialism in the 19th century, uncovering genocides I had never heard of that were perpetrated by so-called “civilized people” on so-called “primitive people.”
The justification for this barbarism was that they for the benefit of the people annihilated because they could not live in the modern world.
That justification is the same one often used on this side of the ocean for the genocide or “removal” of Indigenous people from their ancient lands and for the enslavement of African people who were “improved” by being around white people.
Part travelogue, part history, part literary analysis – Lindqvist focuses on Joseph Conrad’s novel The Heart of Darkness – the book cannot be easily categorized and when reading it I often wondered what he was doing.
But my understanding of both colonialism and what the Europeans did when they came to…
"Exterminate All the Brutes" is a searching examination of Europe's dark history in Africa and the origins of genocide. Using Joseph Conrad's Heart of Darkness as his point of departure, Sven Lindqvist takes us on a haunting tour through the colonial past, interwoven with a modern-day travelogue. Retracing the steps of European explorers, missionaries, politicians, and historians in Africa from the late eighteenth century onward, the author exposes the roots of genocide in Africa via his own journey through the Saharan desert. As Lindqvist shows, fantasies not merely of white superiority but of actual extermination "cleansing" the earth of the…
As a mom of four busy kids in grade school, middle school, high school, and college, reading a novel is my reward at the end of a hectic day. I’ve read hundreds of novels, many of them Christian romances, while sitting at my children’s bedsides. They have to be well-written, no smut, and if the characters are Catholic Christians like me, all the better.
A heroine who’s out on parole – not your typical romantic lead.
I loved this story that draws together a Kentucky detective and a young woman with a complicated past (via his mom and her quilt shop). Novels seldom bring me to tears, but this one did; Leslie Lynch draws out the emotions in this redemptive romance.
Fresh out of prison after twelve years, Opal McBride must find a job in order to meet parole requirements. Failure means she’ll serve out the remainder of her sentence behind bars. The system has seen fit to drop her in Louisville, Kentucky, a far cry from her hometown of Jubilee in the Appalachian hollows. Scrambling to adapt, Opal finds more than a potential job in May Boone’s quilt shop; she finds acceptance and perhaps even friendship.
That is, until May’s son recognizes her. A detective, Josh Boone is not about to let a felon work for his soft-hearted mother. Though…
Growing up in the ‘80s, I discovered cyberpunk just when the subgenre acquired its name and was instantly hooked. While its style and action were certainly engaging, it was cyberpunk’s message about the surveillance state, corporate power, fascism, and corruption, which contrasted so violently from mainstream science fiction, that kept me turning pages. 40 years later, after writing novels for 25 years, completing 12 books, I’m still fascinated by what cyberpunk can do. In an age where Humanity is mortally threatened by climate change and inequality, we need cyberpunk now more than ever, with its action and adventure and a little something for us to think about, too.
Software is a zany romp through a 1983 vision of 2020, with sapient AIs living on the moon and maybe invading South Florida.
Like its author, Software is a rich amalgamation of disparate elements: on the one side, the book is campy fun, while on the other, it’s a legitimate exploration of Artificial Intelligence and identity. Back when I was first getting into cyberpunk, this was another difficult find, despite having won the Philip K. Dick award; I actually didn’t read it until the late ‘90s!
The author’s life is nearly as interesting as his books, too: his full name is Rudolf von Bitter Rucker, a descendant of German philosopher Georg Friedrich Hegel, though he grew up in Louisville, KY, and he would eventually develop his own literary movement, Transrealism.
The creator of the first robots with real brains, Cobb Anderson finds himself another aged "pheezer" with a bad heart, and when he is offered immortality by his creations, he risks his body and his world. Reissue.
This irreverent biography provides a rare window into the music industry from a promoter’s perspective. From a young age, Peter Jest was determined to make a career in live music, and despite naysayers and obstacles, he did just that, bringing national acts to his college campus atUW-Milwaukee, booking thousands of…
I have a PhD in history and used to be a college professor. I decided to write historical fiction novels so that I could reach a larger audience than college students and share incredible stories from history with more people. The reason I created this list of books about women is because the farther back in history we look, the more invisible women seem to become. That’s why I wanted to tell Theodora’s story—it’s an amazing tale, first, but it also allowed me to share how different conditions were for women in the past. The other books I’ve recommended do the same.
The setting of the book was a huge draw for me—1960s Mississippi. Celeste is a member of the Student Nonviolent Coordinating Committee, and she goes to rural Mississippi in 1964 to take part in Freedom Summer, a major event of the Civil Rights Movement.
I enjoyed this because, for all its drama, heroism, and moral righteousness, the Civil Rights Movement doesn’t get a lot of attention in historical fiction. I feel like it should.
Readers will be drawn in by the all-encompassing scope of segregation in 1960s Mississippi. Add in some characters with secrets, some people who unexpectedly rise to the occasion, and the overall climate of fear that pervaded Mississippi at the time, and you’ll enjoy this book if you care about civil rights at all.
The critically acclaimed debut novel from pioneering actress and writer Denise Nicholas tells the story of one young woman's coming of age via the political and social upheavals of the civil rights movement. Nineteen-year-old Celeste Tyree leaves Ann Arbor to go to Pineyville, Mississippi, in the summer of 1964 to help found a voter registration project as part of Freedom Summer. As the summer unfolds, she confronts not only the political realities of race and poverty in this tiny town, but also deep truths about her family and herself. Drawing on Nicholas' own involvement in the movement, Freshwater Road was…
I study the Gilded Age and Progressive Era because it has so many practical applications for the present. As we face our own Gilded Age of enormous technological achievements paired with ongoing problems stemming from what Bob La Follette called “the encroachment of the powerful few upon the rights of the many,” why reinvent the wheel? What worked for progressive reformers in their struggles to create a more equitable and just society? What didn’t work, and why? To help answer those questions I wrote Fighting Bob La Follette: The Righteous Reformer and Belle La Follette: Progressive Era Reformer, and co-edited A Companion to the Gilded Age and Progressive Era.
To understand American race relations today, the history of the Gilded Age and Progressive Era is a vital starting point. In the wake of the Reconstruction, legalized segregation formalized institutional racism. With no federal lynch law, many states and municipalities refused to prosecute lynchings, striving instead to perpetuate myths of lynching as the only appropriate response to naturally lascivious Black men who desired inherently pure and virtuous white women. This exceptional biography traces the fascinating life of journalist and women’s suffrage advocate Ida Wells, who fearlessly fought against racism, segregation, and, especially, lynching. She was a leader in progressive era reform, despite the discrimination she endured even from many progressives due to her sex and her race.
Pulitzer Prize Board citation to Ida B. Wells, as an early pioneer of investigative journalism and civil rights icon
From a thinker who Maya Angelou has praised for shining “a brilliant light on the lives of women left in the shadow of history,” comes the definitive biography of Ida B. Wells—crusading journalist and pioneer in the fight for women’s suffrage and against segregation and lynchings
Ida B. Wells was born into slavery and raised in the Victorian age yet emerged—through her fierce political battles and progressive thinking—as the first “modern” black women in the nation’s history.
Born and raised in Poland during the Cold War, I learned that writers and intellectuals could be jailed, exiled, or even killed for their ideas. I came to James Baldwin over two decades ago in search of literature that told of freedom and humanism beyond national borders and simplistic binaries. As a Black queer man driven away from his homeland, Baldwin linked his personal pain, heartbreak, and torment to his public life, authorship, and activism. His art and life story have both inspired my labors as a bilingual and bicultural literary critic and biographer and provided a template for my own journey as an immigrant, mother of a Black child, teacher, writer, and scholar.
I discovered this compilation of many well- and lesser-known interviews when I began working on Baldwin in the year 2000. I love it as it gives us the writer in his own words, tracing his artistic development and views on his craft, exile, race, gender, and sexuality, as well as US politics, culture, and national identity. We follow Baldwin’s journey from 1961, with the famous Studs Terkel interview introducing “the young Negro writer,” to the “Last Interview” with Quincy Troupe, conducted in 1987, just days before Baldwin’s death in his beloved house in southern France. In between, we get a kaleidoscope of moments from his life and career and fascinating insights into his literary imaginary and humanistic philosophy.
This collection of interviews with James Baldwin covers the period 1961-1987, from the year of the publication of Nobody Knows My Names, his fourth book, to just a few weeks before his death. It includes the last formal conversation with him.
Twenty-seven interviews reprinted here come from a variety of sources--newspapers, radio, journals, and review--and show this celebrated author in all his eloquence, anger, and perception of racial, social, and literary situations in America.
Over the years Baldwin proved to be an easily accessible and cooperative subject for interviews, both in the United States and abroad. He frequently referred to…
Tourists and local residents of St. Augustine will enjoy reading about the secret wonders of their ancient city that are right under their noses. Of course, that includes a few stray corpses and ghosts!
How do ideas about gender, sexuality, and race show up in our political culture? And how do people’s political needs play a role in constructions of race, sex, and gender? I’ve been researching the intersections between ideas about gender, sexuality, and political culture in the modern United States for almost twenty years. And I think history can show us the ways ideas about sex, gender, and race suffuse political culture, revealing hierarchies of power that often discriminate, alienate, and silence. By reading books like the ones on this list we can understand how this power works, we can recognize it more clearly in the present, and we can find ways to dismantle it.
This book is a brilliant collection of essays highlighting “race rebels,” where Kelley looks outside of traditional politics and organized movements to find Black resistance to forces such as white supremacy, labor exploitation, and war. Kelley focuses in on the everyday lives of working-class Black men and women, highlighting a “hidden transcript” of expression and resistance in things like music, language, dance, and choice of dress. He elevates the political potential found in these cultural elements, urging historians to see these “style politics” in the social and economic contexts which give rise to them, for they are powerful and worthy of our attention.
Many black strategies of daily resistance have been obscured--until now. Race rebels, argues Kelley, have created strategies of resistance, movements, and entire subcultures. Here, for the first time, everyday race rebels are given the historiographical attention they deserve, from the Jim Crow era to the present.
