100 books like Conversations with James Baldwin

This is still the most comprehensive and detailed account of the writer’s life and works. Leeming worked closely with Baldwin as an assistant and secretary after first meeting him in Istanbul. 

I love this book, for it was my introduction to Baldwin and his life as an exile and one of the most powerful social and cultural critics of twentieth-century America. It’s written accessibly—the life-story narrative flows easily and one feels the author’s compassion for and understanding of the writer’s evolution, process, as well as his specific works. 

It has taught me that the best biographies both reveal and conceal their authors’ personal investment in their subject and their own life stories. And that the best biographers must skillfully and passionately play with both.

Years ago when I first read it, it was helpful in overcoming my initial terror as an immigrant from the Other Europe, the terror that I… show more.

A key work in the last part of Baldwin's life, as he was reassessing everything after the murders of Malcolm X, Martin Luther King, Jr., Robert Kennedy, and others in 1965-68. The reader can sense the aching effort Baldwin makes to retain hope and his sense of the worth of engagement with a world that so often rejected the essential him. Letting us, as his readers, into that doubt and pain and torment was an act of great honesty and, at bottom, love. Very few people could use the English language as powerfully as Baldwin (and he could do it in both spoken and written word, which puts him in a smaller group still). This book is a reminder of that power, too.

This book should be much better known outside of academic circles! It grows out of a friendship between the famous photographer, Richard Avedon, and James Baldwin, who both attended the famous DeWitt Clinton high school in the Bronx. Avedon’s gorgeous photographs are accompanied by Baldwin's experimental, impressionistic prose, combining into what some scholars have characterized as a “photo - text.” Decades before we began drowning in the onslaught of Internet-provided visual media, it bound the pleasures of reading and seeing great art in one elegantly edited volume; I recommend reading it out loud. For those of us endowed with sight it is a veritable feast!

This book grew out of the labor of love both scholarly and personal. It brings together three generations of scholars and diverse, interdisciplinary approaches to this complex and still largely misunderstood and underappreciated Black queer writer and theorist of 20th-century US identity. Michele Elam’s introduction deftly reevaluates and situates Baldwin as a 20th-century master for contemporary readers here and now, while the essays collected here provide cutting-edge scholarship and much nuance and fresh insight. Theoretically rich and with several exquisitely written essays, it touches upon all of the major aspects of the writer’s fascinating life and works.

Cohen spent a year driving through America accompanied only by two crates of books. She realised, reading them, how many of their authors had met, more or less significantly, one another, from Mark Twain and Henry James to James Baldwin and Elizabeth Bishop. The result was this daisy-chain book. It’s fascinating, illuminating, and utterly charming.

To understand American race relations today, the history of the Gilded Age and Progressive Era is a vital starting point. In the wake of the Reconstruction, legalized segregation formalized institutional racism. With no federal lynch law, many states and municipalities refused to prosecute lynchings, striving instead to perpetuate myths of lynching as the only appropriate response to naturally lascivious Black men who desired inherently pure and virtuous white women. This exceptional biography traces the fascinating life of journalist and women’s suffrage advocate Ida Wells, who fearlessly fought against racism, segregation, and, especially, lynching. She was a leader in progressive era reform, despite the discrimination she endured even from many progressives due to her sex and her race.

Joseph Fitzgerald’s powerful biography highlights the work and activism of Gloria Richardson. Her leadership of the Cambridge Nonviolent Action Committee demonstrated not only her commitment to human rights, but also her willingness to embrace alternatives to nonviolent tactics. Fitzgerald delves into Richardson’s beliefs and strategies to capture her efforts to build a grassroots movement.

This book is a brilliant collection of essays highlighting “race rebels,” where Kelley looks outside of traditional politics and organized movements to find Black resistance to forces such as white supremacy, labor exploitation, and war. Kelley focuses in on the everyday lives of working-class Black men and women, highlighting a “hidden transcript” of expression and resistance in things like music, language, dance, and choice of dress.  He elevates the political potential found in these cultural elements, urging historians to see these “style politics” in the social and economic contexts which give rise to them, for they are powerful and worthy of our attention.

The setting of the book was a huge draw for me—1960s Mississippi. Celeste is a member of the Student Nonviolent Coordinating Committee, and she goes to rural Mississippi in 1964 to take part in Freedom Summer, a major event of the Civil Rights Movement.

I enjoyed this because, for all its drama, heroism, and moral righteousness, the Civil Rights Movement doesn’t get a lot of attention in historical fiction. I feel like it should.

Readers will be drawn in by the all-encompassing scope of segregation in 1960s Mississippi. Add in some characters with secrets, some people who unexpectedly rise to the occasion, and the overall climate of fear that pervaded Mississippi at the time, and you’ll enjoy this book if you care about civil rights at all.

Ida B. Wells was a journalist. She was also an organizer of an anti-lynching campaign.

She’s a wonderful example of a woman who ignored the limitations the world of the time set on her to do what she felt was needed. She and others collected accounts of lynchings, many of them from white newspapers and published them to force society to confront the fact that they were happening.

As a young woman she sued a railroad for physically ejecting her from a carriage because she was African American. She won.

She’s just a great example of a young woman bucking the system. I’m so glad my feminine forebearers did!