Fans pick 99 books like The Volcano Lover

A whole book about a single stone? Whaaaaat?

Sure, The Planet in a Pebble is usually filed under ‘popular science’ but with a premise like that, we could also consider it a work of experimental literature.

Zalasiewicz picks up a pebble on a Welsh beach – humble, rounded grey slate intersected by a seam of white quartz – which starts him on a journey back over 4.5 billion years, looking at the minerals of early Earth.

We watch elements of our pebble progress through the rock cycle, eroding from igneous rock, slowly settling in a bacteria-rich bed of sediment within the early ocean before re-lithifying, metamorphosing under intense heat and pressure as mountains are formed by the movement of continental plates, to at last be exposed again and splintered from its mother rock by the force of wind and waves.

Chemistry saves our lives every second of every day without us usually noticing it. Primo Levi’s personal history with chemistry perhaps saved him from the gas chambers of Auschwitz.

This extraordinary book is a series of snapshots from Levi’s life each linked to a different element. I would recommend reading anything Primo Levi has written, The Periodic Table is just the best place to start.

Raffles explores geology through both a historic and an autobiographical lens.

We might understand the ‘unconformities’ of the title as both unconventional geological formations and members of Raffles’s own family (though I imagine he might question my urge to distinguish between the two.)

The book is episodic, and follows Raffles on his travels to sites of geological and personal significance.

Throughout he also draws out the long history of exploitation bound up in our relationship to the mineral realm, including the removal of iron-rich meteorites from indigenous communities in the arctic circle, and the forced labour of the Glimmerwerke – mica splitting workshops – at Theresienstadt ghetto during the Second World War.

In my book I describe geology as a storytelling science – Raffles is something closer to a poet.

Fortey is a literary, opinionated, and very engaging science writer.

One of the foundational books for my book was a geological walk across the Great Britain called The Hidden Landscape which was a revelation when I first read it (I can’t believe it’s now 30 years old!).

I’m a keen walker and know many of the landscapes he described in the book – learning about the rocks far beneath my feet, the forces that had formed them and the impact they had on the history of each region really transformed my relationship to the landscape.

For anyone looking for a global perspective, his more recent book Earth: An Intimate History is also an excellent and illuminating read.

Is Henry James an American or a British author?  Perhaps both. Born and raised in New York City, member of a well-to-do family, James spent his adult years in Great Britain. Yet his central theme, the collision of American “innocence” with European sophistication, is inherently trans-oceanic.  

Nowhere is that theme more brilliantly explored than in The Portrait of a Lady. Isabel Archer, young, wealthy, unattached, free, it seems, to make of her life what she will, nonetheless marries a fortune-hunting expatriate, and her gradual discovery of the magnitude of her mistake makes the novel a great, heart-wrenching tragedy.

Just from the book’s back cover description, I didn’t expect to enjoy it as much as I did because any kind of cheating and love triangles are not my cup of tea in a romance novel. If you are the same, give this book a chance anyway. Jan—who cared for her husband for years—and the much-younger writer Terry never planned to fall in love, but when they do, the author handles it with complexity and integrity. It’s a book that will make you feel all the emotions the characters are going through. 

The Cocktail Waitress is the last work of total master James M. Cain, posthumously published in 2014. I started this on a hike and did not stop listening until it was done, netting me quite a bit of cardio. This firsthand explanation of a tabloid murder scandal, as told by its prime suspect, is often hilarious, surprisingly feminist, and darkly sinister. As the titular waitress innocently recalls meeting and marrying a much older millionaire and his baffling demise soon after, it’s clear she’s lying through her teeth. But deducing how and why is the fun of the book. Still, the ending is a gut punch. My book hangover was a solid 72 hours (could’ve been the hike though). 

Picture it: you’re a woman married to a man whose first wife went missing, presumed dead. Then: knock, knock, who’s there? It’s the missing wife.

I loved the freaky premise, the mystery, and the scheming among the members of this shockingly unexpected and awkward ménage à trois. I can relate to Merritt, the caring second wife who feels a moral obligation to help the now-unmissing Lydia. I’d want to help too, and like Merritt, I’d probably feel guilty for enjoying a dreamy new life with another woman’s husband.

I enjoyed pondering the thorny legalities of the situation, but as the parties involved dig deeper into the circumstances of Lydia’s disappearance, it turns out that who’s legally married to whom is the least of their worries.

The Heart of Redness is set in a rural Xhosa village on the Wild Coast of South Africa—a pristine environment threatened by a casino and hotel development. I used to visit this area on holidays as a child and was captivated by the rural way of life, tribal huts, unspoiled beaches, and dreamy lagoons. Mda is a master at capturing the beauty and romance of that coast through his evocative prose. The novel also presents a sober warning about the fragility of these environments and how easily they can be destroyed by unscrupulous development.

John Barth’s first novel, originally published in 1956 and later significantly revised, is a darkly comic philosophical novel whose main character, Todd Andrews, is contemplating suicide.

The novel, along with Barth’s second, The End of the Road, is written in a relatively realistic style, different from the metafictional turn that the author would later take in his subsequent fiction. Nevertheless, these two early books are in some ways consistent with later works like Giles Boat Boy and Lost in the Funhouse, particularly in the passages about metaphor in life and art.

Barth’s musings about metaphors in the real world are relevant to Wiseman’s ability to wrest metaphoric implications from real-world events and objects. Indeed, Wiseman’s films are a veritable floating opera of signifiers.