Fans pick 100 books like The Hidden Landscape

In my day job I write about art for British newspapers and magazines. I’m lucky enough to spend a lot of time talking to artists. As a group they’re always one step ahead in identifying important issues and ideas. So Lapidarium has been fuelled by years of conversations with artists exploring geology as a way to think about things like migration, ecology, diaspora, empire, and the human body. The book is also embedded in personal experience. stone artefacts from cities I’ve lived in, from Washington D.C. to Istanbul. I’m never happier than when walking with my dog, so many of the stories in Lapidarium are also rooted in the British landscape.

After many years of studying the subject and still more writing about it, my mind is still blown away by the fact that pretty much everything around you is a chemical of some kind. Even more impressive to me is that all of the molecules that make up everything you can see, smell, touch, and taste are made from combinations of just a handful of elements. The periodic table is a one-page summary of pretty much everything, the ultimate Lego kit to build a whole universe. I love finding out about and telling the stories of these incredible chemical constructions.

In my day job I write about art for British newspapers and magazines. I’m lucky enough to spend a lot of time talking to artists. As a group they’re always one step ahead in identifying important issues and ideas. So Lapidarium has been fuelled by years of conversations with artists exploring geology as a way to think about things like migration, ecology, diaspora, empire, and the human body. The book is also embedded in personal experience. stone artefacts from cities I’ve lived in, from Washington D.C. to Istanbul. I’m never happier than when walking with my dog, so many of the stories in Lapidarium are also rooted in the British landscape.

In my day job I write about art for British newspapers and magazines. I’m lucky enough to spend a lot of time talking to artists. As a group they’re always one step ahead in identifying important issues and ideas. So Lapidarium has been fuelled by years of conversations with artists exploring geology as a way to think about things like migration, ecology, diaspora, empire, and the human body. The book is also embedded in personal experience. stone artefacts from cities I’ve lived in, from Washington D.C. to Istanbul. I’m never happier than when walking with my dog, so many of the stories in Lapidarium are also rooted in the British landscape.

I write fictional, contemporary gay mysteries, but I prefer to read facts and I enjoy the research that accompanies my storytelling. Industrial history and geology fascinate me, so it isn’t any wonder that I set my tales in the Durham hills of northeast England. As some of my videos in the link show, there are many abandoned quarries, lead and coal mines in the area. I can become emotional when I think about the socio-political history of mining and quarrying. My latest tale reflects my interest in quarrying and my five recommendations reflect a passion that has its roots in the UK’s once thriving, now defunct, coal industry.

I love rivers. The flow of water gives a sense of timelessness, the reflection of light from the surface brightens the colours on the banks and the wider stretches make a feeling of space. I have messed about in boats all my life and I am happiest on inland waterways. What I enjoyed as recreation alongside a medical career has grown into a vocation in my retirement. The more people who know about our beautiful rivers, the better the chances that we can protect them from exploitation and carelessness. 

I am an art and architectural historian whose field also includes the histories of cities. My area of specialty is Africa. I am also a professor at Harvard who has lived in Cambridge, Ma. for over 30 years where I have become a civic leader, co-founding the Harvard Square Neighborhood Association to help bring improvements to the city and preserve historic buildings here. I teach a class on Harvard Square (and the city of Cambridge) and following January 6, I felt it was important to rethink the way we teach young people – encouraging them to understand the diversity of all our communities. 

I’m a mystery-writing geology buff who came across a textbook on forensic geology, and was hooked. Here was the perfect fit for my stories--using earth evidence to solve crimes. My characters go from the lab to the field, reading the rock to track the evidence to its source. Along the way, they’ve developed a passion for protecting the environment. I’ve hiked the same trails, skied the same mountains, run the same river, and kayaked the same sea as my characters--although I don’t get into the trouble that they do. My books have hit a number of bestseller lists, including USA Today.

I am a scientist who has worked at the coal face of the debate around the origin of animals and ‘Snowball Earth’ his entire career, using a combination of experimental and descriptive science. Over three decades, I have witnessed first-hand how careful attention to detail in study after study has removed doubt from once provocative, even crazy, ideas that are now widely accepted. I love reading popular science from the perspective of the hands-on scientist who has witnessed the debate first-hand and contributed to received knowledge by conceiving new experiments, amassing data, and, more than often, in entirely unexpected ways through sheer curiosity.

For the past two decades, I have written about the intersection of people and place, particularly as viewed through the lens of geology and how it influences our lives. My nine books include Too High and Too Steep: Reshaping Seattle’s Topography, Cairns: Messengers in Stone, and Homewaters: A Human and Natural History of Puget Sound. All of them have a goal of helping people develop a better connection with the natural world around them.