Fans pick 100 books like The Twenty-One-Year Contract

One of the first modern cozy mysteries I have ever read, Stephanie Plum is zany, ridiculous, and laugh-out-loud funny. Basically, she’s a bounty hunter, and she gets her man and solves mysteries despite herself. Her Grandma Mazur is quite possibly one of the best sidekick characters ever invented. Funerals may or may not involve dead bodies, but Granny Mazur will be there anyway, even if it means stealing a corpse. Especially if it means stealing a corpse! Stephanie has a habit of losing cars and getting stuck driving a very old boat of a car (Big Buick), which deprives her of looking as cool as she’d like. Well, she isn’t exactly a put-together gal, so that’s okay. 

The initial books in the series are almost a coming of age—a chance at a career, a chance or two at romance, and family shenanigans that almost kill her with good intentions. This… show more.

This was my first experience with M.S. Spencer. To say she had me right away would be deadly accurate. The setting, the conflict, the characters, the mystery all flowed together so smoothly, I could easily picture myself propped in a corner of the room, watching everything play out.  

And I must confess that the Milo character has left an indelible mark in my memory. She’s one of my favorite players.

Several times I thought for sure I had figured out who was behind the murders. Of course, I was wrong, but that just kept me going. Spencer always delivers an engaging tale.

This book has all the ingredients for an engaging story. I loved the way Mannersly sets the stage, with Dylan, the slightly older supervisor, who’s obviously smitten with the lovely Kyra and the boss’s spoiled son, Max, who seems to have caught her eye as well. 

Using the marine science center in Australia as the setting works perfectly. Identifying and stopping poachers from stealing turtle eggs from their nests puts a nice twist on the usual crime-related stories. Mannersly does a wonderful job of creating realistic and believable characters. Great dialogue and descriptive passages tie this story together.

King and I share a love of mysteries. This beauty, set in the early 1970s, fits the bill for a cozy story. Teenagers working at the amusement park are just trying to make some money and get ready for college. But there’s an unsolved murder that captures their attention as well.

King’s ability to create great characters, both good and bad, has always been one of his many talents. That’s evident in this story and it pulled me in right from the start. This isn’t a traditional mystery, with experienced detectives chasing down leads. As with many of his stories, I’ve read this one more than once.

I came across this book at a bring-and-buy sale in West Wales and it has become one of my firm favourites. It tells the story of Faye Ludlow whose husband is impatient for her to adapt to life in his family's ancient manor house. As the Second World War unfolds and nearby Dover comes under daily bombardment, Faye struggles to save not only her marriage but the family's finances threatened by her husband's increasingly grandiose schemes. Any sense of purpose she acquires from her war work as an ambulance driver is bolstered by an unlikely friendship with an enigmatic London banker. A story for any of us who have ever faced temptation.

These are five books about one English family over the course of World War Two and beyond. I read the whole series over the course of one glorious summer! There is a large cast of characters, yet each one is perfectly drawn by Howard, so much so that I still feel that all of them are people I once knew well, rather than imaginary constructs. It was fascinating to see how different each family member’s experience of war could be, mostly focusing on the home front and their emotional lives, rather than the war itself. It was the perfect inspiration when I began writing my own wartime series under my pen name Mollie Walton. 

An accumulation of memories haunt and inform Noonday, a novel that stands alone as the third in a trilogy spanning both world wars. I particularly love Barker’s avoidance of sentimentality. She is an honest writer who digs deep and gives no easy solutions as she follows a cast of characters who originally met as students at the Slade School of Art in London. Elinor, who is central, still suffers from the death of her brother Toby in the Great War. Barker’s skillful evocation of the past gives weight and resonance to every word, reminding the reader of the increasing complexity of character formation with life’s most intense and sometimes tragic experiences. 

This facsimile of the original A-Z shows London before huge swathes of the city were destroyed by enemy bombing in the Second World War. It is invaluable when searching for old addresses and presents a picture of areas that had not changed much since Victorian times but would soon be altered beyond recognition.

Since my own novel is set partly in post-war England, I was drawn to Ondaatje’s Warlight, which begins in 1945 London as the city is recovering from brutal bombing. Another hook for me was the youthful characters; my book is also populated with war-confused children. Ondaatje’s narrator, 14-year-old Nathaniel, recalls his youth with the benefit of adult wisdom. He and his sister Rachel are abandoned by their parents to the care of some eccentric and slightly dangerous characters. Their teen years are marked by many mysterious events and experiences, only beginning to clarify in retrospect. Do we ever know what’s really happening?

The book offers a powerful evocation through snapshots of lives in South London through recent post-war history. Something that emerges almost without you noticing is how much they were all affected by the political and economic changes of the eighties and early nineties. There is no political polemic here, but even those who prosper from these changes suffer from them, possibly more than the others. 

It presents recent history in which a way of life was changed forever without us realizing it, and we are still living with the consequences.