Here are 100 books that The Travel Activity Book fans have personally recommended if you like
The Travel Activity Book.
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I love playing with my kids. When my eldest was eight and we were sitting on the porch together he said, “On my last day of being playful, I want to play with you the whole day. I sure hope it’s on a Saturday.” My kids know that I turn most things into a game, that I’ll screech and stop for a tarantula on the road because it’s educational, that I'll get them to sing their quiz answers, and that I’ll sculpt a cake into almost anything for a school project. I believe learning should be fun, so we would drink lemonade out of measuring cups, guess how many hops from the bed to the closet, and have Whipped Cream Spray Wars every summer (outside, thank you). I also think families would spend more time together if they had a great collection of cool—and easy—stuff to do together. As a writer I’m creative, and never run out of fun ideas. Why not share them with the world?
I love science and this book specializes in astronomy. Nichols helps kids get excited about the night sky, planets, and much more. She shows them how to make their own telescope and uses a microwave and a chocolate bar to teach them about the speed of light. A great dip into a wonderful topic.
Explore the wonders of the universe through hands-on fun! In Astronomy Lab for Kids, science educator Michelle Nichols has compiled 52 labs and activities that use everyday materials from around the house to encourage kids, their friends, and their families to look up, down, and around at everything from the shadows on the ground to the stars in the sky.
Mini astronomers will learn about things such as the size and scale of planets using sandwich cookies and tennis balls, how to measure the speed of light with a flat candy bar and a microwave, how to make a simple…
I love playing with my kids. When my eldest was eight and we were sitting on the porch together he said, “On my last day of being playful, I want to play with you the whole day. I sure hope it’s on a Saturday.” My kids know that I turn most things into a game, that I’ll screech and stop for a tarantula on the road because it’s educational, that I'll get them to sing their quiz answers, and that I’ll sculpt a cake into almost anything for a school project. I believe learning should be fun, so we would drink lemonade out of measuring cups, guess how many hops from the bed to the closet, and have Whipped Cream Spray Wars every summer (outside, thank you). I also think families would spend more time together if they had a great collection of cool—and easy—stuff to do together. As a writer I’m creative, and never run out of fun ideas. Why not share them with the world?
I like this father-daughter book, especially because it includes topics not always emphasized for girls: computer programming, hand tools, and problem-solving technology. But it’s also creative and uses affordable supplies. Maker Fairs are sweeping the planet and kids are discovering that geekiness is actually cool.
As the editor in chief of MAKE magazine, Mark Frauenfelder has spent years combing through DIY books, but he’s never been able to find one with geeky projects he can share with his two daughters. Maker Dad is the first DIY book to use cutting-edge (and affordable) technology in appealing projects for fathers and daughters to do together. These crafts and gadgets are both rewarding to make and delightful to play with. What’s more, Maker Dad teaches girls lifelong skills—like computer programming, musicality, and how to use basic hand tools—as well as how to be creative problem solvers. The book’s…
I love playing with my kids. When my eldest was eight and we were sitting on the porch together he said, “On my last day of being playful, I want to play with you the whole day. I sure hope it’s on a Saturday.” My kids know that I turn most things into a game, that I’ll screech and stop for a tarantula on the road because it’s educational, that I'll get them to sing their quiz answers, and that I’ll sculpt a cake into almost anything for a school project. I believe learning should be fun, so we would drink lemonade out of measuring cups, guess how many hops from the bed to the closet, and have Whipped Cream Spray Wars every summer (outside, thank you). I also think families would spend more time together if they had a great collection of cool—and easy—stuff to do together. As a writer I’m creative, and never run out of fun ideas. Why not share them with the world?
This is the book that’ll definitely get ‘em laughing. I like the idea of camping at home—in your living room or in your back yard—as well as in the wilderness. And this book is fun to bring along. Camping and nature-themed riddles, silly jokes, games, and lots of interactive laughs. Good for all ages, too.
Hilarious Camp Joke Book for Kids!!
Hike right into the Wilderness with these LOL Camper-Approved Jokes that the Whole Family will Enjoy!
Funny Outdoor Jokes, Silly Nature Riddles & Punny Knock-knocks about Camping, Hiking, Backpacking, Bigfoot, Bugs, Wildlife, & Glamping!
Play the Popular Try Not to Laugh Challenge Joke Game!
A Really Fun Interactive Game for Kids, Teens & Adults!
OR
Read Jokes to Each Other While you Travel or Read This Book for Lots of Campfire Chuckles!
Great Activity for Summertime, Summer Camp & Camping Trips!
Put this Joke Book on your Packing List for Your Next Outdoor Adventure!…
Virginia Wouldn't Slow Down!
by
Carrie A. Pearson,
A delightful and distinctive picture book biography about Dr. Virginia Apgar, who invented the standard, eponymous test for evaluating newborn health used worldwide thousands of times every day.
You might know about the Apgar Score. But do you know the brilliant, pioneering woman who invented it? Born at the turn…
I love playing with my kids. When my eldest was eight and we were sitting on the porch together he said, “On my last day of being playful, I want to play with you the whole day. I sure hope it’s on a Saturday.” My kids know that I turn most things into a game, that I’ll screech and stop for a tarantula on the road because it’s educational, that I'll get them to sing their quiz answers, and that I’ll sculpt a cake into almost anything for a school project. I believe learning should be fun, so we would drink lemonade out of measuring cups, guess how many hops from the bed to the closet, and have Whipped Cream Spray Wars every summer (outside, thank you). I also think families would spend more time together if they had a great collection of cool—and easy—stuff to do together. As a writer I’m creative, and never run out of fun ideas. Why not share them with the world?
Even tiny kids get glued to their game screens, without being connected to the internet yet. And older kids are even more addicted. We've all heard how dependent kids are on "likes" and how depressed they get if their life doesn't compare with what they see online. This means we have an entire generation of kids who spend waaay too much time on the computer. They haven't developed as many social skills as they're going to need. And this book addresses it. Children will feel more confident at school and in any social setting. I'd love to see manners and etiquette lessons come back-- here's a start!
Help your children develop essential social skills-including groups, one-on-one interactions, and virtual communication-with these 150 easy, fun activities to teach your kids how to socially succeed.
From taking turns to making eye contact to staying engaged during conversations, developing appropriate social skills is an important factor for kids to be able to succeed in school and life in general. But how can you tell if your child is really making progress while you read the same stories, have the same conversations, and chaperone the same playdates? The answer is to add some variety to your child's daily activities with these…
I have been a working photographer my whole life, with 30 years of experience with National Geographic magazine. My focus has been on nature and environmental themes. I have travelled the world but became passionate about the Fernbank Forest near my home in Atlanta when I received a commission to photograph the restoration of the forest.
I first learned the techniques of nature photography from the Ansel Adams 5-book series. Adams offers great insights into how to best approach photographing difficult aspects of nature (including forests) in all weather and light conditions.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been…
I’ve been a documentary photographer for the past 50 years and my work has been featured in major magazines in the United States and Europe including The New York Times Magazine, Life, Fortune, Geo, Time & Newsweek, and others.I have six books in print, including JAZZ with Wynton Marsalis & Nonfiction Photographs with filmmaker Errol Morris. I love teaching photography and co-founded the Essex Photographic Workshop in 1975. My work is in many collections, including The Peabody Essex Museum, The Worcester Art Museum, Polaroid Collection, Agfa Corporation, Participant Productions, Bose Corporation, Bibliotheque Nacionale, France. Solo exhibitions of my work include the Walker Art Center, the Corcoran Gallery of Art, and the Burden Gallery.
When my wife and I met in 1975, one of the things we had in common was that we both owned a copy of Growing Up Female. And the bindings on both copies were pretty worn out. This is a deeply personal journal of compelling photographs and eloquent text about women—from a feminist’s point of view. What I love about this book is how deeply moving it is and how well it demonstrates a narrative approach to taking, editing, and sequencing first-person photographs. Not to mention that this book sold 25,000 copies (unheard of for books of photography) and had a significant impact on the view of a woman’s place in our culture.
When a girl in India discovers a Stone slab on a weedy patch of land she calls to her friends, "Look! Look!" The children clear away the weeds and garbage and find more stones. They called their families to come and see. Word travels to villages nearby and more and…
I am a hopeless photographer. But I have a passion for looking at photographs, for trying to understand how good ones work. They are not just momentary slices of life but structured artefacts, sometimes technically interesting, that in myriad ways reflect the society that produced them. I studied aspects of US cultural history at three universities. After devoting the first part of my academic career to American literature, in the second half – during which, supported by wonderful fellowships, I spent much time rooting in archives – I gave myself up to American photography. I have learnt much from each of the books I commend here.
Print the Legend, the product of profound scholarly immersion in archival sources,manages to both offer a wealth of totally new information on the ways photographs have represented the West and give a superior account of themes and figures already extensively studied. Paradoxically, much of its excitement is due not so much to the way Sandweiss reads the photographs themselves – though we can all learn from her in this respect – but the way she reads the written texts (what she rightly terms “the legend”) that contextualized them. I am personally much indebted to Sandweiss’ treatment of the photographers who worked for the various government surveys and, most of all, to her nuanced readings of how Native Americans were seen over time.
A compelling story of how the new medium of photography and the new American frontier came of age together-illustrated with scores of stunning images
This prize-winning book tells the intertwined stories of photography and the American West-a new medium and a new place that came of age together in the nineteenth century.
"Excellent . . . rewarding . . . a provocative look at the limits of photography as recorder of history-and its role in perpetuating myth."-Chris Vognar, Dallas Morning News
"A sophisticated and engaging exploration of photography and the West . . . A really handsome work."-James McWilliams, Austin…
Growing up in the 1970s, I loved my family’s cheap plastic Polaroid OneStep camera and the magic pictures that developed right before my eyes. Thirty years later, I was incredibly lucky to be the first researcher to get access to the Polaroid archive just as the company was going bust. For me, the key to Polaroid photography is that it is fun, and all the books on my list are, in one way or another, about the lighter, playful side of photography. I hope that they take you off the beaten track of the history of popular photography and into some quirky and interesting corners.
When I was writing my book on Polaroid photography, people often asked me about Polaroid as an art form. I gave some examples but said there’s so much more to it than that. I’m interested in the ways that photography isn’t just something we look at but something that makes things happen, changing who we are, what we do, and where we go.
This book shows us how much more there is to photography than art. I especially like how the book does this in short, stylish essays, introducing lots of different voices and perspectives, including photographers, curators, scientists, publishers, writers, and anthropologists.
Photography Changes Everything-drawn from the online Smithsonian Photography Initiative-offers a provocative rethinking of photography's impact on our culture and our lives. It is a reader-friendly exploration of the many ways photographs package information and values, demand and hold attention, and shape our knowledge of and experience in the world. At this transitional moment in visual culture, Photography Changes Everything provides a unique opportunity to better understand the history, practice, and power of photography. The publication harnesses the extraordinary visual assets of the Smithsonian Institution's museums, science centers, and archives to trigger an unprecedented and interdisciplinary dialogue about how photography does…
I am a retired sociology professor with a long list of academic publications. At Home and At Sea is my first trade book. Becky and Royce are my parents. Reading the letters they wrote to one another during the war inspired me to tell their story. I realized the larger significance of their experiences—what they reveal about young couples separated during wartime—and the power of letters to deepen our understanding. Besides bringing an intimate knowledge of my parents to the story, I used my sociological lens to identify influences on their lives and to compare social conditions during World War II with those of the present day.
Before I began to read this book, I knew it was about the men who raised the stars and stripes atop Mt. Suribachi, a photograph of which became an iconic image of the Battle of Iwo Jima and the Pacific War. Indeed, the book meticulously conveys the story of the six flag raisers, men who were representative of the U.S. Marines and those who fought at Iwo Jima.
Their lives are fascinating in themselves. But as I discovered, the book is much more. It a gripping account of the Battle, where the Americans sustained more casualties than the Japanese, a moving tribute to the courage, valor, and camaraderie of the Marines, and a thorough exploration of myths surrounding the flag raising and its effects on the flag raisers.
#1 NEW YORK TIMES BESTSELLER • This is the true story behind the immortal photograph that has come to symbolize the courage and indomitable will of America
In this unforgettable chronicle of perhaps the most famous moment in American military history, James Bradley has captured the glory, the triumph, the heartbreak, and the legacy of the six men who raised the flag at Iwo Jima. Here is the true story behind the immortal photograph that has come to symbolize the courage and indomitable will of America.
In February 1945, American Marines plunged into the surf at Iwo Jima—and into history.…
I first read Swann’s Way when I was seventeen. Throughout the following five decades, In Search of Lost Time has always remained within reach, a parallel universe more enriching than words can express. As a painter, I’m drawn to Proust’s subtle use of paintings to reveal and mystify the relationship between what we see and what we know. I’ve spoken on Proust at Berkeley, the Museum of Fine Arts in Boston and Houston, and was invited to give the annual Proust lecture at the Center for Fiction in New York as well as the Amon Carter Lecture on the Arts at the Harry Ransom Center in Austin.
When the Hungarian-French photographer Brassai arrived in Paris in 1924, he taught himself French by reading Proust. As a photographer, he was fascinated by a similarity between his own impulse to make pictures and how the novelist used the photographic process as a metaphor for establishing or obscuring his character’s inner and outer worlds, as if both he and Proust were developing images in their respective darkrooms. Proust, Brassai saw, “used his own body as an ultra-sensitive plate, managing to capture and register thousands of impressions.” He was like a reporter with a camera—sometimes a portraitist, a landscapist, and, “sometimes Proust rivals the paparazzi.”
One of the most original and memorable photographers of the 20th century, Brassai was also a journalist, sculptor and writer. He took great pride in his writing, and he loved literature and language - French most of all. When he arrived in Paris in 1924, Brassai began teaching himself French by reading Proust. Captured by the sensuality and visual strategies of Proust's writing, Brassai soon became convinced that he had discovered a kindred spirit. Brassai wrote: "In his battle against Time, that enemy of our precarious existence, ever on the offensive though never openly so, it was in photography, also…
