100 books like The Strange and Deadly Portraits of Bryony Gray

Growing up in California, I was enchanted by the idea of New York City—largely due to the visions of it I found in the books on this list. I’ve now lived in NYC for 20 years and love matching real locations with their versions in my imagination. In my time in the city I’ve been a staff writer for Newsweek Magazine, an editor at Scholastic, and a freelancer for many publications including The New York Times and The Washington Post. I’m currently working on a second novel. 

I’ve been obsessed with art since I was a kid. When I look at art, I see stories, not just about what I’m seeing, but about what it was like when the painting was created: was the artist tired, grumpy, frustrated? Why’d they paint it the way they did? Sadly, my artistic talent is limited, but fortunately, I can tell stories. After visiting William Orpen’s painting of Mona Dunn at the Beaverbrook Art Gallery, I couldn’t help wondering why he made her look so pensive. The only way I could answer that question was by writing my own story about Mona and the other paintings in the gallery!

I’ve been obsessed with art since I was a kid. When I look at art, I see stories, not just about what I’m seeing, but about what it was like when the painting was created: was the artist tired, grumpy, frustrated? Why’d they paint it the way they did? Sadly, my artistic talent is limited, but fortunately, I can tell stories. After visiting William Orpen’s painting of Mona Dunn at the Beaverbrook Art Gallery, I couldn’t help wondering why he made her look so pensive. The only way I could answer that question was by writing my own story about Mona and the other paintings in the gallery!

I’ve been obsessed with art since I was a kid. When I look at art, I see stories, not just about what I’m seeing, but about what it was like when the painting was created: was the artist tired, grumpy, frustrated? Why’d they paint it the way they did? Sadly, my artistic talent is limited, but fortunately, I can tell stories. After visiting William Orpen’s painting of Mona Dunn at the Beaverbrook Art Gallery, I couldn’t help wondering why he made her look so pensive. The only way I could answer that question was by writing my own story about Mona and the other paintings in the gallery!

All my books (I hope!) sweep the reader into another world – it’s one of my favourite themes in the books I love to read, as well as write. When I was about seven, I first read some of the books which would shape my life, including Elidor by Alan Garner and A Wrinkle in Time by Madeleine l’Engle, which brought me right out of my own life and into worlds as varied as the frightening interstellar realm of Camazotz and the battlefields of Elidor. I’ve been trying to capture that sense of ‘being swept away’ in my own work ever since.

Family secrets aren’t always intentionally planned. The expectations of each generation often determine what’s spoken and what’s left unsaid. Uncannily, my fiction has revealed what’s been left unspoken in my family - not deep dark secrets, but the more ordinary ego and generationally-driven variety. In my writing there’s an unconscious precognition that occurs, pointing to mysteries in my own life. My work explores themes of family and longing, revealing the undercurrents of life that can be sensed but never grasped. In fact, after writing Bird with the Heart of a Mountain I discovered my own secret - that my Eastern European ancestry contained Romani blood!

As a reader and a writer, I am drawn to the darker side of human nature. Dysfunctional families, toxic relationships, liars, murderers, bring on the bad. An avid reader of horror and thrillers, I love a jaw-dropping twist. I aim for that feeling in my own novels, opening up reader questions and slowly delivering satisfying answers until the final big reveal. While inside my head is very dark and murdery, outside I live a very normal, law-abiding life, in Tampa with my husband, our four kids, and two dogs.  

As a writer my storylines almost always develop out of the characters and settings I first create. As a reader, I enjoy a book as much (sometimes more!) for the characters and setting in it as I do for the plot itself. My favorite reads have always featured a quirky or bigger-than-life character and a setting that in some instances may seem ordinary but the circumstances of how the character ended up there are far from that. I love the middle-grade novels on my list because the main characters are brave and resourceful and each has an unusual and intriguing path that has led them to where their story takes place.

As a kid, I was obsessed with the fantastical, especially when it came to books. I was constantly trying to find my own door to Narnia to go off on an incredible adventure. While I never found a door that led to another world, I found that books offered me a similar experience…and all from the comfort of my fave places to read. Magic is still something I’m enthralled with and love exploring in books I read as well as the ones I write. And these are some of my favorite magical graphic novels.

I first started lying as a child and was fascinated to discover that the art of deception could turn into full-time employment as either a politician or an author (I choose the one with moderately better hours and substantially worse pay). As someone who crafts elaborate lies for the purposes of entertainment, I remain fascinated by people who lie for nefarious ends, something I swear I’d never do. (Except for the time I snuck into a music festival by pretending to be one of the catering staff, earning me the dubious distinction of being one of very few people to ever appear in a Metallica moshpit wearing a waiter’s uniform.)