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I have often been asked why I became an expert on vampires. The answer always goes back to my childhood, when I went to horror and sci-fi movies and watched old vampire movies on TV. In 1976, I published my first book of poetry, The Dracula Poems. My vampire interest eventually combined with my background in Russian literature when I discovered Perkowski’s Vampires of the Slavs. I obtained my Ph.D. in Slavic Folklore from UVA and have kept up my interest in this fascinating subject ever since. I am planning another book on the period known as Magia Posthuma when there were “epidemics” of vampirism around Austro-Hungary.
Carlo Ginzburg has written a great deal about witches and is an expert in ‘microhistory’–the archaeology of the marginalized and forgotten elements of human history.
This book is a culmination of his more academic research, in which he discusses not just witches but (importantly for me) the putative undercurrent of Central European shamanism in the witchcraft trials in Northern Italy. What does that have to do with vampires? I have long held a hypothesis that Friuli, where the benandanti (reputed to leave their bodies at night to fight witches), is a region where Slavic vampire folklore may have come into contact with Western European witchcraft beliefs.
I have often been asked why I became an expert on vampires. The answer always goes back to my childhood, when I went to horror and sci-fi movies and watched old vampire movies on TV. In 1976, I published my first book of poetry, The Dracula Poems. My vampire interest eventually combined with my background in Russian literature when I discovered Perkowski’s Vampires of the Slavs. I obtained my Ph.D. in Slavic Folklore from UVA and have kept up my interest in this fascinating subject ever since. I am planning another book on the period known as Magia Posthuma when there were “epidemics” of vampirism around Austro-Hungary.
Elizabeth Miller is one of the foremost scholars on Dracula and the literary (and cinematic) vampire. Although my research has focused on folklore about vampires and similar beings, you can’t really discuss the significance of vampires without discussing Dracula.
Elizabeth’s book tells you about Bram Stoker’s sources, his writing process, the geography of Dracula, and Vlad the Impaler, among other things, separating out facts from wrong ideas that have gotten passed around in popular culture. This book was invaluable for the chapter in my book discussing the novel Dracula.
To see our full range of Dracula studies, go to "Kindle Store" and search for DESERT ISLAND DRACULA LIBRARY.
Was Vlad the Impaler the inspiration for Bram Stoker's novel Dracula? No!
Did Stoker write about Transylvania from first-hand experience? No!
Has the model for Count Dracula's castle been found? No!
Must Count Dracula stay out of the sunlight? Absolutely not!
Literary sleuth Elizabeth Miller exposes these and numerous other popular distortions and fabrications that have plagued our understanding of Stoker and his famous novel.
Where is this nonsense coming from? This book will tell you.
I have often been asked why I became an expert on vampires. The answer always goes back to my childhood, when I went to horror and sci-fi movies and watched old vampire movies on TV. In 1976, I published my first book of poetry, The Dracula Poems. My vampire interest eventually combined with my background in Russian literature when I discovered Perkowski’s Vampires of the Slavs. I obtained my Ph.D. in Slavic Folklore from UVA and have kept up my interest in this fascinating subject ever since. I am planning another book on the period known as Magia Posthuma when there were “epidemics” of vampirism around Austro-Hungary.
I will argue that the rapid increase in attention to the folkloric basis of the vampire legends in English-language literature is the result of the work of the late Prof. Jan Perkowski, whose book The Darkling: A Treatise on Slavic Vampirism changed my life. I left a fairly lucrative high-tech career to get my doctorate in Slavic Folklore at the University of Virginia, where (full disclosure) I became Perkowski’s teaching assistant.
In 2006, I was asked to write the Preface for a collection of all of Perkowski’s seminal writings on the Slavic vampire. Vampire Lore is a compendium of his complete books, as well as harder-to-obtain articles about more arcane aspects of vampire folklore, in one solid volume.
My copy is well-worn, as this volume contains not only The Darkling but two other complete volumes, including Vampires of the Slavs and Vampires, Dwarves, and Witches among the Ontario Kashubs.…
Perkowski (Slavic languages and literatures, U. of Virginia) found that Slavic folk belief in vampires came to the New World with Kashubian emigrés to Ontario, Canada. The anthology contains this bicultural Slav's collected oral histories and writings on this Slavic mythology since the 1970s, e.g., The Darkling: A Treatise on Slavic Vampirism (1989), and translations of others' works on this tradition. The book concludes with charted analyses of Bram Stoker's Dracula and the linguistic conflation of assorted demons. Illustrations include an East European map of traditional religions, and b&w photographs of churches and cemeteries. Some references are not translated into…
I have often been asked why I became an expert on vampires. The answer always goes back to my childhood, when I went to horror and sci-fi movies and watched old vampire movies on TV. In 1976, I published my first book of poetry, The Dracula Poems. My vampire interest eventually combined with my background in Russian literature when I discovered Perkowski’s Vampires of the Slavs. I obtained my Ph.D. in Slavic Folklore from UVA and have kept up my interest in this fascinating subject ever since. I am planning another book on the period known as Magia Posthuma when there were “epidemics” of vampirism around Austro-Hungary.
Serious students of vampire folklore are aware that the motif is found all over Eastern and Central Europe. Gabor Klaniczay is a Hungarian historian whose research focuses on witches and other supernatural entities in the cultures of Austro-Hungary and its environs.
This book showed me so many things that I and other American readers get wrong. For example, most people believe that the “blood countess,” Erzebeta Bathory, drank the blood of local virgins, but Klaniczay shows that these reports were actually constructed to get her out of the way of an inheritance scheme. Klaniczay is also an expert on Central European shamanism, and this led to my assertion that vampire lore incorporates some shamanistic beliefs.
This book of essays is concerned with aspects of religion, magic, and witchcraft in medieval and early-modern Europe, with particular reference to Central Europe. Drawing on a range of theoretical and methodological work including that of Elias, Geertz, Bakhtin, and Turner, the author gives special attention to the history of the body and of gesture, of symbolism and representation, and shows how these dimensions can be related to religious and mystical beliefs and practices.
Among the topics discussed are conflicts in twelfth-century Christianity and the tensions between popular religion and learned urban Christianity; heretical and nonconformist behavior in the twelfth…
Throughout my life, I have been fascinated by religion, initially in struggling with individual belief and later with its place within the social and political world. As a bioethicist, I studied and worked with patients and practitioners as they dealt with religious and moral concerns in healthcare. Then, as an international human rights advocate, educator, and governance development practitioner, I engaged with people of faith and secularists in the struggle to protect human rights and dignity as well as to attempt to promote peacebuilding in the post-conflict areas in which I worked, such as Afghanistan, Iraq, Lebanon, and Cote d’Ivoire.
Post 9-11, a cottage industry of neo-atheists emerged, arguing that religion inherently leads to violence and should be shunned in civilized society. Jessica Stern counters this in an insightful study of terrorism.
While religion has been associated with some of the most heinous acts of terror in recent times, she avoids simple slogans in favor of in-depth interviews with the terrorists themselves. Representing a variety of religious traditions, she explores their motivations and rationales and finds that religion is not the source of violence but, in most cases, is a tool exploited by opportunistic leaders to motivate and justify acts of violence by their followers.
I find it a well-written corrective to the neo-atheists.
For four years, Jessica Stern interviewed extremist members of three religions around the world: Christians, Jews, and Muslims. Traveling extensively-to refugee camps in Lebanon, to religious schools in Pakistan, to prisons in Amman, Asqelon, and Pensacola-she discovered that the Islamic jihadi in the mountains of Pakistan and the Christian fundamentalist bomber in Oklahoma have much in common. Based on her vast research, Stern lucidly explains how terrorist organizations are formed by opportunistic leaders who-using religion as both motivation and justification-recruit the disenfranchised. She depicts how moral fervor is transformed into sophisticated organizations that strive for money, power, and attention. Jessica…
I've been writing spooky stories for the better half of my life. Reading
and writing horror has always been a strangely therapeutic endeavor.
It's a way to process the things that keep me up at night and force them
into a somewhat manageable form. After all, tangible words on the page
are less worrisome than swirling thoughts in the mind. And a surprising
number of people seem to agree. As absurd as that may sound, many of us
troubled souls find comfort in the horror genre.
Riley lives in a lonely world where a single look drives people into
frenzied violence. Stay alive by staying away from people. This state of
affairs has become routine to her: "It's horrifying. Then it's weird.
Then it's just inconvenient."
But she considers risking it all when a new neighbor moves in down the street. Your Shadow Half Remains is a beautifully written meditation on
love, isolation, paranoia, and so much more. I couldn't put this one
down.
Riley has not seen a single human face in longer than she can reckon. No faces, no eyes. Not if you want to survive.
But when a new neighbour moves in down the road, Riley's overwhelming need for human contact makes her throw caution to the wind. Somehow, in this world where other people can mean a gruesome, bloody death, Ellis makes her feel safe. As they grow closer, Riley's grip on reality begins to slip and she can no longer fight her deepest desires.
My interest in Chinese military history stems from an early interest in books on strategy like Sun Tzu’s Art of War, and in East Asian martial arts. I have pursued both since high school, translating Sun Tzu as a senior thesis in college (and now returning to it professionally), and practicing a number of martial arts over the last forty years (and writing a book on the history of Chinese martial arts). Although there are plentiful historical records for all aspects of Chinese military history, the field remains relatively neglected, leaving it wide open for new studies. I continue to pursue my teenage interests, writing the books I wanted to read in high school.
This is the classic study of the changes in violence and war in Chinese society from the Spring and Autumn Period to the Warring States Period. Lewis demonstrates that war, hunting, and the sacrifices of the Spring and Autumn chariot-riding aristocracy were key to demonstrating membership in that class. Political power moved from the feudal rulers to their ministers, who were lower-ranking members of the aristocratic class, and the struggle for power among those men transformed warfare and society. Violence was transformed from a class-defining activity into a state-building tool that had to be controlled by the feudal ruler.
This book provides new insight into the creation of the Chinese empire by examining the changing forms of permitted violence--warfare, hunting, sacrifice, punishments, and vengeance. It analyzes the interlinked evolution of these violent practices to reveal changes in the nature of political authority, in the basic units of social organization, and in the fundamental commitments of the ruling elite. The work offers a new interpretation of the changes that underlay the transformation of the Chinese polity from a league of city states dominated by aristocratic lineages to a unified, territorial state controlled by a supreme autocrat and his agents. In…
I am Professor of Early Modern Literature at Bangor University, Wales UK and Research Fellow at the Institut de Recherche sur la Renaissance, l'Âge Classique et les Lumières, Université Paul-Valéry, Montpellier 3, France. I am someone who has been interested throughout his career in all aspects of what used to be called the European Renaissance and especially in establishing a dialogue between cultural debates raging four hundred years ago and those which dominate our own everyday lives in the twenty-first century. In the past, my work has addressed ideas, for example, concerned with social theory, the construction of cultural space, and the significance of memory.
This book is particularly enlightening concerning the ways in which cultural value may be attributed to individual bodies, armed conflict, and, indeed, to human life itself in different political, geographical, and military circumstances.
Butler compels us to examine our own practices of compassion, partisanship, and/or habits of interpretation as we (or the media) move from one location to another around the globe.
In this urgent response to violence, racism and increasingly aggressive methods of coercion, Judith Butler explores the media's portrayal of armed conflict, a process integral to how the West prosecutes its wars. In doing so, she calls for a reconceptualization of the Left, one united in opposition and resistance to the illegitimate and arbitrary effects of interventionist military action.
I started my career teaching high school. I attended amazing professional development institutes, where scholars showed me how the stories I’d learned and then taught to my own students were so oversimplified that they had become factually incorrect. I was hooked. I kept wondering what else I’d gotten wrong. I earned a Ph.D. in modern US History with specialties in women’s and gender history and war and society, and now I’m an Associate Professor of History at Iowa State University and the Coordinator of ISU’s Social Studies Education Program. I focus on historical complexity and human motivations because they are the key to understanding change.
We live in a time when personal convenience seems to trump everything else. So how is it that virtually the entire Black community of Montgomery, Alabama, stayed off the city buses for over a year in the mid-1950s?
The first three chapters of this book answer that question in a completely new way that made the realities of the Jim Crow South and the dangers of the struggle for racial justice snap into focus for me. The boycott was tangentially about segregation on buses, but really, argues McGuire, it was a fight for bodily integrity, safety, and self-respect.
Because it deals with rape and sexual assault, this can be a hard book to read, but it literally gave me a different understanding of what “equality” means.
Here is the courageous, groundbreaking story of Rosa Parks and Recy Taylor—a story that reinterprets the history of America's civil rights movement in terms of the sexual violence committed against Black women by white men.
"An important step to finally facing the terrible legacies of race and gender in this country.” —The Washington Post
Rosa Parks was often described as a sweet and reticent elderly woman whose tired feet caused her to defy segregation on Montgomery’s city buses, and whose supposedly solitary, spontaneous act sparked the 1955 bus boycott that gave birth to the civil rights movement. The truth of…
I spent the 1970s as an officer in the U.S. Navy UDT/SEAL Teams, giving me insight into the military aspects of peacebuilding. I have spent the last forty years researching and teaching international marketing and negotiations at USC and UC Irvine, after receiving a Berkeley PhD. I was also the director of the UC Irvine Center for Citizen Peacebuilding for ten years. I have published four books on international negotiations and all my ten books in print are on the topic of peace in families, neighborhoods, commerce, and international relations.
Pinker’s masterpiece is hugely important for two reasons.
First, it well makes the case that the world is the most peaceful it has ever been. This is so despite what you see on TV. Second, he explains four reasons why: rule of law, rule of reason, rule of women, and international trade.
I have spent the last forty years teaching and promoting international trade. The fundamental truth of human relations is: The first persuasion was coercion; the first sophistication is exchange. We are almost through with coercion in this 21st century.
Readers of Pinker’s book will walk away with a greater understanding of what it takes to create peace in the modern geo-political climate.
'The most inspiring book I've ever read' Bill Gates, 2017
'A brilliant, mind-altering book ... Everyone should read this astonishing book' Guardian
'Will change the way you see the world' Daily Mail
Shortlisted for the Samuel Johnson Prize 2012
Wasn't the twentieth century the most violent in history? In his extraordinary, epic book Steven Pinker shows us that this is wrong, telling the story of humanity in a completely new and unfamiliar way. From why cities make us safer to how books bring about peace, Pinker weaves together history, philosophy and science to examine why we are less likely to…
