Here are 100 books that The Refugee Ocean fans have personally recommended if you like
The Refugee Ocean.
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As a psychologist, I've worked with countless emigrants and international expatriates. People relocate to various parts of the world for different reasons. However, each person’s life struggles, cultural background, experiences, and knowledge help make the world more colorful and richer in so many ways. I encourage people to open themselves to see the world and be receptive and tolerant to those who are different from them. It teaches us to be humbler and more respectful, and to enrich our life in general. My choices are about preparing your mind and your heart for life in another culture. Sometimes a well-crafted novel can offer insights that other media can’t express.
This book, the story of a Syrian refugee beekeeper, speaks volumes about what I believe in: the resiliency of human beings and the power of the mind.
The beekeeper’s journey reminds me of why I love working with people as a psychologist after 30+ years. I witnessed many times that hopes and dreams can carry people through the most difficult, dire situations. The title of the book also attracted me.
Being an amateur beekeeper, I have some understanding of beekeeper mentality. One has to be observant, patient, and persistent in order to befriend bees. This includes a willingness to learn, follow instinct, and trust what life can bring. These characteristics are reflected in the protagonist of this book.
His emotional journey is about surrendering to the unknown, working with what is in front of him, and trusting what the universe will bring him in the end. Warmth, kindness, and torments…
Shortlisted for Audiobook of the Year - The British Book Awards 2020
A BBC RADIO 2 BOOK CLUB CHOICE 2019
Narrated by Art Malik, The Beekeeper of Aleppo is a moving, powerful, compassionate and beautifully written testament to the triumph of the human spirit. Told with deceptive simplicity, it is the kind of book that reminds us of the power of storytelling.
In the midst of war, he found love In the midst of darkness, he found courage In the midst of tragedy, he found hope
Nuri is a beekeeper; his wife, Afra, an artist. They live a simple life,…
My sister worked for nine years teaching women in Afghanistan, and the Taliban tried to kill her for it—several times. Back in 2011, I was able to visit her in-country and I fell in love with the kind, brave people and their scarred, stubborn nation. But when my sister was eventually forced to return home, she was not the sister who had left. Refugees told me similar stories; stories about memories that wouldn’t stay quiet even though they were safe. I couldn’t help wondering: How do you rebuild a life after losing everything? My debut book, The Eleventh Trade, became the place I wrestled with that question.
When bombs fall on Nadia’s home, she’s separated from her family in the middle of a war. Over the course of a few short, dangerous days, she has to find a way through her destroyed city to her parents. With startling detail, N.H. Senzai captures the frenzy and peril of Nadia’s situation.
N.H. Senzai also writes wonderful books about Afghan refugees, like Shooting Kabul, but I personally found Escape from Aleppo her best work so far. I read it all in a gulp, and came out with a deeper understanding of what even a tiny slice of the refugee experience can look like.
"Filled with kindness and hope...Heartbreaking...Necessary." -Booklist (starred review)
Nadia's family is forced to flee their home in Aleppo, Syria, when the Arab Spring sparks a civil war in this timely, "harrowing" (Publishers Weekly) coming-of-age novel from award-winning author N.H. Senzai.
Silver and gold balloons. A birthday cake covered in pink roses. A new dress.
Nadia stands at the center of attention in her parents' elegant dining room. This is the best day of my life, she thinks. Everyone is about to sing "Happy Birthday," when her uncle calls from the living room, "Baba, brothers, you need to see this." Reluctantly,…
My sister worked for nine years teaching women in Afghanistan, and the Taliban tried to kill her for it—several times. Back in 2011, I was able to visit her in-country and I fell in love with the kind, brave people and their scarred, stubborn nation. But when my sister was eventually forced to return home, she was not the sister who had left. Refugees told me similar stories; stories about memories that wouldn’t stay quiet even though they were safe. I couldn’t help wondering: How do you rebuild a life after losing everything? My debut book, The Eleventh Trade, became the place I wrestled with that question.
Stormy Seas is a compelling collection of true stories about the child refugees who had to take to the water throughout history. With a diverse cast and engaging visual design, this book is a great introduction to the topic for middle-grade readers. Even adults might be surprised by some of the stories.
The story of Najeeba, fleeing from Afghanistan, particularly spoke to me during my research for The Eleventh Trade. Though my main character only speaks briefly of his journey across the Mediterranean, stories like Najeeba’s helped make the dangers of that voyage real for me. A quick but intense read that opens the door to important conversations with children.
The phenomenon of desperate refugees risking their lives to reach safety is not new. For hundreds of years, people have left behind family, friends, and all they know in hope of a better life. This book presents five true stories about young people who lived through the harrowing experience of setting sail in search of asylum: Ruth and her family board the St. Louis to escape Nazism; Phu sets out alone from war-torn Vietnam; Jose tries to reach the U.S. from Cuba; Najeeba flees Afghanistan and the Taliban; Mohamed, an orphan, runs from his village on the Ivory Coast. Aimed…
Truth told, folks still ask if Saul Crabtree sold his soul for the perfect voice. If he sold it to angels or devils. A Bristol newspaper once asked: “Are his love songs closer to heaven than dying?” Others wonder how he wrote a song so sad, everyone who heard it…
I was born in a refugee camp in Thailand. I lived there until I was six. I was a child from America’s Secret War in Laos, a child who knew very little of the outside world before my family sought refuge in America. Much of my life’s work has been devoted to a search for peace, to understand the forces that put families in situations like mine. I have published widely on the topic, written of it in books for both adults and children.
Hosseini's book is timely and important. It is a story inspired by the image of a child washed up on the beach of a foreign shore. It tells the story of another child, whose parent send them off on a vessel across a wide ocean in search of a less turbulent future. The art is sweeping. The words travel far into the heart.
An illustrated book on the refugee crisis that will break your heart in under 48 pages, from the #1 New York Times-bestselling author of The Kite Runner, A Thousand Splendid Suns, and And the Mountains Echoed.
"Intensely moving. . .Powerfully evocative of the plight in which displaced populations find themselves."– Kirkus, STARRED Review
"Hosseini's story, aimed at readers of all ages, does not dwell on nightmarish fates; instead, its emotional power flows from the love of a father for his son."– Publishers Weekly, STARRED BOX Review
A short, powerful, illustrated book written by beloved novelist Khaled Hosseini in response to…
As a reader and writer, I am drawn to stories that have implications for the wider world. I love characters who are put in a box by others—whether based on race, religion, gender, or societal norms—yet they fight against those constraints, proving they have value beyond anyone’s expectations. I write historical fiction because I am an unabashed history nerd. I write Jewish (or Jewish adjacent) stories because I believe it is essential for every reader to find themselves in a book. I also believe it is essential that that same book opens a world of understanding to others.
Ruta Sepetys writes historical fiction like no one else. All her books are wonderful, however, this one is my favorite. Not only does she write about a little-known event in history, she does it masterfully with short chapters told from four distinct points of view, doling out backstory as if it is a treat rather than something a reader must endure. Yes, the story is fascinating, but it is her craft that makes me reread it with a highlighter in hand.
It's early 1945 and a group of people trek across Germany, bound together by their desperation to reach the ship that can take them away from the war-ravaged land. Four young people, each haunted by their own dark secret, narrate their unforgettable stories. Fans of The Book Thief or Helen Dunmore's The Siege will be totally absorbed.
This inspirational novel is based on a true story from the Second World War. When the German ship the Wilhelm Gustloff was sunk in port in early 1945 it had over 9000 civilian refugees, including children,…
I was born in Ghana and migrated to the US, where I have spent most of my adult life. The antipathy in certain circles towards immigrants still surprises me. I have tried to address this in my own way through fiction in the hope that readers can come to see migrants as multi-dimensional people with similar hopes, dreams, and aspirations. As such, I am similarly drawn to books that address the humanity of migrants. It has always been my belief that a better understanding of those we think are different from us will help bridge our various divides. I hope my recommendations help get readers there. One book at a time.
I was drawn into this novel by the deftness with which Gurnah weaves together a compelling tale of love and betrayal, greed and generosity.
The chief narrator’s arrival on a shore, where he is forced to confront his past, is treated with utmost care. By confronting it with him and in a voice at once gentle and urgent, Gurnah made me see and share in the possibility and power of forgiveness and redemption.
**By the winner of the Nobel Prize in Literature 2021**
LONGLISTED FOR THE BOOKER PRIZE 2002
'One scarcely dares breathe while reading it for fear of breaking the enchantment' The Times _______________
On a late November afternoon Saleh Omar arrives at Gatwick Airport from Zanzibar, a far away island in the Indian Ocean. With him he has a small bag in which lies his most precious possession - a mahogany box containing incense. He used to own a furniture shop, have a house and be a husband and father. Now he is an asylum seeker from paradise; silence his only…
Arizona Territory, 1871. Valeria Obregón and her ambitious husband, Raúl, arrive in the raw frontier town of Tucson hoping to find prosperity. Changing Woman, an Apache spirit who represents the natural order of the world and its cycle of birth, death, and rebirth, welcomes Nest Feather, a twelve-year-old Apache girl,…
I have written one complete WW2 saga series, Lily Baker, and am currently writing a second series, The Library Girls. I am addicted to reading about the period and can lose hours and hours doing factual research as well. My mother was a Cockney, and I became immersed in her wartime stories, mostly about the fun she had but also about her many struggles. I love stories about strong women overcoming adversity, and during WW2, many showed the world how capable and resilient they were. I have a Master's Degree in Professional Writing and write occasional magazine articles.
I loved the way when reading this book, I learned a lot about the Blitz and the problems faced by Londoners, their struggles, and their strengths.
The main character, Gertie, is relatable, and I was keen to find out how she overcomes the trials and tribulations she faces. It is a warm and touching story about Gertie’s love of people and books (she has a bookshop). I loved her positive attitude even when her husband died.
I found it one of those books I couldn’t put down but didn’t want it to end.
'A warm and tender tale about the power and healing of friendship and community and the magic of books' - Ruth Hogan
As the bombs began to fall, the book club kept their hopes alive...
The most emotional, uplifting and captivating story of wartime London and the extraordinary power of books to shine a light and draw people together in the darkest of days, inspired by true events.
London, 1938. Bookseller Gertie Bingham is facing difficult times, having just lost her beloved husband, Harry, and with a lingering sadness at never having been able to have a child of her…
I’m a professor of history at Lafayette College in Pennsylvania, and I’ve been studying Russia ever since visiting the Soviet Union as a college student in 1990. I’ve been particularly interested in seeking connections between violence and other dimensions of historical experience. My first book (Drafting the Russian Nation) explored connections between political ideologies and violence, Imperial Apocalypse is in part a social history of violence, and my current project is examining the connection between literary cultures, professional communities, and the violence of the Cold War.
There has been a revival of the study of the Russian experience in World War I over the last twenty-five years. Much of this can be explained by the opening of archives after 1991 and by the centennial of the war in 2014-2018. But the publication of this book was also enormously important. It recast the impact of the war by focusing on the experience of regular individuals rather than Petrograd elites and labor leaders. It also highlighted the massive scale of social dislocation – more than six million uprooted Russian subjects in all.
". . . a signal contribution to a growing literature on a phenomenon that has become tragically pervasive in the 20th century. . . . This highly original account combines exemplary empirical research with the judicious application of diverse methods to explore the far-reaching ramifications of 'a whole empire walking.'" -Vucinich Prize citation
"An important contribution not only to modern Russian history but also to an ongoing repositioning of Russia in broader European and world historical processes. . . . elegantly written . . . highly innovative." -Europe-Asia Studies
Drawing on previously unused archival material in Russia, Latvia, and Armenia…
My family and I were among those prioritized for admission to the United States during the Cold War—a migration I discussed in my first book, Havana, USA. Not all who seek refuge are as fortunate, however. Less than one percent of refugees worldwide are ever resettled in the top resettlement nations like the United States. My scholarship examines how US refugee policy has evolved in response to humanitarian, domestic, and foreign policy concerns and agendas.
Laura Madokoro offers a fascinating discussion of Chinese refugees during the Cold War as they sought protection in the United States, Canada, Australia, New Zealand, and South Africa. These historically white settler societies had long restricted or barred Chinese migration for racist reasons, so the accommodation of Chinese refugees fleeing war and persecution was never guaranteed. Indeed, even their refugee status was questioned.
The book examines the governmental, humanitarian, and faith-based actors who shaped national responses to this migration and, ultimately, determined the fates of millions of displaced people.
The 1949 Chinese Communist Revolution is a subject of inexhaustible historical interest, but the plight of millions of Chinese who fled China during this tumultuous period has been largely forgotten. Elusive Refuge recovers the history of China's twentieth-century refugees. Focusing on humanitarian efforts to find new homes for Chinese displaced by civil strife, Laura Madokoro points out a constellation of factors-entrenched bigotry in countries originally settled by white Europeans, the spread of human rights ideals, and the geopolitical pressures of the Cold War-which coalesced to shape domestic and international refugee policies that still hold sway today.
Arizona Territory, 1871. Valeria Obregón and her ambitious husband, Raúl, arrive in the raw frontier town of Tucson hoping to find prosperity. Changing Woman, an Apache spirit who represents the natural order of the world and its cycle of birth, death, and rebirth, welcomes Nest Feather, a twelve-year-old Apache girl,…
I come from a family of born storytellers but grew up to become an archaeologist, sensible and serious. Then, my parents’ deaths brought me to my knees. I knew I would not survive their loss in any form recognizable to me. My grief set me on a journey to understand and rekindle the special magic that they and my ancestors had brought to my life. Eventually, through reading books like these and learning to tell my own stories, I, the archaeologist and life-long rationalist, made my greatest discovery to date: the healing power of enchantment.
Billed as YA lit, don’t let that stop you. It is an auto-fictional account of a young boy refugee from Iran who suddenly finds himself in the middle of Oklahoma: malls and milkshakes. I was in fits of laughter throughout because the narrator's voice is so unique and charming, a much more optimistic Holden Caulfield. But the themes can also be hard, and therein lies the magic.
I loved the unique story structure of telling his stories in the format of 1001 Nights. This validated my own choice to structure my book in the format of The Little Match Girl, striking matches in a snowstorm. I loved this book for its swirl of myth, magical realism, and family stories that weave seamlessly through a modern-day exploration of refugee identity and belonging.
At the front of a middle school classroom in Oklahoma, a boy named Khosrou (whom everyone calls "Daniel") stands, trying to tell a story. His story. But no one believes a word he says. To them he is a dark-skinned, hairy-armed boy with a big butt whose lunch smells funny; who makes things up and talks about poop too much.
But Khosrou's stories, stretching back years, and decades, and centuries, are beautiful, and terrifying, from the moment his family fled Iran in the middle of the night with the secret police moments behind them, back to the sad, cement refugee…
