81 books like The Murders in the Rue Morgue

Did this book give birth to hardboiled literature? No, but I feel it mothered and fathered it. 

Did this book—when filmed in 1941—give rise to film noir? I would say yes or “oui.”

This book lives on in libraries and bookstores, in minds and memories, on screens big and small, as a cultural masterpiece. But please don’t get me wrong about masterpiece. Hammett’s existential story of antiheroic private detective Sam Spade wriggling out of death as he fends off the cagey but crazed pursuers of a worthless “jeweled” bird breathes more deeply, more compellingly every time I re-read it. Through the book, I face the dark—and find the gloom almost charming. 

What, more Hammett? Sure. My apologies to those expecting Raymond Chandler, but it’s hard to beat the master. Even in this sometimes almost incoherent thrill ride through the occult, drugs, the misdeeds of the rich, and amoral 1920s America. It ain’t called the Roaring 20s for nothing. This is the second in the Continental Op series and maybe Hammett’s most ambitious PI work, which follows a sharp-witted insurance investigator in Hammett’s trademark snappy prose. Sam Spade-like? Uh, no. The Op is short, fat, forty, and nameless, very far from a tough guy. He gets beaten up all the time in this, I admit it, quite convoluted novel. Fortunately for the mystery-challenged, the backstory is presented at the end of each of three parts, along with the Op’s wry takes on the case.

Is Curse a satire? A literary work? Some kind of skewed horror story? Yes to all the above.

The first Travis Magee novel hooked me. The image of a beach bum, living on a houseboat won in a poker game was enough. But when that bum transformed into a more modern version of Don Quixote all MacDonald had to do was to play me, gaff me, and pull me on board for the remainder of the series. Magee takes his retirement in chunks, righting wrongs and recovering that which was stolen. His life is full of brawling, babes, and bodies. All good stuff for the reader. 

John D. MacDonald is the father of modern fictional detectives—especially Robert Parker—who, like MacDonald, is a writer of sparse dialogue. John D. MacDonald’s main character is the unforgettable Travis McGee. Travis McGee lives on his houseboat, The Busted Flush, which he won in a poker game. McGee has no steady job. Instead, he takes on salvage jobs as he can find them and is paid 50% of the value of the recovered items he returns to the owner.  

Bright Orange for the Shroud—interestingly, is typical for John D. MacDonald as each of his books is connected to a color—The Deep Blue Goodbye, A Purple Place for Dying, and The Empty Copper Sea. 

While enjoying another short “retirement” Travis McGee is visited by Arthur Wilkinson, a friend from days gone by. In terrible health, McGee nurses him back to health only to find that Wilkinson has been bankrupted in… show more.

I sometimes forget how Edgar Allan Poe transformed the mystery and horror genres with the stories in this collection.

Here, you’ll find the very first modern detective stories: The Murders in the Rue Morgue, The Mystery of Marie Roget, and The Purloined Letter. Plus, we have his most famous works: The Pit and the Pendulum, The Fall of the House of Usher, The Premature Burial, The Cask of Amontillado, and The Tell-Tale Heart.

Filled with unforgettable images and horrific twists and turns, I love how each story creeps over me like a lengthening, darkening shadow.

Similar to my second choice, this American study explores the impact of a sensational unsolved death on early Victorian New York and America in general. In 1841 Marie Rogers, an attractive young woman who worked in a tobacco shop, was found dead in the Hudson River, suspected to be a victim of murder. The case was well covered in the press and exposed weaknesses in the city’s system of policing.  The author details how Edgar Allen Poe furthered early detective fiction in his story The Mystery Marie Roger, which although set in Paris borrowed heavily from the New York events. An example of how the public can make a celebrity out of a murder victim who is not from the elite.     

Edogawa Rampo is the father of Japanese detective fiction, and this macabre short story collection is a perfect introduction to his work. While not detective stories per se (he’s written some that are), these stories showcase a series of works that are fascinating, varied, dark, and very fun to read. 

Borrowing from elements from Western Silver Age detective fiction but adding elements of the grotesque and twisted, he is very distinct from all the Western mystery fiction I’ve read from a similar era. Since detective fiction formally started with Edgar Allen Poe and his C. Auguste Dupin in macabre stories, this seems a throwback to that storied history for me.

While Sherlock Holmes famously debunked anything that had even a vague whiff of the supernatural (looking at you, Hound of the Baskervilles), the same can’t be said for his creator. Entwistle offers a brilliantly imaginative take on what might have happened if Sir Arthur Conan Doyle and Oscar Wilde teamed up to solve mysteries in a world where the supernatural was very, very real. Atmospheric touches ranging from fog-shrouded, gaslit streets to mysterious moors are the perfect complement to witty dialogue, and Entwistle manages to weave in a fair bit of historical detail despite the rip-roaring pace of the story. 

This was one giant book I got as a gift and thought I’d never read, but when I started I couldn’t stop. These are old stories, and arguably the oldest I have ever read that ring true today. Holmes is like Thrawn, a mastermind, but he doesn’t rule Empires or command armies. Holmes works in isolation with only his trusted assistant Watson. He follows mysteries wherever they present themselves and is bored by anything else.

It’s the keen intellect that draws me to this book. The kind of stuff most people wouldn’t waste their time on because it goes over their heads. This is not the new Hollywood version of Holmes, this is much more potent. Older movies of Holmes do much better, but none match the caliber that is in these original stories. 

I can’t fully explain, but there is a magic to them that rejects the ‘mundane’ world… show more.

Master storyteller Sir Arthur Conan Doyle had a few things to say about Atlantis. In The Maracot Deep, young zoologist Cyrus Headley travels to the edge of a deep ocean trench with a team of explorers. Suddenly, a giant sea monster attacks them and hurls them down into the trench. The explorers are rescued by the survivors of the destroyed Atlantis, who have dwelled on the seafloor for the past 8,000 years. Will Headley and his companions ever return to the surface again, or will they remain trapped for the rest of their lives like the Atlanteans? Readers expecting this novel to be like his earlier Sherlock Holms stories are in for a surprise, as it explores the spiritual and occult ideas he pondered later in his life.