100 books like Japanese Tales of Mystery and Imagination

I came across Ugetsu Monogatari in a used bookshop at a time when I was voraciously reading everything I could lay my hands on about the Japanese supernatural. First published in 1776, it is rightly regarded as one of the most important collections of Japanese ghostly fiction. Ugetsu Monogatari gave me a greater and deeper insight into this fascinating world. Almost as Interesting as the book itself is the life story of the author. The son of a prostitute and an unknown father Ueda Akinari was born in a period when the Japanese were deeply interested in yokai and yurei. He himself was a firm believer in the supernatural. It is that belief and the influence of the period which makes this book such an essential read for anyone interested in the subject. It is a book that I often return to.

I first saw the film adaptation of Ring at a film festival in 1998 and was blown away by it. The English translation of the novel wasn’t published in the UK until 2004, but it was worth the wait. It’s difficult now that Sadako has become such a cliched and parodied character to appreciate the impact the character had. The book is much bigger in scope than the film, also providing the inspiration for the film Rasen. I slightly regretted not having read it before seeing the film so that I could have felt the impact Japanese readers must have felt. Ring was the first modern Japanese novel that I read. Reading it coincided with me getting to know Japan for real and was more of a point of reference than any guidebook. Long after I leave Japan, Ringu will remind me of the country I left behind.

This is the first in a three-volume set which I regard as one book. All are a total joy as they offer the reader the chance to read stories mostly not previously available in English. Having read the available famous stories of yurei and yokai to death, I felt like a little kid at Christmas when presented with the whole set (actually at Christmas!). Because the stories were written in many styles from the 1700s to the 2000s, and cover the whole range of Japanese ghost stories, I got a genuine insight into how tales of the Japanese supernatural have developed through the centuries and how the past influences the present. It was also interesting to see how contemporary events, such as World War II, influenced the stories. Just writing this makes me want to dive back into the stories.

Whether a fan of anime and video games, or an admirer of ancient Noh drama and Kabuki dances, one can’t really know the heart of Japan without reading Lafcadio Hearn’s translations of ghostly tales, all contained in this amazing volume. There are demons and goblins that exist way-y-y beyond the average Westerner’s mind. There are legends that send chills up and down the spine, creatures without faces, a man who marries the love of his life only to lose her after just five years because she is really the soul of a tree… Enjoy these stories of the bewitched and karmically affected characters.

I sometimes forget how Edgar Allan Poe transformed the mystery and horror genres with the stories in this collection.

Here, you’ll find the very first modern detective stories: The Murders in the Rue Morgue, The Mystery of Marie Roget, and The Purloined Letter. Plus, we have his most famous works: The Pit and the Pendulum, The Fall of the House of Usher, The Premature Burial, The Cask of Amontillado, and The Tell-Tale Heart.

Filled with unforgettable images and horrific twists and turns, I love how each story creeps over me like a lengthening, darkening shadow.

Shigeru Mizuki is the late, great god of alternative manga (or gekiga). Suffused with personal experience and reflections, his work by turns playfully and powerfully explores pre-war childhood, near-death war-time experiences, politics, and – most importantly – the world of Japanese yōkai monsters. Nononba tells the story of his childhood education by his grandmother into the world of supernatural Japan, leading the way to his great yōkai series GeGeGe Kitaro. A memoir of love and loss, childhood innocence and imagination, Nononba was, in turn, a great education for me. Funny, strange, tender, and wise. And in places it freaks you out too!

A graphic designer by training, Kenya Hara is one of Japan’s most theoretical design thinkers. He steps back and ponders possibility. Especially where the future of Japan is concerned.

Seated in his elegant office in downtown Tokyo, Hara explained to me years ago that Japan once churned out exports but now, as other countries assume that role, Japan must offer something else. In this book he indicates that something else not a physical object. It is the experience of the country’s rich culture, aesthetics, and underlying values.

Living in Tokyo for many years enabled many chances to savor the smell of fresh tatami mats and the toothsomeness of new harvest rice.

Hara’s thoughts resonate with me, but I hope Japan never stops making elegant, user-friendly housewares.

This book came out only a few years after my first encounter with anime and just blew me away, introducing me to a completely different world – a world that at the time was mostly out of reach because Western translations were still rare. 

Having been published in 1983, it may be considered outdated, but manga translator and historian Frederick Schodt is a master narrator and does a great job of explaining how Japanese comics evolved during manga’s golden age. Now we can find any kind of information on the internet, but Schodt’s thorough analysis and engaging prose are second to none. 

If you are into cultural history and like to go beyond simple manga talk, this is still a must-read.

Japan is full of figures from its own history that loves to villainize, and few of them stand out, like Taira no Kiyomori. This prose retelling of the original epic covers the rise and fall of the Taira Clan is full of politics, scheming, ruthlessness, and more than a few bloody battles. Kiyomori is someone I can understand the motivations of, even as I condemn him for his tactics and monstrous actions. The Heike Story is the bloodstained and muddy underbelly that emerges as the samurai warrior class rises to prominence and the power of the old aristocracy wanes.

If you know your Pacific War and are familiar with all the major land and sea battles, you may think there’s not much that’s new to discover about the campaign for Okinawa. And maybe there isn’t. But for those who aren’t specialists, this book will prove fascinating. It’s not a page-turner in the accepted sense of the term because most pages appall with the dreadful futility of it all. I couldn’t read more than a dozen pages at a time without feeling a sense of desperation at the almost casual sacrifice of lives on both sides in this war of attrition. No wonder many veterans of Okinawa found it difficult to talk about the horror of it afterward and carried dark memories of their tortured experiences to their graves.