100 books like Tales of Moonlight and Rain

This book has a special place in my heart because the author was recommended to me by my son, also a confirmed fan of horror and the supernatural. Growing up in Japan, like most school children, he had read some of Edogawa Rampo’s many books of child detectives before graduating to his much darker adult stories of horror. While my son had read the original Japanese, at that time Japanese Tales of Mystery and Imagination was the only volume of English translations of Edogawa Rampo’s stories that I could find. It is, however, a masterly introduction to the dark, and at times perverse, world of the author. Whereas Edgar Allan Poe, from whom the writer Hirai Tarō derived the pen name, had fueled my teenage fancy for shadow-filled gothic tales, Edogawa Rampo made me view my adopted homeland with a more wary eye.

I first saw the film adaptation of Ring at a film festival in 1998 and was blown away by it. The English translation of the novel wasn’t published in the UK until 2004, but it was worth the wait. It’s difficult now that Sadako has become such a cliched and parodied character to appreciate the impact the character had. The book is much bigger in scope than the film, also providing the inspiration for the film Rasen. I slightly regretted not having read it before seeing the film so that I could have felt the impact Japanese readers must have felt. Ring was the first modern Japanese novel that I read. Reading it coincided with me getting to know Japan for real and was more of a point of reference than any guidebook. Long after I leave Japan, Ringu will remind me of the country I left behind.

This is the first in a three-volume set which I regard as one book. All are a total joy as they offer the reader the chance to read stories mostly not previously available in English. Having read the available famous stories of yurei and yokai to death, I felt like a little kid at Christmas when presented with the whole set (actually at Christmas!). Because the stories were written in many styles from the 1700s to the 2000s, and cover the whole range of Japanese ghost stories, I got a genuine insight into how tales of the Japanese supernatural have developed through the centuries and how the past influences the present. It was also interesting to see how contemporary events, such as World War II, influenced the stories. Just writing this makes me want to dive back into the stories.

Whether a fan of anime and video games, or an admirer of ancient Noh drama and Kabuki dances, one can’t really know the heart of Japan without reading Lafcadio Hearn’s translations of ghostly tales, all contained in this amazing volume. There are demons and goblins that exist way-y-y beyond the average Westerner’s mind. There are legends that send chills up and down the spine, creatures without faces, a man who marries the love of his life only to lose her after just five years because she is really the soul of a tree… Enjoy these stories of the bewitched and karmically affected characters.

Shigeru Mizuki is the late, great god of alternative manga (or gekiga). Suffused with personal experience and reflections, his work by turns playfully and powerfully explores pre-war childhood, near-death war-time experiences, politics, and – most importantly – the world of Japanese yōkai monsters. Nononba tells the story of his childhood education by his grandmother into the world of supernatural Japan, leading the way to his great yōkai series GeGeGe Kitaro. A memoir of love and loss, childhood innocence and imagination, Nononba was, in turn, a great education for me. Funny, strange, tender, and wise. And in places it freaks you out too!

On my very first night in Japan, some twenty years ago, my friend told me a local ghost story as we ascended a deserted, dark back street of Tokyo. It featured no-face ghosts (nopperabo) and, memorably, the chills merged with my jet lag to bring me face-to-almost face with the world of Japanese spirits in my first hours in the country. A couple of days later my friend gifted me a copy of Hearn’s Kwaidan and it remains a treasured book to this day. Hearn’s retellings of classic Japanese ghost stories are as valued to this day in Japan as in the West. He’s a great writer. More importantly, Hearn was a sensitive, thoughtful, and wonderful chronicler of other cultures, particularly supernatural Japan. His life and work continue to be an inspiration to me.

Mushishi is possibly my favorite comic of all time. It doesn’t just use the environment as storyteller, but tells stories about environments in a way you wouldn’t expect. Though it’s a series of stories about people and their relationships, neither are divorced from the world itself. I cannot recommend this series enough and it is a huge influence on my own work.

This book was so fascinating and dragged me into it immediately.

There were so many twists and turns and unexpected supernatural happenings once these travelers journey into a place called Suicide Forest where many people have gone to die. If you like books that make you think and not roam around the world clueless, this is one of them.

In Peasants, Rebels, Women, and Outcastes: The Underside of Modern Japan, the social historian Mikiso Hane offers neglected insights on Japanese society from the margins. Hane’s people's history of modern Japan uses diaries, memoirs, fiction, trial testimony, personal recollections, and eyewitness accounts of peasants, factory and industrial workers, and outsiders to detail lived experiences of ordinary people. The perspective from the underclasses resonates with Hijikata’s butoh and his life experiences.

This book has helped me think through the relationship between capitalism, modernity, and romantic anti-capitalist movements both in East Asia and beyond. The book deals with intellectual currents in interwar Japan, (the 1920s to 1945) and shows how conservative philosophers developed a theory to “overcome modernity.” These authors, many from the so-called Kyoto School, targeted the rampant consumer culture, the overturning of ethical relations, and other structural changes. However, Harootunian contends that such critiques did not grasp the fundamental dynamic of capitalism and its relation to such cultural shifts and consequently, such philosophers were “overcome by modernity.”  This means that such critics of modernity were incorporated into the Japanese fascist military complex, which itself claimed to confront capitalist modernity. At a time, when we see right-wing attempts to confront modernity around the world (Trump, Le Pen, Modi) this book remains extremely relevant.