100 books like Kaiki

I came across Ugetsu Monogatari in a used bookshop at a time when I was voraciously reading everything I could lay my hands on about the Japanese supernatural. First published in 1776, it is rightly regarded as one of the most important collections of Japanese ghostly fiction. Ugetsu Monogatari gave me a greater and deeper insight into this fascinating world. Almost as Interesting as the book itself is the life story of the author. The son of a prostitute and an unknown father Ueda Akinari was born in a period when the Japanese were deeply interested in yokai and yurei. He himself was a firm believer in the supernatural. It is that belief and the influence of the period which makes this book such an essential read for anyone interested in the subject. It is a book that I often return to.

Edogawa Rampo is the father of Japanese detective fiction, and this macabre short story collection is a perfect introduction to his work. While not detective stories per se (he’s written some that are), these stories showcase a series of works that are fascinating, varied, dark, and very fun to read. 

Borrowing from elements from Western Silver Age detective fiction but adding elements of the grotesque and twisted, he is very distinct from all the Western mystery fiction I’ve read from a similar era. Since detective fiction formally started with Edgar Allen Poe and his C. Auguste Dupin in macabre stories, this seems a throwback to that storied history for me.

I first saw the film adaptation of Ring at a film festival in 1998 and was blown away by it. The English translation of the novel wasn’t published in the UK until 2004, but it was worth the wait. It’s difficult now that Sadako has become such a cliched and parodied character to appreciate the impact the character had. The book is much bigger in scope than the film, also providing the inspiration for the film Rasen. I slightly regretted not having read it before seeing the film so that I could have felt the impact Japanese readers must have felt. Ring was the first modern Japanese novel that I read. Reading it coincided with me getting to know Japan for real and was more of a point of reference than any guidebook. Long after I leave Japan, Ringu will remind me of the country I left behind.

Whether a fan of anime and video games, or an admirer of ancient Noh drama and Kabuki dances, one can’t really know the heart of Japan without reading Lafcadio Hearn’s translations of ghostly tales, all contained in this amazing volume. There are demons and goblins that exist way-y-y beyond the average Westerner’s mind. There are legends that send chills up and down the spine, creatures without faces, a man who marries the love of his life only to lose her after just five years because she is really the soul of a tree… Enjoy these stories of the bewitched and karmically affected characters.

Shigeru Mizuki is the late, great god of alternative manga (or gekiga). Suffused with personal experience and reflections, his work by turns playfully and powerfully explores pre-war childhood, near-death war-time experiences, politics, and – most importantly – the world of Japanese yōkai monsters. Nononba tells the story of his childhood education by his grandmother into the world of supernatural Japan, leading the way to his great yōkai series GeGeGe Kitaro. A memoir of love and loss, childhood innocence and imagination, Nononba was, in turn, a great education for me. Funny, strange, tender, and wise. And in places it freaks you out too!

I was fascinated by yokai, the weird and wonderful creatures of Japanese folklore, well before they became a thing on social media and in global pop culture. Of all the books designed to introduce yokai to Western audiences, Michael Dylan Foster's is by far the best at explaining how the Japanese understand these legendary creatures and their roles in Japanese culture throughout history.

His stories of kappa and oni and monstrous umbrellas with arms and legs are hilarious, creepy, unforgettable, instructive, and revealing. If I have one gripe about this book, it is that Foster dismisses Godzilla and other kaiju as not being yokai. He’s wrong, but everyone deserves one mistake, especially in an otherwise excellent book.

If you know your Pacific War and are familiar with all the major land and sea battles, you may think there’s not much that’s new to discover about the campaign for Okinawa. And maybe there isn’t. But for those who aren’t specialists, this book will prove fascinating. It’s not a page-turner in the accepted sense of the term because most pages appall with the dreadful futility of it all. I couldn’t read more than a dozen pages at a time without feeling a sense of desperation at the almost casual sacrifice of lives on both sides in this war of attrition. No wonder many veterans of Okinawa found it difficult to talk about the horror of it afterward and carried dark memories of their tortured experiences to their graves.

Unexpected for a book about kamikaze, this is a quiet and gentle story, about two young people—Taro, a kamikaze pilot, and Hana, one of the Nadeshiko Tai, assigned to serve the pilots—who meet through a shared vital love of music. They both know the inevitability and finality of Taro’s upcoming mission; they both are at the mercy of circumstances beyond their control. Yet their hopes and dreams remain larger than the war. This is another one that will stay with you for a long time.

Composed of letters to the editor in Tokyo’s highly respected Asahi Shimbun newspaper from 1986 to 1987, SENSŌ provides vivid insight into wartime life in Imperial Japan. Composed of honest reflections 40 years after the war, the topics covered (often with powerful emotion) include: life in the military, the Sino-Japanese War, Pacific War, home front, the bombing of Japanese cities, and post-war reflections. In the end, I was impressed how the Japanese experience and emotions during the war were not dissimilar to what I might imagine feeling as an American in a similar situation.

This book is a must-read for any serious student of the Santo Tomas story. It might need to be requested by Interlibrary Loan, but they are worth the wait. I believe that this books put the reader "on the ground" because of the skill of Hartendorp's writing and research, as well as his personal knowledge of the detainees in the camp (and others like it). This book also contains experience that comes with reflection over time, containing interviews with people who survived camp life for several years after their period of captivity that is especially valuable because they were able to place their experience into a later and larger context, such as the resumption of peaceful relations with Japan.