100 books like Bright Orange for the Shroud

Whether one is a Civil War buff, or a fan of Sun Tzu’s military strategy, you will find plenty of both in this three-volume set. Volume 1 is: Fort Sumter to Perryville. Volume 2 is: Fredericksburg to Meridian, and Volume 3 is: Red River to Appomattox.  

Shelby Foote’s work provided most of the background of Ken Burn’s PBS epic, The Civil War. Anyone who watched that masterpiece and heard the knowledge of Shelby Foote spoken in the most lovely Southern drawl, will not be disappointed in this collection. 

The Civil War: A Narrative – 3 volume box set provided significant detail and motivation for me as I wrote my own book.  When I had a question about a date, geography of a battle, written correspondence between fighters or allies, or conversations such as took place at Appomattox Courthouse between Generals Grant and Lee, I went immediately to Shelby Foote’s three-volume… show more.

Dashiell Hammett, more than any other author, created the hardboiled anti-hero. He’s also a damn fine prose writer. I re-read one of his books every year because of this, hoping perhaps to absorb his spare, elegant style. Each sentence is brutally trimmed of any excess and yet resonates with layered meaning. 

Dashiell Hammett himself was a broken hero. He fought in two World Wars for his country and yet was sent to jail by the committee for un-American activities for refusing to name names. He was a communist, who yet, as a young man, worked for the fascist, union-busting Pinkertons.

A complex, troubled individual who created dark and cynical worlds, and none more cynical than that of The Maltese Falcon. Here, we have a femme fatale, a hardboiled detective, gangsters, and conmen, all vying for the titular prize. It is a mean-streets masterpiece. 

What, more Hammett? Sure. My apologies to those expecting Raymond Chandler, but it’s hard to beat the master. Even in this sometimes almost incoherent thrill ride through the occult, drugs, the misdeeds of the rich, and amoral 1920s America. It ain’t called the Roaring 20s for nothing. This is the second in the Continental Op series and maybe Hammett’s most ambitious PI work, which follows a sharp-witted insurance investigator in Hammett’s trademark snappy prose. Sam Spade-like? Uh, no. The Op is short, fat, forty, and nameless, very far from a tough guy. He gets beaten up all the time in this, I admit it, quite convoluted novel. Fortunately for the mystery-challenged, the backstory is presented at the end of each of three parts, along with the Op’s wry takes on the case.

Is Curse a satire? A literary work? Some kind of skewed horror story? Yes to all the above.

The first Travis Magee novel hooked me. The image of a beach bum, living on a houseboat won in a poker game was enough. But when that bum transformed into a more modern version of Don Quixote all MacDonald had to do was to play me, gaff me, and pull me on board for the remainder of the series. Magee takes his retirement in chunks, righting wrongs and recovering that which was stolen. His life is full of brawling, babes, and bodies. All good stuff for the reader. 

I know, this is a short story and hence cheating, but how can you make lists of detective stories without including the granddaddy of them all? Poe’s short story preceded Sir Arthur Conan Doyle’s Sherlock Holmes by four decades and has all the main ingredients. You have an ice-cold supremely rational detective, C. Auguste Dupin. You have a loyal sidekick. You have a bumbling cop. You have two extremely gory murders. You have a locked room. You have conflicting witnesses. You have a bizarre conclusion. You know what? Don’t read my No. 1. Read the Master first.

When Pat Conroy died in 2016, I knew what the late Southern gentleman-writer, Lewis Grizzard, meant when he wrote, Elvis Is Dead and I Don't Feel So Good Myself.

Pat Conroy understood the Southern male in ways that only fellow Southerners can know in all its fullness. I felt less Southern at his passing than I had felt in a long time. Pat Conroy was my better self as a Southern male. He understood me without knowing me.

The Prince of Tides protagonist, Tom Wingo, is undoubtedly filled with the simplicity and complexity, goodness and evil, connection to history that describe the southern male who often will define being Southern as a fundamental personal value.

Want some insight into the Southern male, and who wouldn't? The Prince of Tides by Pat Conroy is where one should start.

Early Autumn made me cry from two directions. As a tween, reading about Spenser’s rescue of Paul, a shut-down, emotionally neglected boy that Spenser first assesses as “an unlovely little bastard”, I cried in sympathy and relief for Paul.

Over a summer, Spenser taught him skills, built up his strength and gave him the confidence to find his own dreams, before leaving him at the doorway to the life he now knew he wanted. As an adult, I cried with joy for Spenser, who connected with a stranger, taught what he had to teach, and changed a life.

Really helping someone in a lasting way is rarely so easy as it was in this book, but it’s a worthwhile dream and this Cinderella story gets me every time.

Moe Prager is a thinking and feeling man’s PI. Sure, Coleman, gives the twisty-turny plots and leaves you wondering who dunnit but, for me, that’s not what makes him great. His characters speak to you about what’s going on with people but not in a hit-you-over-the-head manner. Prager is real and feels like a guy you would know and like.

In this Prager story, Moe is determined to find out who and what someone is mistreating people he loves. He relentlessly pursues the case, sacrificing his own safety and well-being. Along the way, we meet his Holocaust-surviving neighbor and other characters that make the book outstandingly different.

Message—Friends make life worth living even when it means risking your own life

It is hard to beat Lawrence Block’s writing. It often seems like a conversation you’d have, late at night, on a bar stool while sipping a bourbon served neat. Later in the Scudder series, it might seem more like a conversation you might have in a diner after an AA meeting but that’s hardly important.

What is important in this book is Scudder’s motive. He’s hired to look after something and then his client winds up dead. Scudder has no reason to keep pursuing the case—he’s not getting paid and his client won’t ever know the difference.

A promise is a promise and Scudder isn’t stopping.

The message—Commitment is about all we have in life. Commitment means integrity.

This is a fun series. It starts off in the 50s in small-town Iowa with most of the small-time innocence that you’d imagine but Gorman likes to take a different look. He leads us through the era’s less-than-shining moments while we get to relive the 50s and early sixties.

In this one, a young Black civil rights worker turns up dead. Along the way, we learn about racism and the subtle forms it can take and how it can poison a whole community.

In the end, things are not what they seemed but it doesn’t change the facts about America during this era.

Message—People are people and fighting ignorance and hate is all our responsibility.