Here are 94 books that The Midnight Children fans have personally recommended if you like
The Midnight Children.
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As a clinical psychologist, a man, and a human being on his own journey of healing and becoming, I suppose I’m interested in stories with struggling but lovable male protagonists because I’m the struggling male protagonist in my own life story, learning how to fall in love again with myself and my story and the little boy who lives on within me. The courage my clients show in the process of facing their pain and finding something beautiful in it is inspiring to me. I hope my life reflects that courage, too. And I want to write stories that give others hope and inspiration for this kind of healing, as well.
Don’t be fooled.A Town Called Solacemay open with little Clara, and Elizabeth may be the character who speaks in the first person, but neither is the primary protagonist. According to the litmus test for primary protagonist—"Which character is transformed the most?”—it’s Liam Kane. Once a lonely boy unloved by his mother, his wife is now leaving him, and he has retreated to the small town of Solace to care for the estate of a mother figure he barely remembers. Will little Clara and her lost sister and the ordinary people of this rural town be enough to coax him out of his loneliness and back into participation with his own existence? The answer is nuanced and tender and ultimately very satisfying.
Set in the frozen north of Canada in 1972, this is a novel of painful histories and the moments in life when we can change for the better.
Clara's rebellious older sister is missing. Grief-stricken and bewildered, she yearns to uncover the truth about what happened.
Liam, newly divorced and newly unemployed, moves into the house next door and within hours gets a visit from the police.
Elizabeth is thinking about a crime committed thirty years ago, one that had tragic consequences for two families. She desperately wants to make amends before she dies.…
I’ve always been drawn to stories that feature mysterious locales and secret objects and strange or magical occurrences, so books with these elements—particularly when the main characters in the books are young people learning about themselves and the world around them—are often very satisfying to me. There’s something naturally engaging, I believe, in tales where someone is thrust into a disorienting situation and has to make sense of the uncertainty he or she faces. The books I’ve written for young readers all tend in this direction, and so I’m always on the hunt for stories along these same lines.
Long a favorite of mine, every couple of years I enjoy returning to this book about two brothers who fall in with a group of Venetian street children and the young master-thief who oversees them. Funke's classic, assured style grants this relatively contemporary novel (first published in Germany in 2000) a charming, old-fashioned sensibility, while the pacing and characterization should appeal to the most modern of readers, at least to my eyes. The book has everything I love in stories for young readers–mystery, magic, friendship, and startling plot twists–and the interior illustrations done by Funke herself are lovely.
The magical multi-award-winning modern classic from master storyteller and New York Times-bestselling author, Cornelia Funke - over a million copies sold worldwide!
'A completely delicious read.' THE OBSERVER
'Today's young readers will probably love this book as they love the Harry Potter series' THE NEW YORK TIMES
'My enjoyment of The Thief Lord grew and grew as I read it' DIANA WYNNE JONES
Winter has come early to Venice.
Two orphaned children are on the run, hiding among the crumbling canals and misty alleyways of the city. Befriended by a gang of street children and their mysterious leader, the Thief…
I’ve always been fascinated with the first-person voice, the way it magically pulls us into a story through the character’s/narrator’s perspective, and how when done well, can feel so natural and personal. I’ve tried to write in this perspective over the years, sometimes successfully, sometimes not. I hope I have done it adequately with this current novel. I wouldn’t say I’m an expert when it comes to the first-person, but I am an interested participant. I am a creative writing professor, but I am also a student of writing and always will be. The more I investigate, the more I read, the more I learn. Focusing on this topic has been no exception.
Since my own book is marketed for young readers (and adults BTW) I thought I’d give a nod to one of the voices in that genre that got set in my brain years ago.
Philbrick’s voice in Max the Mighty might be my favorite young reader first-person voice. Told in retrospect, Maxwell’s voice is both wise and self-effacing, and believable from the jump. “...even though I’m a big dude with a face like a moon and ears that stick out like radar scoops…I’m a real weenie. A yellow-bellied sapsucker. A gigantic wuss. A coward.”
The voice carries the banner of strength in the vulnerability of the human condition. A lesson we should hold dear to our heart. Different is cool. Different is good. This book and its voice are timeless.
A companion to Newbery Honor winning author Rodman Philbrick's Freak the Mighty. This is the dramatic, heart-wrenching tale of Max and Worm, two outsiders who turn to each other for survival.
Meet Max Kane, the brooding giant-of-a-boy who escaped from his basement hiding place and faced the real world in Freak the Mighty. Still grieving over the loss of his best friend, Kevin, Max finds himself defending a young, solitary girl cruelly nicknamed "Worm" because she loves to read. And when Max gets blamed for a horrific crime, he and Worm flee across America--hunted by the police and pursued by…
All my life, I’ve struggled with accepting who I am. It’s no secret that the Vietnam War was unpopular in America; as such, I spent my adolescence hiding who I was. Literature like this didn’t exist when I was a kid. If it had, I think I would’ve seen myself differently. As a writer, I explore similar themes in my work and highlight the importance of discussing how our childhood experiences (good and bad) shape us. Uniformity is a destroyer of identity; my mission is to show how loving what makes us different allows us to love the differences we see in others.
April is the kind of character everyone roots for. She’s sixteen and fending for herself after her crappy father abandoned her in a motor home with no engine.
Teens who grow up like April have grit built into their DNA, and when she takes off for a new life, she soars. The problem is, our past has a way of dragging us backward, and seeing April fight to keep the life and friends she’s built is what makes you keep turning the pages. Oh, and also, she has a beautiful skill. April can sing.
Reading this book is akin to watching a flower bloom; you can’t help but be in awe.
Little River, New York, 1994: April Sawicki is living in a motorless motorhome that her father won in a poker game. Failing out of school, picking up shifts at Margo's diner, she's left fending for herself in a town where she's never quite felt at home. When she "borrows" her neighbor's car to perform at an open mic night, she realizes her life could be much bigger than where she came from. After a fight with her dad, April packs her stuff and leaves for good, setting off on a journey to find a life that's all hers.
I’ve always enjoyed reading true stories and stories that feel like they could be true. I enjoy learning about other people’s lives and experiences. If a character’s life experiences have been very different than my own, it is eye-opening and informative. If we’ve had similar experiences it helps me feel less alone. When writing, I usually draw inspiration from my own life experiences. With AWOL, I wanted to share military family culture and help readers affected by PTSD feel less alone.
Mai K. Nguyen pairs really tough topics: grief, loss, and overwhelming emotions with beautiful and soothing artwork and a little bit of magic. When Willow gets upset and runs off into the woods she meets Pilu, a lost wood sprite. Together, Willow and Pilu help each other learn to deal with their emotions and find their way home. I love that the reader can learn alongside the characters without feeling like they are being taught a lesson.
A heartwarming story of friendship, loss, and finding your way home from
debut author/illustrator Mai K. Nguyen!
Willow loves the woods near her
house. TheyaEURO (TM)re calm and quiet, so different from her own
turbulent emotions, which she keeps locked away. When her emotions get the
better of her one day, she decides to run away into the woods.
There, she
meets Pilu, a lost tree spirit who canaEURO (TM)t find her way back
homeaEURO"which turns out to be the magnolia grove
WillowaEURO (TM)s mom used to take her to. Willow offers to help
Pilu, and the two quickly become…
While The Hills of Estrella Roja is my YA debut, I’ve been a big fan of YA graphic novels for years. I think YA is such fertile ground for great storytelling, because of how intense things can feel at that age, you’re on the cusp of adulthood, figuring out what type of person you are/want to be and where you fit in the world. Then throw in queerness, which adds a whole other layer to the experience. As a queer cartoonist creating work for young people (and everyone, really!) during this distressing era of book bans, creating and supporting authentic and diverse queer stories feels more important than ever.
I’ve been a longtime fan of Tillie Walden, and love everything she creates, but Are You Listening? has a special place in my heart. It follows Bea and Lou, both running from their own grief, as they drive through West Texas together after a chance encounter.
It’s a strange, surreal, and emotionally complex story about the blossoming of an intergenerational queer friendship, and finding what you need on the road.
Walden’s a true master of cartooning, her lines are fluid, both sparse and incredibly impactful. I also can’t help but love that it takes place in my home state of Texas.
The duo embarks on a long drive to nowhere, but strange happenings - some whimsical, some terrifying - seem to follow them no matter where they go.
Bea and Lou are both looking for something on the road, and the journey itself may turn out to be exactly what they need.
This magical realistic adventure is rich with suspense and heartbreak; startling revelations about betrayal, sexual assault, and death; and exquisite examples of deeply human connections that will stay with readers long after the final gorgeously illustrated page.
The stories I write are fiction, but I’ve heard hundreds of tales about survival, and family drama. I’m the secret-keeper everyone confides in. From the time I was a teen, friends shared their secrets with me. Later, as a healthcare worker, patients often told me shocking true-life stories. What started these events? How did the victims overcome the horrors? I found their tales fascinating. I invent characters that face nightmarish challenges, and they must use the tools they have to persevere. Just like in real life. My novels shed light on darker, twisted topics.
I liked the suspense baked into this story of a runaway girl, Bea. The entire novel was written in emails, mostly between her and her brother, Erza. Each exchange demonstrated their tight sibling bond and their unhappy home life since their parent’s divorce.
Bea leaves home after receiving a mysterious Twitter message from who she believes is her birth father. She hasn’t seen her dad in years and lives far from him. The story centers on escaping her abusive stepfather, apathetic mother, and her need to reconnect with her father. But she’s taking a risk by meeting a stranger from Twitter. Could he really be her long-lost dad or someone else?
Ezra wakes one day to find his sister gone. No note, no sign, nothing but an email address hidden somewhere only he would find it.
Escaping their toxic home life, Bea finds herself alone in a new city - without friends, without a real plan - chasing someone who might not even want to be found.
As things unravel at home for Ezra, Bea confronts secrets about their past that will forever change the way they think about their family. Separated by distance but connected by love, this brother and sister must learn to trust themselves before…
I grew up loving sci-fi and fantasy, but especially today, I recognize how a lot of older sci-fi is patriarchal or even misogynistic. When I started to write my own books, like A Dragonbird in the Fern, I vowed to create my fantastical settings as I’d like our world to be someday—with all genders considered equal. Whether it’s a queen wielding all of the power or a witch who can save the world, women and girls in my stories get things done, and no one bats an eye.
The two girls in City of
Shattered Light could not be fiercer! Asa’s a runaway rich girl who flees
home to save her sister, a victim of scientific tests. Riven’s a tough smuggler
gunning for a big bounty to guarantee her a place in one of the city’s
matriarchal (!) crime syndicates. There’s kidnapping, a wild neon sci-fi world,
and a healthy portion of romantic longing. I loved this misfit team!
As darkness closes in on the city of shattered light, an heiress and an outlaw must decide whether to fend for themselves or fight for each other. As heiress to a powerful tech empire, seventeen-year-old Asa Almeida strives to prove she's more than her manipulative father's shadow. But when he uploads her rebellious sister’s mind to an experimental brain, Asa will do anything to save her sister from reprogramming—including fleeing her predetermined future with her sister’s digitized mind in tow. With a bounty on her head and a rogue AI hunting her, Asa’s getaway ship crash-lands in the worst possible…
I’ve always loved to be scared! When I was young I turned off the lights to watch movies like Alien and It. When I got older, I played Resident Evil and Silent Hill. And when I got even older, I started writing things that would make me jump if the dog came in too suddenly mid-chapter. I think we are drawn to scary books and movies because they give us a safe way to explore the unknown – and, less philosophically, because sometimes it’s just fun to get sucked into a dark and creepy universe!
This is another period piece, this one a classic Victorian gothic that appeals to my secret nostalgia for the old original horror pieces such as Dracula, Jekyll and Hyde, or Jane Eyre. The main character finds herself enmeshed in a strange and dark world where right and wrong become blurred as she struggles to find the place she fits in. You won’t be able to stop reading between one chapter and the next.
An all-new creepy fantasy series from the New York Times bestselling author of Asylum.
Featuring stunning interior illustrations from artist Iris Compiet, plus photo-collages that bring the story to chilling life, House of Furies invites readers to a world where the line between monsters and men is ghostly thin.
After escaping a harsh school where punishment was the lesson of the day, seventeen-year-old Louisa Ditton is thrilled to find employment as a maid at a boarding house.
But soon after her arrival at Coldthistle House, Louisa begins to realize that the house's mysterious owner, Mr. Morningside, is providing much more…
I love fantasy books and I love the wonderful array of British authors out there, so I wanted to showcase some of them in my small selection of books. Some are well known, some less so but all have their own unique and fascinating way of creating fantasy worlds. There are so many good books to choose from but these five are real must-reads as far as I’m concerned.
This book is amazing. Micah Grey, the new runaway boy to join the circus, has secrets to hide. Some of them start to be uncovered in this book, some will follow. I love that the author explores identity and belonging in a way that feels so authentic. I love that this book is the I in LGBTQIA+ fiction. I love the worlds created. I love everything about this book. Laura Lam is an amazing storyteller who brings to life fascinating characters in a real page-turner. I’ve included this in my best of British selection as the author lives in Scotland even though she’s American.
From the Sunday Times bestselling author of Seven Devils
'A fantastical, richly drawn, poignant take on a classic coming-of-age story' - Leigh Bardugo
In a land of lost wonders, the past is stirring once more . . .
Gene's life resembles a debutante's dream. Yet she hides a secret that would see her shunned by the nobility. Gene is both male and female. Then she displays unwanted magical abilities - last seen in mysterious beings from an almost-forgotten age. Matters escalate further when her parents plan a devastating betrayal, so she flees home, dressed as a boy.
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