Here are 97 books that The Midnight Children fans have personally recommended if you like
The Midnight Children.
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As a clinical psychologist, a man, and a human being on his own journey of healing and becoming, I suppose I’m interested in stories with struggling but lovable male protagonists because I’m the struggling male protagonist in my own life story, learning how to fall in love again with myself and my story and the little boy who lives on within me. The courage my clients show in the process of facing their pain and finding something beautiful in it is inspiring to me. I hope my life reflects that courage, too. And I want to write stories that give others hope and inspiration for this kind of healing, as well.
Don’t be fooled.A Town Called Solacemay open with little Clara, and Elizabeth may be the character who speaks in the first person, but neither is the primary protagonist. According to the litmus test for primary protagonist—"Which character is transformed the most?”—it’s Liam Kane. Once a lonely boy unloved by his mother, his wife is now leaving him, and he has retreated to the small town of Solace to care for the estate of a mother figure he barely remembers. Will little Clara and her lost sister and the ordinary people of this rural town be enough to coax him out of his loneliness and back into participation with his own existence? The answer is nuanced and tender and ultimately very satisfying.
Set in the frozen north of Canada in 1972, this is a novel of painful histories and the moments in life when we can change for the better.
Clara's rebellious older sister is missing. Grief-stricken and bewildered, she yearns to uncover the truth about what happened.
Liam, newly divorced and newly unemployed, moves into the house next door and within hours gets a visit from the police.
Elizabeth is thinking about a crime committed thirty years ago, one that had tragic consequences for two families. She desperately wants to make amends before she dies.…
I’ve always been drawn to stories that feature mysterious locales and secret objects and strange or magical occurrences, so books with these elements—particularly when the main characters in the books are young people learning about themselves and the world around them—are often very satisfying to me. There’s something naturally engaging, I believe, in tales where someone is thrust into a disorienting situation and has to make sense of the uncertainty he or she faces. The books I’ve written for young readers all tend in this direction, and so I’m always on the hunt for stories along these same lines.
Long a favorite of mine, every couple of years I enjoy returning to this book about two brothers who fall in with a group of Venetian street children and the young master-thief who oversees them. Funke's classic, assured style grants this relatively contemporary novel (first published in Germany in 2000) a charming, old-fashioned sensibility, while the pacing and characterization should appeal to the most modern of readers, at least to my eyes. The book has everything I love in stories for young readers–mystery, magic, friendship, and startling plot twists–and the interior illustrations done by Funke herself are lovely.
The magical multi-award-winning modern classic from master storyteller and New York Times-bestselling author, Cornelia Funke - over a million copies sold worldwide!
'A completely delicious read.' THE OBSERVER
'Today's young readers will probably love this book as they love the Harry Potter series' THE NEW YORK TIMES
'My enjoyment of The Thief Lord grew and grew as I read it' DIANA WYNNE JONES
Winter has come early to Venice.
Two orphaned children are on the run, hiding among the crumbling canals and misty alleyways of the city. Befriended by a gang of street children and their mysterious leader, the Thief…
All my life, I’ve struggled with accepting who I am. It’s no secret that the Vietnam War was unpopular in America; as such, I spent my adolescence hiding who I was. Literature like this didn’t exist when I was a kid. If it had, I think I would’ve seen myself differently. As a writer, I explore similar themes in my work and highlight the importance of discussing how our childhood experiences (good and bad) shape us. Uniformity is a destroyer of identity; my mission is to show how loving what makes us different allows us to love the differences we see in others.
April is the kind of character everyone roots for. She’s sixteen and fending for herself after her crappy father abandoned her in a motor home with no engine.
Teens who grow up like April have grit built into their DNA, and when she takes off for a new life, she soars. The problem is, our past has a way of dragging us backward, and seeing April fight to keep the life and friends she’s built is what makes you keep turning the pages. Oh, and also, she has a beautiful skill. April can sing.
Reading this book is akin to watching a flower bloom; you can’t help but be in awe.
Little River, New York, 1994: April Sawicki is living in a motorless motorhome that her father won in a poker game. Failing out of school, picking up shifts at Margo's diner, she's left fending for herself in a town where she's never quite felt at home. When she "borrows" her neighbor's car to perform at an open mic night, she realizes her life could be much bigger than where she came from. After a fight with her dad, April packs her stuff and leaves for good, setting off on a journey to find a life that's all hers.
Eleven-year-old Sierra just wants a normal life. After her military mother returns from the war overseas, the two hop from home to homelessness while Sierra tries to help her mom through the throes of PTSD.
I’ve always been fascinated with the first-person voice, the way it magically pulls us into a story through the character’s/narrator’s perspective, and how when done well, can feel so natural and personal. I’ve tried to write in this perspective over the years, sometimes successfully, sometimes not. I hope I have done it adequately with this current novel. I wouldn’t say I’m an expert when it comes to the first-person, but I am an interested participant. I am a creative writing professor, but I am also a student of writing and always will be. The more I investigate, the more I read, the more I learn. Focusing on this topic has been no exception.
Since my own book is marketed for young readers (and adults BTW) I thought I’d give a nod to one of the voices in that genre that got set in my brain years ago.
Philbrick’s voice in Max the Mighty might be my favorite young reader first-person voice. Told in retrospect, Maxwell’s voice is both wise and self-effacing, and believable from the jump. “...even though I’m a big dude with a face like a moon and ears that stick out like radar scoops…I’m a real weenie. A yellow-bellied sapsucker. A gigantic wuss. A coward.”
The voice carries the banner of strength in the vulnerability of the human condition. A lesson we should hold dear to our heart. Different is cool. Different is good. This book and its voice are timeless.
A companion to Newbery Honor winning author Rodman Philbrick's Freak the Mighty. This is the dramatic, heart-wrenching tale of Max and Worm, two outsiders who turn to each other for survival.
Meet Max Kane, the brooding giant-of-a-boy who escaped from his basement hiding place and faced the real world in Freak the Mighty. Still grieving over the loss of his best friend, Kevin, Max finds himself defending a young, solitary girl cruelly nicknamed "Worm" because she loves to read. And when Max gets blamed for a horrific crime, he and Worm flee across America--hunted by the police and pursued by…
I’ve always enjoyed reading true stories and stories that feel like they could be true. I enjoy learning about other people’s lives and experiences. If a character’s life experiences have been very different than my own, it is eye-opening and informative. If we’ve had similar experiences it helps me feel less alone. When writing, I usually draw inspiration from my own life experiences. With AWOL, I wanted to share military family culture and help readers affected by PTSD feel less alone.
Mai K. Nguyen pairs really tough topics: grief, loss, and overwhelming emotions with beautiful and soothing artwork and a little bit of magic. When Willow gets upset and runs off into the woods she meets Pilu, a lost wood sprite. Together, Willow and Pilu help each other learn to deal with their emotions and find their way home. I love that the reader can learn alongside the characters without feeling like they are being taught a lesson.
A heartwarming story of friendship, loss, and finding your way home from
debut author/illustrator Mai K. Nguyen!
Willow loves the woods near her
house. TheyaEURO (TM)re calm and quiet, so different from her own
turbulent emotions, which she keeps locked away. When her emotions get the
better of her one day, she decides to run away into the woods.
There, she
meets Pilu, a lost tree spirit who canaEURO (TM)t find her way back
homeaEURO"which turns out to be the magnolia grove
WillowaEURO (TM)s mom used to take her to. Willow offers to help
Pilu, and the two quickly become…
Having climbed many a tree with the boys as a kid, I cannot stay away from a good gender-bender romance. The suspense, the humour of it, and the inevitable conclusion that not your appearance but your choices define who you are – a perfect combination in my opinion. Mix in a male counterpart who is supportive and understanding and I am hooked! So much so, that I have written a book about a girl who dressed up as a boy.
Love is not the only thing that is in the air in this one. Penelope happens to dangle off a window in boy clothes just when Mr. Right comes passing by.
If Heyer's romance books were a food, they would be red velvet cupcakes – sweet and elegant. I have yet to read one of hers that is not amazing.
The only question which hangs over the life of Sir Richard Wyndham, notable whip, dandy and Corinthian, is one of marriage. On the eve of making the most momentous decision of his life, he is on his way home, a little worse for drink, when he chances upon a beautiful young fugitive climbing out of a window by means of knotted sheets - and so finds a perfect opportunity for his own escape.
Eleven-year-old Mira wishes everything could go back to the way it was. Before she changed schools and had to quit gymnastics. Especially before Papa died. Now she spends her days cooking and cleaning for her stepsisters and Val—who she still won’t call mom and still won’t forgive for the terrible…
My first true religion was being a boy alone in the woods and feeling a deep connection to nature in all its aspects. I felt a connection with all life and knew myself to be an animal—and gloried in it. Since then, I've learned how vigorously humans fight our animal nature, estranging us from ourselves and the planet. Each of these books invites us to get over ourselves and connect with all life on Earth.
What a weird and wonderful book. I've read and reread it several times now, and it always casts its spell. I've never been so willing—so eager—to suspend disbelief. It's Murakami's special gift.
The novel creates its own wondrous world out of what seems to be the stuff of this one—a young runaway, Colonel Sanders, alley cats, a beautiful librarian, a seashore painting, a demented old man—but the result is more magical than any fairy kingdom. I was completely carried along by the experience of an understanding beyond sense.
"A stunning work of art that bears no comparisons" the New York Observer wrote of Haruki Murakami's masterpiece, The Wind-up Bird Chronicle. In its playful stretching of the limits of the real world, his magnificent new novel, Kafka on the Shore is every bit as bewitching and ambitious. The narrative follows the fortunes of two remarkable characters. Kafka Tamura runs away from home at fifteen, under the shadow of his father's dark prophesy. The aging Nakata, tracker of lost cats, who never recovered from a bizarre childhood affliction, finds his highly simplified life suddenly overturned. Their parallel odysseys - as…
As a writer, I strive to create stories that I wish I had found on shelves when I was younger. In that same way, every title on this list not only brings new ways to find adventures through reading, but will hopefully leave young readers with new skills to face the world around them. We often think just cause a story has fantastical elements that it makes them detached from reality, but give any of these a read and you'll find, the farther it is from real life, the brighter the common themes we all share shine through.
Got a kid with a want for the supernatural? May and Bream's heartfelt approach to cryptids and the supernatural make a perfect mix to carry this compelling and page-turning book. Perfect to share among friend groups and explore what it is to belong and how we can all help each other even past our differences.
Six kids search for a new place to call home in this middle grade graphic novel debut by comic creators Cait May and Trevor Bream, for fans of Marvel's Runaways and The Witch Boy by Molly Knox Ostertag. Another Kind is not your average monster story.
Tucked away in a government facility nicknamed the Playroom, six not-quite-human kids learn to control their strange and unpredictable abilities. Life is good-or safe, at least-hidden from the prying eyes of a judgmental world.
That is, until a security breach forces them out of their home and into the path of the Collector, a…
Bad boys in young adult romance have always been one of my favorite tropes to read. For seven years, I facilitated a poetry workshop with teens in a juvenile detention center and got to hear their stories—the heartbreak, the challenges, and the triumphs under all that bad boy façade. My memoir, Kids in Orange: Voices from Juvenile Detention, is about the workshops and helped me understand both myself as a writer and the “bad boys” who wrote poetry each week. There are a lot of complexities to bad boy characters and the most satisfying stories are the ones where the bad boys redeem themselves and find love.
Pushing the Limits is a can’t put down, read until the middle of the night book. Noah Hutchins is the ultimate bad boy with a tough attitude and soft interior. He knows just how to understand Echo Emerson and what she needs to fall in love again. I loved how a scar was used to show both Echo’s external appearance as well as the internal scar both characters carry. This concept of using a scar as a metaphor was an inspiration for a scene in my memoir, Kids in Orange: Voices from Juvenile Detention.
They say be a good girl, get good grades, be popular. They know nothing about me.
I can't remember the night that changed my life. The night I went from popular to loner freak. And my family are determined to keep it that way. They said therapy was supposed to help. They didn't expect Noah. Noah is the dangerous boy my parents warned me about. But the only one who'll listen. The only one who'll help me find the truth.
I know every kiss, every promise, every touch is forbidden. But what if finding your destiny means breaking all the…
Tyrone the mouse rehearses night and day to improve his singing voice, hoping he’ll earn the spotlight in the opera house where he lives surrounded by animal friends.
Ty secretly practices by hiding in the wings, singing along with the famous tenor, Roland L’Amour. When Roland becomes ill on opening…
The stories I write are fiction, but I’ve heard hundreds of tales about survival, and family drama. I’m the secret-keeper everyone confides in. From the time I was a teen, friends shared their secrets with me. Later, as a healthcare worker, patients often told me shocking true-life stories. What started these events? How did the victims overcome the horrors? I found their tales fascinating. I invent characters that face nightmarish challenges, and they must use the tools they have to persevere. Just like in real life. My novels shed light on darker, twisted topics.
I liked the suspense baked into this story of a runaway girl, Bea. The entire novel was written in emails, mostly between her and her brother, Erza. Each exchange demonstrated their tight sibling bond and their unhappy home life since their parent’s divorce.
Bea leaves home after receiving a mysterious Twitter message from who she believes is her birth father. She hasn’t seen her dad in years and lives far from him. The story centers on escaping her abusive stepfather, apathetic mother, and her need to reconnect with her father. But she’s taking a risk by meeting a stranger from Twitter. Could he really be her long-lost dad or someone else?
Ezra wakes one day to find his sister gone. No note, no sign, nothing but an email address hidden somewhere only he would find it.
Escaping their toxic home life, Bea finds herself alone in a new city - without friends, without a real plan - chasing someone who might not even want to be found.
As things unravel at home for Ezra, Bea confronts secrets about their past that will forever change the way they think about their family. Separated by distance but connected by love, this brother and sister must learn to trust themselves before…
