Here are 100 books that The Journeyman fans have personally recommended if you like
The Journeyman.
Shepherd is a community of 10,000+ authors and super readers sharing their favorite books with the world.
Shepherd is reader supported. When you buy books, we may earn an affiliate commission.
As host of ImmerseOrDie, I've tested over 600 indie novels so far, searching for books that can hold me in their spell for at least 40 minutes. Unfortunately, self-publishing is rife with the quirks and gaffs that burst such glamours: bad spelling, bad formatting, ludicrous dialogue... Even allowing three failures before bailing, only 9% survived. And reading those to completion whittled the herd still further.
So here then are the surviving 1%. A glittering few, plucked from the muck so that you don't have to. I don't promise you'll love them, but I do make one guarantee: they do not suck.
And in the Swamps of Indie, that is high praise indeed.
Everybody loves a good underdog tale, but by my lights, the best underdogs are the ones who aren't even human. So I really connected to Linton's insectoid hero, Sidge. Born a slave but valiantly trying to make a better life among his human "betters," Sidge rises above their constant abuse, confidant that if he can just prove himself, they will finally accept him. But to do that, he'll have to survive a perilous journey. And unfortunately, it's being led by the very people who hate him most. Good luck, Sidge. You're going to need it.
Long forgotten gods have passed judgment on the Age of Man. Sidge, a pious orphan, must unravel a lost past to understand their divine will. But first, he needs humanity to see him as more than a slave. Sidge is a bugman, the only of his kind at the human Stormblade Temple. Raised by his mentor, Izhar, he has mastered the twelve thousand mantras and knows every ritual in meticulous detail. As they embark on the pilgrimage, he wants nothing more than to make Izhar proud and ascend to the rank of Cloud Born. But the favored successor to lead…
As host of ImmerseOrDie, I've tested over 600 indie novels so far, searching for books that can hold me in their spell for at least 40 minutes. Unfortunately, self-publishing is rife with the quirks and gaffs that burst such glamours: bad spelling, bad formatting, ludicrous dialogue... Even allowing three failures before bailing, only 9% survived. And reading those to completion whittled the herd still further.
So here then are the surviving 1%. A glittering few, plucked from the muck so that you don't have to. I don't promise you'll love them, but I do make one guarantee: they do not suck.
And in the Swamps of Indie, that is high praise indeed.
Most fantasies are set in a quasi-medieval landscape, but Hunt has chosen a deliciously different canvas: the Wild West. His hero is Ross, the estranged son of a famous fantasy author. When dear old dad is murdered, Ross grudgingly attends the funeral organized by the fantasy geeks and role-playing nerds who loved the old man's books. That much, he can handle. But being told that the fantastical world described in those books is real? No way! That disbelief is shattered, though, when Ross himself crosses over and is quickly drawn into the hunt for his father's killer in a nightmare world of gunslingers and monsters where the rules make no sense.
And to make matters worse: he hasn't read the books.
From award-winning author S. A. Hunt comes a blockbuster fantasy tale inspired by such old-school fantasy classics as Stephen King's The Dark Tower, C. S. Lewis's Chronicles of Narnia, and Madeleine L'Engle's A Wrinkle in Time.
After coming home from a stint in Afghanistan, veteran Ross Brigham learns that his father has passed away. Dearly departed Dad was a famous fantasy novelist, and the 300 fans that show up for the funeral demand that Ross finish E. R. Brigham's long-running magnum opus.
Ross and two of the author's devotees investigate his untimely death and discover that he might have been…
As host of ImmerseOrDie, I've tested over 600 indie novels so far, searching for books that can hold me in their spell for at least 40 minutes. Unfortunately, self-publishing is rife with the quirks and gaffs that burst such glamours: bad spelling, bad formatting, ludicrous dialogue... Even allowing three failures before bailing, only 9% survived. And reading those to completion whittled the herd still further.
So here then are the surviving 1%. A glittering few, plucked from the muck so that you don't have to. I don't promise you'll love them, but I do make one guarantee: they do not suck.
And in the Swamps of Indie, that is high praise indeed.
What would you get if Stephen King fathered a love-child on the corpse of HP Lovecraft? You'd get Rust, a full-throated scream of confusion and despair expressed in the chaotic afterlife of one Kimberley Archer. Is she single and dead? Or is she trapped in a living hell populated by the devoted husband and loving child she cannot remember knowing? This one creeped me out completely.
After being pushed in front of the subway C-Line, Kimberly Archer finds herself in an impossible town with a husband she's never seen before and a life she can't remember. The rain never stops, the phones don't work and the doctors think she's delusional.
Kimberly only wants to get back to her fiance in New York. But for that, she needs the help of Fitch, a madman who believes something dark lives at the heart of Rustwood. He'll help her, so long as she joins him on his mission to burn…
As host of ImmerseOrDie, I've tested over 600 indie novels so far, searching for books that can hold me in their spell for at least 40 minutes. Unfortunately, self-publishing is rife with the quirks and gaffs that burst such glamours: bad spelling, bad formatting, ludicrous dialogue... Even allowing three failures before bailing, only 9% survived. And reading those to completion whittled the herd still further.
So here then are the surviving 1%. A glittering few, plucked from the muck so that you don't have to. I don't promise you'll love them, but I do make one guarantee: they do not suck.
And in the Swamps of Indie, that is high praise indeed.
The books that grab me most firmly are the ones where the premise itself gets me in a headlock and screams: "READ ME!" at the top of its lungs while twisting my ear until I give in. Case in point: Catskinner's Book.
After years of failure, long-time loser James Ozwrycke has finally assembled a life. Sort of. He's got a tiny apartment and a crappy job, which might not be much to you, but it's enough to pay the bills and fuel his video game habit, and that's the best life James has ever known. So how did he manage to score this skid row utopia? By entering an unusual agreement. All he has to do is let a demon use his body every now and then. You know, to kill people. But that's not so bad. Is it?
Catskinner's Book is a science fiction/urban fantasy novel set in a surreal world unlike any that you have seen before. James Ozryck has a monster in his head. All of his life the entity that he calls Catskinner has made him a fugitive, afraid to get too close to anyone, afraid to stay in one place for too long. Catskinner kills, without compassion and without warning, and is very good at it. Now James has learned that Catskinner is not the only monster in the world, a world that has suddenly become a far stranger and more dangerous place than…
I've spent the last half-century researching complex systems and mathematical modeling, both at research centers including The RAND Corporation, the Santa Fe Institute, and the Int'l Center for Applied Systems Analysis (Vienna), as well with professorships at New York University, Princeton and the Technical U. of Vienna. I have also had a lifelong interest in the connection between science fiction and science fact, and have explored the relationship in several of my books including X-EVENTS, The Cambridge Quintet, and Paradigms Lost. I also served as editor for the volume Mission to Abisko, which gives an account of a week-long meeting between sci-fi writers and scientists held north of the Arctic Circle in Abisko, Sweden some years back.
By the early twentieth century, violent crime was the number one political issue in America. In response, Congress passed the Swift and Sure Anti-Crime Bill, which gave a previously convicted violent criminal one fair trail, one quick appeal, then immediate execution. But to prevent abuse of the law, it was necessary to create a machine that could detect lies with one-hundred percent accuracy. It was clear that such a Truth Machine would change the world. But the race to perfect the Truth Machine forces one man to commit a shocking act of treachery. Now he must conceal the truth from his own creation---or face execution.
The conflict here is truth versus justice, as is often the case in human affairs. I was extremely interested in seeing how the author would balance these two seemingly irreconcilable factors. The book does a startingly job in resolving this conflict, in the process creating…
Prepare to have your conception of truth rocked to its very foundation.
It is the year 2004. Violent crime is the number one political issue in America. Now, the Swift and Sure Anti-Crime Bill guarantees a previously convicted violent criminal one fair trial, one quick appeal, then immediate execution. To prevent abuse of the law, a machine must be built that detects lies with 100 percent accuracy.
Once perfected, the Truth Machine will change the face of the world. Yet the race to finish the Truth Machine forces one man to commit a shocking act of treachery, burdening him with…
I am a Greek social psychologist and have spent much of my academic career studying myths and stories in social life - stories, even when inaccurate or wrong, serve to create meaning, a fragile and valuable resource, especially in these post-truth times. At the same time, I believe that we must not lose sight of the distinctions between story and fact, fantasy and reality, truth and fiction. I am greatly concerned that the social sciences today, as shaped by the academic publishing game, are preoccupied with trivia and act as black holes into which meaning disappears. I strongly believe that it is our responsibility to restore the meaningfulness of academic research.
This book describes how meaningless talk has conquered the world. It explains why so much written text is entirely meaningless and yet it gets published. But bullshit is not just meaningless – it is speech directly or indirectly intended to mislead or obfuscate. Its very acceptance as false reveals a collusion between the writer or the speaker and their audience – a collusion which precludes the audience from challenging what they hear. Bullshit is not just fashionable babble, it is a serious threat to democratic values and to meaningful public discourse.
A #1 NEW YORK TIMES BESTSELLER One of the most salient features of our culture is that there is so much bullshit. Everyone knows this. Each of us contributes his share. But we tend to take the situation for granted. Most people are rather confident of their ability to recognize bullshit and to avoid being taken in by it. So the phenomenon has not aroused much deliberate concern. We have no clear understanding of what bullshit is, why there is so much of it, or what functions it serves. And we lack a conscientiously developed appreciation of what it means…
Books are my passion; architecture relates to my profession. The combination, for me, is pure joy. I get such pleasure building my personal library of architecture, design, art, and photography books. After having been a magazine editor and writer, I founded Taylor & Company in 1994, to promote the value of architecture and design. My respect for architects is deep—they create something that must function in all ways and are still able to express themselves creatively. The books I’ve selected are all written by architects, giving me an extra layer of admiration for their talents to express themselves in other media.
For an architect to take an incisive, unflinching look at his own profession is refreshing and enlightening. Francis-Jones positions architecture’s strengths and failings in reflection to society, politics, equity, aspiration, ecology, power, and defiance. As a promoter of architects and what they do, I’m happy to see a title that places architecture in a broader scope, and in the same breath as other creative expressions, such as film, music, and literature. He raises questions and observations about the nature of architects and architecture that make one think: Is there any truth in architecture? Why are we driven to build so tall? Why do architects feel so sad, overwhelmed, and helpless? Conversely, within its rubric of architecture, Truth and Liesis a book about us—about how people engage and disengage from society and the consequences that ensue.
"'Truth and Lies in Architecture' delves deep into the soul of architects and their work." - Naser Nader Ibrahim, Amazing Architecture
This is a collection of provocative essays that journey into the vexed circumstance of contemporary architectural practice. The nature of the great cultural, social, political, environmental, and consumerist challenges facing the contemporary architect are explored, interpreted, and questioned, while drawing connections from architecture theory, philosophy, science, literature, and film sources in an attempt to negotiate the territory between the truth and lies in architecture.
These essays written by a leading Australian architect represent a level of comprehensive critical awareness…
Victoria Talwar, PhD, is a professor and the chair of the Department of Educational & Counselling Psychology at McGill University. She is a recognized leading expert on children’s deception and has published numerous articles on children’s honesty and lie-telling behaviors. Dr. Talwar has given workshops to parents, teachers, social workers, and legal professionals. Among other distinctions, she was awarded the Society for Research on Child Development Outstanding Early Career Contributions to Child Development Research award. She is a Fellow of the American Psychological Association (Division 7), a Fellow of the Association for Psychological Science, and a member of the College of the Royal Society of Canada.
The Wigglebottom books were a favourite in my house. This book was no exception.
Howard knows that lying is wrong, but he chooses to do it anyways. It is an excellent illustration of the negative emotions of guilt and worry that come from telling lies – it is like having a monkey on your back which just gets bigger and heavier with every lie.
However, this is also an illustration of redemption when Howard makes the right choice to tell the truth and feels better. We read this book many times and it prompted many conversations about what it feels like to lie, to tell the truth, and why it is better to tell the truth.
LISTEN BETTER to the little voice in your head, your intuition. Lying is wrong. Award-winning…educator endorsed. FREE download discussion ideas, poster, video, song and interactive questions. www.wedolisten.org
The We Do Listen Foundation is helping millions of children listen better to others, their hearts, feelings, bodies, and to intuition, the little voice in the head. 15 Howard B. Wigglebottom books, animations, songs and lessons help ages 4-7 become better listeners, learn important life lessons and feel good about themselves.
No one ever gets in trouble for too much listening.
Have a good listening day or the day of your choice.
I grew up in the 1970s, still in contention for America’s most paranoid decade (thanks, Watergate). Practically everything I watched, listened to or read (right down to my beloved superhero comics) was asking, what’s hiding behind the world around you? I don’t think of myself as a paranoid guy – I don’t, for instance, believe in a real life Deep State – but these are the sorts of stories that resonate for me. Taken less literally, they do ask worthwhile and still disturbingly relevant questions: what is beneath the world you know and see every day? What is right in front of you, both good and bad, that you aren’t seeing?
It’s the post-modern apotheosis of all conspiracy theories: convince enough people something is true, it becomes true. Doesn’t matter how far-fetched – the Earth is flat, the world is overcome with Bigfoots, shape-changing lizardmen are secretly controlling everything – convince enough people, and it happens. Except, who’s trying to convince people? And who’s trying to stop them? And are either of them on our side? It’s really a bottomless hole in the most enjoyable way (if paranoid fables are your thing): no matter how bad you realize it is, it’s actually worse. But wait, it’s even worse than that. And even worse than that. This is an ongoing comic series (even the art makes reality seem haunted and insubstantial), so while there are already several collected editions, there’s no end in sight.
Best of 2021 Lists: New
York Public Library Entertainment
Weekly Indigo And
more...
"A wonderfully dizzy mixture of Men
in Black, John Carpenter, Stephen King, The Matrix, and 1970s conspiracy
thrillers."- Forbes
"A story for
our zeitgeist. SIMMONDS' art invokes Bill Sienkiewicz."- Entertainment
Weekly
"It is FANTASTIC. Can't wait to
read the whole series!"- Patton Oswalt
COLE
TURNER has studied conspiracy theories all his life, but he isn't prepared for
what happens when he discovers that all of them are true, from the JFK
Assassination to Flat Earth Theory and Reptilian Shapeshifters. One organization
has been covering them up for…
I’m a cultural anthropologist with a passion for exploring how we humans make meaning of the wonderful, terrible, startling, often-absurd existence in which we find ourselves. My research has taken me from NYC’s underground occult scene to the conflict-resolution strategies of Central Peru; from circus performers in Portland, Maine, grappling with their physical potential, to a comedy club in Berlin where I set out to discover the secret sauce for evoking “collective joy” amongst strangers.I am drawn to artistic works that mix genres and defy categorization… and thus have a penchant for alienating editors, librarians, and bookstore owners who struggle to identify on which shelf my books belong.
Love it or hate it, this is a truly unique book. Slater presents herself as the ultimate unreliable narrator, describing her life-long struggles with epilepsy, only to reveal that her diagnosis is a lie. (Or is it? Apparently, even she is not sure.) Which makes the experience of reading Lyinga slippery head trip. One becomes easily absorbed in Slater’s evocative prose and haunting descriptions, only to be reminded a sentence later that it may all be complete BS.
Some readers might be turned off by what is, admittedly, a bit of a mind fuck. Me, I’m fascinated by it. Lying offers the opportunity to vicariously inhabit a mind not quite tethered to truth… thus forcing readers to contemplate our own relationship to Truth.
In this powerful and provocative new memoir, award-winning author Lauren Slater forces readers to redraw the boundary between what we know as fact and what we believe through the creation of our own personal fictions. Mixing memoir with mendacity, Slater examines memories of her youth, when after being diagnosed with a strange illness she developed seizures and neurological disturbances-and the compulsion to lie. Openly questioning the reliability of memoir itself, Slater presents the mesmerizing story of a young woman who discovers not only what plagues her but also what cures her-the birth of her sensuality, her creativity as an artist,…
Interested in
lying,
the afterlife,
and
magical realism?
10,000+ authors have recommended their favorite books and what they love about them.
Browse their picks for the best books about
lying,
the afterlife,
and
magical realism.
