32 books like The Inspector and Mrs. Jeffries

I admit it: I underestimated Flavia de Luce.

She is 11 years old, self-schooled, and lives outside a small English town in the 1950s. She is overlooked and underestimated by everyone. Deep inside, I’m still 11 years old, underestimated, and overlooked. I had an insatiable desire to learn about my environment, and I often saw things others didn’t. Flavia also reminds me of my childhood living in the country in the 1980s. I ran unchecked, safe, and constantly delighted in discovering new things about my corner of the world. I wince at the de Luce family politics. I cheer Flavia’s investigations and her fearlessness. I want nothing more than to stay in Flavia’s 11-year-old world forever. She is the kick-ass kid I wanted to be. 

I love historical detective novels, and this one, set in AD 70, is a great way to immerse yourself in the Roman world. Lindsey Davis does her research, creating a real, lived-in space that makes the ancient past feel alive and present.

Another big plus is that it’s hilariously entertaining: I’m regularly guffawing out loud while reading it. Best of all? It’s the first book in a fantastic series, and I’ve enjoyed following private instigator Marcus Didius Falco, and then later his daughter, Flavia Alba, over a number of adventures across the city of Rome and the wider Empire.

I just did a reread of this timed for the release of the seventh in the series, and every time I read it I’m blown away by the genius way Thomas deconstructs the Holmes mythology and then puts it back together again in a new, fascinating, plausible, entirely satisfying way.

In this retelling Holmes is not only a woman, but one who has been exiled from society for—well, behaving like Sherlock Holmes. The characterization—not only of Holmes, but also of her family, associates, and enemies—is rich and believable, and the mysteries are complex and gripping.

The whole series explores the fundamental injustice of women being treated differently from men, as well as the many ingenious ways women find to escape, avoid, and subvert that norm—and the price they pay.

An unlikely pair fight crime and corruption in second-century Britain. 

Meet Ruso and Tilla. He’s an educated, idealistic Roman serving as an army medic with the 20th Legion. She’s a feisty, pragmatic Briton and former slave. Together they fight injustice, solve murders, and share an endearing talent for getting themselves into awkward pickles by misconstruing each other’s intentions. 

In Terra Incognito, Ruso travels to the British frontier, where he is the outsider and Tilla the one who understands the rules. Can a tough Roman soldier learn to take advice from his barbarian housekeeper? Can he trust her not to betray him or run away to rejoin her people? Tilla proves trustworthy, and a great crime-fighting partnership is formed.

One of the biggest joys in this fine series is the pub settings. Each title is the name of a pub and each pub is the sort of spot you'd like to settle comfortably down with a drink and a chat with friends. Add onto this backdrop a puzzling murder, the wonderful Scotland Yard inspector Richard Jury, and his aristocratic sidekick Melrose Plant, and you've got a winning formula from Martha Grimes.

As a writer I look to Crombie’s Constable Duncan Kincaid/Sergeant Gemma James series for guidance on how to have your characters grow professionally and personally, to age and experience the kind of changes people go through in real life. I recommend book one of the nineteen in the series, A Share in Death, because it sets up the relationship between the two detectives.

This is the first book in George’s twenty-one book series featuring Scotland Yard Inspector Thomas Lynley, the eighth earl of Asherton, and Detective Sergeant Barbara Havers, a commoner.

When I read A Great Deliverance, I fell in love with George’s beautiful writing, found her two characters fascinating, and adored the cast of characters supporting the detectives. Plus, the book is unusual because the reader knows from the start who the killer is and the investigation focuses on why she killed him.

When I sat down to write my first ever fiction, Linley and Havers were the inspiration for my two detectives, NYPD Detectives Chiara Corelli and P.J. Parker. And I learned from George that the characters are as important, if not more important, than the plot. She inspired my writing.

This is another murder mystery set in a quintessential English village and where we meet detective Adam Dalgleish for the first time. The day after the church fete, Sally Jupp is found dead in her bedroom, the door locked from the inside. I loved the way tension gradually builds through the story and how expertly each character is drawn. Nobody is who they seem, including the victim.

I will admit it’s been a while since I read this, the first Charlotte and Thomas Pitt mystery.

The fact that I still remember it and include it on this list says something. The mystery is convoluted enough to keep readers interested and the story of the lead characters going against societal norms (young woman from a good family attracted to a “lowly” police inspector) is intriguing. 

Throw in the foggy atmosphere of Victorian London and you’ve got a real winner. Be aware, though, Hangman is the first of 32 Charlotte and Thomas Pitt novels.

 The Last Kashmiri Rose: Murder and Mystery in the Final Days of the Raj is the first of Barbara Cleverly’s 13 Joe Sandilands mysteries. In March of 1922, Sandilands’ return to Scotland Yard from Calcutta is delayed by Bengal’s governor, who sends him to a military post where his niece Nancy’s husband is Controller. Nancy’s best friend has committed suicide, according to the local police. But Nancy has learned that since 1911, four other officers’ wives have died in peculiarly violent circumstances. After Sandilands’ investigation uncovers a series of murders, he looks for the murderer amidst tea parties, dances, picnics, and dinners. The portrait of Anglo-Indian society, in which every need is supplied by socially invisible native servants, is excellent.