Here are 100 books that The Hebrew Bible fans have personally recommended if you like
The Hebrew Bible.
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I’m passionate about the theme of this list because I’ve experienced a lot in life already, even though I’m only 24 years old, and I know about the different situations that these books describe well. I’ve experienced a few traumatic situations later in my life (after I read these books) that these books have, it has turned me into somewhat of a realist over time, and I like to use my own talent of writing and creating characters to create, teach, and make people aware of scary and traumatic situations that can happen to anyone in real life. I hope more people will see the valuable lessons in these books.
This book is nonfiction, so it’s about real people rather than fictional characters. I love this book because it gives a descriptive perspective on what was happening and what was going on in Nazi-occupied Germany and Poland during World War II, and the horrors of the concentration camps (mainly Auschwitz) that were built and used to kill everyone the nazis hated for whatever insane reasons they had.
I’ve always had an almost alarming interest in World War II. It was my favorite lesson from the history classes I’ve taken, and this book really put some of the evil things that were done during that time into perspective.
Born into a Jewish ghetto in Hungary, as a child, Elie Wiesel was sent to the Nazi concentration camps at Auschwitz and Buchenwald. This is his account of that atrocity: the ever-increasing horrors he endured, the loss of his family and his struggle to survive in a world that stripped him of humanity, dignity and faith. Describing in simple terms the tragic murder of a people from a survivor's perspective, Night is among the most personal, intimate and poignant of all accounts of the Holocaust. A compelling consideration of the darkest side of human nature and the enduring power of…
I have been writing for years and reading forever. Fantasy books have always been my number one go-to as far as genres. I loved how they would teleport me to a new world, allowing me to leave behind reality. The characters became my friends. The worlds became my home. I couldn’t get enough and still can’t. As I got older, my imagination never stopped. I was constantly creating dreamworld and character plots in my head. Eventually, I started writing, needing the characters to stop talking. The only way to do that was to get them on paper. Since then, I haven’t been able to stop.
I read this for a women’s study class and LOVED it. The telling of a story back in the biblical times from a woman’s perspective… sign me up.
This one took me through an emotional journey, blending fact with fiction to the point where I didn’t know where one ended and the other began. My heart was put through the ringer. I cried. I laughed. I fell in love. I felt the bond between mother and daughter and the rage of the oppression the FMC went through. It made me take a look at these biblical stories in a whole new light.
In The Red Tent Anita Diamant brings the fascinating biblical character of Dinah to vivid life.
'Intensely moving . . . feminist . . . a riveting tale of love' - Observer
Her name is Dinah. In the Bible, her fate is merely hinted at in a brief and violent detour within the verses of the Book of Genesis that recount the life of Jacob and his infamous dozen sons. Anita Diamant's The Red Tent is an extraordinary and engrossing tale of ancient womanhood and family honour. Told in Dinah's voice, it opens with the story of her mothers -…
I have had two careers and two lives. Beginning as a historian of American culture, I
have become a writer of fiction. That I have turned to fiction now is because I have so many of my
own stories to explore and relate. And what I love most about writing novels and the
short pieces I compose is the possibility to create living characters who sometimes
surprise me with what they believe and do, but always, I know, emerge from the very
deepest corners of my imagination and the issues that I feel compelled to examine and
resolve.
I love this novel for its ability to describe a very small world as if it were the most important place in the universe. It captures perfectly the way in which people, visited by enormous tragedy, are able to reconstruct lives that are full of richness and humor.
Tragic, comic, and utterly honest, this bestselling and critically acclaimed work is at once a family saga and a magical self-portrait of a writer who witnessed the birth of a nation and lived through its turbulent history. It is the story of a boy growing up in the war-torn Jerusalem of the forties and fifties, in a small apartment crowded with books in twelve languages and relatives speaking nearly as many. The story of an adolescent whose life has been changed forever by his mother's suicide when he was twelve years old. The story of a man who leaves the…
Growing up near Oak Ridge, Tennessee, I was aware that the city had historical significance but also that it wasn’t particularly famous, at least to people from outside the region. I’ve always been drawn to these sorts of overlooked stories from history, which are, not coincidentally, often women’s stories. Women made up the majority of workers in Oak Ridge during World War II, and for decades afterward, their stories were generally viewed as less important than male-dominated narratives of the war. But I’ve always believed that women’s stories are no less interesting than men’s. These books look at history’s worst conflict from unique perspectives that foreground the female experience.
Though it is set just after the war, the characters in this novel cannot escape from their memories of the Holocaust or guilt at having survived. Yet they are also stuck in a comic scenario—through a complex series of events, the Jewish protagonist Herman has wound up with three “wives,” his first wife from before the war who he mistakenly assumed dead, the Polish Catholic peasant who hid him from the Nazis and he married out of gratitude, and his mistress and fellow survivor he met upon relocating to New York. The novel is both hilarious and heart-breaking—a potent reminder of the impossibility of ever leaving behind the worst horrors of this war.
Almost before he knows it, Herman Broder, refugee and survivor of World War II, has three wives: Yadwiga, the Polish peasant who hid him from the Nazis; Masha , his beautiful and neurotic true love; and Tamara, his first wife, miraculously returned from the dead. Astonished by each new complication, and yet resigned to a life of evasion, Herman navigates a crowded, Yiddish New York with a sense of perpetually impending doom.
No matter how you read it, the Bible is a strange book. It weaves together beautiful narratives and deadly-dull genealogies; uplifting messages with passages that many today find ethically repulsive. Yet it gained an extraordinary authority, in a predominantly pre-literate society. The question of how this happened has been an intellectual and scholarly preoccupation of mine for decades, and as a professor at Brown University I seek to bring my students and readers into this very foreign world in order to open their eyes to new possibilities in the present.
I’m going to cheat here and put this book together with two others, The Jewish Annotated New Testament and The Jewish Annotated Apocrypha. Each of these three books has the biblical text; explanatory notes that include scholarly perspectives; and a lengthy set of essays by well-noted scholars. All of these parts of the Bible were written (primarily) by and for Jews in antiquity—including much of the New Testament—and these books seek to recover how they were read and functioned in antiquity.
First published in 2004, The Jewish Study Bible is a landmark, one-volume resource tailored especially for the needs of students of the Hebrew Bible. It has won acclaim from readers in all religious traditions.
The Jewish Study Bible combines the entire Hebrew Bible-in the celebrated Jewish Publication Society TANAKH Translation-with explanatory notes, introductory materials, and essays by leading biblical scholars on virtually every aspect of the text, the world in which it was written, its interpretation, and its role in Jewish life. The quality of scholarship, easy-to-navigate format, and vibrant supplementary features bring the ancient text to life.
I spent twenty years as a book publishing executive learning how the trade works before launching myself as a full-time author wanting to make the world a better place. My books use state-of-the-art scholarship for history you can read on the beach, and focus on ‘hinge’ moments, great turnings of the world, as well as on forgotten and unsung heroes.
Using state-of-the-art scholarship and his own vast erudition, Calasso reveals the Hebrew Bible (or Old Testament)—the foundational text of Judaism and Christianity—in a whole new way.
You will time and again be shocked by this book, and swear that he must be making things up, that these wild tales can’t possibly be in the Bible… yet indeed, all of them are there. A revolutionary book on a revolutionary religion.
A book that begins before Adam and ends after us. In this magisterial work by the Italian intellectual superstar Roberto Calasso, figures of the Bible and its whole outline emerge in a new light: one that is often astonishing and disquieting, as indeed―more than any other―is the book from which they originate
Roberto Calasso’s The Book of All Books is a narration that moves through the Bible as if through a forest, where every branch―every verse―may offer some revelation. Where a man named Saul becomes the first king of a people because his father sent him off to search for…
Peter Marshall is Professor of History at the University of Warwick, co-editor of the English Historical Review, and the author of nine books and over sixty articles on the religious and cultural history of early modern Europe. His authoritative account of the Reformation in England, Heretics and Believers, was awarded the Wolfson History Prize in 2018. Peter is a native of the Orkney Islands, and currently writing a book on the islanders’ experiences in the Reformation era.
At the heart of the Reformation in England was an insistence that people be allowed access to Scripture in their own language, but translation was invariably a selective and creative process. Tadmor brilliantly shows how the translators of the Hebrew Bible (‘Old Testament’) remade the ancient world in the image of contemporary Tudor society, editing out many references to slavery and polygamous marriage, and merging together distinct forms of political governance through consistent reference to the authority of a ‘prince’. The findings are eye-opening, and the book should be required reading for modern biblical fundamentalists.
How can we explain the immense popularity of the English Bible? In this book, Naomi Tadmor argues that the vernacular Bible became so influential in early modern English society and culture not only because it was deeply revered, widely propagated, and resonant, but also because it was - at least in some ways - Anglicised. She focuses in particular on the rendering into English of biblical terms of social description and demonstrates the emergence of a social universe through the processes of translation from ancient and medieval texts to successive and interrelated English versions. She investigates the dissemination of these…
No matter how you read it, the Bible is a strange book. It weaves together beautiful narratives and deadly-dull genealogies; uplifting messages with passages that many today find ethically repulsive. Yet it gained an extraordinary authority, in a predominantly pre-literate society. The question of how this happened has been an intellectual and scholarly preoccupation of mine for decades, and as a professor at Brown University I seek to bring my students and readers into this very foreign world in order to open their eyes to new possibilities in the present.
James Kugel, a professor at Harvard and then Bar Ilan University in Israel, has been writing for years on how the Hebrew Bible was read and understood in antiquity.How to Read the Biblewill bring you on a remarkable journey through time. Kugel selectively goes through the Hebrew Bible, contrasting how those in antiquity read, understood, and interpreted biblical stories with how modern scholars do. The book is long, and can be read in sections. Kugel’s discussions of both the academic study of the Bible and the way he understands the Bible as both a critic and an Orthodox Jew, are outstanding.
James Kugel’s essential introduction and companion to the Bible combines modern scholarship with the wisdom of ancient interpreters for the entire Hebrew Bible.
As soon as it appeared, How to Read the Bible was recognized as a masterwork, “awesome, thrilling” (The New York Times), “wonderfully interesting, extremely well presented” (The Washington Post), and “a tour de force...a stunning narrative” (Publishers Weekly). Now, this classic remains the clearest, most inviting and readable guide to the Hebrew Bible around—and a profound meditation on the effect that modern biblical scholarship has had on traditional belief.
Moving chapter by chapter, Harvard professor James Kugel…
Joy Schroeder is a historian devoted to examining the experiences of women in Christianity and Judaism. With concern for female and male victims of violence, Schroeder scrutinizes historical documents to find accounts of harassment, rape, clergy sexual abuse, and other violence. She brings the historical accounts to light while critiquing the cultural patterns that perpetuate violence in our own day. In her work as a pastor and as a professor, she has worked to support victims of harassment, sexual violence, domestic violence, and child abuse. Schroeder is a professor of church history at Capital University (Columbus, Ohio), where she teaches at Trinity Lutheran Seminary and the department of religion and philosophy.
Susanne Scholz says readers should consider biblical accounts of sexual violence to be “sacred witness” to the horrific reality of rape in the biblical world and in our own world. She proposes that we wrestle with the Bible’s words, including passages that depict God as a violent aggressor, and that we should read scriptural accounts in solidarity with victims, past and present.
In Sacred Witness, Susanne Scholz discusses the wide range of rape texts in biblical literaturesome that long have troubled readers, others that should have but didn't, such as texts of marital rape, for example, or metaphorical speech about God as rapist. Assuming the androcentric nature of these writings, Scholz asks how we may read these texts in order to find some redemptive meaning for women, children, and men who have been injured by sexual violence and by cultures of rape. Sacred Witness provides illuminating reflection on some of the most troubling texts in the Hebrew Bible.
I am a retired professor, was raised in a refugee camp, one of a family of 9 living in one tent. studied in Palestine, Egypt, Germany, and America, have Ph.D. in economics; scholarships financed my education journey. I lived a life no human has lived or can live, because some of the times I lived had come and gone and cannot come back again. I taught at 11 universities on 4 continents, published 60 books in Arabic and English: books on economics, politics, culture, history, conflict resolution, philosophy, racism, novels, and poetry. True intellectuals cannot stay in one area because issues that shape mankind's history and man’s destiny are interconnected.
Believers in God see him as the creator of man and women in his own image. Firm believers tried throughout history to model themselves as they imagined God. But God, the author says, evolves through his relationship with man, and man becomes rival to God. So believers and non-believers discover that God, the protector of the poor and weak, becomes a warrior who nearly destroys all humans and animals he created by causing the flood. So rational people realize that God is a tribal chief who gets angry, kills, destroys, loves some and forgets many more. This book is a must-read for all believers and non-believers. I found this book unusual in telling amazing stories about God and his actions and reactions.
What sort of "person" is God? What is his "life story"? Is it possible to approach him not as an object of religious reverence, but as the protagonist of the world's greatest book—as a character who possesses all the depths, contradictions, and abiguities of a Hamlet? This is the task that Jack Miles—a former Jesuit trained in religious studies and Near Eastern languages—accomplishes with such brilliance and originality in God: A Biography.
Using the Hebrew Bible as his text, Miles shows us a God who evolves through his relationship with man, the image who in…
