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I was a wild card in the industry heavy town where I was born and raised, destined to burn out my days early in a factory or steel mill. But I worked my way through college, survived several close calls in Vietnam and bull headed my way into a series of jobs that pushed me toward Hollywood assignments as a writer, producer and director.
I liked this hundred-year-old novel because it explores some darker doubts and concerns I have always had about “the hidden heart of mankind unrestrained.” What’s more, the theme of Heart Of Darkness is reflected in the movie Apocalypse Now, with stark modern-day observations on the wounds the violence of war can inflict on the hearts and minds of humans.
Although Polish by birth, Joseph Conrad (1857–1924) is regarded as one of the greatest writers in English, and Heart of Darkness, first published in 1902, is considered by many his "most famous, finest, and most enigmatic story." — Encyclopaedia Britannica. The tale concerns the journey of the narrator (Marlow) up the Congo River on behalf of a Belgian trading company. Far upriver, he encounters the mysterious Kurtz, an ivory trader who exercises an almost godlike sway over the inhabitants of the region. Both repelled and fascinated by the man, Marlow is brought face to face with the corruption and despair…
I was a wild card in the industry heavy town where I was born and raised, destined to burn out my days early in a factory or steel mill. But I worked my way through college, survived several close calls in Vietnam and bull headed my way into a series of jobs that pushed me toward Hollywood assignments as a writer, producer and director.
I liked this novel because I was in Vietnam, have friends forever changed by contact with the mad god Mars, and could easily relate to the main character.
After his time in the military, Vietnam war tunnel rat Harry Bosch has to fight his own PTSD as well as very real present dangers in his job with the Los Angeles police force. Since I have studied the L.A. police for some of my novels, Connelly’s writing rings very true to me.
An LAPD homicide detective must choose between justice and vengeance as he teams up with the FBI in this "thrilling" novel filled with mystery and adventure (New York Times Book Review). For maverick LAPD homicide detective Harry Bosch, the body in the drainpipe at Mulholland Dam is more than another anonymous statistic. This one is personal . . . because the murdered man was a fellow Vietnam "tunnel rat" who had fought side by side with him in a hellish underground war. Now Bosch is about to relive the horror of Nam. From a dangerous maze of blind alleys…
I was a wild card in the industry heavy town where I was born and raised, destined to burn out my days early in a factory or steel mill. But I worked my way through college, survived several close calls in Vietnam and bull headed my way into a series of jobs that pushed me toward Hollywood assignments as a writer, producer and director.
I admire Hemingway’s measured empathy for the war-torn social outcast. This classic novel pictures a post-WWI environment where survivors have been physically and mentally maimed by their war experience; I like how Hemingway creates a vivid cast of characters struggling to find their way in a society that seems no better than before the conflict began.
Jake Barnes is a man whose war wound has made him unable to have sex—and the promiscuous divorcée Lady Brett Ashley. Jake is an expatriate American journalist living in Paris, while Brett is a twice-divorced Englishwoman with bobbed hair and numerous love affairs, and embodies the new sexual freedom of the 1920s. The novel is a roman à clef: the characters are based on real people in Hemingway's circle, and the action is based on real events, particularly Hemingway's life in Paris in the 1920s and a trip to Spain in 1925 for the Pamplona festival and fishing in the…
I was a wild card in the industry heavy town where I was born and raised, destined to burn out my days early in a factory or steel mill. But I worked my way through college, survived several close calls in Vietnam and bull headed my way into a series of jobs that pushed me toward Hollywood assignments as a writer, producer and director.
I liked this book because of its unique plot. After the American Civil War, ex-trooper and sharp shooter Valdez is working as a part-time small town sheriff. He gets on the bad side of a wealthy rancher who has a gang beat him up and leave him for dead out in the desert.
But after this excellent opening, I love what happens next. Valdez is a survivor: he returns to face off against incredible odds, to regain his honor and see that justice prevails.
No writer chronicles the battles of misfits, underdogs and renegades like Elmore Leonard ...
VALDEZ IS COMING is a stunning stale of morality and justice in which a simple, honest man is transformed into a killer - and begins a long journey of revenge against those who scarred his soul for ever.
Elmore Leonard's Western novels stand as some of the most vivid writing of his career. With all of his trademark sharp dialogue and set against a beautifully evoked landscape, this is a classic work that captures the wild and glorious spirit of the American West.
When I was nine years old, I joined a book club. The members were me and my dad. He’d throw detective books into my room when he was done with them, and I’d read them. We’d never discuss them. But that’s why hard-boiled detective fiction is comfort food for me and how I know it so well. I’ve been binging on it most of my life and learning everything the shamus-philosophers had to teach me. Now I write my own, the Ben Ames series, for the joy of paying it forward.
Early Autumn made me cry from two directions. As a tween, reading about Spenser’s rescue of Paul, a shut-down, emotionally neglected boy that Spenser first assesses as “an unlovely little bastard”, I cried in sympathy and relief for Paul.
Over a summer, Spenser taught him skills, built up his strength and gave him the confidence to find his own dreams, before leaving him at the doorway to the life he now knew he wanted. As an adult, I cried with joy for Spenser, who connected with a stranger, taught what he had to teach, and changed a life.
Really helping someone in a lasting way is rarely so easy as it was in this book, but it’s a worthwhile dream and this Cinderella story gets me every time.
“[Robert B.] Parker's brilliance is in his simple dialogue, and in Spenser.”—The Philadelphia Inquirer
A bitter divorce is only the beginning. First the father hires thugs to kidnap his son. Then the mother hires Spenser to get the boy back. But as soon as Spenser senses the lay of the land, he decides to do some kidnapping of his own.
With a contract out on his life, he heads for the Maine woods, determined to give a puny 15 year old a crash course in survival and to beat his dangerous opponents at their own brutal game.
I grew up in Edinburgh and, from an early age, I heard the tale of Deacon Brodie. However, it was not until I was older—when a city official was charged with corruption—that I realised Brodie might just be the first ‘white collar’ criminal in Edinburgh. The more I found out, the more fascinating he became. Here was a man who everyonein the city saw as a wealthy, respectable, Councillor, yet—at the same time—he was a gambler who became a criminal to feed his habit, and so, when I moved to America, I decided to write my first crime novel based on Brodie’s life.
Lehane, one of my favourite authors, introduces the crime writer’s device of the duo, in his firstKenzie and Gennaro novel. For me, as in my own DCI Steel novels, the duo in writing can work to inform, or mislead, the reader and, if handled well, the reader doesn’t notice, seeing the interaction between characters as normal. Clichés abound in crime fiction, especially in lead characters, but Lehane avoids this with P.I. Patrick Kenzie, and his lifelong friend, Angie Gennaro. Given the area they inhabit, with its racial and gang tensions, added to the clients they have, clichés would seem unavoidable, but—once again—the lesson here is to write multi-faceted characters, which Kenzie and Gennaro emphatically are. They are flawed, but in Lehane’s hands, triumphantly human, and verybelievable.
Patrick Kenzie and Angela Gennaro are tough private investigators who know the blue-collar neighbourhoods and ghettos of Boston's Dorchester section as only natives can. Working out of an old church belfry, Kenzie and Gennaro take on a seemingly simple assignment for a prominent politician: to uncover the whereabouts of Jenna Angeline, a black cleaning woman who has allegedly stolen confidential Statehouse documents. But finding Jenna proves easy compared to staying alive. The investigation escalates, uncovering a web of corruption extending from bombed-out ghetto streets to the highest levels of state government.
With slick, hip dialogue and a lyrical narrative pocked…
I love to read mysteries, particularly those with recurring characters. As a lawyer with experience in criminal law and teaching college law courses, I particularly appreciate cerebral detectives and legal maneuvers, and active investigators doing legwork for cerebral types. When I write, my recurring characters come first, followed by the case plots that those characters would find interesting. I always have some ideas of where the case is going and what procedures would be followed from my legal experience. Still, my detectives seem to inspire scenes and activities that show off their particular virtues and personalities as the investigations proceed. This seems to be what happens in the detective stories I am recommending.
Like Paretsky’s V. I. and Grafton’s Kinsey Milhone, six-foot, former police officer and intrepid Boston P.I. Carlotta Carlyle is dogged, street smart, and tough while navigating the vagaries of big city corruption and big money influence.
She is bored by her desk job undercover assignment investigating fraud in Boston’s Big Dig construction project. She craves the action that I, as a reader, want to see her undertake. I hope this is also the type of character I have created in my book.
Carlotta Carlyle, the six-foot-tall redhead private investigator, thought that working undercover searching out fraud on Boston's Big Dig would be a challenging assignment. After all, the Big Dig, the creation of a central artery highway through downtown Boston, is a USD 14 billion project, the largest urban construction undertaking in modern history. But playing a mild-mannered secretary working out of a construction trailer is not quite the thrill ride she had in mind, so Carlotta starts moonlighting, taking on a missing person case. The mysterious death of a construction worker stirs up a storm of events and soon enough Carlotta…
All of the books I’ve listed above have flawed characters. Characters that deal with emotional and/or moral dilemmas. The plots: murder, missing children, or runaway husbands are secondary to me. What I look for in a book and what I write about in my Cole and Callahan series, are characters with flaws. People who struggle with truth. Cops or investigators that hide or skew evidence because the truth would cause more harm than good. It’s the moral dilemma I want. The angst we all feel when we are faced with a particularly painful decision. That’s what real life is and that’s what brings a book and a character to life.
Gone Baby Gone is book 4 in Lehane’s Patrick Kenzie and Angela Gennaro series. As private detectives, Gennaro and Kenzie are a top-notch investigative team and the story itself is one that will suck you in from the start. It keeps you guessing with its mix of characters, reliable, and unreliable, upfront and in the shadows. It’s my kind of story and one I often referred to while writing my book. Beyond the story of a missing girl, Lehane uses the relationship between Gennaro and Kenzie as a subplot. The friction, the conflict, the barriers in their personal life continue to give the reader angst even after the facts are uncovered. Gone Baby Gone is a suspense story that doesn’t just solve a crime, but also takes the reader into the lives of the investigators, questioning their morality, their decisions and ultimately asking the reader, is the truth always worth…
Boston private investigators Patrick Kenzie and Angela Gennaro are hired to find four-year-old Amanda Cready.
Despite extensive news coverage and dogged investigation into her abduction, the police have uncovered nothing. And as the Indian summer fades, Amanda McCready stays gone - vanished so completely that she seems never to have existed.
Then a second child disappears.
Confronted with a police force seething with lethal secrets, Kenzie and Gennaro soon discover that those who go looking for the missing may not come back alive.
I grew up in California when cameras had flashcubes, skateboards had clay wheels, and kids longed for a lime-green Schwinn Stingray. Sailing, surfing, beach parties, and rock music were staples of my youth. Over time, we lost the Beatles but found the Allman Brothers, Zeppelin, and The Who. Disco had not yet destroyed us. I ditched the skateboard but kept sailing. Later, I became a criminal defense attorney. My profession inspires me to write realistic mystery/thriller novels. My sailing provides the setting. My goal is to give readers a solid, entertaining tale while bringing them to warm waters and island cultures and putting a little sand between their toes.
Spenser is a hard-nosed private detective living and working in Boston. When his girlfriend Susan runs off to California with another man, Spenser feels betrayed but understands. She has her freedom. Then his best friend, Hawk, is falsely arrested and jailed in the new man’s town. This sets off a firestorm of murder and violence as Spenser first frees Hawk and then they both attempt to free Susan from an abusive, if consensual, relationship. And then the CIA gets involved.A Catskill Eagle is the twelfth of forty Spenser novels written by Parker.
Susan's letter came from California: Hand was in jail, and she was on the run. Twenty-four hours later, Hawk is free, because Spenser has sprung him loose—for a brutal cross-country journey back to the East Coast. Now the two men are on a violent ride to find the woman Spenser loves, the man who took her, and the shocking reason so many people had to die. . . .
The roots of my debut novel Charlesgate Confidentialare in the time I spent in Boston, most notably the three years I lived in the Charlesgate building when it was an Emerson College dormitory. I always wanted to find a way to write about that time, but it wasn’t until I immersed myself in the world of Boston crime—not only the novels of Higgins, Lehane, and company but nonfiction works like Black Massand movies like The Departedand The Town—that I hit on the way to tell my story. I’ll always be excited for new Boston-based crime fiction, and I’m happy to share these recommendations with you.
As great as it was, Eddie Coyle didn’t leave much of a cultural footprint, at least not until the movie adaptation starring Robert Mitchum was rediscovered decades after its initial release. Robert B. Parker’s Spenser is another matter entirely, having spawned nearly 40 novels by Parker, another 10 by Ace Atkins, a popular ‘80s TV series, and a Netflix movie starring Mark Walhberg. Picking just one of the durable shamus’s adventures is a daunting task, but I’ll give the nod to Ceremonyfor its evocation of the seedy seventies Combat Zone (Boston’s long-gone red light district) and the murky morality of Spenser’s dealings with a teen runaway turned sex worker.
The house looked right. And the neighborhood was perfect. And everything else was wrong. So Spenser took the parents' money and went after a runaway girl. Unfortunately, April Kyle had already traveled two lifetimes from her suburban home. Now she was caught up in a web of pinps, criminals, and exploiters—the kinf of people who won't listen to anything but money, or a gun. . . .
Praise for Ceremony
“Sizzling.”—The Pittsburgh Press
“Pick of the crop, this one. Genuinely involving.”—The Cleveland Plain Dealer
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