Here are 100 books that The Girl from the Savoy fans have personally recommended if you like
The Girl from the Savoy.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
I’ve admired old buildings, hotels in particular, for many years. When immersed in a historic building, I find myself leaning in to discover what the walls might tell me if only I could listen closely enough. When I began writing The Hotel Hamilton series, I scoured the archives for historic hotels, learning how they came to be and how they've evolved through the years. One of the most fascinating aspects of hotel life for me is the juxtaposition of experiences felt by the guests versus those of the hotel staff. The upstairs/downstairs vibe of hotel life is ripe for creating tension within a novel, and that always intrigues me.
This deeply moving story took hold of my heart and didn’t let it go. Even years after having read this novel, I am still moved by the thought of it.
Struggle, war, injustice, and young love are carefully woven together in a gripping tale that speaks of truths and heartbreak we seldom examine. I can’t recommend Hotel on the Corner of Bitter and Sweet enough as it is as moving as it is important.
1986, The Panama Hotel The old Seattle landmark has been boarded up for decades, but now the new owner has made a startling discovery in the basement: personal belongings stored away by Japanese families sent to interment camps during the Second World War. Among the fascinated crowd gathering outside the hotel, stands Henry Lee, and, as the owner unfurls a distinctive parasol, he is flooded by memories of his childhood. He wonders if by some miracle, in amongst the boxes of dusty treasures, lies a link to the Okabe family, and the girl he lost his young heart to, so…
I am Peter C. Bradbury, and it was reading the books of P.G. Wodehouse that attracted me to the career of being a butler. I have also always loved murder mysteries, so when I started writing, I combined those aspects into my first book. I chose these particular books because of the details and the subjects. I was a butler for over twenty years in the UK and the USA, and it annoys me when household staff are incorrectly portrayed. I love movies like Gosford Park and series like Upstairs Downstairs and Downton Abbey. The butler sees and hears everything, so I like the writers who know that.
I loved this book because I worked in hotels before I became a butler, and the protagonist is a maid. You can walk into many situations in a hotel room, so a murder mystery is no big stretch. I love hotel or rich home dramas, especially if they portray the staff correctly. Domestic staff are generally likable, meticulous, quiet, and honest. This is a really nice, cozy murder mystery.
*THE NO.1 NEW YORK TIMES & SUNDAY TIMES TOP TEN BESTSELLER *WINNER OF THE NED KELLY AWARD FOR BEST INTERNATIONAL CRIME FICTION *A BBC RADIO 4 BOOK AT BEDTIME PICK
'An escapist pleasure' SUNDAY TIMES 'Delightful' GUARDIAN 'An instantly gripping and delightful whodunnit' STYLIST 'Smart, riveting, and deliciously refreshing ' LISA JEWELL
I love studying history and reading books informed by the past because of the ways such study elucidates and complicates my understanding of the present moment. I also think the best stories should entertain as well as teach; that is, books should be enrapturing and never didactic. I’m a professor of English at a liberal arts university in Kentucky, and every time I assign a short story, novel, play, or poem, I always do so with the conviction that reading the assigned text should enthrall my students as much as it teaches them about a particular literary movement or historical moment.
I love novels set in the past but told in a way that elucidates our lives in the present, and this book is a prime example of this quality in Fiona Davis’s writing.
I loved the feeling of falling headlong into the real, tangible, utterly convincing world of the Barbizon Hotel for Women in the 1950s because so many of the themes still resonate so strongly today.
I also found the pacing of the book riveting, with back-and-forth chapters between the present-day story of journalist Rose Lewin and the past narrative of Darby McLaughlin to be perfectly balanced.
Enter the lush world of 1950s New York City, where a generation of aspiring models, secretaries, and editors live side by side in the glamorous Barbizon Hotel for Women while attempting to claw their way to fairy-tale success in this debut novel from the New York Times bestselling author of The Lions of Fifth Avenue.
“Rich both in twists and period detail, this tale of big-city ambition is impossible to put down.”—People
When she arrives at the famed Barbizon Hotel in 1952, secretarial school enrollment in hand, Darby McLaughlin is everything her modeling agency hall mates aren't: plain, self-conscious, homesick,…
I’ve admired old buildings, hotels in particular, for many years. When immersed in a historic building, I find myself leaning in to discover what the walls might tell me if only I could listen closely enough. When I began writing The Hotel Hamilton series, I scoured the archives for historic hotels, learning how they came to be and how they've evolved through the years. One of the most fascinating aspects of hotel life for me is the juxtaposition of experiences felt by the guests versus those of the hotel staff. The upstairs/downstairs vibe of hotel life is ripe for creating tension within a novel, and that always intrigues me.
I have never been to the Hotel del Coronado, but after reading this novel, I feel as though I not only stayed at the hotel, but also got to hang out with the cast and crew of Some Like It Hot.
I am also a bit of a sucker for a story that boasts a ghost, and this book happily scratched that itch for me. Intriguing and fun, this story features a family mystery and a budding romance where everything comes together to deliver a great summer read.
A legendary hotel on the Pacific becomes a haven where dreams, love, and a beguiling mystery come alive.
1958. Kate Morgan, tethered to her family's failing San Francisco restaurant, is looking for an escape. She gets her chance by honoring a cryptic plea from her grandfather: find the beautiful stranger. The search takes her to Hotel del Coronado, the beachfront landmark on the Southern California coast where filming is underway on the movie Some Like It Hot.
For a movie lover like Kate, it's a fantasy come true. So is the offer of a position at the glamorous hotel. And…
My debut duet came out of necessity to handle the grief of losing our first child almost thirty years ago. As part of my writing journey, I searched for stories by people like me, migrants who draw on their upbringing and living with their heritage in their adopted country. One thing I came across was the use of the language, the food, and the many family gatherings and music. I enjoyed reading of people from all communities and liked exploring new cultures and these books do just that for me. They take me to families who embrace the joy of their life in a foreign land.
Syal’s story centres on three childhood friends who grow up in East London. Tania is under pressure to create a cutting-edge documentary on Asian marriages for her employer and is reassessing her life, as a girlfriend to Martin, and a dutiful daughter to her ailing father. While Sunita faces an age-related crisis, her dismal job, her lifeless marriage, and self-harming. The only one who has her life in order is Chila, a naïve, dutiful wife and daughter. As the story unfolds, we find that living in a migrant community and keeping to traditional values is complicated. A poignant insight into the lives of the Punjabi community in the UK and first-generation children who struggle with cross-cultural clashes while keeping their toes in their heritage in different ways.
At home, Meera Syal's women "walk in small steps, talk in sweet tones, pour dainty cupfuls, and refill plates in the shake of a dupatta," but at work, they "kick ass across courtrooms and computer screens." In a book somewhere between Waiting to Exhale and Bridget Jones's Diary, Syal has created an indelible portrait of a close-knit group of Indian women living in London. Life Isn't All Ha Ha Hee Hee is the story of Chila, a nice Punjabi girl married to the urbane Deepak, and her two childhood confidants: Sunita, the former activist law student, now an overweight, depressed…
I’ve always been fascinated by the personal stories of ‘ordinary’ people in the past, especially in their family lives. I’ve written about married couples, siblings, parents and children, and grandparents. All these are subjects familiar to us in our own lives, and I love exploring where our ancestors held very different ideas and assumptions. Marriage, parenting, and gender relations have been controversial issues for centuries. Our ancestors certainly didn’t have all the answers, but their stories give us food for thought, and their familiar personal problems bring the past much closer to us.
I found this book fascinating. The guilds of early modern London were a male-only ‘closed shop’. But Laura Gowing’s pioneering study shows how resourceful women found ways to exploit loopholes and carve out a role in the world of skilled trades and crafts.
A guild member’s widow was permitted to continue her husband’s trade (provided she didn’t remarry), and she might take on a female apprentice and use the signing-on ‘premium’ to grow her business. Once the apprenticeship was completed, the young woman would now have the skills to set up on her own in the suburbs or provinces where guilds had no control.
I liked the case-studies where Gowing has been able to reconstruct individual lives to bring this new world vividly to life.
Ingenious Trade recovers the intricate stories of the young women who came to London in the late seventeenth century to earn their own living, most often with the needle, and the mistresses who set up shops and supervised their apprenticeships. Tracking women through city archives, it reveals the extent and complexity of their contracts, training and skills, from adolescence to old age. In contrast to the informal, unstructured and marginalised aspects of women's work, this book uses legal records and guild archives to reconstruct women's negotiations with city regulations and bureaucracy. It shows single women, wives and widows establishing themselves…
My love for strange women began with a love of the tomboy, growing up in the ‘80s and 90’s with characters like Pippi Longstocking and George from The Famous Five. They’re young women who broke the rules of decorum or gender presentation—and they just always seemed to be having a lot more fun. Or at least more interesting experiences. This love of rebels and unruly women has stuck with me, and I think our depiction of women like this has become deeper and more varied. I just love a character who’s a bit of an odd duck, is irrepressible or voracious, or just plain messy. Nice is boring—give me the chaos.
This book kicked off my obsession with stories about young women who are trying to make sense of all the versions of themselves they have inside and weighing up which one to present to the world at any given time. The protagonist, Ruth, is an American living in London who works at a department store, spritzing perfume during the day, watching all the people go past, and trying to understand how the other young women who work there seem so self-assured. This is not a plot-driven book so much as a character study of a character who doesn’t know who she is yet.
Kate Zambreno’s writing is absolutely gorgeous. She creates a distance between Ruth—the ‘green girl’—and the world, like she’s looking through a window and can see people inside talking but not understand what they’re saying. At the same time, I recognized myself in Ruth,…
With the fierce emotional and intellectual power of such classics as Jean Rhys's Good Morning, Midnight, Sylvia Plath's The Bell Jar, and Clarice Lispector's The Hour of the Star, Kate Zambreno's novel Green Girl is a provocative, sharply etched portrait of a young woman navigating the spectrum between anomie and epiphany. First published in 2011 in a small press edition, Green Girl was named one of the best books of the year by critics including Dennis Cooper and Roxane Gay. In Bookforum, James Greer called it "ambitious in a way few works of fiction are." This summer it is being…
I’m a writer and avid reader of crime fiction. Since I was four, my parents instilled in me a love for books, which has become a part of who I am. Before I became a bestselling and award-winning author, I was a reader, and I’ve always wanted to create stories that I love to read. I’m passionate about plots that stimulate my mind and characters that sneak into my heart and stay there. When I’m not writing, I work as a graphic designer. In my spare time, I watch crime shows and true crime documentaries. And when my mind needs a break from crime, I switch to my alter ego and write romantic comedies.
Book one in the Lacey Flint series,Now You See Me, got me hooked on the author and British mysteries. The writing style is evocative and deeply atmospheric, reminding me of gothic novels with a modern aspect.
I liked Lacey as a character, but what I found most compelling was the plot, which was a literary spider web. Although it was too graphic for my taste in places, the story was riveting enough to keep me engrossed until the very last page. I could barely keep track of all the twists and turns. By the time I finished reading, I had applauded the mind that could come up with such a complex story.
This breathtaking and exhilarating thriller from bestselling author Sharon Bolton packs a real punch: gruesome, atmospheric and utterly compelling, it relentlessly drives the reader on in their search uncover the truth. It twists and it turns and is taut with mystery and suspense...Perfect for fans of Lisa Jewell, Cara Hunter and Karin Slaughter.
'Really special' -- LEE CHILD 'Chilling and mesmerising' -- TESS GERRITSEN 'Probably one of the best thrillers that you will read all year' -- Choice Magazine 'Brilliant story, brilliant writer' -- ***** Reader review 'A brilliantly fast-paced crime novel' -- ***** Reader review 'A real page-turner' --…
I grew up in northern Wisconsin, where a love of books set my imagination on fire as I waited out the long, cold winters. Southern writers were my favorites because they took me from the plains of my northern home to a landscape vined in lushness, where people had names like Scout, Calpurnia, and Battle Fairchild; where places had names like Yoknapatawpha, and where a streetcar was named Desire. I got lost in that place of different constellations with its mint julep and velvet evenings, and its readiness to accept magic. It wasn’t until my children were grown that I finally earned bachelor's and master’s degrees, and determined that I would be a writer.
This one is all about the enchantment and disenchantment that comes with love. In it, women fall for the wrong sort of man and a grieving mother grows “belladonna, thorn apple, hemlock, black nightshade...everything poisonous” in her garden. The story is told in reverse until it comes to 12-year-old Lucy Green in 1952 who blames herself for a tragic accident, then spends forty years looking for the angel she hopes will renew her faith.
This haunting, poignant and addictive story travels effortlessly across time, telling the tale of three generations of women who make the wrong choices and have to live with the consequences.
It opens in London in the present day, when an envious sibling comes to her sister's wedding. Back in the Swinging Sixties, the bridegroom's conventional English mother, Freida, behaves in a wholly unconventional way while working in a Knightsbridge hotel. Even before that, the seeds of tragedy are sown in the Fifties, when twelve-year-old Lucy first visits London and the same hotel. Precocious, impatient, wise beyond her years, Lucy becomes…
I became interested in the genre of memoir during the lockdown when I found myself reflecting on my past during the extended solitary periods. Looking through a shoebox of old letters put me in touch with the person I had once been. I then discovered that the act of writing downmemories opened up areas that I had forgotten about or that had faded almost to nothing, and suddenly they became quite vivid. I decided to create memoirist.org for writing at a more literary level and only publish highly polished pieces. Memoirist now has many followers and some posts have nearly a thousand views.
A memoir that deals with the everyday life of an office worker in 1950s/60s London seems like a joke and, indeed, when it came out, it was treated as such but there is some kind of poetry in this exploration of the humdrum. The manuscript was discovered in the slush pile by a rare editor who grasped the humour of what would appear to be an empty life but a life that Smith is content with. She lived with her parents until her twenties then moved into various lodgings, descriptions, and inhabitants of which are examined in detail. Smith had many short-term boyfriends, usually meeting them at a 'social club'.
Chapters are minimalistic and quirky but I wondered if some could be expanded and if she had missed some opportunities. Not a lot happens as Smith moves through life as a secretary making her observations, some grotesque, some unusual, some…
Part memoir, part comic monologue, this is an ensemble of mishaps and anecdotes that, taken together, reveals the ups and downs of one woman's life. Relentlessly self-deprecating, Sylvia Smith's diary at first seems to relay the humdrum, everydayness of living, yet it steadily gains momentum as a darker undertone gathers force. Interspersed between humorous tales of first-date disasters and "get-rich-quick" schemes gone awry, the reader is thrown off-balance by the loss of sexual innocence and a pervading sense of loneliness. As Sylvia stumbles from one temporary job to another, and through a variety of furnished flats, her deadpan delivery is…
