100 books like Life Isn't All Ha Ha Hee Hee

Hoang’s writing throws light on autism. Violinist Anna is an internet sensation who is experiencing burnout. When her serious boyfriend suggests an open relationship before they marry. Anna’s ASD diagnosis and her anger propel her to change her life. In steps Quan, a tattooed motorcyclist, the classic bad boy for a one-night stand. However, Quan is fighting his own demons, a cancer survivor who’s dating again. In Quan, Anna finds a man who understands her uniqueness and blossoms until a family tragedy thrusts Anna into life with no control. Quan and Anna’s relationship takes a back seat. Hoang’s book opens the world of Asian families and Anna’s loss of autonomy as her family coerces her to step up as a caregiver, as is often experienced in the migrant community.

This book is a bit different from my other recommendations.

When the book opens, the hero and heroine are already a couple. I loved seeing how their relationship is tested against the backdrop of the hero’s colorful, sometimes eccentric family. Again, humor! Ohmigosh, there are so many absolutely hilarious moments. For me, the book was a fascinating peek into a culture I knew little about.

Families can be a handful for young lovers. When you come from two completely different backgrounds, the pressure of expectations can cause the couple to crack. I loved Kevin’s deft storytelling and the lack of stereotypical stock figures.

Dev’s book is an escape into the exuberance of migrant families from India. Ria is a reclusive Bollywood actress, who betrays Vikram, her childhood sweetheart, to protect him from the same fate as her father. Ten years later, Ria returns to Chicago for her cousin Nik’s wedding, knowing she will meet Vik again. For Ria, the loving embrace of her family and found family provides the safety and love she needs to reassess her life in Bollywood. For Vik meeting Ria again brings back all the pain he thought he had recovered from after her betrayal. In the two weeks, Ria and Vik rekindle the love they have both denied. A beautifully written story of migrants who embrace their life in America but still hold on to their Indian heritage.

Bhog’s Sehgal saga takes you to the world of India’s mega-rich. Kabier Sehgal returns to India to take over the running of Sehgal Systems from his grandfather, Janak Sehgal. Janak is a loveable grandfather figure, who keeps a close eye on his grandchildren and is a mentor to many of their friends too. Keya Karia is one of the trio known as Janak’s Angels, the other being Sheena Sehgal and Raashi Dewan. In this enemy-to-lover romance, Kabier suspects Keya of selling company secrets, but their instant chemistry plays havoc with their lives. As Sheena’s wedding nears, they admit their feelings. Bhog’s books take you to the world of found families and the joy of lifelong friendships and to the world of crazy rich South Asians.

I slid into the grandeur and opulence of The Savoy with my imaginary suitcase in hand. Set in the 1920s and featuring London’s heyday after the devastation of WWI, it is easy to escape with this novel.

I roamed the city streets in my mind’s eye and watched with anticipation as Dolly set her sights on a life in the theatre. I love a good mystery, and this one had me dashing, right alongside Dolly, as she tried to outrun her past and make a future for herself with only her dreams to fuel her. I adore Hazel Gaynor’s novels, and this book did not disappoint.

I found this book fascinating. The guilds of early modern London were a male-only ‘closed shop’. But Laura Gowing’s pioneering study shows how resourceful women found ways to exploit loopholes and carve out a role in the world of skilled trades and crafts.

A guild member’s widow was permitted to continue her husband’s trade (provided she didn’t remarry), and she might take on a female apprentice and use the signing-on ‘premium’ to grow her business. Once the apprenticeship was completed, the young woman would now have the skills to set up on her own in the suburbs or provinces where guilds had no control.

I liked the case-studies where Gowing has been able to reconstruct individual lives to bring this new world vividly to life.   

Book one in the Lacey Flint series, Now You See Me, got me hooked on the author and British mysteries. The writing style is evocative and deeply atmospheric, reminding me of gothic novels with a modern aspect.

I liked Lacey as a character, but what I found most compelling was the plot, which was a literary spider web. Although it was too graphic for my taste in places, the story was riveting enough to keep me engrossed until the very last page. I could barely keep track of all the twists and turns. By the time I finished reading, I had applauded the mind that could come up with such a complex story. 

This one is all about the enchantment and disenchantment that comes with love. In it, women fall for the wrong sort of man and a grieving mother grows “belladonna, thorn apple, hemlock, black nightshade...everything poisonous” in her garden. The story is told in reverse until it comes to 12-year-old Lucy Green in 1952 who blames herself for a tragic accident, then spends forty years looking for the angel she hopes will renew her faith.

Zoe commutes to her job every day on a crowded train on the London underground. She discovers that someone is posting advertisements in a local paper saying which women take which trains. And there's a photograph of herself, claiming she's up for some "discreet casual action." Who is behind this and why? Zoe becomes suspicious of everyone in her life—her boss, her significant other—wondering who is cruel enough to set up unsuspecting women that commute by train. She's shocked when she finds out the truth, part of which she never discovers. A final zinger.

A memoir that deals with the everyday life of an office worker in 1950s/60s London seems like a joke and, indeed, when it came out, it was treated as such but there is some kind of poetry in this exploration of the humdrum. The manuscript was discovered in the slush pile by a rare editor who grasped the humour of what would appear to be an empty life but a life that Smith is content with. She lived with her parents until her twenties then moved into various lodgings, descriptions, and inhabitants of which are examined in detail. Smith had many short-term boyfriends, usually meeting them at a 'social club'.

Chapters are minimalistic and quirky but I wondered if some could be expanded and if she had missed some opportunities. Not a lot happens as Smith moves through life as a secretary making her observations, some grotesque, some unusual, some… show more.