Here are 100 books that The German Conception of History fans have personally recommended if you like
The German Conception of History.
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I spent twenty years as a book publishing executive learning how the trade works before launching myself as a full-time author wanting to make the world a better place. My books use state-of-the-art scholarship for history you can read on the beach, and focus on ‘hinge’ moments, great turnings of the world, as well as on forgotten and unsung heroes.
What ideas do you have about what the first peoples were like, and how human society developed?
Maybe you’ve even read the popular authors on this topic such as Diamond, Harari, Pinker, Hobbes, and Rousseau. Prepare to have all of your notions and received opinions upended and turned to dust by David Graeber (a man universally acknowledged as a genius) and the book he worked on for the last ten years of his life, which brings revolutionary ideas to 30,000 years of civilization.
A dramatically new understanding of human history, challenging our most fundamental assumptions about social evolution—from the development of agriculture and cities to the origins of the state, democracy, and inequality—and revealing new possibilities for human emancipation.
For generations, our remote ancestors have been cast as primitive and childlike—either free and equal innocents, or thuggish and warlike. Civilization, we are told, could be achieved only by sacrificing those original freedoms or, alternatively, by taming our baser instincts. David Graeber and David Wengrow show how such theories first emerged in the eighteenth century as a conservative reaction…
The search for meaning in history is all part of the search for meaning in life. Whether archaeologists or historians, economists or physicists, they are not just looking for artefacts when digging in the dirt or scanning the skies, they are looking for evidence to piece together a bigger picture—meaning in the minutiae. I’m sceptical, but the philosophy of history remains a fascinating subject, which is why I’ve explored ideas about civilization, progress, and progressive history in a number of books and articles. My primary concern about teleological accounts of history is that they tend to deny people's agency, especially non-Western peoples.
This is another important work by an anthropologist challenging the genealogy of the West and its ideas and institutions. It exposes the myth of history as a supposed moral success story: ancient Greece… Rome… Christian Europe… Renaissance… Enlightenment… liberal democracy… the pursuit of happiness, etc. Wolf systematically highlights why this is a flawed and fraught notion, especially for those people who do not fit neatly into the schema.
Offering insight and equal consideration into the societies of the "civilized" and "uncivilized" world, "Europe and the People Without History" deftly explores the historical trajectory of so-called modern globalization. In this foundational text about the development of the global political economy, Eric R. Wolf challenges the long-held anthropological notion that non-European cultures and people were isolated and static entities before the advent of European colonialism and imperialism. Ironically referred to as "the People Without History" by Wolf, these societies before active colonization possessed perpetually changing, reactionary cultures and were indeed just as intertwined into the processes of the pre-Columbian global…
The search for meaning in history is all part of the search for meaning in life. Whether archaeologists or historians, economists or physicists, they are not just looking for artefacts when digging in the dirt or scanning the skies, they are looking for evidence to piece together a bigger picture—meaning in the minutiae. I’m sceptical, but the philosophy of history remains a fascinating subject, which is why I’ve explored ideas about civilization, progress, and progressive history in a number of books and articles. My primary concern about teleological accounts of history is that they tend to deny people's agency, especially non-Western peoples.
I love the way this book brings together two seemingly unrelated topics, art, and socio-political organization, to offer a new perspective on the development of human societies—linear, of course. The policies and practices of development agencies do not just draw on the latest fads of economics, rather, our thinking about the shape and trajectory of ideal societies has long been influenced by the way we quite literally see and perceive the world.
In his groundbreaking study, Art, Politics and Development, Philipp Lepenies contributes to the ongoing controversy about why the track record of development aid is so dismal. He asserts that development aid policies are grounded in a specific way of literally looking at the world. This "worldview" is the result of a mental conditioning that began with the invention of linear perspective in Renaissance art. It not only triggered the emergence of modern science and brought forth our Western notion of progress, but ultimately, development as well.Art, Politics, and Development examines this process by pulling from a range of disciplines, including…
The search for meaning in history is all part of the search for meaning in life. Whether archaeologists or historians, economists or physicists, they are not just looking for artefacts when digging in the dirt or scanning the skies, they are looking for evidence to piece together a bigger picture—meaning in the minutiae. I’m sceptical, but the philosophy of history remains a fascinating subject, which is why I’ve explored ideas about civilization, progress, and progressive history in a number of books and articles. My primary concern about teleological accounts of history is that they tend to deny people's agency, especially non-Western peoples.
We know that the arrival of Europeans in the Americas had significant impacts, many of them negative, on the peoples of the New World. Encounters with Amerindians were also highly influential in shaping ideas about human development and universal history. It was not a one-way street, however, reports from missionaries, trappers, explorers, soldiers, and settlers about what they saw in the New World served to challenge and shape the thinking of Europe’s intellectual elite, especially concerning Native American ideas about freedom, equality, and community. Thirty-five years after the publication of this book, Graeber and Wengrow returned to the idea of “Indigenous critique” for one of the more contentious sections in their New History.
I’m a historian of eighteenth-century France, above all, the French Revolution. Throughout my career, my primary goal has been to try to reconstruct the experience of revolution in all its dimensions. I have published extensively on subjects relating to the French Revolution, including the French revolutionary terror; the politics of the Jacobins; ideology, emotions, and revolution; revolutionary leaders – including Robespierre and Saint-Just; fear of conspiracy as a driver of actions; the influence of classical antiquity; women participants in the Revolution.
This is a gripping, wide-ranging, and detailed study of the explosive years of ‘the Terror’. Andress ranges far beyond the claustrophobic assemblies, clubs, and streets of Paris to show the country-wide impact of war, revolution, and terror. Andress has little time for revolutionary idealism, and there are no heroes in this book. His deep knowledge of his subject shines out from every page. The result is a vivid and disturbing account, dense, lively, and well-written.
The French Revolution marks the foundation of the modern political world. It was in the crucible of the Revolution that the political forces of conservatism, liberalism and socialism began to find their modern forms, and it was the Revolution that first asserted the claims of universal individual rights on which our current understandings of citizenship are based. But the Terror was, as much as anything else, a civil war, and such wars are always both brutal and complex. The guillotine in Paris claimed some 1500 official victims, but executions of captured counter-revolutionary rebels ran into the tens of thousands, and…
David Millett is a digital artist. He is an accomplished author, filmmaker, and producer of paper and eBooks. He loves writing, painting, filmmaking, composing, and performing music.
This book depicts the violence and devastation of the ‘Reign of Terror’ (a period of extreme violence during the French Revolution) with breathtaking power. It weaves into it a tale that grips, convinces, and profoundly moves the reader. If one is looking to understand human nature and its true depth of depravity, look to no other book.
Anatole France's work "Les dieux ont soif" translates to "The Gods Will Have Blood" or "The Gods are Athirst." Both translations of the title accurately depict the nature of this novel set during the French Revolution. Young artist Évariste Gamelin is the right-hand man of Jacobin, Marat, and Robespierre and eventually becomes appointed as a juror on the Revolutionary Tribunal during the heinous Reign of Terror. Though Gamelin fully believes in the ideas of revolution and liberty, he uses his position of power to terrorize his friends and family who do not agree with his zealous ideals. Yet his bloodthirsty…
Historical novels, movies, and TV shows have captured my interest even as a child since the Little House books by Laura Ingalls Wilder and A Little Princess by Frances Hodgson Burnett. My love of history has sent me into historic schoolhouses, churches, castles, pirate ships, ancient Roman spas and aqueducts, and other historical sites at home and in England, Spain, and Portugal, as well as pouring over journals, biographies, and non-fiction research books. My first love is Regency England, but I have a fascination for history of all eras and countries. My passion and fascination for detail have been the driving force behind my twenty-four published Regency romances and hundreds of articles and blog posts.
A fun twist on one of my favorite historical tales,The Scarlet Pimpernel, this novel portrays the elusive hero as a brilliant, determined woman. The cast of characters is full and well-developed, including a dashing hero worthy of our heroine’s love. This story is beautifully written, has plenty of twists and turns, heart-melting romance, and a delightful happily ever after.
The roads in and out of Paris are heavily guarded, but the dead have easy passage out of the city. A ragged old woman transports the coffins of the most recent victims of the guillotine and is waved on unimpeded. Later, the same crone watches five French aristocrats step out of their coffins unscathed. Not beheaded, but spirited away to safety by that most elusive of spies: the Pimpernel. Or, as she’s known in polite society, Lady Scarlet Cavendish.
When not assuming her secret identity as a hero of the French Revolution, Scarlet presents herself as a fashionable, featherbrained young…
I’m a historian who has been researching and writing on the French Revolution and the Napoleonic Wars for thirty-five years now. Since the age of ten I have been fascinated by these years, partly through childhood holidays in France, but also because of their sheer drama. British history in the same period has nothing to compare with the storming of the Bastille or Napoleon’s meteoric career. Specializing in this turbulent era has made me particularly interested in how regimes fall, and whether under different circumstances they could have survived.
This is not an easy read, but it is a seminal work by the greatest modern historian of the French Revolution, which made an enormous impression on me when I first read it as a student in the 1980s. It marked a decisive break with what up until then had been the standard view of the Revolution as a class struggle. For Furet, the Revolution’s real importance lay elsewhere, as the first modern experiment with democracy – in his eloquent words, "a beginning and a haunting vision of that beginning."
The French Revolution is an historical event unlike any other. It is more than just a topic of intellectual interest: it has become part of a moral and political heritage. But after two centuries, this central event in French history has usually been thought of in much the same terms as it was by its contemporaries. There have been many accounts of the French Revolution, and though their opinions differ, they have often been commemorative or anniversary interpretations of the original event. The dividing line of revolutionary historiography, in intellectual terms, is therefore not between the right and the left,…
I have always been fascinated by the Regency Period, and because of this fascination, I explored its historical context in full. That includes, of course, the French Revolution and its repercussions in England and globally. I am also obsessed with the literary concept of the heroine, and wanted to create characters who in some ways synthesized Moll Flanders andJane Eyre, bridging the gap between 18th and 19th Century expression.
Essential historical background work for anyone wanting to read French Revolution-based fiction. I am especially attracted to this work because, although non-fiction, it has emotion, and a sense of first-person involvement. I was also very much grabbed by the legend of the first manuscript having been destroyed by fire, and the work having to be re-written – true literary heroism, and an example to us all.
The French Revolution: A History was written by the Scottish essayist, philosopher, and historian Thomas Carlyle. The three-volume work, first published in 1837 (with a revised edition in print by 1857), charts the course of the French Revolution from 1789 to the height of the Reign of Terror (1793–94) and culminates in 1795. A massive undertaking which draws together a wide variety of sources, Carlyle's history—despite the unusual style in which it is written—is considered to be an authoritative account of the early course of the Revolution.
I am a French-American writer with a passion for young adult stories and flawed female characters. Born and raised in France in a household without a TV, I spent my entire childhood reading avidly, which in turn led me to study Literature and Film. In fact, most of my life, I have been inspired by novels that offer windows into new worlds that open up possibilities. Some of the novels from the list below feature some of my favorite characters, and provide insights into other worlds and other times.
In a pair of sumptuous drawing rooms, one in a Parisian mansion, the other in a chateau on a luxurious estate, two aristocrats are very bored. Through a collection of letters, the Marquise de Merteuil and the Vicomte de Valmont, former lovers, recount to each other how they pass the time: by using seduction as a weapon in dangerous games.
A French classic, this novel depicts the French aristocracy’s decadence, shortly before the French Revolution. It is also fascinating in its portrayal of a deeply flawed and complex female protagonist, who refuses to accept her place in the society of that time, where she is “doomed to silence and inaction”.
Les Liaisons Dangereuses is a frightening and ultimately scathing portrait of a decadent society that was first published in 1782, only a few years before the French Revolution. At its centre are two aristocrats who were once lovers and who now play a complex game of manipulation and seduction to liven up their dreary lives. The Vicomte de Valmont is tasked by the Marquise de Merteuil with seducing an innocent convent girl, but he is equally focused on a righteous married woman. The results, however, turn out to be more dire and fatal than Merteuil and Valmont could have imagined…
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