100 books like The Frailty Myth

Although I endorse Rothblatt's ideal of a sex-irrelevant society, I think he fails to fully comprehend the subordination by sex that females currently experience. And if he hadn't been so rich (like Jenner), he might not have voluntarily become a member of that sexed underclass. (I suspect his money has largely insulated him from the negative effects of being perceived as a woman.) That said, this 1995 book is a pioneering classic. (Though I think the subtitle should have been "A Manifesto on the Freedom from Gender" — not " A Manifesto on the Freedom of Gender".)

Another classic, written in 1984 by the author of Against Our Will: Men, Women, and Rape, Brownmiller covers a lot: body, hair, clothes, voice, skin, movement, emotion, ambition. She says in her prologue, "I offer this book ... in the hope that the feminine ideal will no longer be used to perpetuate inequality between the sexes, and that exaggeration will not be required to rest secure in biological gender." 

I have always thought that we desperately need to hear from transmen and transwomen to help distinguish the effects of biological sex from those of cultural gender conditioning—more specifically, to illuminate both the influence of our respective high levels of estrogen or testosterone) and, in a word, sexism. Using interviews with transmen, Schilt very much does the latter. Consider this book a thorough precursor (2010) to the much-publicized experiences of Martin and Nicole (Google it); Martin concludes, about his experience being treated as Nicole, "It sucked." Indeed. (And the surprise experienced by so many transmen at their post-trans experiences supports the view that most women have no idea how easy men have it.)

Reading much like a novel, Vincent's book is a first-person account of a woman going undercover as a man (cross-dressing drag rather than trans, per se) to discover what men are like: "I found masculinity distilled, unmitigated by feminine influences, and therefore observable in a concentrated state" (p181).  An intriguing contrast to Schilt's book, Vincent says "It was hard being a guy" (p275); "Someone is always evaluating your manhood" (p276); "I saw how degraded and awful a relentless, humiliating sex drive could make you" (p277).

The period after the Civil War known as Reconstruction has long been overlooked by historians and educators; even less has been written about this period from a gendered perspective.

Laura Edwards provides an excellent analysis of the experiences of newly-emancipated women in shaping and surviving the political, social, and economic landscape of Reconstruction. She studies their history through first-hand narratives of how they established households, pursued their legal rights, and claimed their new roles as free women.

The book is not only a fascinating read about Reconstruction, it helped contextualize Edmonia Lewis’s and Meta Fuller’s emancipation sculptures, and their message about the freedwoman’s new identity.

Reading this book is like listening to your incredibly knowledgeable historian friend talk about medieval society over drinks. Janega’s turns of phrase and sharp observations make me laugh, and at the same time, I feel my mind soak up knowledge like a sponge.

This book is about what medieval people thought and why, going back to the philosophies and influences of ancient Greece and Rome. It tackles medieval beauty standards, sexual practices, family life, and work life. It addresses fart jokes and eyeliner, as well as ideas about biology and class disparities. We see women farming, ruling, weaving, brewing, and writing.

Janega argues that it is through seeing the past truly that we can "imagine new futures," making the necessary changes for "a more equitable world."

This is one of the best, most alive short fiction collections published in the 21st Century. Steinberg’s fictions are generally powerful, but the episodes and sentences that compose them tend to be compelling in their own right. So while the individual narratives in this book are brilliant short fictions on their own, the sentences or thoughts that construct them have an electrifying effect few writers can manage.

(Spoiler alert: I appear in Ms. Stur’s book, albeit briefly)

Beyond Combat is one of the few books that examines the role of the more than 60,000 women who served in military and civilian capacities in Vietnam and the gender stereotypes that accompanied them. In addition to nurses, who formed the largest group of U.S. military women in Vietnam, Stur highlights those who served under the auspices of the Red Cross Supplemental Recreational Activities Overseas program. These young college graduates were commonly known as “donut dollies” because of their girl-next-door appeal. “Our job was to lift the guys’ spirits,” recalls donut dollie Jeanne Christie. Music was one way the donut dollies did that. “Some of us DJ’d at various bases during our time in-country,” adds Bobbi McDaniel Stephens. “I took dedications from the guys,” a playlist she says included “Get Back,” “My Girl,” and “He Ain’t Heavy He’s My Brother,”… show more.

Before I read Women and States, I was familiar with the concept of like-minded states and aware that similar or different normative values could complicate or facilitate the cooperation between states.

Yet, I had never considered those norms in terms of international status. Political scientist Ann Towns convincingly argues that, like any society, international society is social. To arrange relations, whether familial, local, or global, norms are used to compare and rank.

Contrary to a society built on shared values, though, international society incorporates parallel and conflicting values in an inherently unequal system, making for the coupling of norms to international status.

I love how Towns uses this simple and elegant observation to connect the political emancipation of women in different national contexts to (changing) hierarchical norms between states. Identifying links like these between local and so-called big politics is vital for better understanding international power relations.

No list would be complete without the writer who changed my life. It was Jason’s blog (now turned into this book) that opened a whole new world of feminist history to me. 

The book is a collection of true stories of women from history who were probably a little too wild, too sketchy, or too murderous to make the Disney Princess cut. Each story is illustrated gorgeously and researched meticulously. It’s perfect for adults and also a great gift for any teenagers who you’d like to get more into history (because what teen doesn’t love the story of teen hell-raisers from the past?).