100 books like The Doom Pussy

This story is set in Việt Nam and paints a clear picture of the people who lived there in the 1930-1980 timeframe of the story. The family faced hardships and tragedies, including being separated for several months when they were forced to flee for their lives. One thing I really appreciated was seeing the impact and impressions of the Việt Nam war on the people of that country. My brother fought over there—he was a Ranger in the Army—during that conflict and came home very different. In fact, he’s estranged himself from the family for the past 30+ years. Reading about the conflict from the other side gives me a clearer idea of what he might have seen or done that he never would tell me about.

I’m going to jump historical genres slightly and recommend Lynda Van Devanter’s Vietnam memoir which reads like historical fiction and is every bit as engaging as the great novels and memoirs of the Vietnam War written by such men as Robert Stone, Larry Heinemann, Michael Herr, Tim O’Brien, Philip Caputo, and Karl Marlantes. As an Army nurse, Devanter gave it her all to save others. This book is her effort to learn to live with what she witnessed in Vietnam, to get the truth down as honestly as she can by using all the narrative techniques of the novelist. Of the great books written about that horrific time in our country’s (and Vietnam’s) history, this one grabbed me from start to finish like no other. A powerful voice is telling us what we too readily forget now—that war is a criminal activity, no matter how justified or how much the… show more.

Le Li Hayslip’s wrenching memoir traces the arc of the Vietnam War as she experienced it, first as a 12-year-old, then through her teens and twenties, and finally as an American returning to her homeland.

Her tranquil childhood in a rural village explodes into smithereens with the arrival of American troops, followed by warring between the trifecta of government, Viet Cong, and the US military. This being war, children and civilians were viewed as battleground assets and recruited as spies, agitators, and saboteurs.

Le Li was one of the recruits and suffered every imaginable horror of war except death. Her resilience as a child, teenager, and woman as she endured the seemingly unendurable and unspeakable is a testament to faith and hope in humanity. Le Li Hayslip’s body was a container and reliquary for the atrocities of the Vietnam War. That she outlived her sorrow and suffering is nothing short… show more.

Lê Thi Diem Thúy’s novel tells the story of a young refugee girl in San Diego. The novel is a lyrical accounting, full of disjointed narrative and poetic language, that captures her thoughts and feelings as a Vietnamese immigrant to San Diego in 1978. Early on in the war, most of the literature was written by soldiers and correspondents and dealt strictly with the military side of the war. Later in the eighties and nineties, the scope and quality of the writing about Vietnam has vastly improved, as different perspectives are brought to bear on the war. Lê Thi Diem Thúy writes about refugees whose experiences were much more traumatic compared to the American soldiers who never actually saw combat. Originally published in 2003, it is imminently relevant today.

Twenty chapters and 732 pages, not including the Preface, Acknowledgements, Introduction, and Chronology, of the history of the Vietnam War. From the Preface, you are thrown into a photograph-rich hardback book that covers the beginnings of what lured the French to Indochina—trade, to the final surrender in April 1975. Gritty, sometimes horrifying black and white pictures jump out at you from the pages. There are over 2,000 photographs and maps inside the book. It is truly the book for anyone interested in the Vietnam War.

“I think of language as our first music,” notes the celebrated poet Yusef Komunyakaa. His collection of Vietnam poems, Dien Cai Dau (Vietnamese for crazy) fuses images, sounds, and sights from Vietnam into a fearful, lyrical symmetry. Born James Brown in rural Bogalusa, Louisiana, he served in Vietnam as a correspondent and editor of The Southern Cross, the newspaper of the Army’s 23rd Infantry Division (Americal). “The Vietnamese knew what was happening in the American psyche when it came to race,” claims Komunyakaa, “and sometimes they expertly played on it.” The poem “Hanoi Hannah” in Dien Cai Dau is a perfect example of this: “Ray Charles!” His voice/ calls from waist-high grass/& we duck behind gray sandbags./ “Hello, Soul Brothers. Yeah,/Georgia’s also on my mind…Here’s Hannah again…"

“That gets your attention when you’re out in the middle of nowhere,” astutely observes Komunyakaa.

As the representative of the Provisional Revolutionary Government of the Republic of South Vietnam at the Paris Peace Conference, Nguyen Thi Binh inspired women’s rights activists around the world. Charged with forwarding efforts toward people-to-people diplomacy, Binh met with antiwar activists from all over the world, including the United States, as she negotiated for peace through official channels. With Binh’s high-level position, the reality of her experiences have often been obscured and misconstrued by people on all sides of the U.S. war in Vietnam. Thus, her memoir provides much-needed insight into her family background, her role in resisting France, her leadership in the National Liberation Front during the U.S. war, and her position in the Vietnamese government following the fall of Saigon.

This book is hard to find and only available in Vietnam currently.

This 1967 collection of essays and speeches by the British philosopher Bertrand Russell fascinates me because it seeks to reveal inconvenient truths while not shying away from a highly partisan intervention.

Russell discusses why he was making a global appeal to protest the US war effort in Vietnam. His book and the subsequent Russell-Sartre War Crimes Tribunal have often been dismissed as biased and uncritical of communist propaganda, but rereading this primary source illuminates an important chapter in the emergence of a global intellectual critique of US imperialism that “millions of Europeans, Asians, Latin Americans” came to share as it was debunking the official position of the Johnson administration and its allies in Vietnam.

I loved Waltzing With The Dragons for its autobiographical sense of history and description of mother/daughter bonds that are truly universal. 

The story begins in 1922 with Ly, the daughter of one of the last Mandarins in north Vietnam, who flees an arranged marriage at thirteen to stay with her father’s friends, a French couple, and lives through the WWII Japanese occupation, finally fleeing to the South where she falls in love with a French Army doctor and gives birth to a daughter, Mai-Tam, in 1952. 

Mai-Tam, who is Eurasian and never feels she belongs, grows up in the shadow of the American-Vietnam war. The novel ends in 1967, preserving a mother-daughter kinship that sustains migration and separation. 

My river boat division (Mobile Riverine Force Division 112) patrolled the Cua Viet River just south of the DMZ between North and South Vietnam during the timeline of this book so I could very much relate to the events, though the Marines took much heavier casualties than our boats did. Keith Nolan does an excellent job documenting the battles—as I read, I relived the bomb and strafing runs done by the navy aircraft carrier F-4 Phantoms (which I also wrote about in my memoir) Nolan’s very detailed account of the Marine battles on the north side of the river answered many decades-old questions for me. His use of dialogue and insights into the Marines keep the reader engrossed.