Here are 98 books that The Destruction of Memory fans have personally recommended if you like
The Destruction of Memory.
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I'm Associate Professor of Economics at Washington and Lee University in Virginia, USA. My expertise is in conflict, war, and peace economics. I'm deeply motivated to understand the broader impacts of violent conflicts in low-income countries with the hope that doing so will pave the way for us to live in a more harmonious world. Recently, I've been interested in economics of cultural heritage destruction during violent conflicts. My aim is to understand patterns of heritage destruction in the past such that we can incorporate heritage destruction in atrocity forecasting models of today. I'm just as passionate to teach what I have learned over the years and what I'm curious to explore in the future.
In this book we learn that our actions are shaped by that of others or by our expectation of what others will do.
If, for example, a white neighbor leaves the neighborhood upon seeing a minority family move in, other white neighbors are likely to follow suit if they expect more white neighbors to move out and more minorities to move in. If a critical mass of white neighbors adopts this behavior, the result is a segregated neighborhood.
Applied this idea to the study of mass atrocities, we understand mass participation in mass atrocities as not a result of moral failure, but a social phenomenon driven by imitating nature and belonging need of the humankind. This understanding humanizes the mass perpetrators of an atrocity and opens space for reconciliation.
"Schelling here offers an early analysis of 'tipping' in social situations involving a large number of individuals." -official citation for the 2005 Nobel Prize
Micromotives and Macrobehavior was originally published over twenty-five years ago, yet the stories it tells feel just as fresh today. And the subject of these stories-how small and seemingly meaningless decisions and actions by individuals often lead to significant unintended consequences for a large group-is more important than ever. In one famous example, Thomas C. Schelling shows that a slight-but-not-malicious preference to have neighbors of the same race eventually leads to completely segregated populations.
I'm Associate Professor of Economics at Washington and Lee University in Virginia, USA. My expertise is in conflict, war, and peace economics. I'm deeply motivated to understand the broader impacts of violent conflicts in low-income countries with the hope that doing so will pave the way for us to live in a more harmonious world. Recently, I've been interested in economics of cultural heritage destruction during violent conflicts. My aim is to understand patterns of heritage destruction in the past such that we can incorporate heritage destruction in atrocity forecasting models of today. I'm just as passionate to teach what I have learned over the years and what I'm curious to explore in the future.
I recommend this book because, to me, the book is like a pair of glasses that I put on whenever I want to see the world a little more clearly.
For others, it has something to offer to anyone who is looking to learn to analytically study conflict, war, and peace. Don’t know “enough” economics to study these topics analytically? No problem. Read Part II of the book. Don’t know “enough” about conflict to apply your knowledge of economics to those topics? Part III of the book has you covered.
Enough of conflict, can we learn more about peace, you say? The last part of the book is for you. Together, the book is as an indispensable resource for professors, students, policymakers, and an educated general audience, alike.
Conflict economics contributes to an understanding of violent conflict and peace in two important ways. First, it applies economic concepts and models to help one understand diverse conflict activities such as war, terrorism, genocide, and peace. Second, it treats coercive appropriation as a fundamental economic activity, joining production and exchange as a means of wealth acquisition. In the second edition of their book Principles of Conflict Economics, Anderton and Carter provide comprehensive, up-to-date coverage of the key themes and principles of conflict economics. Along with new scholarship on well-established areas such as war, terrorism and alliances and under-researched areas including…
I'm Associate Professor of Economics at Washington and Lee University in Virginia, USA. My expertise is in conflict, war, and peace economics. I'm deeply motivated to understand the broader impacts of violent conflicts in low-income countries with the hope that doing so will pave the way for us to live in a more harmonious world. Recently, I've been interested in economics of cultural heritage destruction during violent conflicts. My aim is to understand patterns of heritage destruction in the past such that we can incorporate heritage destruction in atrocity forecasting models of today. I'm just as passionate to teach what I have learned over the years and what I'm curious to explore in the future.
I bought Kalyvas’s book back in 2009 as a doctoral student looking to understand the social science literature on civil war violence and finished reading it only in 2023 as an associate professor interested in studying target choice for a class I was teaching.
Though singularly focused on civil wars, the book goes deep in constructing theoretical arguments to support the premise of the book and travels broad in applying the models across various civil wars. It teaches readers to look beneath the surface to understand what we observe on the outside.
It is a great resource for those looking for good examples of how to develop a theoretical model. Finally, I also highly recommend this book to graduate students looking for research ideas.
By analytically decoupling war and violence, this book explores the causes and dynamics of violence in civil war. Against the prevailing view that such violence is an instance of impenetrable madness, the book demonstrates that there is logic to it and that it has much less to do with collective emotions, ideologies, and cultures than currently believed. Kalyvas specifies a novel theory of selective violence: it is jointly produced by political actors seeking information and individual civilians trying to avoid the worst but also grabbing what opportunities their predicament affords them. Violence, he finds, is never a simple reflection of…
I'm Associate Professor of Economics at Washington and Lee University in Virginia, USA. My expertise is in conflict, war, and peace economics. I'm deeply motivated to understand the broader impacts of violent conflicts in low-income countries with the hope that doing so will pave the way for us to live in a more harmonious world. Recently, I've been interested in economics of cultural heritage destruction during violent conflicts. My aim is to understand patterns of heritage destruction in the past such that we can incorporate heritage destruction in atrocity forecasting models of today. I'm just as passionate to teach what I have learned over the years and what I'm curious to explore in the future.
This book asks policymakers to look beyond incentives when designing policies.
Whether we are trying do something at a personal level, such as have our children do chores, or achieve something much bigger, such as combat obesity, designing appropriate incentives (carrots or sticks) is generally believed to help us achieve our goals.
Bowles warns us that this view assumes that incentives and morality are independent and that such view is faulty. Numerous experimental evidence attests to his argument. In its stead, he suggests shaping norms as a much more viable option.
When I presented these concepts in my economics elective this semester, one student commented that this was a “paradigm shift” in their understanding of economics; hence, the reason why I recommend this book.
Why do policies and business practices that ignore the moral and generous side of human nature often fail?
Should the idea of economic man-the amoral and self-interested Homo economicus-determine how we expect people to respond to monetary rewards, punishments, and other incentives? Samuel Bowles answers with a resounding "no." Policies that follow from this paradigm, he shows, may "crowd out" ethical and generous motives and thus backfire.
But incentives per se are not really the culprit. Bowles shows that crowding out occurs when the message conveyed by fines and rewards is that self-interest is expected, that the employer thinks the…
I practiced law for more than twenty years before becoming an author. After writing several children's science books, in 2016 I turned to writing about civics and government. The internet was overflowing with politicians' misstatements about the Constitution, and I realized many Americans didn't understand fundamental democratic principles. I decided to write a book addressing kids, to help them appreciate their rights, obligations, and powers under the Constitution. In Free for You and Me, I focused on the First Amendment.I believe that talking with young people about the issues raised in all the books listed here will help us raise our kids to be informed and engaged community members.
This is a wonderful, uplifting story that provides a springboard for conversations about how governments don't all give their people the same rights. It showcases an incident during the pro-democracy demonstrations of the Arab Spring of 2011 in Egypt. As a bonus, this book also celebrates the tremendous value of libraries. It tells the stirring (and true) tale of people of all stripes joining hands to defend the great library of Alexandria against possible damage during the unrest.
As with the other recommended books, children are a key part of the story's action. The narration is kid-friendly and engaging and the collage-style illustrations are bright and bouyant. Finally, the back matter will intrigue readers with photographs of the library's light-filled interiors, as well as photos of the dramatic defense of the library during the demonstrations.
The inspiring true story of demonstrators standing up for the love of a library, from a New York Times bestselling illustrator
In January 2011, in a moment that captured the hearts of people all over the world, thousands of Egypt's students, library workers, and demonstrators surrounded the great Library of Alexandria and joined hands, forming a human chain to protect the building. They chanted "We love you, Egypt!" as they stood together for the freedom the library represented.
Illustrated with Susan L. Roth's stunning collages, this amazing true story demonstrates how the love of books and libraries can unite a…
I’m a journalist, critic, and poet who has spent a career engaging with the world. I love telling stories, and I strive to put beauty and tension into everything I write. I’ve had great editors – they’ve published my work in The Guardian, National Geographic, ARTnews, The Washington Post, The Times Literary Supplement, and Archaeology, where I am a contributing editor, and many other places – but it always comes down to me and my computer. And often a plane ticket and a suitcase.
This is a pioneering, extraordinarily well-documented exposé of how famous museums have filled their shelves with looted artifacts and more than a few fakes – which, the author explains, tend to flock together. The author was a whistle-blowing curator at the Metropolitan Museum of Art in New York. He knows his stuff. So why was I reluctant to recommend this title? Because it’s so hard to find and, with hundreds of photographs, costs upwards of $100. If you can find a used copy, grab it, and if your local library has it, kiss a librarian and make a donation.
The Lie Became Great explores the closed society of international plunderers and forgers which thrives as a subculture of the Art World. These multi-cultural denizens include antiquity dealers, collectors, museum curators, forgers working in conjunction with auction houses, museums and galleries. Forgeries are made to be sold, and a great number pass into the Art World - collections, exhibitions, catalogues, and popular and scholarly journals - complete with their fabricated stories of excavation, and how they were found. The Lie Became Great documents the success and activities of one small corner of this vast network - artifacts form the Ancient…
My interest in this topic began because of a trip to a museum in 2008. I noticed that a painting had been removed from view and a small piece of paper was hanging on the wall where the painting had been. The paper explained that this piece was involved in a court case revolving around whether or not it had been stolen from its Jewish owner by the Nazis during World War II. Nazi cultural appropriation, looting, suppression, and destruction turned out to be one of the most fascinating stories of the entire war. The research for my historical novel took several years, but it allowed me to write a book based on the facts.
Dagnini’s book focuses specifically on Italy and the amazing stories of Rome, Naples, Florence, and Pisa among others. If you love Italian art and architecture, you will not be able to put this book down. Descriptions of the damage, but also how it was fixed and avoided in some cases, are truly inspiring. Without these Allied personnel, so much more could have been lost.
In 1943, while the world was convulsed by war, a few visionaries -- in the private sector and in the military -- committed to protect Europe's cultural heritage from the indiscriminate ravages of World War II.
In the midst of the conflict, the Allied Forces appointed the monuments officers―a motley group of art historians, curators, architects, and artists―to ensure that the great masterworks of European art and architecture were not looted or bombed into oblivion. The journalist Ilaria Dagnini Brey focuses her spellbinding account on the monuments officers of Italy, quickly dubbed "the Venus Fixers" by bemused troops.
I was born in Quebec, have lived in eleven countries, and speak four languages. In my 20+ years as an author and journalist, my goal has always been to create bridges between cultures and to tell stories that enable individuals to better understand each other. For me, a trip to a new country, no matter how short or long, is incomplete unless I’ve had the chance to meet locals.
This book is a ‘gold standard’ piece of investigative journalism, a travelogue about a people I will probably never meet, rolled into the intriguing history of a unique city.
The book interweaves the tale of the efforts local people made to save priceless manuscripts from al-Qaida in 2012 with the West’s fascination of fabled Timbuktu since the 18th century.
It is an un-put-downable example of creative non-fiction at its most interesting and easily readable.
Two tales of a city: The historical race to reach one of the world's most mythologized places, and the story of how a contemporary band of archivists and librarians, fighting to save its ancient manuscripts from destruction at the hands of al Qaeda, added another layer to the legend.
The fabled city of Timbuktu has captured the Western imagination for centuries. The search for this 'African El Dorado' cost the lives of many explorers but Timbuktu is rich beyond its legends. Home to many thousands of ancient manuscripts on poetry, history, religion, law, pharmacology and astronomy, the city has been…
Since discovering the myths and legends of the world at college, I’ve fallen in love with these and the countries and cities where they originated. Teaching the literature that evolved from this for so many years deepened my fascination with the ancient/medieval worlds. I literally pounce on any books I come across, fiction and non-fiction. All of my novels draw from these worlds and are a thrill to write and read. However, life was extremely hard back then, and I wouldn’t want to have lived back then! I hope you join me in exploring these fascinating reads.
I have to admit that it’s the title that drew me to this book in the first place. As a retired English teacher, the word Librarians intrigued me. A true story, The Bad-Ass Librariansopened up a whole new world of manuscripts over 500 years that I never knew existed! The courage of the preservers of these works surprised and humbled me. But, it is also a historical history of smugglers and the heroic actions of the dedicated people of Timbuktu to preserve their heritage even if it meant their death. You won’t be able to put this down.
In the 1980s, a young adventurer and collector for a government library, Abdel Kader Haidara, journeyed across the Sahara Desert and along the Niger River, tracking down and salvaging tens of thousands of ancient Islamic and secular manuscripts that were crumbling in the trunks of desert shepherds. His goal: to preserve this crucial part of the world's patrimony in a gorgeous library. But then Al Qaeda showed up at the door. Joshua Hammer writes about how Haidara, a mild-mannered archivist from the legendary city of Timbuktu, became one of the world's greatest smugglers by saving the texts from sure destruction.…
I’m a Distinguished Professor of art history at CUNY and biographer of artists. I grew up in Atlanta, attended college in Boston, and have worked in New York since my twenties. With a new Ph.D. in art history from Rutgers, I began as curator of the Hopper Collection at the Whitney Museum, assigned to produce a definitive catalogue of all Edward Hopper’s authentic art. His papers were missing except for his record books that recorded every time a work left for sale, loan, or gift. I traced each work as it left Hopper’s possession and discovered a massive number of undocumented artworks stolen from the estate, which the Whitney still wants to cover up.
This very well-researched and gripping book taught me the meaning of the term “laundering” in the art market and revealed the duplicity of the late art dealer, Larry Fleischman, who both collected and sold stolen antiquities and marketed undocumented works taken from Edward Hopper’s estate.
He didn’t care about provenance or history of ownership and is quoted in this book as saying: “Everything comes from somewhere.”
Although I knew and dealt with Fleishman, I trusted him and was tricked by him.
A “thrilling, well-researched” account of years of scandal at the prestigious Getty Museum (Ulrich Boser, author of The Gardner Heist).
In recent years, several of America’s leading art museums have voluntarily given up their finest pieces of classical art to the governments of Italy and Greece. Why would they be moved to such unheard-of generosity? The answer lies at the Getty, one of the world’s richest and most troubled museums, and scandalous revelations that it had been buying looted antiquities for decades. Drawing on a trove of confidential museum records and candid interviews, these two journalists give us a fly-on-the-wall…
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