Here are 100 books that The Crystal Messenger fans have personally recommended if you like
The Crystal Messenger.
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I lived and worked in South Korea for four years, where I first became fascinated with the country’s history, from shamans on Jeju island to the twentieth-century politics of Seoul. I’m the author of two novels and dozens of short stories and essays published in venues around the world, many of which feature some element of Korean history. I’m originally from Canada and now teach creative writing at the University of Adelaide in Australia.
This is a novel that I suspected I was falling into as much as reading—that is, I felt utterly and, at times, uncomfortably immersed in Murakami’s story universe.
I love the blending of contemporary realism in the novel (our protagonist’s day-to-day life) with the historical and the way the Japanese military’s atrocities in Manchuria in the 30s haunt the recognizably contemporary world so that even a man sitting at the bottom of a well contemplating existence and history feels like an acceptable and dreamlike weirdness.
I’m completely taken with such a strange and affecting representation of lesser-known histories and the ghosts such events leave us with.
Toru Okada's cat has disappeared and this has unsettled his wife, who is herself growing more distant every day. Then there are the increasingly explicit telephone calls he has started receiving. As this compelling story unfolds, the tidy suburban realities of Okada's vague and blameless life, spent cooking, reading, listening to jazz and opera and drinking beer at the kitchen table, are turned inside out, and he embarks on a bizarre journey, guided (however obscurely) by a succession of characters, each with a tale to tell.
I want to write about the magic of the everyday and often this is seen in the slippages between worlds like the worlds of the living and the dead. Ghosts and spirits feature heavily in my work and fascinate me as a reader too. This is not in the realm of fantasy to me, ghosts are real and actual.
This story is about Benny a teenager who can hear objects speaking and his mother, who is a compulsive hoarder.
Benny finds a group of people in a hidden wing of the local library which introduces him to a new world where he is accepted. He meets Aleph a drug user who leaves lines of poetry on paper in the books of the library and Slavoj a homeless drunk man who spouts much philosophy from his wheelchair. Ozeki makes the reality fantastic, the work is grounded in ordinary details.
The book is a beautiful portrait of a mix of characters you ordinarily would ignore and makes magic of the everyday. It's this everyday magic that I also wish to capture in my own fiction.
"No one writes like Ruth Ozeki-a triumph." -Matt Haig, New York Times bestselling author of The Midnight Library
"Inventive, vivid, and propelled by a sense of wonder." -TIME
"If you've lost your way with fiction over the last year or two, let The Book of Form and Emptiness light your way home." -David Mitchell, Booker Prize-finalist author of Cloud Atlas
Longlisted for the Women's Prize for Fiction
A boy who hears the voices of objects all around him; a mother drowning in her possessions; and a Book that might hold the secret to saving them both-the brilliantly inventive new novel…
I want to write about the magic of the everyday and often this is seen in the slippages between worlds like the worlds of the living and the dead. Ghosts and spirits feature heavily in my work and fascinate me as a reader too. This is not in the realm of fantasy to me, ghosts are real and actual.
Anguli Ma was a murderer from a Buddhist parable who collected his victims' fingers in a necklace.
The parable goes that he met the Buddha who converted him by emitting calm and mindfulness. Vu’s book transplants this fable into the eighties in the western suburbs of Melbourne, Anguli Ma being a war refugee from the Vietnam/American war. He joins a shared household of other refugees and encounters a monk meditating in a park. The monk brings another world of mindfulness to Anguli Ma.
I like this book because of the clever adaptation of the parable and the Buddhist themes throughout- any one of the refugees could resort to violence like Anguli Ma or find peace through mindfulness—they all suffer from war trauma. It’s also beautifully written with the other world of mindfulness poetry in motion.
Anguli Ma is the central figure in a traditional Buddhist folktale, a deranged killer who wears his victims’ fingers in a garland around his neck. Chi Vu presents him as a menacing abattoir worker who carries bloody chunks of meat home to his lodgings in plastic bags, in this suburban Gothic tale set in 1980s Melbourne, when the flight of Vietnamese refugees to Australia was at its height.
The gathering fear, the prevailing darkness, the strange contours of the house which has been divided and sub-divided to accommodate its female occupants, the macabre humour and surreal effects, mark Chi Vu’s…
I want to write about the magic of the everyday and often this is seen in the slippages between worlds like the worlds of the living and the dead. Ghosts and spirits feature heavily in my work and fascinate me as a reader too. This is not in the realm of fantasy to me, ghosts are real and actual.
This amazing book is about Oblivia a girl who survives gang rape living in a swamp with thousands of black swans who is promised to Warren Finch the Deputy Prime Minister of Australia an indigenous man.
In her journey we meet many out there characters told in mythic style in a future Australia devastated by climate change. This book is a potent mix of speculative fiction and magic realism featuring indigenous communities and characters. I admire it for the breadth of its vision and the intimacy of Oblivia and of course the swans.
A hypnotic and “astonishingly inventive” (O, The Oprah Magazine) novel about an Aboriginal girl living in a future world turned upside down—where ancient myths exist side-by-side with present-day realities.
Oblivia Ethelyne was given her name by an old woman who found her deep in the bowels of a gum tree, tattered and fragile, the victim of a brutal assault by wayward local youths. These are the years leading up to Australia’s third centenary, and the woman who finds her, Bella Donna of the Champions, is a refugee from climate change wars that devastated her country in the northern hemisphere.
Until today’s multiple catastrophes, the Vietnam War was the most harrowing moment in the lives of my fellow baby boomers and me. Drafted into the U.S. Army in early 1970, I spent 365 days in Vietnam as a combat correspondent. That experience changed my life, because as the Argentinian writer Jose Narosky has pointed out, “in war, there are no unwounded soldiers.” I have spent the past five decades trying to heal those wounds, writing three books grounded in my Vietnam experience, and have devoted my life to listening to the voices of our veterans, distilling their memories (often music-based), and sharing their words.
How music became so readily available to Vietnam soldiers is emphasized in Armed with Abundance. Trying to remedy the tenuous morale among GIs, the U.S. military provided them with “creature comforts” in an effort to make war easier, and certainly more palatable. Lair finds that consumption and satiety, more so than privation and sacrifice, defined the experience of most soldiers' Vietnam deployments. She reveals that in 1969 and 1970, for example, soldiers purchased nearly 500,000 radios, 178,000 reel-to-reel tape decks, and 220,000 cassette recorders. Rock and roll was there to stay!
Popular representations of the Vietnam War tend to emphasize violence, deprivation, and trauma. By contrast, in Armed with Abundance, Meredith Lair focuses on the noncombat experiences of U.S. soldiers in Vietnam, redrawing the landscape of the war so that swimming pools, ice cream, visits from celebrities, and other "comforts" share the frame with combat.
To address a tenuous morale situation, military authorities, Lair reveals, wielded abundance to insulate soldiers - and, by extension, the American public - from boredom and deprivation, making the project of war perhaps easier and certainly more palatable. The result was dozens of overbuilt bases in…
From an early age, it became obvious there were two types of people in the world. There were those who played it safe, who sold life insurance or worked for the government, who took their kids to soccer games and dutifully hosted Thanksgiving dinner. Then there were those who were haunted and driven by inner forces they couldn’t begin to understand. After realizing that I fell into the second category, I discovered many kindred spirits who had written books. While some of them sugar-coated their stories into “page-turners” or “beach reads,” the core of human obsession was unmistakable. I resolved to explore the outer edge of that obsession.
Some of us marry our childhood sweetheart, while others carry a lifelong torch for a love that seems unattainable. For Inez Victor—married to a U.S. Senator and failed Presidential candidate, a woman who has spent her entire adult life being photographed—the memories of Jack Lovett come in and out of focus like a camera lens. For decades, the two of them nurture a fantasy that finally explodes into the open with the force of the munitions that Lovett sells to governments around the world.
From the bestselling, award-winning author of The Year of Magical Thinking and Let Me Tell You What I Mean—a gorgeously written, bitterly funny look at the relationship between politics and personal life.
Moving deftly between romance, farce, and tragedy, from 1970s America to Vietnam to Jakarta, Democracy is a tour de force from a writer who can dissect an entire society with a single phrase.
Inez Victor knows that the major casualty of the political life is memory. But the people around Inez have made careers out of losing track. Her senator husband wants to forget the failure of his…
Who hasn’t seen the classic American movies on the Vietnam War–Apocalypse Now, The Deer Hunter, or Platoon? They are fine films, but have you ever asked yourself where the Vietnamese are? Save for a few stereotyped cameo appearances, they are remarkably absent. I teach the history of the wars in Vietnam at the Université du Québec à Montréal. My students and I explore the French and the American sides in the wars for Vietnam, but one of the things that I’ve tried to do with them is weave the Vietnamese and their voices into our course; this list provides a window into those Vietnamese voices.
This riveting memoir will take you into the world of a young non-communist nationalist, Nguyen Cong Luan, whose father joined Ho Chi Minh in 1945 to fight the French colonialists despite distrusting Ho’s communist core.
Luan’s father dies in a communist prison shortly thereafter, leaving his son to grow up largely on his own in dangerous areas contested by the French, the communists, and the non-communists. What makes Luan’s account so eye-opening is that he shows that the communists led by Ho Chi Minh were not the only nationalists to fight during some thirty years of war. The non-communists did, too, as his own journey into adulthood and the army of South Vietnam reveals.
At a deeper level, Nguyen Cong Luan reminds us that though the struggle for Vietnam was a French and American one, at its core, it was a civil war among the Vietnamese.
This extraordinary memoir tells the story of one man's experience of the wars of Viet Nam from the time he was old enough to be aware of war in the 1940s until his departure for America 15 years after the collapse of South Viet Nam in 1975. Nguyen Cong Luan was born and raised in small villages near Ha Noi. He grew up knowing war at the hands of the Japanese, the French, and the Viet Minh. Living with wars of conquest, colonialism, and revolution led him finally to move south and take up the cause of the Republic of…
As I write this, I massage aching bits of shrapnel still embedded beneath silvered scars. I’ve read many Vietnam War stories—praising the war, glorifying combat, condemning the war. My stories are 1st person limited POV, voice of a twenty-year-old sailor. My title is a spin-off of Joseph Conrad’s Heart of Darkness. By the time I wrote my memoir, I realized that our national goals in Vietnam had been Muddy from the beginning. I too, traveled Jungle Rivers. During my time on the riverboat, I witnessed Rivers of blood—rivers of life, trickle across our deck. And yes, Jungle is a fitting metaphor for our life at that time.
My river boat division (Mobile Riverine Force Division 112) patrolled the Cua Viet River just south of the DMZ between North and South Vietnam during the timeline of this book so I could very much relate to the events, though the Marines took much heavier casualties than our boats did. Keith Nolan does an excellent job documenting the battles—as I read, I relived the bomb and strafing runs done by the navy aircraft carrier F-4 Phantoms (which I also wrote about in my memoir) Nolan’s very detailed account of the Marine battles on the north side of the river answered many decades-old questions for me. His use of dialogue and insights into the Marines keep the reader engrossed.
On April 29, 1968, the North Vietnamese Army is spotted less than four miles from the U.S. Marines’ Dong Ha Combat Base. Intense fighting develops in nearby Dai Do as the 2d Battalion, 4th Marines, known as “the Magnificent Bastards,” struggles to eject NVA forces from this strategic position.
Yet the BLT 2/4Marines defy the brutal onslaught. Pressing forward, America’s finest warriors rout the NVA from their fortress-hamlets–often in deadly hand-to-hand combat.At the end of two weeks of desperate, grinding battles, the Marines and the infantry battalion supporting them are torn to shreds. But against all odds, they beat back…
I fell into researching women’s antiwar activism during the U.S. war in Vietnam by chance when I came across evidence of middle-aged American women traveling to Jakarta, Indonesia in 1965 to meet with women from North Vietnam and the National Liberation Front—the enemies of the United States at the time. Discovering that some of these same U.S. women (and many others), would later travel to Hanoi despite the United States conducting extensive bombing raids over North Vietnam, despite travel to North Vietnam being prohibited, and despite some of the women having young children at home, simply astounded me, and I had to find out more.
As the representative of the Provisional Revolutionary Government of the Republic of South Vietnam at the Paris Peace Conference, Nguyen Thi Binh inspired women’s rights activists around the world. Charged with forwarding efforts toward people-to-people diplomacy, Binh met with antiwar activists from all over the world, including the United States, as she negotiated for peace through official channels. With Binh’s high-level position, the reality of her experiences have often been obscured and misconstrued by people on all sides of the U.S. war in Vietnam. Thus, her memoir provides much-needed insight into her family background, her role in resisting France, her leadership in the National Liberation Front during the U.S. war, and her position in the Vietnamese government following the fall of Saigon.
This book is hard to find and only available in Vietnam currently.
I am a Research Professor in history at UNSW Canberra at the Australian Defence Force Academy. I now mostly write on the military history of British India history but for 27 years I worked at the Australian War Memorial, Australia’s national military museum, where I became Principal Historian. Much of my career was devoted to Australian military history and more than half of my 40 or so books are in that field. That puts me in a good position to comment upon what I think are the five best books in the field of Australian military history (my own excepted, of course).
The study of battles, and often individual actions by small groups of men, has been an important part of Australian military history, and the Australian military historical tradition has produced many fine practitioners of operational military history. One author who produced a fine example of the genre is Gerard Windsor, the author of fiction and memoir who, though without any previous experience of writing military history, produced All Day Long the Noise of Battle, a study of the attack made by one company of Australian infantry upon a Viet Cong bunker system in Phuoc Tuy province, South Vietnam, in 1968. Sparked by a chance encounter with a schoolmate, Windsor began investigating a hitherto unnamed battle, one of the most fierce the Australians fought in their ten-year war in Vietnam, and a superb example of how to write about men in battle.
"In 1968 an Australian infantry company assaulted a Vietnamese bunker complex in a three-day battle. Yet it passed unacknowledged in Australia, and the men were insulted by command's failure to recognise their courage. Gerard Windsor's All Day Long the Noise of Battle looks at the men's strengths and weaknesses, their alliances and tensions, their morale, their reactions to combat, their stand-out characters and their leaders. And throughout, the book becomes an essay on the nature of men's memory of battle. Windsor brings a fiction writer's eye to this tragic episode. Full of memorable personalities Windsor's book is seminal and moving."
