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As I write this, I massage aching bits of shrapnel still embedded beneath silvered scars. Iâve read many Vietnam War storiesâpraising the war, glorifying combat, condemning the war. My stories are 1st person limited POV, voice of a twenty-year-old sailor. My title is a spin-off of Joseph Conradâs Heart of Darkness. By the time I wrote my memoir, I realized that our national goals in Vietnam had been Muddy from the beginning. I too, traveled Jungle Rivers. During my time on the riverboat, I witnessed Rivers of bloodârivers of life, trickle across our deck. And yes, Jungle is a fitting metaphor for our life at that time.
McMasterâs book confirms the corruption, lies, and hubris of national leaders, including the military during the Vietnam era. As a high-ranking officer in the army, I found his in-depth analysis of deception at the top levels very troubling. This is a must-read for every person interested in our historyâespecially to understand the mistakes of the Vietnam Warâthe quagmire that pulled us in.
"The war in Vietnam was not lost in the field, nor was it lost on the front pages of the New York Times or the college campuses. It was lost in Washington, D.C." -H. R. McMaster (from the Conclusion) Dereliction Of Duty is a stunning analysis of how and why the United States became involved in an all-out and disastrous war in Southeast Asia. Fully and convincingly researched, based on transcripts and personal accounts of crucial meetings, confrontations and decisions, it is the only book that fully re-creates what happened and why. McMaster pinpoints the policies and decisions that gotâŚ
As I write this, I massage aching bits of shrapnel still embedded beneath silvered scars. Iâve read many Vietnam War storiesâpraising the war, glorifying combat, condemning the war. My stories are 1st person limited POV, voice of a twenty-year-old sailor. My title is a spin-off of Joseph Conradâs Heart of Darkness. By the time I wrote my memoir, I realized that our national goals in Vietnam had been Muddy from the beginning. I too, traveled Jungle Rivers. During my time on the riverboat, I witnessed Rivers of bloodârivers of life, trickle across our deck. And yes, Jungle is a fitting metaphor for our life at that time.
After my mother was committed, I went through five foster homes by sixteen. Wolffâs early years mirrored mine in some respectsâbroken home, high school dropout, military service a path forward. He even served in the Mekong Delta, arriving early in 1968 just as the Tet Offensive was trigged. I arrived one week later. Wolffâs tight dialogue and crazy exploits such as the color television resonated. But âLast Shotââthe last two pages really touched me as he reflects on a lost friend Hughâno chance to live life and have a family. Many years ago my daughter went to Washington D.C. She asked if I knew anyone on the Wall. She returned with thirteen etchings. Each day I reflect on why I have lived so long and they never had a chance. Wolff shares that emotion so masterfully throughout his book.
Whether he is evoking the blind carnage of the Tet offensive, the theatrics of his fellow Americans, or the unraveling of his own illusions, Wolff brings to this work the same uncanny eye for detail, pitiless candor and mordant wit that made This Boy's Life a modern classic.
As I write this, I massage aching bits of shrapnel still embedded beneath silvered scars. Iâve read many Vietnam War storiesâpraising the war, glorifying combat, condemning the war. My stories are 1st person limited POV, voice of a twenty-year-old sailor. My title is a spin-off of Joseph Conradâs Heart of Darkness. By the time I wrote my memoir, I realized that our national goals in Vietnam had been Muddy from the beginning. I too, traveled Jungle Rivers. During my time on the riverboat, I witnessed Rivers of bloodârivers of life, trickle across our deck. And yes, Jungle is a fitting metaphor for our life at that time.
This is the first Vietnam War book I read. For almost ten years I remained silent about my military serviceâmany coworkers did not know I had served, let alone two tours and wounded in action. Caputoâs voice and sense of loss and waste and rage touched so close to my feelings. His gift of words made me live again the countless hours of boredom punctuated by moments of terrorâfor me, ambushes, mines, incoming artillery, and mortar rounds. Twenty years in the future, when I began writing my stories, I read Caputoâs book again because I hoped to emulate his sense of angst.
The 40th anniversary edition of the classic Vietnam memoirâfeatured in the PBS documentary series The Vietnam War by Ken Burns and Lynn Novickâwith a new foreword by Kevin Powers
In March of 1965, Lieutenant Philip J. Caputo landed at Danang with the first ground combat unit deployed to Vietnam. Sixteen months later, having served on the line in one of modern historyâs ugliest wars, he returned homeâphysically whole but emotionally wasted, his youthful idealism forever gone.
A Rumor of War is far more than one soldierâs story. Upon its publication in 1977, it shattered Americaâs indifference to the fate ofâŚ
Tap Dancing on Everest, part coming-of-age memoir, part true-survival adventure story, is about a young medical student, the daughter of a Holocaust survivor raised in N.Y.C., who battles self-doubt to serve as the doctorâand only womanâon a remote Everest climb in Tibet.
As I write this, I massage aching bits of shrapnel still embedded beneath silvered scars. Iâve read many Vietnam War storiesâpraising the war, glorifying combat, condemning the war. My stories are 1st person limited POV, voice of a twenty-year-old sailor. My title is a spin-off of Joseph Conradâs Heart of Darkness. By the time I wrote my memoir, I realized that our national goals in Vietnam had been Muddy from the beginning. I too, traveled Jungle Rivers. During my time on the riverboat, I witnessed Rivers of bloodârivers of life, trickle across our deck. And yes, Jungle is a fitting metaphor for our life at that time.
As a child, I lived in abject poverty on a little farm in northern Minnesota. By ten years old I was trapping raccoons and shooting squirrels to help put food on our table. When I was in Vietnam, I felt a deep empathy for the Vietnamese fishermen and farmers who lived in poverty complicated by the vicious war. Years later when I began reading Dang Thuy Tramâs diary, I couldnât put it down. The loss and waste and love for her comrades struck close to home and made me feel guilty for my participation in the war. In her writing, Dang brings to life so many of her Vietnamese comrades who were killedâmaking one stop to consider the cost of war. In a way the book reminds me of All Quiet on the Western Front written by a German soldierâthe loss and waste.
Last Night I Dreamed of Peace is the moving diary kept by a 27-year-old Vietnamese doctor who was killed by the Americans during the Vietnam War, while trying to defend her patients. Not only is it an important slice of history, from the opposite side of Dispatches and Apocalypse Now, but it shows the diarist - Dang Thuy Tram - as a vibrant human being, full of youthful idealism, a poetic longing for love, trying hard to be worthy of the Communist Party and doing her best to look after her patients under appalling conditions.
I was always fascinated by the Vietnam War since my older sisterâs friends went off to fight in it. After getting my PhD and writing about World War I and World War II, I returned to Vietnam by getting involved with veterans groups and taking veterans and students to Vietnam. Since then I have written widely on the topic, teach about the Vietnam War, and have been involved in several major Vietnam War documentaries for outlets including the History Channel and National Geographic Channel. From those early days I have read everything I can get my hands on about the war, about my generationâs war.
A perfect example of what a well-researched and written academic book on the Vietnam War should be. Abandoning Vietnam tells the critical story of the military side of how America exited its conflict in Vietnam. In most western books on the Vietnam War, our allies in Vietnam, the South Vietnamese, are missing. But this book makes clear South Vietnamâs manifold strengths and clear weaknesses and why our alliance with them failed. The failure of that alliance not only cost more than 50,000 American lives but cost the Vietnamese millions and cost South Vietnam its very life.
We like to forget what happened there in the wake of our defeat, but this book wonât let you forget. Reading this pushed me to write my own book to further the story.
To achieve this goal, America poured millions of dollars into training and equipping the South Vietnamese military while attempting to pacify the countryside. Precisely how this strategy was implemented and why it failed so completely are the subjects of this eye-opening study. Drawing upon both archival research and his own military experiences in Vietnam, Willbanks focuses on military operations from 1969 through 1975. He contends that Vietnamization was a potentially viable plan that was begun years too late.
In 1965, I voluntarily enlisted in the Army as a draft exempt, 26-year-old high school teacher. After completing the infantry officer, airborne, ranger, jumpmaster, special forces, and jungle warfare courses, in 1967 I was assigned to a Special Forces A-team in I Corps, Vietnam. In 1968, I volunteered for SOG, a top-secret recon-commando unit at a small, remote SF jungle camp that was later attacked by 3,000 to 4,000 North Vietnamese Army troops. With a masterâs degree in history, I have since studied all aspects of the Vietnam War. Gregory Sanders, also a Vietnam veteran, and I researched, wrote, and in 2019 publisheda unique tactical, operational, and strategic narrative and analysis of that battle titled BAIT: the Battle of Kham Duc.
The Vietnam War cannot be understood without understanding two opposing groups of historians of it: the orthodox and the revisionist. This is the most concise, balanced, and objective analysis of those contradictory versions of the war. The leftist version is an anti-war, anti-U.S. military, anti-South Vietnamese government interpretation that sees the war as unwinnable and morally shameful U.S. imperialism. It rejects all revisionist arguments to the contrary, such as the difference between the U.S. political failure in America and the U.S. military success in Vietnam, as "conservative counterfactual speculation".
Going beyond the dominant orthodox narrative to incorporate insight from revisionist scholarship on the Vietnam War, Michael G. Kort presents the case that the United States should have been able to win the war, and at a much lower cost than it suffered in defeat. Presenting a study that is both historiographic and a narrative history, Kort analyzes important factors such as the strong nationalist credentials and leadership qualities of South Vietnam's Ngo Dinh Diem; the flawed military strategy of 'graduated response' developed by Robert McNamara; and the real reasons South Vietnam collapsed in the face of a massive NorthâŚ
The first and only full-length biography of Hazel Ying Lee, an unrecognized pioneer and unsung World War II hero who fought for a country that actively discriminated against her gender, race, and ambition.
This unique hidden figure defied countless stereotypes to become the first Asian American woman in United StatesâŚ
For me, writing novels is an attempt in metaphor to clear the ledger of unfinished business in my crazy, contradictory, sometimes funny, sometimes sad, and always messy mind. All the books I've written have long and often intensely personal backstories. All of us live two lives, a life in the world of things, relationships, and time (needs), and a life in the world we create in our minds (wants). When needs and wants come into conflict we have the elements that make a novel. I see my job as a novelist to provide an exciting story and plot that carries a reader through the material world.
My book is a story about what often happens to some soldiers after a war, in today's lingo, PTSD. As one who is a veteran himself, Iâve always been conflicted about soldiering, war, the aftermath of war, and the American penchant for war. One book put it all into perspective for me, Enduring Vietnam by historian James Wright. Wright gives you the historical context that brought about the war; the politics that influenced the war; and the battles fought during the war. But he tells it all from the perspective of the soldiers who fought the war, from our fellow Americans and allies in South Vietnam, but also from the perspective of the enemy soldiers, the Vietcong and North Vietnamese.
The Vietnam War is largely recalled as a mistake, either in the decision to engage there or in the nature of the engagement. Orboth. Veterans of the war remain largely anonymous figures, accomplices in the mistake. Critically recounting the steps that led to the war, this book does not excuse the mistakes, but it brings those who served out of the shadows. Enduring Vietnam recounts the experiences of the young Americans who fought in Vietnam and of families who grieved those who did not return. By 1969 nearly half of the junior enlisted men who died in Vietnam were draftees.âŚ
Who hasnât seen the classic American movies on the Vietnam WarâApocalypse Now, The Deer Hunter, or Platoon? They are fine films, but have you ever asked yourself where the Vietnamese are? Save for a few stereotyped cameo appearances, they are remarkably absent. I teach the history of the wars in Vietnam at the UniversitĂŠ du QuĂŠbec Ă MontrĂŠal. My students and I explore the French and the American sides in the wars for Vietnam, but one of the things that Iâve tried to do with them is weave the Vietnamese and their voices into our course; this list provides a window into those Vietnamese voices.
This riveting memoir will take you into the world of a young non-communist nationalist, Nguyen Cong Luan, whose father joined Ho Chi Minh in 1945 to fight the French colonialists despite distrusting Hoâs communist core.
Luanâs father dies in a communist prison shortly thereafter, leaving his son to grow up largely on his own in dangerous areas contested by the French, the communists, and the non-communists. What makes Luanâs account so eye-opening is that he shows that the communists led by Ho Chi Minh were not the only nationalists to fight during some thirty years of war. The non-communists did, too, as his own journey into adulthood and the army of South Vietnam reveals.
At a deeper level, Nguyen Cong Luan reminds us that though the struggle for Vietnam was a French and American one, at its core, it was a civil war among the Vietnamese.
This extraordinary memoir tells the story of one man's experience of the wars of Viet Nam from the time he was old enough to be aware of war in the 1940s until his departure for America 15 years after the collapse of South Viet Nam in 1975. Nguyen Cong Luan was born and raised in small villages near Ha Noi. He grew up knowing war at the hands of the Japanese, the French, and the Viet Minh. Living with wars of conquest, colonialism, and revolution led him finally to move south and take up the cause of the Republic ofâŚ
Who hasnât seen the classic American movies on the Vietnam WarâApocalypse Now, The Deer Hunter, or Platoon? They are fine films, but have you ever asked yourself where the Vietnamese are? Save for a few stereotyped cameo appearances, they are remarkably absent. I teach the history of the wars in Vietnam at the UniversitĂŠ du QuĂŠbec Ă MontrĂŠal. My students and I explore the French and the American sides in the wars for Vietnam, but one of the things that Iâve tried to do with them is weave the Vietnamese and their voices into our course; this list provides a window into those Vietnamese voices.
If you like graphic memoirs and want one on the Vietnam War, Marcelino Truongâs Such a Lovely Little War is for you.
Itâs an autobiographical tale of Truongâs life as the son of a Vietnamese diplomat working for the South Vietnam government and a French mother. We see the war through his eyes, but we also see the world he encountered as a teenager in London, Washington, and then back in Saigon.
The dialogue and the graphics are superb. The juxtaposition between his family and this âlovely little warâ turning around it makes this memoir of the Vietnam War a highly original one.
This riveting, beautifully produced graphic memoir tells the story of the early years of the Vietnam war as seen through the eyes of a young boy named Marco, the son of a Vietnamese diplomat and his French wife. The book opens in America, where the boy's father works for the South Vietnam embassy; there the boy is made to feel self-conscious about his otherness thanks to schoolmates who play war games against the so-called "Commies." The family is called back to Saigon in 1961, where the father becomes Prime Minister Ngo Dinh Diem's personal interpreter; as the growing conflict betweenâŚ
The authoritative but accessible history of the birth of modern American intelligence in World War II that treats not just one but all of the various disciplines: spies, codebreakers, saboteurs.
Told in a relatable style that focuses on actual people, it was a New Yorker "Best of 2022" selection andâŚ
Until todayâs multiple catastrophes, the Vietnam War was the most harrowing moment in the lives of my fellow baby boomers and me. Drafted into the U.S. Army in early 1970, I spent 365 days in Vietnam as a combat correspondent. That experience changed my life, because as the Argentinian writer Jose Narosky has pointed out, âin war, there are no unwounded soldiers.â I have spent the past five decades trying to heal those wounds, writing three books grounded in my Vietnam experience, and have devoted my life to listening to the voices of our veterans, distilling their memories (often music-based), and sharing their words.
How music became so readily available to Vietnam soldiers is emphasized in Armed with Abundance. Trying to remedy the tenuous morale among GIs, the U.S. military provided them with âcreature comfortsâ in an effort to make war easier, and certainly more palatable. Lair finds that consumption and satiety, more so than privation and sacrifice, defined the experience of most soldiers' Vietnam deployments. She reveals that in 1969 and 1970, for example, soldiers purchased nearly 500,000 radios, 178,000 reel-to-reel tape decks, and 220,000 cassette recorders. Rock and roll was there to stay!
Popular representations of the Vietnam War tend to emphasize violence, deprivation, and trauma. By contrast, in Armed with Abundance, Meredith Lair focuses on the noncombat experiences of U.S. soldiers in Vietnam, redrawing the landscape of the war so that swimming pools, ice cream, visits from celebrities, and other "comforts" share the frame with combat.
To address a tenuous morale situation, military authorities, Lair reveals, wielded abundance to insulate soldiers - and, by extension, the American public - from boredom and deprivation, making the project of war perhaps easier and certainly more palatable. The result was dozens of overbuilt bases inâŚ