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I am a historian of early American history who discovered the history of medicine somewhat by accident. As a history graduate student, I wanted to understand how ordinary Americans experienced the American Revolution. While digging through firsthand accounts written by average Americans, I came across a diary written by a sailor named Ashley Bowen. Although Bowen wrote made entries daily beginning in the 1760s, he hardly mentioned any of the political events that typically mark the coming of the American Revolution. Instead, day after day, he wrote about outbreaks of smallpox and how he volunteered to help his community. From then on, I began to understand just how central and inseparable health and politics are.
While hundreds of books have been written on early New England, Ben Mutschler deftly paints a portrait of life in New England “with sickness at its center.” He thoroughly integrates family struggles over illness and the demands placed on local governments into the story of the social and political development of this region that has long valued public health even as it has also endured tragic circumstances.
How do we balance individual and collective responsibility for illness? This question, which continues to resonate today, was especially pressing in colonial America, where episodic bouts of sickness were pervasive, chronic ails common, and epidemics all too familiar.
In The Province of Affliction, Ben Mutschler explores the surprising roles that illness played in shaping the foundations of New England society and government from the late seventeenth century through the early nineteenth century. Considered healthier than residents in many other regions of early America, and yet still riddled with disease, New Englanders grappled steadily with what could be expected of the…
Being from Upstate New York I went to college at Cornell University but headed off to New Orleans as soon as I could. By and by I became an instructor at Delgado Community College. Always a big fan of the city’s amazing historic cemeteries, when teaching a world architectural history class, I took the class to the Metairie Cemetery where I could show the students real examples of every style from Ancient Egyptian to Modern American. After coming to Texas State University, San Marcos (30 miles from Austin), I went back to New Orleans on sabbatical in 2013 and wrote The Cemeteries of New Orleans.
Necropolis describes how the yellow fever shaped New Orleans society in the 1800s.
While the fever was killing tens of thousands of people for almost two centuries from the founding of the city in 1718 until the last yellow fever epidemic in 1905, giving its victims horrible deaths in which they cried blood and vomited tar-like bile in the process, the disease helped preserve the city’s Creole culture by killing off a large proportion of immigrants to the city who were more susceptible than native-born New Orleans.
Before reading this book, I had no idea that being “acclimated” to yellow fever by surviving a case of this horrible disease was what made white transplants into bonafide citizens of the city.
Disease is thought to be a great leveler of humanity, but in antebellum New Orleans acquiring immunity from the scourge of yellow fever magnified the brutal inequities of slave-powered capitalism.
Antebellum New Orleans sat at the heart of America's slave and cotton kingdoms. It was also where yellow fever epidemics killed as many as 150,000 people during the nineteenth century. With little understanding of mosquito-borne viruses-and meager public health infrastructure-a person's only protection against the scourge was to "get acclimated" by surviving the disease. About half of those who contracted yellow fever died.
Repeated epidemics bolstered New Orleans's strict racial…
I am a historian of early American history who discovered the history of medicine somewhat by accident. As a history graduate student, I wanted to understand how ordinary Americans experienced the American Revolution. While digging through firsthand accounts written by average Americans, I came across a diary written by a sailor named Ashley Bowen. Although Bowen wrote made entries daily beginning in the 1760s, he hardly mentioned any of the political events that typically mark the coming of the American Revolution. Instead, day after day, he wrote about outbreaks of smallpox and how he volunteered to help his community. From then on, I began to understand just how central and inseparable health and politics are.
Charles E. Rosenberg published his book, The Cholera Years, in 1962, and it has remained the classic book on the history of medicine in the 19th century United States. Rosenberg has had a singular impact on the field and has written on many public health topics, but his first book remains my favorite. Cleverly integrating the histories of social change, religion, and the contentious politics of New York City into a richly detailed chronicle of three separate epidemics of cholera, Rosenberg provides a gripping account of how Americans’ responses to public health crises have changed over time.
Cholera was the classic epidemic disease of the nineteenth century, as the plague had been for the fourteenth. Its defeat was a reflection not only of progress in medical knowledge but of enduring changes in American social thought. Rosenberg has focused his study on New York City, the most highly developed center of this new society. Carefully documented, full of descriptive detail, yet written with an urgent sense of the drama of the epidemic years, this narrative is as absorbing for general audiences as it is for the medical historian. In a new Afterword, Rosenberg discusses changes in historical method…
I am a historian of early American history who discovered the history of medicine somewhat by accident. As a history graduate student, I wanted to understand how ordinary Americans experienced the American Revolution. While digging through firsthand accounts written by average Americans, I came across a diary written by a sailor named Ashley Bowen. Although Bowen wrote made entries daily beginning in the 1760s, he hardly mentioned any of the political events that typically mark the coming of the American Revolution. Instead, day after day, he wrote about outbreaks of smallpox and how he volunteered to help his community. From then on, I began to understand just how central and inseparable health and politics are.
Gretchen Long’s book Doctoring Freedom includes remarkable stories not only of how Black people were abused and left out of American health care, such as it was in the 19th century, but centers the book on Black Americans’ efforts to support their health and their citizenship while being denied both. Long’s finely detailed case studies of Black doctors, such as John Donalson Austin who had been an enslaved herbal healer who was denied the right to practice when free, is one of many stories Long uncovers as she details the ways Black healers and doctors used clinics, hospitals, and dispensaries as sites of resistance to both medical and political authorities.
For enslaved and newly freed African Americans, attaining freedom and citizenship without health for themselves and their families would have been an empty victory. Even before emancipation, African Americans recognized that control of their bodies was a critical battleground in their struggle for autonomy, and they devised strategies to retain at least some of that control. In Doctoring Freedom, Gretchen Long tells the stories of African Americans who fought for access to both medical care and medical education, showing the important relationship between medical practice and political identity. Working closely with antebellum medical journals, planters' diaries, agricultural publications, letters from…
Writing this book brought back memories from my childhood—of watching Perry pitch in the late 1960s and, more deeply, of relations with my parents. My father (a math prof at UC Berkeley) and mother cared little for sports, but by the time I turned seven, an identity uniquely my own emerged from my infatuation with the San Francisco Giants. By age ten, I regularly sneaked off to Candlestick Park, which required two long bus rides and a hike through one of the city’s worst neighborhoods. I knew exactly when I had to leave to retrace my journey to get home in time for dinner. Baseball was, and remains, in my blood.
Nathanson (like me) faced the dilemma of writing biography when the subject declines to be interviewed. His approach showed me the way. The availability of digital newspaper databases has opened up enormous possibilities for research, and Nathanson took advantage of them to provide color, detail, and analysis on a grand scale. The many dozens of reporters and newspaper writers who covered Dick Allen wrote game accounts, opinion columns, and feature stories that informed, inspired, and entertained contemporary readers. They watched the games from the vantage point of the press box, peppered the players and managers with questions in the clubhouse afterward, and often rode the buses and planes with the teams. They had a level of access that is the envy of historians, and Nathanson greatly profited from their work.
When the Philadelphia Phillies signed Dick Allen in 1960, fans of the franchise envisioned bearing witness to feats never before accomplished by a Phillies player. A half-century later, they're still trying to make sense of what they saw.
Carrying to the plate baseball's heaviest and loudest bat as well as the burden of being the club's first African American superstar, Allen found both hits and controversy with ease and regularity as he established himself as the premier individualist in a game that prided itself on conformity. As one of his managers observed, "I believe God Almighty hisself would have trouble…
I have loved American history all my life. I thought I knew the events and key figures in the American Revolution. Then, in 2001, I learned about Dr. Joseph Warren. The more I learned, the more I wanted to tell his story. I travelled to Boston. I walked the Freedom Trail. I followed the red bricks that wind through historic Boston until they end at Bunker Hill. I saw the marble statue of Dr. Warren at Bunker Hill honoring his death. His influence and footprints are on every location along the Freedom Trail. My passion is to tell his story; my hope is that all Americans can remember his sacrifice.
I love to find “hidden gems” in history. Ona Judge is a gem. First published in 2017, Never Caught, the Story of Ona Judge is a biography that reads like an engaging novel. It depicts the life of George and Martha Washington’s young enslaved girl that grows to a young woman in the shadows of the most powerful couple in our new nation. At age 16, Ona leaves Mount Vernon to accompany President Washington and Martha while they live in New York and then Philadelphia. She is treated splendidly, but she is still property. This terrible truth crashes upon Ona when Martha, wanting to give the absolute best gift she can to her difficult, disagreeable, and stubborn granddaughter, decides to give her Ona – her most cherished possession, as a wedding gift. Rather than be property to be gifted and given, Ona escapes. This book shows how President…
"A brilliant work of US history." -School Library Journal (starred review) "Gripping." -BCCB (starred review) "Accessible...Necessary." -Kirkus Reviews (starred review)
A National Book Award Finalist for Nonfiction, Never Caught is the eye-opening narrative of Ona Judge, George and Martha Washington's runaway slave, who risked everything for a better life-now available as a young reader's edition!
In this incredible narrative, Erica Armstrong Dunbar reveals a fascinating and heartbreaking behind-the-scenes look at the Washingtons when they were the First Family-and an in-depth look at their slave, Ona Judge, who dared to escape from one of the nation's Founding Fathers.
I'm an American historian and former director of UNC-Chapel Hill's Program in Sexuality Studies—and former pizza maker, gas pumper, park ranger, and tour guide at the house in which Louisa May Alcott wroteLittle Women. As a historian, I've spent my career trying to understand the lives of people in early American history who weren't well known at the time. In writing the Sewing Girl's Tale, which focuses on a survivor of a sexual assault, it was especially important to keep her at the center of the story. Ultimately, I wanted to know: What was life in the aftermath of the American Revolution like—not for some Founding Father—but for an ordinary young woman.
This best-selling book tells an important story about Black women's struggles for freedom and autonomy at the founding of the American nation. And tells it so well! One of my favorite things about this book is that the title is a bit misleading: this is not actually (another) book about the Washingtons.The book centers on Ona Judge, a woman who freed herself after the Revolution and forged a new life in the tumultuous world of the newly independent United States. Dramatic and suspenseful as her personal story is, this book also tells a bigger story about how it was enslaved people themselves who made the North free. Heartbreaking, heroic, dramatic, suspenseful, inspiring.
A startling and eye-opening look into America's First Family, Never Caught is the powerful story about a daring woman of "extraordinary grit" (The Philadelphia Inquirer).
When George Washington was elected president, he reluctantly left behind his beloved Mount Vernon to serve in Philadelphia, the temporary seat of the nation's capital. In setting up his household he brought along nine slaves, including Ona Judge. As the President grew accustomed to Northern ways, there was one change he couldn't abide: Pennsylvania law required enslaved people be set free after six months of residency in the state. Rather than comply, Washington decided to…
The first time I learned that I was raised by a “bad” mother was when I was in the first grade. The teachers complained that my mother hadn’t shown up for parent-teacher conferences and never could get me to school on time. But I knew what they did not, that my mother worked a lot and was raising kids all her own and yet still had time to take us to the library to read books that were well beyond the ones at school. Because of my highly iterant life raised by a bookish and neglectful mother, I have always been interested in the relationship between children and their less-than-perfect mothers.
This book takes the idea of “badass” to another level of meaning and measure.
Here, Hattie is a mother of twelve children of various stories and in some ways, a stand-in for all mothers who made the migration north from the deep south of the United States. She’s tough but loving and endures the kind of struggles that would knock many people down.
'I can't remember when I read anything that moved me quite this way, besides the work of Toni Morrison.' Oprah Winfrey
'Mathis traces the fates of Hattie's 12 children and grandchildren over the course of the 20th century . . . [it] is remarkable.' Sunday Times
'Ms. Mathis has a gift for imbuing her characters' stories with an epic dimension that recalls Toni Morrison's writing.' New York Times
Fifteen years old and blazing with the hope of a better life, Hattie Shepherd fled the horror of the American South on a dawn train bound for Philadelphia.…
Laura A. Macaluso researches and writes about monuments, museums, and material culture. Interested in monuments since the 1990s, the current controversies and iconoclasm (monument removals) have reshaped society across the globe. She works at the intersection of public art and public history, at places such as George Washington’s Mount Vernon.
Monument Lab is one book to get your hands on, if you are curious to know how a historic city can remake its traditional monumental history to become more inclusive and reflective of a holistic past and present. The book is about the organization called Monument Lab, which works with communities, artists, and more to reshape the monument culture of Philadelphia. Filled with short essays and colorful photographs, Monument Lab and Monument Lab the book model the democratic turn towards inclusive monument making in an American city.
What is an appropriate monument for the current city of Philadelphia? That was the question posed by the curators, artists, scholars, and students who comprise the Philadelphia-based public art and history studio Monument Lab. And in 2017, along with Mural Arts Philadelphia, they produced and organized a groundbreaking, city-wide exhibition of temporary, site-specific works that engaged directly with the community. The installations, by a cohort of diverse artists considering issues of identity, appeared in iconic public squares and neighborhood parks with research and learning labs and prototype monuments.
Monument Lab is a fabulous compendium of the exhibition and a critical…
Garrett Epps is the author of two published novels and five works of non-fiction about the U.S. Constitution. He graduated from Duke Law School in 1991; since then he has taught Constitutional Law at the American University, the University of Baltimore, Boston College, Duke University, and the University of Oregon. For ten years he was Supreme Court Correspondent for The Atlantic, and covered from close up cases involving the Affordable Care Act, same-sex marriage, and the Trump Administration’s immigration policies. He is now Legal Affairs Editor of The Washington Monthly, and at work on a novel about crime and justice during the years of Southern segregation.
Scottoline, a former big-firm litigator, has created Benny Rosato, the founder of an all-female firm of defense lawyers, as the master of the world of courts and jails. InMistaken Identity, however, Benny defends an unexpected client—“Alice Connoly,” who is Rosato herself, a double claiming to be a long-lost twin. What follows raises the question of why (as the mysterious defendant asks) Alice is in jail while Rosato is free, secure, and successful. In a way, Mistaken Identityis a feminist version of The Trial--a fever dream of that same hellish world that Kafka saw beneath K.’s feet--the law, supernatural and inhuman, that waits to devour the innocent and the guilty alike.
Another riveting courtroom thriller from the female John Grisham.
Crack trial lawyer Bennie Rosato is called to the local prison to consult with Alice Connolly, a woman accused of committing cold-blooded murder and who wants Bennie to represent her at the trial. Bennie has no intention of taking the case, until she comes face to face with Connolly: the incarcerated woman is a dead ringer for Bennie - and claims to be her long-lost twin sister. Disbelieving but somehow convinced, Bennie takes on the case against her better judgement, and starts sniffing out the corruption and dangerous cover-up that lies…
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